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  • James Carter

    VIA THE INTEGRATED GLOBAL
    CREATIVE ECONOMY

    inspired by
    THE GRAPEVINE TELEGRAPH
    of Pre-Civil War African-Americans

    promulgated by
    The Brazilian Ministry of Culture

    fomented by
    The Bahian Secretary of Culture

    fomented by
    The Palmares Foundation
    for the promotion of Afro-Brazilian Culture

    fomented by
    The National Foundation of Indigenous Peoples

    I CURATE

Network Node

  • Name: James Carter
  • City/Place: New York City
  • Country: United States

CURATION

  • from this node by: Matrix+

Life & Work

  • Bio: “You have to be totally comfortable wherever,” Carter says. “I feel that music equals life, that’s the way my teacher always taught me. You just can’t go through life and experience it fully with a set of blinders on. I think there’s tremendous beauty in cross-pollinations of music and influences.”

    In many ways, weaving together divergent impulses is at the heart of Carter’s music. Like the late tenor sax titan Ben Webster, he’s given to furious, high-velocity solos, but is just as likely to wax sentimental, using his big, bruising tone to tenderly caress a comely melody. In 2000, he released two albums simultaneously that amounted to an anti-manifesto, a proclamation that everything is fair game.

    On Chasin’ the Gypsy, a voluptuous, lyrical session partly inspired by the timeless collaboration between Django Reinhardt and Stephane Grappelli, he assembled a thrilling group with violinist Regina Carter and Brazilian guitarist Romero Lubambo, for a project born out of some sound check jamming with Lubambo and Brazilian percussionist Cyro Baptista during a tour with Kathleen Battle. The groove-laden Layin’ in the Cut, featuring James Blood Ulmer’s former rhythm section with electric bassist Jamaaladeen Tacuma and drummer Grant Calvin Weston, combines harmolodic freedom with a deep reservoir of funk, and developed out of a project inspired by another legendary guitarist, Jimi Hendrix.

    He reinvented the organ combo (with 2005’s Out of Nowhere and again in 2009 with John Medeski on Heaven and Earth), explored the music of alt-rock band Pavement (on 2005’s Gold Sounds), and paid loving tribute to Billie Holiday (on 2003’s Gardenias for Lady Day). Taken in context, Carter’s creative rendezvous with composer, Roberto Sierra, with the Concerto for Saxophones and Orchestra made perfect sense.

    Now Carter presents us with James Carter’s Elektrik Outlet, a new configuration within which he has found a new groove to explore. Shifting his sax into a keen array of electronics and pedals just might be the perfect “outlet” for Carter to tap into that “frustrated guitarist” that he often describes himself to be. An excellent selection of tunes from Eddie Harris, Gene Ammons, Al Jarreau, Stevie Wonder, Minnie Ripperton and others provides impetus for Carter’s Elektrik Outlet to sizzle, slide, and pop. Adding energy to the group are fellow Detroit artists, Gerard Gibbs on electronic keyboards, Ralphe Armstrong on electric bass and Alex White on drums.

Contact Information

  • Management/Booking: Management
    American International Artists, Inc.
    Cynthia B. Herbst, President
    (518) 686-0972

Media | Markets

  • ▶ Twitter: jamescarterlive
  • ▶ Website: http://jamescarterlive.com
  • ▶ YouTube Music: http://music.youtube.com/channel/UCxBnszhz5npntx1YScPe1UQ
  • ▶ Spotify: http://open.spotify.com/album/0BdIKXeki9xXABNsaaObIP
  • ▶ Spotify 2: http://open.spotify.com/album/1r1PprjJwnPDwqXU1F8djw
  • ▶ Spotify 3: http://open.spotify.com/album/3KoCiZYQASvMijRKEoHZo8
  • ▶ Spotify 4: http://open.spotify.com/album/1qCJMhU71FQ7Z47TySkLDg

More

  • Quotes, Notes & Etc. Carter’s ease with swing, bop and avant-garde styles also gave notice that a staggeringly inclusive figure—the apotheosis of the postmodern jazzman—was now among us.
    - Steve Futterman, THE WASHINGTON POST

