Salvador Bahia Brazil Matrix
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  • (Bahia)
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  • From Brazil with love →
  • @ Ground Zero
  • El Aleph
  • If You Can't Stand the Heat
  • Harlem to Bahia to the Planet
  • Why a "Matrix"?

From Brazil with love →

@ Ground Zero

 

Have you, dear friend, ever noticed how different places scattered across the face of the globe seem almost to exist in different universes? As if they were permeated throughout with something akin to 19th century luminiferous aether, unique, determined by that place's history? It's like a trick of the mind's light (I suppose), but standing on beach or escarpment in Salvador and looking out across the Baía de Todos os Santos to the great Recôncavo, and mindful of what happened there, one must be led to the inevitable conclusion that one is in a place unique to history, and to the present*.

 

 

"Chegou a hora dessa gente bronzeada mostrar seu valor / The time has come for these bronzed people to show their value..."Música: Assis Valente of Santo Amaro, Bahia. Vídeo: Betão Aguiar.

 

*More enslaved human beings entered the Bay of All Saints and the Recôncavo than any other final port-of-call throughout all of mankind's history.

 

These people and their descendants created some of the most uplifting music ever made, the foundation of Brazil's national art. We wanted their music to be accessible to the world (it's not even accessible here in Brazil) so we created a platform by which everybody's creativity is mutually accessible, including theirs.

 

El Aleph

 

The network was built in an obscure record shop (Kareem Abdul-Jabbar found it) in a shimmering Brazilian port city...

 

...inspired in (the kabbalah-inspired fiction of) Borges' (short story) El Aleph, that in the pillar in Cairo's Mosque of Amr, where the universe in its entirety throughout all time is perceivable as an infinite hum from deep within the stone.

 

It "works" by virtue of the "small-world" phenomenon...the same responsible for the fact that most of us 7 billion or so beings are within 6 or fewer degrees of each other.

 

It was described (to some degree) and can be accessed via this article in British journal The Guardian (which named our radio of matrixed artists as one of ten best in the world):

 

www.theguardian.com/travel/2020/apr/17/10-best-music-radio-station-around-world

 

With David Dye for U.S. National Public Radio: www.npr.org/2013/07/16/202634814/roots-of-samba-exploring-historic-pelourinho-in-salvador-brazil

 

All is more connected than we know.

 

Per the "spirit" above, our logo is a cortador de cana, a cane-cutter. It was designed by Walter Mariano, professor of design at the Federal University of Bahia to reflect the origins of the music the shop specialized in. The Brazilian "aleph" doesn't hum... it dances and sings.

 

If You Can't Stand the Heat

 

Image above is from the base of the cross in front of the church of São Francisco do Paraguaçu in the Bahian Recôncavo

 

Sprawled across broad equatorial latitudes, stoked and steamed and sensual in the widest sense of the word, limned in cadenced song, Brazil is a conundrum wrapped in a smile inside an irony...

 

This is not a European nation. It is not a North American nation. It is not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn. Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin. It was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people). Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David. Three cultures — from three continents — running for their lives, their confluence forming an unprecedented fourth. Pandeirista on the roof. Nowhere else but here.

 

Oligarchy, plutocracy, dictatorships and massive corruption — elements of these are still strongly entrenched — have defined, delineated, and limited Brazil.

 

But strictured & bound as it has been and is, Brazil has buzz...not the shallow buzz of a fashionable moment...but the deep buzz of a population which in spite of — or perhaps because of — the tough slog through life they've been allotted by humanity's dregs-in-fine-linen, have chosen not to simply pull themselves along but to lift their voices in song and their bodies in dance...to eat well and converse well and much and to wring the joy out of the day-to-day happenings and small pleasures of life which are so often set aside or ignored in the European, North American, and East Asian nations.

 

For this Brazil has a genius perhaps unparalleled in all other countries and societies, a genius which thrives alongside peeling paint and holes in the streets and roads, under bad organization by the powers-that-be, both civil and governmental, under a constant rain of societal indignities...

 

Which is all to say that if you don't know Brazil and you're expecting any semblance of order, progress and light, you will certainly find the light! And the buzz of a people who for generations have responded to privation at many different levels by somehow rising above it all.

 

"Onde tem miséria, tem música!"* - Raymundo Sodré

 

And it's not just music. And it's not just Brazil.

