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  • (Bahia)
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  • From Brazil with love →
  • @ Ground Zero
  • El Aleph
  • If You Can't Stand the Heat
  • Harlem to Bahia to the Planet
  • Why a "Matrix"?

From Brazil with love →

@ Ground Zero

 

Have you, dear friend, ever noticed how different places scattered across the face of the globe seem almost to exist in different universes? As if they were permeated throughout with something akin to 19th century luminiferous aether, unique, determined by that place's history? It's like a trick of the mind's light (I suppose), but standing on beach or escarpment in Salvador and looking out across the Baía de Todos os Santos to the great Recôncavo, and mindful of what happened there, one must be led to the inevitable conclusion that one is in a place unique to history, and to the present*.

 

 

"Chegou a hora dessa gente bronzeada mostrar seu valor / The time has come for these bronzed people to show their value..."Música: Assis Valente of Santo Amaro, Bahia. Vídeo: Betão Aguiar.

 

*More enslaved human beings entered the Bay of All Saints and the Recôncavo than any other final port-of-call throughout all of mankind's history.

 

These people and their descendants created some of the most uplifting music ever made, the foundation of Brazil's national art. We wanted their music to be accessible to the world (it's not even accessible here in Brazil) so we created a platform by which everybody's creativity is mutually accessible, including theirs.

 

El Aleph

 

The network was built in an obscure record shop (Kareem Abdul-Jabbar found it) in a shimmering Brazilian port city...

 

...inspired in (the kabbalah-inspired fiction of) Borges' (short story) El Aleph, that in the pillar in Cairo's Mosque of Amr, where the universe in its entirety throughout all time is perceivable as an infinite hum from deep within the stone.

 

It "works" by virtue of the "small-world" phenomenon...the same responsible for the fact that most of us 7 billion or so beings are within 6 or fewer degrees of each other.

 

It was described (to some degree) and can be accessed via this article in British journal The Guardian (which named our radio of matrixed artists as one of ten best in the world):

 

www.theguardian.com/travel/2020/apr/17/10-best-music-radio-station-around-world

 

With David Dye for U.S. National Public Radio: www.npr.org/2013/07/16/202634814/roots-of-samba-exploring-historic-pelourinho-in-salvador-brazil

 

All is more connected than we know.

 

Per the "spirit" above, our logo is a cortador de cana, a cane-cutter. It was designed by Walter Mariano, professor of design at the Federal University of Bahia to reflect the origins of the music the shop specialized in. The Brazilian "aleph" doesn't hum... it dances and sings.

 

If You Can't Stand the Heat

 

Image above is from the base of the cross in front of the church of São Francisco do Paraguaçu in the Bahian Recôncavo

 

Sprawled across broad equatorial latitudes, stoked and steamed and sensual in the widest sense of the word, limned in cadenced song, Brazil is a conundrum wrapped in a smile inside an irony...

 

It is not a European nation. It is not a North American nation. It is not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn. Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin. It was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people). Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David. Three cultures — from three continents — running for their lives, their confluence forming an unprecedented fourth. Pandeirista on the roof. Nowhere else but here.

 

Oligarchy, plutocracy, dictatorships and massive corruption — elements of these are still strongly entrenched — have defined, delineated, and limited Brazil.

 

But strictured & bound as it has been and is, Brazil has buzz...not the shallow buzz of a fashionable moment...but the deep buzz of a population which in spite of — or perhaps because of — the tough slog through life they've been allotted by humanity's dregs-in-fine-linen, have chosen not to simply pull themselves along but to lift their voices in song and their bodies in dance...to eat well and converse well and much and to wring the joy out of the day-to-day happenings and small pleasures of life which are so often set aside or ignored in the European, North American, and East Asian nations.

 

For this Brazil has a genius perhaps unparalleled in all other countries and societies, a genius which thrives alongside peeling paint and holes in the streets and roads, under bad organization by the powers-that-be, both civil and governmental, under a constant rain of societal indignities...

 

Which is all to say that if you don't know Brazil and you're expecting any semblance of order, progress and light, you will certainly find the light! And the buzz of a people who for generations have responded to privation at many different levels by somehow rising above it all.