    There were passages in the program, especially during pieces such as Joe Henderson’s “Recorda Me,” in which Carter played with a surprisingly soft and tender sound, his improvisations filled with subtle melodic paraphrases. At other times, he added an appealing, burry edge to his tone—the result calling up images, on soprano saxophone, of Sidney Bechet.
    - Don Heckman, LOS ANGELES TIMES

Clips (more may be added)

  • 0:45:58
    The Pace Report: "To Pursue Life and Love Through Music" The James Carter Interview
    By James Carter
    322 views
  • 1:33:25
    James Carter Organ Trio @Sons D'Hiver
    By James Carter
    298 views
Previous
Next

James Carter Curated

  • 2 Blue Note Records
  • 2 Clarinet
  • 2 Composer
  • 2 Contemporary Classical Music
  • 2 Flute
  • 2 Jazz
  • 2 New York City
  • 2 Saxophone

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  • James Carter
    A category was added to James Carter:
    Blue Note Records
    • July 2, 2020
  • James Carter
    Regina Carter → Violin has been recommended via James Carter.
    • July 2, 2020
  • James Carter
    Regina Carter → Multi-Cultural has been recommended via James Carter.
    • July 2, 2020
  • James Carter
    Regina Carter → Manhattan School of Music Faculty has been recommended via James Carter.
    • July 2, 2020
  • James Carter
    Regina Carter → Jazz has been recommended via James Carter.
    • July 2, 2020
  • James Carter
    Regina Carter → Classical Music has been recommended via James Carter.
    • July 2, 2020
  • James Carter
    Regina Carter → Americana has been recommended via James Carter.
    • July 2, 2020
  • James Carter
    A category was added to James Carter:
    Composer
    • July 2, 2020
  • James Carter
    A category was added to James Carter:
    Contemporary Classical Music
    • July 2, 2020
  • James Carter
    A category was added to James Carter:
    Clarinet
    • July 2, 2020
  • James Carter
    A category was added to James Carter:
    Flute
    • July 2, 2020
  • James Carter
    A category was added to James Carter:
    New York City
    • July 2, 2020
  • James Carter
    A category was added to James Carter:
    Jazz
    • July 2, 2020
  • James Carter
    A category was added to James Carter:
    Saxophone
    • July 2, 2020
  • James Carter
    A video was posted re James Carter:
    The Pace Report: "To Pursue Life and Love Through Music" The James Carter Interview
    • July 2, 2020
  • James Carter
    A video was posted re James Carter:
    James Carter Organ Trio @Sons D'Hiver
    James Carter, Alex White, and Gerard Gibbs.
    • July 2, 2020
  • James Carter
    James Carter is matrixed!
    • July 2, 2020
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  • English (Portuguese →)
  • (← Inglês) Português

English (Portuguese →)

 

Pathways from Brazil

THROUGH THE INTEGRATED GLOBAL CREATIVE ECONOMY

(all is closer than we imagine)

"I am thrilled to receive your email! Thank you for including me in this wonderful matrix."
✅—Susan Rogers
Personal recording engineer: Prince, Paisley Park
Director: Music Perception & Cognition Laboratory, Berklee College of Music
Author: This Is What It Sounds Like: What the Music You Love Says About You

 

The matrix was created in Salvador's Centro Histórico, where Bule Bule below, among magisterial colleagues for whom this matrix was originally built, sings "Chegou a hora dessa gente bronzeada mostrar seu valor... The time has come for these bronzed people to show their worth..."

Created because in common with most cultures around our planet, the preponderance of Brazil's vast cultural treasure has been impossible to find from outside of circumscribed regions, including Brazil itself...

Music & lyrics (Brasil Pandeiro) by Assis Valente of Santo Amaro, Bahia, Brazil. Video by Betão Aguiar of Salvador.

Thus something new under the tropical sun: A means by which those above, those below, and EVERYBODY ELSE in the creative economy can be divulged EVERYWHERE.

Quincy Jones can curate Gilberto Gil, for example. And Gil can curate, writers, dancers, filmmakers, painters, record producers, set designers...Luê Soares of Belém do Pará behind the mic above. You get to Quincy, you can get to Luê. Direct line.

And by the mathematics of the small world phenomenon, everybody in the matrix will tend to proximity to everybody else, in the same way that most human beings are within some six or so steps of most others.