 

Welcome to the kitchen!

 

* "Where there is misery, there is music!" Remarked during a conversation arcing from Bahia to Haiti and Cuba to New Orleans and the south side of Chicago and Harlem to the villages of Ireland and the gypsy camps and shtetls of Eastern Europe...

 

Harlem to Bahia to the Planet



Why a "Matrix"?

 

I was explaining the ideas behind this nascent network to (João) Teoria (trumpet player above) over cervejas at Xique Xique (a bar named for a town in Bahia) in the Salvador neighborhood of Barris...

 

Like this (but in Portuguese): "It's kind of like Facebook if it didn't spy on you, but reversed... more about who you don't know than who you do know. And who doesn't know you but would be glad if they did. It's kind of like old Myspace Music but instead of having "friends" it has a list on your page of people you recommend. Not just musicians but writers, painters, filmmakers, dancers, chefs... anybody in the creative economy. It has a list of people who recommend you, or through whom you are recommended. It deals with arts which aren't recommendable by algorithm but need human intelligence behind recommendations. And the people who are recommended can recommend, creating a network of recommendations wherein by the small world phenomenon most people in the creative economy are within several steps of everybody else in the creative economy, no matter where they are in the world. Like a chessboard which could have millions of squares, but you can get from any given square to any other in no more than six steps..."

 

And João said (in Portuguese): "A matrix where you can move from one artist to another..."

 

A matrix! That was it! The ORIGINAL meaning of matrix is "source", from "mater", Latin for "mother". So the term would help congeal the concept in the minds of people the network was being introduced to, while giving us a motto: "We're a real mother for ya!" (you know, Johnny "Guitar" Watson?)

 

The original idea was that musicians would recommend musicians, the network thus formed being "small world" (commonly called "six degrees of separation"). In the real world, the number of degrees of separation in such a network can vary, but while a given network might have billions of nodes (people, for example), the average number of steps between any two nodes will usually be minuscule.

 

Thus somebody unaware of the magnificent music of Bahia, Brazil will be able to conceivably move from almost any musician in this matrix to Bahia in just a few steps...

 

By the same logic that might move one from Bahia or anywhere else to any musician anywhere.

 

And there's no reason to limit this system to musicians. To the contrary, while there are algorithms written to recommend music (which, although they are limited, can be useful), there are no algorithms capable of recommending journalism, novels & short stories, painting, dance, film, chefery...

 

...a vast chasm that this network — or as Teoria put it, "matrix" — is capable of filling.

 

  • Paulo Aragão
    I RECOMMEND

CURATION

  • from this node by: Matrix+

This is the Universe of

  • Name: Paulo Aragão
  • City/Place: Rio de Janeiro
  • Country: Brazil

Life & Work

  • Bio: Paulo Aragão é um dos mais destacados arranjadores brasileiros de sua geração, tendo trabalhado ao lado de nomes como Guinga, Francis Hime, Dori Caymmi, Mauricio Carrilho, Nailor Proveta, Monica Salmaso e Renato Braz; e tendo colaborado com artistas como Sergio Assad, Yamandu Costa e Hamilton de Holanda.

    Atuou como produtor de discos como: Avenida Atlântica (Guinga, 2017), Brasileiro Saxofone (Nailor Proveta, 2009), Brasileiro Saxofone vol. II (Nailor Proveta, 2014), Francis e Guinga (Francis Hime e Guinga, 2013), Tira Poeira (2002), Caio Marcio (2003), Papagaio do moleque (Rabo de Lagartixa, 2009). Atuou como co-produtor musical em diversos projetos da Acari Records, tais como “Callado, pai dos chorões”, “Conjunto Corta-jaca”, “Camerata Brasilis”, “Choro carioca, música do Brasil”. Em 2011, produziu o CD “As Quatro Estações Cariocas”, com Zé Paulo Becker e o Quarteto Radamés Gnattali, no qual assina uma das obras, ao lado de outras de Sergio Assad, Mauricio Carrilho e Jayme Vignoli.

    Já teve composições e arranjos tocados por orquestras como Los Angeles Philharmonic Orchestra, Orchestre National de France, Gewandhaus Orchestra de Leipzig, Metropole Orkest (Holanda), Orquestra Sinfônica Brasileira (OSB), Orquestra Petrobras Sinfônica (OPeS), Orquestra Jazz Sinfônica (SP), entre outras.