 

"Onde tem miséria, tem música!"* - Raymundo Sodré

 

And it's not just music. And it's not just Brazil.

 

Welcome to the kitchen!

 

* "Where there is misery, there is music!" Remarked during a conversation arcing from Bahia to Haiti and Cuba to New Orleans and the south side of Chicago and Harlem to the villages of Ireland and the gypsy camps and shtetls of Eastern Europe...

 

Harlem to Bahia to the Planet



Why a "Matrix"?

 

I was explaining the ideas behind this nascent network to (João) Teoria (trumpet player above) over cervejas at Xique Xique (a bar named for a town in Bahia) in the Salvador neighborhood of Barris...

 

Like this (but in Portuguese): "It's kind of like Facebook if it didn't spy on you, but reversed... more about who you don't know than who you do know. And who doesn't know you but would be glad if they did. It's kind of like old Myspace Music but instead of having "friends" it has a list on your page of people you recommend. Not just musicians but writers, painters, filmmakers, dancers, chefs... anybody in the creative economy. It has a list of people who recommend you, or through whom you are recommended. It deals with arts which aren't recommendable by algorithm but need human intelligence behind recommendations. And the people who are recommended can recommend, creating a network of recommendations wherein by the small world phenomenon most people in the creative economy are within several steps of everybody else in the creative economy, no matter where they are in the world..."

 

And João said (in Portuguese): "A matrix where you can move from one artist to another..."

 

A matrix! That was it! The ORIGINAL meaning of matrix is "source", from "mater", Latin for "mother". So the term would help congeal the concept in the minds of people the network was being introduced to, while giving us a motto: "We're a real mother for ya!" (you know, Johnny "Guitar" Watson?)

 

The original idea was that musicians would recommend musicians, the network thus formed being "small world" (commonly called "six degrees of separation"). In the real world, the number of degrees of separation in such a network can vary, but while a given network might have billions of nodes (people, for example), the average number of steps between any two nodes will usually be minuscule.

 

Thus somebody unaware of the magnificent music of Bahia, Brazil will be able to conceivably move from almost any musician in this matrix to Bahia in just a few steps...

 

By the same logic that might move one from Bahia or anywhere else to any musician anywhere.

 

And there's no reason to limit this system to musicians. To the contrary, while there are algorithms written to recommend music (which, although they are limited, can be useful), there are no algorithms capable of recommending journalism, novels & short stories, painting, dance, film, chefery...

 

...a vast chasm that this network — or as Teoria put it, "matrix" — is capable of filling.

 

  • Iroko Trio
    I RECOMMEND

CURATION

  • from this node by: Matrix

This is the Universe of

  • Name: Iroko Trio
  • City/Place: São Paulo
  • Country: Brazil

Life & Work

  • Bio: Carla Rincón - violino
    Elodie Bouny - violão
    Marcelo Caldi - sanfona

    Com sonoridade versátil e contemporânea, Iroko Trio nasce para transitar um caminho único na ampla geografia musical da América Latina.

    Ao convergir estilos entre obras autorais, comissionadas ou emblemáticas do repertório clássico latino-americano, o trio cria espaço para peças ora imponentes, como Danzón Nº 2, de Arturo Márquez, ora intimistas, como Memória e Fado, de Egberto Gismonti.

    Em seus arranjos próprios, exploram com extraordinária profundidade e amplitude cada um dos instrumentos, até seu limite técnico, oferecendo alternativas sonoras surpreendentes para a formação. Iroko Trio, composto por três instrumentistas com brilhantes carreiras individuais, cujas trajetórias cosmopolitas se conectam, contrapõe com maestria a concepção erudita às formas populares. Um convite irrecusável para ouvidos atentos.

    With its versatile and contemporary sound, the Iroko Trio has carved a unique path in the vast musical geography of Latin American. Embracing a variety of styles from original compositions, commissioned works, or iconic pieces from the classical Latin American repertoire, the Trio’s repertoire ranges from large and imposing works such as Danzón no. 2 by Arturo Márquez, to intimate pieces such as Memória e Fado by Egberto Gismonti.