The difference being that in the matrix, these steps are along pathways that can be travelled. The creative world becomes a neighborhood. Quincy Jones is right up the street and Branford Marsalis around the corner. And the most far-flung genius you've never heard of is just a few doors down. Maybe even in Brazil. Laroyê!
"Matrixado!"

✅—Founding Member Darius Mans
Economist, PhD, Massachusetts Institute of Technology
✅—Luiz Inácio Lula da Silva
President of Brazil


The matrix is the ultimate evolution of a pathway which began in New York City decades ago per the "rescue" of unpaid royalties for Aretha Franklin, Barbra Streisand, Mongo Santamaria, Gilberto Gil, Astrud Gilberto, Airto Moreira, Jim Hall, Led Zeppelin, Philip Glass, Clement "Coxsone" Dodd of Kingston's Studio One (Bob Marley's producer), and others. A long and winding road that led inexorably to the necessity of a truly open arts universe, for there is more in Heaven and Earth...

"Many thanks for this - I am  touched!"
✅—Julian Lloyd Webber

That most fabled cellist in the United Kingdom (and Brazilian music fan)

"I'm truly thankful... Sohlangana ngokuzayo :)"
✅—Nduduzo Makhathini
Blue Note recording artist)

"Thanks, this is a brilliant idea!!"
✅—Alicia Svigals
Founder of The Klezmatics

"This is super impressive work ! Congratulations ! Thanks for including me :)))"
✅—Clarice Assad
Compositions recorded by Yo Yo Ma and played by orchestras around the world

"Thank you"
(Banch Abegaze, manager)
✅—Kamasi Washington

Tap people, tap categories, tap curations... The matrix is a maze of tunnels within King Solomon's creative mines.

(← Inglês) Português

 

Caminhos do Brasil

ATRAVÉS DA ECONOMIA CRIATIVA GLOBAL INTEGRADA

(tudo está mais perto do que imaginamos)

"Fico muitíssimo feliz em receber seu e-mail! Obrigada por me incluir neste matrix maravilhoso."
✅—Susan Rogers
Engenheiro de gravação pessoal para Prince: Paisley Park
Diretora: Laboratório de Percepção e Cognição Musical, Berklee College of Music
Autora: This Is What It Sounds Like: What the Music You Love Says About You

 

O matrix foi criado no Centro Histórico de Salvador, onde Bule Bule abaixo, entre colegas magisteriais para quem este matrix foi originalmente construído, canta "Chegou a hora dessa gente bronzeada mostrar seu valor..."

Criado porque em comum com a maioria das culturas ao redor do nosso planeta, a preponderância do vasto tesouro cultural do Brasil tem sido impossível de encontrar de fora de regiões circunscritas, incluido o próprio Brasil...

Música & letras (Brasil Pandeiro) por Assis Valente de Santo Amaro, Bahia. Vídeo por Betão Aguiar de Salvador.

Assim algo novo sob o sol tropical: Um meio pelo qual os acima, os abaixo e TODOS OS OUTROS na economia criativa podem ser divulgados em TODOS OS LUGARES.

Quincy Jones pode indicar Gilberto Gil, por exemplo. Gil pode indicar escritores, dançarinos, cineastas, pintores, produtores de discos...Luê Soares de Belém do Pará atrás do microfone acima. Você chega em Quincy, pode chegar em Luê. Linha direta.

E pela matemática do fenômeno de mundo pequeno, todos no matrix tenderão a se aproximar de todos, da mesma forma que a maioria dos seres humanos estão dentro de cerca de seis passos da maioria dos outros.

Com a diferença que no matrix, estes passos estão ao longo de caminhos que podem ser percorridos. O mundo criativo se torna uma vizinhança. Quincy Jones está lá em cima e Branford Marsalis está ao virar da esquina. E o gênio distante que você nunca ouviu falar tá lá embaixo. Talvez até no Brasil. Laroyê!
"Matrixado!"