    É integrante e fundador do Quarteto Maogani de Violões, com o qual já ganhou os prêmios TIM, Caras, Rival BR e mais recentemente o 26º Prêmio da Música Brasileira, como melhor grupo instrumental.

    É professor da Escola Portátil de Música e um dos diretores da Casa do Choro, no Rio de Janeiro.

Contact Information

  • Email: [email protected]

Media | Markets

  • ▶ Website: http://www.pauloaragao.com.br
  • ▶ YouTube Channel: http://www.youtube.com/user/aragaopaulo
  • ▶ YouTube Music: http://music.youtube.com/channel/UCeudnyg58VyqfeLkLPVa1qA
  • ▶ Spotify: http://open.spotify.com/album/2lMwZJgjCNa8fwLafGsAl1
  • ▶ Spotify 2: http://open.spotify.com/album/2INJmzUAXUBfmJPu5bj2OE
  • ▶ Spotify 3: http://open.spotify.com/album/2RLT5ktRrvfJNvcfy0NC3F
  • ▶ Spotify 4: http://open.spotify.com/album/0kgiqc3eiE8WVdLFg7q3gh
  • ▶ Spotify 5: http://open.spotify.com/album/4rXqXT8cIIDRWxgtxbTw7C
  • ▶ Spotify 6: http://open.spotify.com/album/67N4tPR1Xck7GGfl3ahnl7

Clips (more may be added)

  • 3:40
    65- Ô DE CASAS - Mônica Salmaso e Paulo Aragão - Diagnóstico
    By Paulo Aragão
    17474 views
  • 0:19:34
    Aula 1 - Primórdios do Choro - Apreciação Musical com Paulo Aragão
    By Paulo Aragão
    258 views
  • 0:33:11
    Aula 2 - Primórdios do Choro - Aula de Apreciação Musical com Paulo Aragão
    By Paulo Aragão
    223 views
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YOU RECOMMEND

Imagine the world's creative economy at your fingertips. Imagine 10 doors side-by-side. Beyond each, 10 more, each opening to a "creative" somewhere around the planet. After passing through 8 such doorways you will have followed 1 pathway out of 100 million possible (2 sets of doorways yield 10 x 10 = 100 pathways). This is a simplified version of the metamathematics that makes it possible to reach everybody in the global creative economy in just a few steps It doesn't mean that everybody will be reached by everybody. It does mean that everybody can  be reached by everybody.


Appear below by recommending Paulo Aragão:

  • 3 Arranger
  • 3 Brazil
  • 3 Choro
  • 3 Composer
  • 3 MPB
  • 3 Rio de Janeiro
  • 3 Samba
  • 3 Violão
  • Dona Dalva Cachoeira
  • Michael Pipoquinha Composer
  • Ajeum da Diáspora Brazil
  • Gilsons Bahia
  • Eric Bogle Scotland
  • Ayrson Heráclito Visual Artist
  • Shaun Martin Songwriter
  • Matt Ulery Record Label Owner
  • Arismar do Espírito Santo Multi-Instrumentalist
  • Dhafer Youssef ظافر يوسف Tunis
  • Emicida Hip-Hop
  • Deborah Colker Rio de Janeiro
  • Tom Green Guitar
  • Hélio Delmiro Brazil
  • Seu Jorge Brazil
  • Caroline Shaw Contemporary Classical Music
  • Andy Romanoff Writer
  • Peter Dasent Television Scores
  • Xenia França Singer-Songwriter
  • Alexandre Leão Brasil, Brazil
  • Rolando Herts Delta State University Faculty
  • H.L. Thompson Apparel & Fashion
  • Raymundo Sodré Samba de Roda
  • Joanna Majoko Toronto
  • Hendrik Meurkens Vibraphone
  • Lionel Loueke Composer
  • J. Period DJ
  • Paulo Aragão Arranger
  • Ari Rosenschein Seattle
  • Christopher Wilkinson Movie Producer
  • Mulatu Astatke Keyboards
  • Julien Libeer Brussels
  • Walter Smith III Berklee College of Music Faculty
  • Billy Strings Guitar
  • Danilo Brito Composer
  • Loli Molina Argentina
  • MonoNeon Experimental Music
  • Dadá do Trombone MPB
  • Nelson Latif Brazil
  • Tommaso Zillio Author
  • Miguel Atwood-Ferguson Violin
  • Benoit Fader Keita Africa
  • Matt Glaser Bluegrass
  • Corey Ledet Singer-Songwriter
  • Karla Vasquez Los Angeles
  • Ênio Bernardes Produtor de Discos, Record Producer
  • Nelson Ayres Jazz
  • Darrell Green New York City
  • Mário Pam Salvador
  • Dan Tepfer Piano
  • Zé Luíz Nascimento Barcelona
  • Nêgah Santos Percussion
  • Alexandre Vieira Jazz Brasileiro, Brazilian Jazz
  • Greg Ruby Jazz
  • André Becker Salvador
  • Dan Trueman Composer
  • George Garzone Author
  • Mykia Jovan Blues
  • Alan Williams Metal Artist
  • Tessa Hadley Writer
  • Chris Dingman Multi-Cultural
  • Atlantic Brass Quintet Balkan Music
  • Sabine Hossenfelder YouTuber
  • Billy Strings Songwriter
  • Oswaldo Amorim Composer
  • Parker Ighile Singer-Songwriter
  • Luques Curtis New York City
  • Linda Sikhakhane Jazz
  • Scotty Apex Los Angeles
  • As Ganhadeiras de Itapuã Samba de Roda
  • Ramita Navai Writer
  • Sting Singer-Songwriter
  • Afel Bocoum Mali
  • Bodek Janke Jazz
  • Trilok Gurtu Indian Classical Music
  • Ayrson Heráclito Visual Artist
  • Seu Jorge Rio de Janeiro
  • Saileog Ní Cheannabháin Piano
  • Amilton Godoy Piano
  • Sérgio Pererê MPB
  • Jupiter Bokondji African Music
  • Tatiana Eva-Marie Manouche
  • Terrace Martin Hip-Hop
  • Bebê Kramer Brazil
  • Gabriel Grossi Rio de Janeiro
  • Adam O'Farrill Trumpet
  • Eddie Kadi London
  • Edil Pacheco Record Producer
  • Gonzalo Rubalcaba Havana
  • Aperio Texas
  • Ali Jackson Percussion
  • Antônio Pereira Singer-Songwriter
  • Tom Schnabel DJ
  • Issac Delgado Cuba
  • Jake Oleson Brooklyn, NY
  • Seu Jorge Samba
  • Sandro Albert New York City
  • Berkun Oya Turkey
  • David Bragger Fiddle Instruction
  • Natan Drubi Choro
  • Leandro Afonso Federal University of Bahia
  • Veronica Swift Composer
  • Third Coast Percussion Percussion Ensemble
  • Marcel Camargo Choro
  • Béla Fleck Americana
  • Jon Batiste Melodica
  • Anissa Senoussi London
  • Deesha Philyaw Fiction
  • Imani Winds Classical Music
  • Will Vinson Saxophone
  • Fred Dantas Ethnomusicologist
  • Joel Best Character Artist
  • G. Thomas Allen Singer-Songwriter