    Through its own arrangements, the Trio also explores the range, depth, and technical resources of each of its instruments, thus extending the sound palette of the ensemble beyond its expected sonorities. The Iroko Trio is composed of three musicians who have built brilliant individual careers as soloists, and whose cosmopolitan trajectories come together to provide a masterful combination of classical and popular musical forms. The results are an irresistible invitation to attentive and discerning listeners.

Contact Information

  • Email: [email protected]
  • Contact by Webpage: http://www.irokotrio.com.br/contato
  • Telephone: +1 (21) 99449-6865

Media | Markets

  • ▶ Instagram: irokotrio
  • ▶ Website: http://www.irokotrio.com.br
  • ▶ YouTube Channel: http://www.youtube.com/channel/UCXq4qCgGaBNIhUFaO3XyOYw

Clips (more may be added)

  • 0:51:03
    Iroko Trio | Programa Instrumental Sesc Brasil
    By Iroko Trio
    209 views
  • Milonga Gris de Carlos Aguirre
    By Iroko Trio
    458 views
Previous
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YOU RECOMMEND

Imagine the world's creative economy at your fingertips. Imagine 10 doors side-by-side. Beyond each, 10 more, each opening to a "creative" somewhere around the planet. After passing through 8 such doorways you will have followed 1 pathway out of 100 million possible (2 sets of doorways yield 10 x 10 = 100 pathways). This is a simplified version of the metamathematics that makes it possible to reach everybody in the global creative economy in just a few steps It doesn't mean that everybody will be reached by everybody. It does mean that everybody can  be reached by everybody.


Appear below by recommending Iroko Trio:

  • 1 Brazil
  • 1 Latin American Music
  • 1 São Paulo
  • Mauro Refosco Compositor de Filmes, Film Scores
  • Concha Buika Spain
  • Rodrigo Amarante MPB
  • Iuri Passos Brazil
  • Brian Q. Torff Fairfield University Faculty
  • Dumpstaphunk Funk
  • Jorge Washington Salvador
  • Matt Dievendorf Washington, D.C.
  • Ronaldo do Bandolim Choro
  • Andrés Beeuwsaert Multi-Cultural
  • Tony Trischka Americana
  • Jerry Douglas Record Producer
  • Antônio Pereira Brazil
  • Tommaso Zillio Edmonton
  • Sérgio Mendes Rio de Janeiro
  • Mauro Refosco Compositor de Shows da Moda, Fashion Show Music
  • Mario Caldato Jr. Bass
  • Henry Cole Multi-Cultural
  • Edgar Meyer Composer
  • Chris Speed New York City
  • Berta Rojas Classical Guitar
  • Aderbal Duarte Brazil
  • Yilian Cañizares Classical Music
  • Yasushi Nakamura Bass
  • Elif Şafak Writer
  • Edmar Colón Berklee College of Music Faculty
  • Jared Sims Classical Music
  • Ivan Sacerdote Composer
  • Kronos Quartet San Francisco
  • Cinho Damatta Guitarra, Guitar
  • Kareem Abdul-Jabbar Actor
  • Samuca do Acordeon Tango
  • Lionel Loueke African Music
  • Johnny Vidacovich Jazz
  • Otis Brown III Composer
  • Nath Rodrigues Minas Gerais
  • Joshue Ashby Panama
  • Carwyn Ellis Wales
  • Adriano Giffoni Brazil
  • Ana Luisa Barral MPB
  • Yoko Miwa Piano
  • Cashmere Cat Hip-Hop
  • Rosa Passos Samba
  • Martin Koenig Liner Notes
  • Issac Delgado Havana
  • Sombrinha Banjo
  • Ivan Bastos Salvador
  • Juliana Ribeiro Brazil
  • Yelaine Rodriguez Fashion Design
  • Itiberê Zwarg Rio de Janeiro
  • Christopher Seneca Diplomat
  • Tom Schnabel Author
  • Siba Veloso Brazil
  • Robi Botos Hungary
  • Gabriel Geszti Brasil, Brazil
  • Theo Bleckmann Composer
  • Kermit Ruffins Singer
  • Ron Mader Professional Speaker
  • Cláudio Badega Brasil, Brazil
  • Tab Benoit Music Venue Owner
  • Pedrito Martinez Composer
  • Tam-Ky Supermarket
  • Marco Pereira Author
  • Guillermo Klein Jazz
  • Bodek Janke Percussion
  • Yelaine Rodriguez Multimedia Art
  • Rudresh Mahanthappa Multi-Cultural
  • Melissa Aldana Composer
  • Fred Hersch New York Jazz Academy Faculty
  • Barbara Paris Painter
  • Negra Jhô Salvador
  • NIcholas Casey International Correspondent
  • Anat Cohen Tel Aviv
  • Simon Brook Filmmaker
  • John Patrick Murphy Forró
  • Forrest Hylton Writer
  • Tom Green Composer
  • Quincy Jones Record Producer
  • Ron Carter Bass
  • Merima Ključo Theater Scores
  • Iuri Passos Bahia
  • Will Holshouser Accordion
  • Susheela Raman Singer-Songwriter
  • Robin Eubanks Composer
  • Terri Lyne Carrington Jazz
  • Mulatu Astatke Vibraphone
  • Yosvany Terry Harvard University Faculty
  • Nação Zumbi Rock
  • Nublu Brazilian Music
  • Stephanie Foden Bahia
  • Shaun Martin Keyboards
  • Olivia Trummer Jazz
  • David Mattingly New York City
  • Frank Negrão MPB
  • Nicole Mitchell Flute
  • Siba Veloso Guitar
  • Alex Hargreaves Fiddle
  • Arifan Junior Diretor Musical, Music Director
  • Jon Batiste R&B
  • Leo Genovese Multi-Instrumentalist
  • Ryan Keberle Piano
  • Eric Galm Caribbean Studies
  • Imani Winds Multi-Cultural
  • Tony Trischka Banjo
  • Deesha Philyaw Fiction
  • Rogê Rio de Janeiro
  • Meshell Ndegeocello Singer-Songwriter
  • Tierra Whack Rapper
  • Nathan Amaral Violin
  • Theon Cross Composer
  • Frank Olinsky Artist
  • Jaques Morelenbaum Arranger
  • Hamilton de Holanda Bandolim
  • Paul Cebar Multi-Cultural
  • Tank and the Bangas Hip-Hop
  • Flying Lotus Record Producer
  • Rick Beato Atlanta, Georgia