✅—Membro Fundador Darius Mans
Economista, doutorado, Massachusetts Institute of Technology
✅—Luiz Inácio Lula da Silva
Presidente do Brasil


O matrix é a evolução definitiva de um caminho que começou em Nova York há décadas atrás pelo "resgate" dos direitos autorais não pagos para Aretha Franklin, Barbra Streisand, Mongo Santamaria, Gilberto Gil, Astrud Gilberto, Airto Moreira, Jim Hall, Led Zeppelin, Philip Glass, Clement "Coxsone" Dodd do Studio One de Kingston (o produtor de Bob Marley), e outros. Um longo e sinuoso caminho que levou inexoravelmente à necessidade de um universo de artes verdadeiramente abertom pois há mais no Céu e na Terra...

"Muito obrigado por isso - estou tocado!"
✅—Julian Lloyd Webber
Estamos tocados também Sr. Webber!
Merecidamente o violoncelista mais lendário do Reino Unido (e fã da música brasileira)

"Estou realmente agradecido... Sohlangana ngokuzayo :)"
✅—Nduduzo Makhathini
Artista da Blue Note)

"Obrigada, esta é uma ideia brilhante!!"
✅—Alicia Svigals
Fundadora do The Klezmatics

"Este é um trabalho super impressionante! Parabéns! Obrigada por me incluir :)))"
✅—Clarice Assad
Composições gravadas por Yo Yo Ma e tocadas por orquestras ao redor do mundo

"Thank you"
(Banch Abegaze, empresário)
✅—Kamasi Washington

Toque em pessoas, toque em categorias, toque em curadoria... O matrix é um labirinto de túneis dentro das minas criativas do Rei Salomão.