  • Jovino Santos Neto Cornish College of the Arts Faculty
  • Chris Dave Drums
  • Bill Hinchberger Paris
  • Yazz Ahmed London
  • NIcholas Casey New York Times
  • Pharoah Sanders Composer
  • Mono/Poly Experimental Music
  • Jorge Alfredo Brasil, Brazil
  • Dave Holland Jazz
  • The Brain Cloud Americana
  • Missy Mazolli Piano
  • Carlinhos Brown Percussion
  • J. Cunha Designer Gráfico, Graphic Designer
  • Chico Buarque Author
  • Armen Donelian Record Producer
  • Joey Baron Composer
  • Tomoko Omura Japan
  • Irma Thomas R&B
  • Gilsons Salvador
  • RAM Haiti
  • Roy Ayers Jazz, Funk, R&B, Soul, Hip-Hop
  • Dale Barlow Flute
  • Jim Farber Journalist
  • Jessie Montgomery Composer
  • Bob Bernotas Liner Notes
  • Jovino Santos Neto Composer
  • Negra Jhô Salvador
  • Jan Ramsey Magazine Publisher
  • Eric Coleman Cinematographer
  • Gord Sheard MPB
  • Rogério Caetano Violão de Sete
  • Léo Rugero Forró
  • Samuel Organ Experimental Rock
  • Nubya Garcia Flute
  • Nancy Viégas Bahia
  • Roque Ferreira Chula
  • Luciano Calazans Salvador
  • Ivo Perelman São Paulo
  • Msaki Record Label Owner
  • Yunior Terry Violin
  • Shankar Mahadevan Composer
  • David Bruce Contemporary Classical Music
  • Carl Joe Williams New Orleans
  • Glória Bomfim Brazil
  • Tia Fuller Jazz
  • Conrad Herwig New York City
  • Munir Hossn Composer
  • James Gavin Writer
  • Sharay Reed Chicago
  • Maia Sharp Americana
  • Mateus Aleluia Candomblé
  • David Bragger Guitar Instruction
  • Aindrias de Staic Actor
  • Tam-Ky Vietnamese Foods
  • Jaleel Shaw Composer
  • Brian Q. Torff Bass
  • Shez Raja London
  • Shaun Martin Songwriter
  • Gilberto Gil Singer-Songwriter
  • Muireann Nic Amhlaoibh Irish Traditional Music
  • Ricky (Dirty Red) Gordon Zydeco
  • Elif Şafak Writer
  • Andrew Gilbert International Music
  • Romero Lubambo MPB
  • Filhos de Nagô Brazil
  • Sheryl Bailey Jazz
  • Cláudio Jorge Rio de Janeiro
  • Fred Hersch Rutgers University Faculty
  • Martin Fondse Composer
  • Antonio Sánchez Drums
  • Frank Beacham Playwright
  • Gavin Marwick Scottish Traditional Music
  • Júlio Caldas Guitarra Baiana
  • Sahba Aminikia Composer
  • Jorge Glem Venezuela
  • Rick Beato Atlanta, Georgia
  • Cory Wong Songwriter
  • Airto Moreira Composer
  • Joel Best London
  • Christopher James Record Producer
  • Nelson Latif Violão de Sete
  • Ben Allison New School for Jazz and Contemporary Music Faculty
  • Eamonn Flynn Soul
  • Julien Libeer Piano
  • Alegre Corrêa Florianópolis
  • Sunna Gunnlaugs Reykjavik
  • THE ROOM Shibuya Shibuya
  • Domingos Preto Samba de Roda
  • Don Byron Film Scores
  • Ofer Mizrahi Multi-Cultural
  • Thiago Trad Salvador
  • Tambay Obenson Writer
  • Román Díaz Percussion
  • Paulo Dáfilin Composer
  • David Sánchez Afro-Caribbean Music
  • Marvin Dunn Writer
  • Pat Metheny Guitar
  • André Mehmari São Paulo
  • J. Velloso Bahia
  • John McWhorter Linguist
  • Manassés de Souza Ceará
  • Melanie Charles Experimental Music
  • JD Allen Saxophone
  • Linda May Han Oh Jazz
  • Safy-Hallan Farah Somalia
  • Ashley Page Aukland
  • Danilo Brito Bandolim
  • Olivia Trummer Composer
  • Oteil Burbridge Bass
  • Sierra Hull Americana
  • Yamandu Costa Composer
  • Sabine Hossenfelder Frankfurt Institute for Advanced Studies
  • Ray Angry Keyboards
  • Berkun Oya Playwright
  • Buck Jones Bahia
  • Kiya Tabassian كيا طبسيان Film Scores
  • Cristiano Nogueira Rio de Janeiro
  • Rumaan Alam Writer
  • Zeca Pagodinho Samba
  • Keith Jarrett Composer