  • Ravi Coltrane Jazz
  • David Wax Museum Folk Roots Rock
  • Avishai Cohen New York City
  • Brian Stoltz Funk
  • Norah Jones Jazz
  • Eric Alexander Composer
  • Yilian Cañizares Jazz
  • Dadá do Trombone Jazz Afro-Baiano, Afro-Bahian Jazz
  • Chico Buarque Author
  • Nabih Bulos Beirut, Lebanon
  • Fidelis Melo Bahia
  • Léo Rugero Sanfona de 8 Baixos
  • Yvette Holzwarth Film Scores
  • Eli Degibri אלי דג'יברי Composer
  • Ben Harper Gospel
  • Ali Jackson Composer
  • Sabine Hossenfelder Physicist
  • Kareem Abdul-Jabbar Actor
  • Lenny Kravitz Photographer
  • Bombino Singer-Songwriter
  • Dee Spencer Sound Designer
  • Restaurante Axego Brazil
  • Courtney Pine Radio Presenter
  • Max ZT Dulcimer Instruction
  • Dermot Hussey Jamaica
  • Seu Jorge Brazil
  • Ricardo Bacelar Ceará
  • Júlio Caldas Brasil, Brazil
  • João Teoria Bahia
  • David Greely Songwriter
  • Andrés Prado Latin Jazz
  • James Andrews Second Line
  • Olivia Trummer Singer
  • Carlinhos Brown Multi-Instrumentalist
  • Adriano Souza Brazilian Jazz
  • Yoruba Andabo Cuba
  • Tigran Hamasyan Armenia
  • Thomas Àdes Composer
  • Serginho Meriti Composer
  • Kevin Burke Fiddle
  • Bebel Gilberto Samba
  • Gabriel Grossi Samba
  • China Moses Soul
  • Joana Choumali Abidjan
  • Wouter Kellerman South Africa
  • Arto Lindsay Composer
  • César Orozco Cuba
  • Lucio Yanel Brazil
  • Baiba Skride Violin
  • Kenny Barron Piano
  • Soweto Kinch Saxophone
  • Lenny Kravitz Multi-Instrumentalist
  • Matthew Guerrieri Washington, D.C.
  • Demond Melancon New Orleans
  • Sean Jones Trumpet
  • Jeff Ballard Percussion
  • Tomo Fujita Blues
  • Neymar Dias Multi-Instrumentalist
  • Ravi Coltrane Saxophone
  • Stuart Duncan Americana
  • Jared Sims Saxophone
  • Dave Douglas Record Label Owner
  • Stephan Crump Brooklyn, NY
  • Ben Paris Bahia
  • Tomo Fujita Funk
  • Tom Moon Writer
  • Matt Glaser Berklee College of Music Faculty
  • Tshepiso Ledwaba South Africa
  • Fabian Almazan Cuba
  • David Ritz Writer
  • Marc-André Hamelin Piano
  • Daymé Arocena Santeria
  • Keith Jarrett Piano
  • Ferenc Nemeth App Developer
  • Vanessa Moreno Brazilian Jazz
  • Paquito D'Rivera Saxophone
  • Pallett Persian Music
  • Saileog Ní Cheannabháin Irish Traditional Music
  • Ben Okri Poet
  • Rudy Royston Drums
  • Matt Parker London
  • Martín Sued Bandoneon
  • Nelson Ayres Composer
  • Evgeny Kissin Piano
  • Gonzalo Rubalcaba Composer
  • Stephen Guerra Samba
  • Luíz Paixão Pernambuco
  • Garth Cartwright Music Critic
  • Moreno Veloso Brazil
  • William Parker Composer
  • Rachael Price Tin Pan Alley
  • Rodrigo Amarante Rio de Janeiro
  • Taylor Ashton Brooklyn, NY
  • Dale Barlow Australia
  • Mauro Refosco Forró
  • Alexia Arthurs Short Stories
  • Kiko Loureiro Guitar
  • Tomo Fujita Jazz
  • Maia Sharp Americana
  • Jakub Józef Orliński Opera
  • Astrig Akseralian Mixed Media Art
  • Cleber Augusto Rio de Janeiro
  • Mayra Andrade Lisbon
  • Sergio Krakowski MPB
  • Renell Medrano New York City
  • Swami Jr. São Paulo
  • Don Byron Dance Performance Scores
  • Arthur L.A. Buckner Drums
  • Nancy Ruth Piano
  • Banning Eyre African Guitar
  • Chris Boardman Producer
  • Dale Farmer Screenwriter
  • Christian McBride Jazz
  • Germán Garmendia Record Producer
  • Gino Banks Mumbai
  • Stephen Guerra Guitar
  • Corey Ledet Accordion
  • Djuena Tikuna São Luís, Maranhão
  • Katuka Africanidades Bahia
  • Nego Álvaro Singer-Songwriter
  • Bill Frisell Guitar
  • Sam Yahel New York City
  • Inaicyra Falcão Bahia