  • Giba Conceição Bahia
  • Michael Peha Talent Management
  • Oswaldinho do Acordeon Accordion
  • Chano Domínguez Flamenco
  • Towa Tei テイ・トウワ Japan
  • Sam Reider Composer
  • Ricky (Dirty Red) Gordon Frottoir
  • Yasmin Williams Alexandria, Virginia
  • Chris Potter New York City
  • Eivør Pálsdóttir Singer-Songwriter
  • Léo Rodrigues Pandeiro Instruction Online
  • Molly Tuttle Bluegrass
  • Urânia Munzanzu Jornalista, Journalist
  • Tom Moon Music Critic
  • Terence Blanchard New Orleans
  • Yosvany Terry Cuba
  • Francisco Mela Composer
  • Nahre Sol YouTuber
  • As Ganhadeiras de Itapuã Salvador
  • Andrés Beeuwsaert Jazz
  • Serginho Meriti Composer
  • Deesha Philyaw Literary Critic
  • James Sullivan Journalist
  • Guilherme Kastrup Drums
  • Jurandir Santana Brazilian Jazz
  • Romero Lubambo Jazz
  • Nduduzo Makhathini South Africa
  • Inaicyra Falcão Dançarina, Dancer
  • G. Thomas Allen Opera
  • Rhiannon Giddens Folk & Traditional
  • Ilya Kaminsky Ukraine
  • Brian Q. Torff Composer
  • Lucinda Williams Nashville, Tennessee
  • Rowney Scott Diretor Artístico, Artistic Director
  • Ron McCurdy Jazz
  • Pedrão Abib Salvador
  • Mário Pam Bahia
  • Cláudia Leitão Brasil, Brazil
  • Cristiano Nogueira Travel Writer
  • Nilze Carvalho Rio de Janeiro
  • Frank Beacham New York City
  • Caroline Shaw Composer
  • Zulu Araújo Arquiteto, Architect
  • Helder Barbosa Economista, Economist
  • Ajurinã Zwarg Brazil
  • Luciana Souza New York City
  • Renato Braz Drums
  • James Gavin Journalist
  • Hugues Mbenda Chef
  • John Archibald Podcaster
  • Edsel Gomez Puerto Rico
  • Ryuichi Sakamoto Record Producer
  • Nardis Jazz Club Turkey
  • Aloísio Menezes Candomblé
  • Tia Fuller Berklee College of Music Faculty
  • Bobby Sanabria Drums
  • Ranky Tanky South Carolina
  • Gonzalo Rubalcaba Composer
  • Priscila Castro Amazon
  • Omer Avital Jazz
  • Marcos Suzano Brazil
  • Guga Stroeter Brazil
  • Jubu Smith Singer-Songwriter
  • Mingo Araújo Rio de Janeiro
  • Raymundo Sodré Chula
  • Isaiah Sharkey Composer
  • Intisar Abioto Storyteller
  • Helder Barbosa Salvador
  • Bodek Janke Multi-Cultural
  • Jonathon Grasse Brazilian Music
  • Roy Ayers New York City
  • Glória Bomfim Candomblé
  • King Britt Record Label Owner
  • Dale Farmer Screenwriter
  • David Kirby Novelist
  • Maladitso Band Africa
  • Sérgio Mendes Brazil
  • Sanjay K Roy Television Director
  • Ayrson Heráclito Visual Artist
  • Jon Madof Multi-Cultural
  • Swizz Beatz Art Collector
  • Forrest Hylton Brazil
  • André Vasconcellos São Paulo
  • David Simon Baltimore, Maryland
  • Grant Rindner Journalist
  • Noam Pikelny Nashville, Tennessee
  • June Yamagishi R&B
  • Quincy Jones Arranger
  • Kurt Andersen Radio Presenter
  • Jeffrey Boakye Writer
  • Marvin Dunn Documentary Filmmaker
  • Frank Negrão Bahia
  • Kathy Chiavola Country
  • Afel Bocoum Guitar
  • Turtle Island Quartet Contemporary Classical Music
  • Edil Pacheco Songwriter
  • Priscila Castro Pará
  • Casa Preta Local de Música ao Vivo, Live Music Venue
  • David Simon Journalist
  • Ray Angry Record Producer
  • Demond Melancon Big Chief
  • Nublu Record Label
  • André Brock African American Cyberculture
  • Chief Xian aTunde Adjuah Jazz
  • Lalah Hathaway Singer-Songwriter
  • Anderson Lacerda Jazz Brasileiro, Brazilian Jazz
  • Branford Marsalis Theater Composer
  • Paul Mahern Bloomington, Indiana
  • Sophia Deboick England
  • Marc Johnson Bossa Nova
  • Jeff Coffin Record Label Owner
  • Marko Djordjevic Jazz
  • Matt Dievendorf Composer
  • Matthew Guerrieri Music Journalist
  • Samuca do Acordeon Composer
  • Jovino Santos Neto Flute
  • Orquestra Afrosinfônica Salvador
  • Philip Sherburne Music Producer
  • Oswaldinho do Acordeon Forró
  • Jason Moran Composer