  • Nancy Viégas Designer Gráfico, Graphic Designer
  • Ivan Bastos Baixo, Bass
  • Olivia Trummer Piano
  • Manu Chao Singer-Songwriter
  • Sarah Hanahan Composer
  • Alex Hargreaves Brooklyn, NY
  • Cut Worms Americana
  • Bai Kamara Jr. Sierra Leone
  • Fabiana Cozza MPB
  • Joe Lovano Composer
  • Jakub Knera Gdańsk
  • Priscila Castro Brasil, Brazil
  • Manu Chao Multi-Cultural
  • Seth Swingle Banjo
  • Marcel Camargo Cavaquinho
  • Horácio Reis MPB
  • Cinho Damatta MPB
  • Massimo Biolcati Composer
  • Jaques Morelenbaum Songwriter
  • John Edward Hasse Jazz
  • Bonerama Funk
  • Steve Lehman Experimental Music
  • Rebeca Omordia Nigeria
  • Shez Raja Tabla
  • Gêge Nagô Samba
  • Kamasi Washington Saxophone
  • Serwah Attafuah NFTs
  • Bonerama Brass Band
  • D.D. Jackson Composer
  • Roy Nathanson Composer
  • Kathy Chiavola Singer
  • Bianca Gismonti Brazil
  • Roberta Sá Brazil
  • Adriano Souza Samba
  • Monk Boudreaux Percussion
  • Iuri Passos Ethnomusicologist
  • Caoimhín Ó Raghallaigh Dublin
  • Rez Abbasi Indian Classical Music
  • Mateus Aleluia Filho Brasil, Brazil
  • Nilze Carvalho Mandolin
  • Adonis Rose Composer
  • Mohini Dey India
  • Intisar Abioto Dancer
  • Tero Saarinen Choreographer
  • Eduardo Kobra Muralista, Muralist
  • Alan Brain Peru
  • Gonzalo Rubalcaba Piano
  • Al Kooper Record Producer
  • Aditya Prakash Multi-Cultural
  • Kiko Horta Forró
  • Kengo Kuma Tokyo
  • Mauro Senise Flute
  • Jerry Douglas Record Producer
  • Jimmy Greene Saxophone
  • Shirazee New York City
  • Sam Yahel Organ
  • Galactic New Orleans
  • Andrew Gilbert Jazz
  • Leonardo Mendes Brasil, Brazil
  • Alex de Mora Documentary Filmmaker
  • Gilson Peranzzetta Rio de Janeiro
  • Jon Batiste Jazz
  • Immanuel Wilkins Jazz
  • David Braid Film Scores
  • John Zorn Composer
  • Clint Smith Black American Culture & History
  • Diosmar Filho Bahia
  • Flor Jorge MPB
  • Cristovão Bastos Piano
  • Otmaro Ruiz Composer
  • Joe Lovano Author
  • Tessa Hadley Non-Fiction
  • Riley Baugus Folk & Traditional
  • Rosângela Silvestre Brazil
  • Kyle Poole New York City
  • Ricky (Dirty Red) Gordon Percussion
  • Marilda Santanna Salvador
  • Tele Novella Austin, Texas
  • Orrin Evans Record Label Owner
  • Orlando Costa Bahia
  • Vânia Oliveira Dança Afro
  • Kaveh Rastegar Music Director
  • Shaun Martin Gospel
  • Andrés Prado Jazz
  • Norah Jones New York City
  • Keshav Batish Multi-Cultural
  • Flora Purim Singer-Songwriter
  • Paquito D'Rivera Cuba
  • John Donohue Journalist
  • Mika Mutti Bahia
  • Raynald Colom Trumpet
  • Lucio Yanel Brazil
  • Paulo Costa Lima Escritor, Writer
  • Mahsa Vahdat Iran
  • Inon Barnatan New York City
  • Dee Spencer Composer
  • Dónal Lunny Multi-Instrumentalist
  • Giorgi Mikadze გიორგი მიქაძე Contemporary Classical Music
  • Nicole Mitchell Flute
  • Yazhi Guo 郭雅志 Jazz
  • Milton Primo Brazil
  • Yunior Terry Bass
  • Allen Morrison Piano
  • Rodrigo Caçapa Música Nordestina
  • Ronell Johnson Singer
  • Restaurante Axego Brazil
  • Luke Daniels Glasgow
  • Adam Neely Bass
  • Anders Osborne Americana
  • Shabaka Hutchings Composer
  • Yoko Miwa Composer
  • Arturo Sandoval Afro-Cuban Jazz
  • Mou Brasil Música Afro-Baiana, Afro-Bahian Music
  • Larissa Luz Brazil
  • Musa Okwonga Uganda
  • Lina Lapelytė Multi-Instrumentalist
  • Les Filles de Illighadad Tuareg Music

 'mātriks / "source" / from "mater", Latin for "mother"
We're a real mother for ya!

 

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