  • Quatuor Ebène France
  • Taylor McFerrin Brooklyn, NY
  • David Hepworth Music Journalist
  • Ashley Pezzotti Singer-Songwriter
  • Dan Weiss Drums
  • Yo La Tengo Hoboken, New Jersey
  • Jonathan Scales Composer
  • Art Rosenbaum Illustrator
  • Ali Jackson Jazz
  • Yosvany Terry New York City
  • Derek Sivers Singer-Songwriter
  • Áurea Martins MPB
  • Abhijith P. S. Nair India
  • Theo Bleckmann New York City
  • Fernando Brandão Jazz
  • Emmet Cohen Jazz
  • Susana Baca Folklorist
  • Vânia Oliveira Educadora, Educator
  • João Parahyba Percussion
  • Amilton Godoy Piano
  • Julian Lage Composer
  • Wadada Leo Smith Trumpet
  • Nguyên Lê Record Producer
  • Scotty Barnhart Trumpet Instruction
  • Shabaka Hutchings London
  • Daedelus Hip-Hop
  • Keita Ogawa Brooklyn, NY
  • Wayne Shorter Saxophone
  • Mateus Aleluia Filho Trompete, Trumpet
  • Babau Santana Chula
  • Joshua Abrams Multi-Instrumentalist
  • Nicholas Payton Record Label Owner
  • Spok Frevo Orquestra Pernambuco
  • Aruán Ortiz Piano
  • Pretinho da Serrinha Rio de Janeiro
  • Fred Dantas Big Band Leader
  • Rick Beato Record Producer
  • Bombino Blues
  • Stephanie Soileau University of Chicago Faculty
  • Marcello Gonçalves Rio de Janeiro
  • Célestin Monga Harvard University Faculty
  • Greg Ruby Jazz
  • Margareth Menezes Brazil
  • Edsel Gomez Piano
  • Jamael Dean Jazz
  • Susheela Raman Indian Classical Music
  • Rez Abbasi Composer
  • Alana Gabriela Cantora, Singer
  • Leonardo Mendes Cantor-Compositor, Singer-Songwriter
  • John Luther Adams Writer
  • Jimmy Greene Composer
  • Weedie Braimah Pan-African Culture
  • Kyle Poole Jazz
  • Nettrice R. Gaskins Digital Artist
  • Flying Lotus Songwriter
  • Jen Shyu Multi-Instrumentalist
  • Maria Drell Higher Education Professional
  • Fidelis Melo Jornalista, Journalist
  • Leonardo Mendes Violão, Guitar
  • Burhan Öçal Tanbur
  • Don Byron Blue Note Records
  • Mariana Zwarg Brazil
  • Caroline Shaw NYU Faculty
  • Paulo Dáfilin São Paulo
  • André Becker Saxophone
  • Philip Watson Ireland
  • Flor Jorge Rio de Janeiro
  • Ibram X. Kendi Essayist
  • Tyler Gordon Painter
  • David Hepworth Publishing Industry Analyst
  • Mary Stallings San Francisco
  • Jane Ira Bloom New School for Jazz and Contemporary Music Faculty
  • Miguel Atwood-Ferguson Composer
  • Paulinho da Viola Singer-Songwriter
  • Jeff 'Tain' Watts Jazz
  • Marc Cary Keyboards
  • Lazzo Matumbi Salvador
  • Arturo O'Farrill Bandleader
  • Brian Lynch Jazz
  • Ben Okri Nigeria
  • Lynn Nottage Screenwriter
  • David Binney Los Angeles
  • Richard Bona Bass
  • Harvey G. Cohen Writer
  • Bodek Janke Jazz
  • Edil Pacheco Record Producer
  • Plamen Karadonev Piano
  • Yvette Holzwarth Theater Sound Design
  • Janine Jansen Violin
  • Omar Hakim Composer
  • Kareem Abdul-Jabbar Black American Culture & History
  • Dave Holland Jazz
  • Rita Batista Jornalista, Journalist
  • Jennifer Koh Violin
  • Mário Pam Bloco Afro
  • Fabiana Cozza Samba
  • Ben Okri Novelist
  • Chris Dave Hip-Hop
  • Joey Alexander Jazz
  • Gord Sheard Toronto
  • Jared Jackson New York City
  • Eliane Elias Brazilian Jazz
  • John Harle Film Scores
  • Toby Gough Producer
  • Miles Okazaki Author
  • Jennifer Koh Contemporary Classical Music
  • Alexa Tarantino Jazz
  • Paulinho Fagundes Rio Grande do Sul
  • Harish Raghavan Jazz
  • Chris Thile Composer

 'mātriks / "source" / from "mater", Latin for "mother"
We're a real mother for ya!

 

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