  • Bob Lanzetti Guitar
  • Zé Katimba Singer-Songwriter
  • Craig Ross Songwriter
  • Jon Madof Jewish Music/Avant-Garde Jazz
  • Mauro Senise Choro
  • Negra Jhô AFROBIZ Salvador
  • Brentano String Quartet Classical Music
  • Fred Dantas Trombone
  • Bill Summers Percussion
  • Ammar Kalia Writer
  • Sara Gazarek Jazz
  • Nathan Amaral Violin
  • Jeff Ballard Percussion
  • Patrice Quinn Singer
  • Johnny Vidacovich New Orleans
  • Robb Royer Record Producer
  • Rebeca Omordia Nigeria
  • Ian Hubert Filmmaker
  • Yasmin Williams Multi-Cultural
  • Bruce Molsky Guitar
  • Oleg Fateev Amsterdam
  • Del McCoury Banjo
  • John Patrick Murphy Irish Traditional Music
  • Sandro Albert Composer
  • Parker Ighile London
  • Stacy Dillard R&B
  • Rogério Caetano Brazil
  • Rema Namakula Singer
  • Ricardo Herz Violin
  • Courtney Pine Composer
  • James Carter Saxophone
  • Iroko Trio Brazil
  • Nancy Ruth Spain
  • Colm Tóibín Short Stories
  • Casey Driessen Live Looping
  • Yazz Ahmed Flugelhorn
  • Giba Conceição Candomblé
  • Fábio Luna Flauta, Flute
  • Andrew Huang Songwriter
  • Miguel Zenón Composer
  • Joshue Ashby Afro-Panamanian
  • Mark Bingham Singer-Songwriter
  • Terri Lyne Carrington Jazz
  • Casa da Mãe Salvador
  • Léo Brasileiro Bahia
  • Pharoah Sanders Multi-Cultural
  • Jorge Alfredo Brasil, Brazil
  • Emily Elbert Singer-Songwriter
  • Taj Mahal Folk & Traditional
  • André Becker Flauta, Flute
  • Garth Cartwright Music Promoter
  • Ênio Bernardes Choro
  • David Sacks Jazz
  • Pharoah Sanders Composer
  • Sarah Hanahan Saxophone
  • Daymé Arocena Cuba
  • Rick Beato Author
  • David Fiuczynski Jazz
  • Tom Piazza Screenwriter
  • Amilton Godoy MPB
  • Karsh Kale कर्ष काळे Indian Classical Music
  • Celso Fonseca Rio de Janeiro
  • Christone 'Kingfish' Ingram Mississippi
  • John Edward Hasse Author
  • Rose Aféfé Artista de Instalação, Installation Artist
  • Alê Siqueira Record Producer
  • Isaiah J. Thompson Artistic Director
  • Ronell Johnson Funk
  • Justin Stanton Composer
  • Márcio Bahia Brazil
  • Craig Ross Recording Engineer
  • Tomoko Omura Violin
  • Marco Pereira Author
  • Capinam Salvador
  • Riley Baugus Banjo
  • Sting Singer-Songwriter
  • Gilberto Gil Brazil
  • Alessandro Penezzi São Paulo
  • John McWhorter Linguist
  • Mohamed Diab Filmmaker
  • McIntosh County Shouters Spirituals
  • Anna Webber Saxophone
  • Tonynho dos Santos Flugelhorn
  • Alfredo Rodriguez New York City
  • Nelson Ayres MPB
  • Adriano Souza Brazil
  • The Weeknd Toronto
  • Ellie Kurttz Photographer
  • Omar Sosa Multi-Cultural
  • Ari Hoenig Author
  • Stacy Dillard Composer
  • Paul Anthony Smith Picotage
  • Christopher Wilkinson Movie Director
  • John Boutté New Orleans
  • Corey Ledet Creole Music
  • Pururu Mão no Couro Percussão, Percussion
  • Casey Driessen Bluegrass
  • John Doyle Ireland
  • Bob Lanzetti Record Producer
  • Jane Ira Bloom Composer
  • Martyn Record Label Owner
  • Doca 1 Creative Economy Hub
  • Fred Dantas Euphonium
  • Cayenna Ponchione-Bailey Composer
  • Chick Corea Piano
  • Casa PretaHub Cachoeira Brasil, Brazil
  • Bertram Recording Artist
  • Jaleel Shaw Composer
  • Zé Luíz Nascimento Brazil
  • James Martin Brass Band
  • Melanie Charles Flute
  • Eamonn Flynn Singer-Songwriter
  • Mauro Diniz Singer-Songwriter
  • Rick Beato Multi-Instrumentalist
  • Bukassa Kabengele Cultural Producer
  • Brian Blade Drums
  • Rhiannon Giddens Americana
  • Leo Genovese Multi-Instrumentalist
  • Edsel Gomez New York City
  • Veronica Swift Jazz
  • Berkun Oya Turkey
  • Joatan Nascimento Trumpet
  • Tom Oren Jazz
  • Nicholas Daniel Classical Music
  • Xenia França Singer-Songwriter
  • The Assad Brothers Brazil
  • João Jorge Rodrigues Militante do Movimento Negro, Militant Black Activist
  • OVANA Homemade Instruments
  • Darren Barrett Composer
  • Jonny Geller Literary Agent
  • Negrizu Coreógrafo, Choreographer
  • Marcus Gilmore Composer
  • Dexter Story Los Angeles
  • Reza Filsoofi Percussion
  • Vivien Schweitzer Music Critic
  • Armandinho Macêdo Brazil
  • Gilson Peranzzetta Brazil
  • James Martins Bahia
  • Joe Chambers Jazz
  • John McLaughlin Jazz
  • Avishai Cohen New York City
  • Caetano Veloso Salvador
  • David Wax Museum Folk Roots Rock
  • Edivaldo Bolagi Bahia
  • McCoy Mrubata Saxophone
  • José Antonio Escobar Santiago de Chile
  • Tele Novella Austin, Texas
  • Joatan Nascimento Choro
  • Alicia Keys Author
  • Ricardo Bacelar Direitos Autorais, Royalties
  • Musa Okwonga Novelist
  • Walter Ribeiro, Jr. Guitar
  • Courtney Pine Podcaster
  • Paulão 7 Cordas Cavaquinho
  • BIGYUKI Composer
  • Bebê Kramer Tango
  • Chano Domínguez Cádiz
  • John Medeski Piano
  • Bobby Vega R&B
  • Tom Bergeron Choro
  • Brigit Katz Writer
  • Dadá do Trombone Jazz Afro-Baiano, Afro-Bahian Jazz
  • Paulo Paulelli Brazil
  • Fábio Luna Rio de Janeiro
  • Chris Speed Clarinet
  • Gerson Silva Brazil
  • Brian Jackson Flute
  • James Brandon Lewis Poet
  • Tigran Hamasyan Composer
  • Jeff Coffin Saxophone
  • Brian Cross aka B+ Brazilian Music
  • Harvey G. Cohen Political Historian
  • Jorge Aragão Multi-Instrumentalist
  • Munyungo Jackson Los Angeles
  • Stephanie Foden Montreal
  • Goran Krivokapić Contemporary Classical Music
  • Benny Benack III Jazz
  • Susan Rogers Sound Engineer
  • Lauranne Bourrachot Paris
  • Léo Rugero Multi-Instrumentalist
  • Nubya Garcia Composer
  • Stephen Kurczy Journalist
  • Jurandir Santana Guitar
  • Gilsons Brazil
  • Lula Moreira Cultural Producer
  • Marcelo Caldi Forró
  • Filhos da Pitangueira Samba
  • Alegre Corrêa MPB
  • Toninho Horta Singer
  • Sátyra Carvalho AfroPop Baiana, Bahian AfroPop
  • Mickalene Thomas Brooklyn, NY
  • Tony Kofi Composer
  • Nelson Faria Brazilian Jazz
  • Frank Beacham Journalist
  • Imani Winds Chamber Music
  • Msaki Singer-Songwriter
  • Paul McKenna Glasgow
  • Greg Spero Los Angeles, California
  • Tam-Ky Marseille
  • Gabriel Grossi Composer
  • Gretchen Parlato Singer
  • Weedie Braimah Jazz
  • Deborah Colker Brazil
  • H.L. Thompson New York City
  • Samba de Nicinha Santo Amaro
  • Curly Strings Estonia
  • Hugues Mbenda African Cuisine
  • Manu Chao Singer-Songwriter
  • Rebeca Tárique Brasil, Brazil
  • Julian Lloyd Webber Classical Music
  • Albin Zak Record Producer
  • Samuel Organ Keyboards
  • Mateus Aleluia Salvador
  • Nonesuch Records Movie Soundtracks
  • Steven Isserlis Artistic Director
  • Nikole Hannah -Jones Writer
  • Caterina Lichtenberg Mandolin
  • Kim André Arnesen Norway
  • Michael League Bass
  • Igor Osypov Jazz Fusion
  • Munir Hossn Brazil
  • THE ROOM Shibuya Japan
  • Antonio García University of KwaZulu-Natal Faculty
  • Márcio Bahia Brazilian Jazz
  • Otto Brazil
  • Marc-André Hamelin Boston
  • Alita Moses Jazz
  • Susan Rogers Writer
  • Dieu-Nalio Chery New York City
  • Elie Afif Beirut
  • Amit Chatterjee Composer
  • Amaro Freitas Jazz
  • John Harle Television Scores
  • Fred Hersch Piano
  • Cláudia Leitão Fortaleza
  • Gian Correa Samba
  • Nate Chinen Music Critic
  • Arifan Junior Rio de Janeiro
  • Hugues Mbenda Congo
  • Jovino Santos Neto Brazil
  • Colson Whitehead Writer
  • Restaurante Axego Afro-Bahian Cuisine
  • Adenor Gondim Brazil
  • Lucian Ban Composer
  • Frank Beacham Photographer
  • Neo Muyanga Cape Town
  • Brenda Navarrete Havana
  • Mandisi Dyantyis South African Jazz
  • Rolando Herts Singer
  • Mino Cinélu Drums
  • Roots Manuva Hip-Hop
  • Gino Banks India
  • Marcelinho Oliveira Bahia
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