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  • (Bahia)
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  • From Brazil with love →
  • @ Ground Zero
  • El Aleph
  • If You Can't Stand the Heat
  • Harlem to Bahia to the Planet
  • Why a "Matrix"?

From Brazil with love →

@ Ground Zero

 

Have you, dear friend, ever noticed how different places scattered across the face of the globe seem almost to exist in different universes? As if they were permeated throughout with something akin to 19th century luminiferous aether, unique, determined by that place's history? It's like a trick of the mind's light (I suppose), but standing on beach or escarpment in Salvador and looking out across the Baía de Todos os Santos to the great Recôncavo, and mindful of what happened there, one must be led to the inevitable conclusion that one is in a place unique to history, and to the present*.

 

 

"Chegou a hora dessa gente bronzeada mostrar seu valor / The time has come for these bronzed people to show their value..."Música: Assis Valente of Santo Amaro, Bahia. Vídeo: Betão Aguiar.

 

*More enslaved human beings entered the Bay of All Saints and the Recôncavo than any other final port-of-call throughout all of mankind's history.

 

These people and their descendants created some of the most uplifting music ever made, the foundation of Brazil's national art. We wanted their music to be accessible to the world (it's not even accessible here in Brazil) so we created a platform by which everybody's creativity is mutually accessible, including theirs.

 

El Aleph

 

The network was built in an obscure record shop (Kareem Abdul-Jabbar found it) in a shimmering Brazilian port city...

 

...inspired in (the kabbalah-inspired fiction of) Borges' (short story) El Aleph, that in the pillar in Cairo's Mosque of Amr, where the universe in its entirety throughout all time is perceivable as an infinite hum from deep within the stone.

 

It "works" by virtue of the "small-world" phenomenon...the same responsible for the fact that most of us 7 billion or so beings are within 6 or fewer degrees of each other.

 

It was described (to some degree) and can be accessed via this article in British journal The Guardian (which named our radio of matrixed artists as one of ten best in the world):

 

www.theguardian.com/travel/2020/apr/17/10-best-music-radio-station-around-world

 

With David Dye for U.S. National Public Radio: www.npr.org/2013/07/16/202634814/roots-of-samba-exploring-historic-pelourinho-in-salvador-brazil

 

All is more connected than we know.

 

Per the "spirit" above, our logo is a cortador de cana, a cane-cutter. It was designed by Walter Mariano, professor of design at the Federal University of Bahia to reflect the origins of the music the shop specialized in. The Brazilian "aleph" doesn't hum... it dances and sings.

 

If You Can't Stand the Heat

 

Image above is from the base of the cross in front of the church of São Francisco do Paraguaçu in the Bahian Recôncavo

 

Sprawled across broad equatorial latitudes, stoked and steamed and sensual in the widest sense of the word, limned in cadenced song, Brazil is a conundrum wrapped in a smile inside an irony...

 

This is not a European nation. It is not a North American nation. It is not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn. Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin. It was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people). Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David. Three cultures — from three continents — running for their lives, their confluence forming an unprecedented fourth. Pandeirista on the roof. Nowhere else but here.

 

Oligarchy, plutocracy, dictatorships and massive corruption — elements of these are still strongly entrenched — have defined, delineated, and limited Brazil.

 

But strictured & bound as it has been and is, Brazil has buzz...not the shallow buzz of a fashionable moment...but the deep buzz of a population which in spite of — or perhaps because of — the tough slog through life they've been allotted by humanity's dregs-in-fine-linen, have chosen not to simply pull themselves along but to lift their voices in song and their bodies in dance...to eat well and converse well and much and to wring the joy out of the day-to-day happenings and small pleasures of life which are so often set aside or ignored in the European, North American, and East Asian nations.

 

For this Brazil has a genius perhaps unparalleled in all other countries and societies, a genius which thrives alongside peeling paint and holes in the streets and roads, under bad organization by the powers-that-be, both civil and governmental, under a constant rain of societal indignities...

 

Which is all to say that if you don't know Brazil and you're expecting any semblance of order, progress and light, you will certainly find the light! And the buzz of a people who for generations have responded to privation at many different levels by somehow rising above it all.

 

"Onde tem miséria, tem música!"* - Raymundo Sodré

 

And it's not just music. And it's not just Brazil.

 

Welcome to the kitchen!

 

* "Where there is misery, there is music!" Remarked during a conversation arcing from Bahia to Haiti and Cuba to New Orleans and the south side of Chicago and Harlem to the villages of Ireland and the gypsy camps and shtetls of Eastern Europe...

 

Harlem to Bahia to the Planet



Why a "Matrix"?

 

I was explaining the ideas behind this nascent network to (João) Teoria (trumpet player above) over cervejas at Xique Xique (a bar named for a town in Bahia) in the Salvador neighborhood of Barris...

 

Like this (but in Portuguese): "It's kind of like Facebook if it didn't spy on you, but reversed... more about who you don't know than who you do know. And who doesn't know you but would be glad if they did. It's kind of like old Myspace Music but instead of having "friends" it has a list on your page of people you recommend. Not just musicians but writers, painters, filmmakers, dancers, chefs... anybody in the creative economy. It has a list of people who recommend you, or through whom you are recommended. It deals with arts which aren't recommendable by algorithm but need human intelligence behind recommendations. And the people who are recommended can recommend, creating a network of recommendations wherein by the small world phenomenon most people in the creative economy are within several steps of everybody else in the creative economy, no matter where they are in the world. Like a chessboard which could have millions of squares, but you can get from any given square to any other in no more than six steps..."

 

And João said (in Portuguese): "A matrix where you can move from one artist to another..."

 

A matrix! That was it! The ORIGINAL meaning of matrix is "source", from "mater", Latin for "mother". So the term would help congeal the concept in the minds of people the network was being introduced to, while giving us a motto: "We're a real mother for ya!" (you know, Johnny "Guitar" Watson?)

 

The original idea was that musicians would recommend musicians, the network thus formed being "small world" (commonly called "six degrees of separation"). In the real world, the number of degrees of separation in such a network can vary, but while a given network might have billions of nodes (people, for example), the average number of steps between any two nodes will usually be minuscule.

 

Thus somebody unaware of the magnificent music of Bahia, Brazil will be able to conceivably move from almost any musician in this matrix to Bahia in just a few steps...

 

By the same logic that might move one from Bahia or anywhere else to any musician anywhere.

 

And there's no reason to limit this system to musicians. To the contrary, while there are algorithms written to recommend music (which, although they are limited, can be useful), there are no algorithms capable of recommending journalism, novels & short stories, painting, dance, film, chefery...

 

...a vast chasm that this network — or as Teoria put it, "matrix" — is capable of filling.

 

  • Rodrigo Amarante
    I RECOMMEND

CURATION

  • from this node by: Criador acima/Creator above

This is the Universe of

  • Name: Rodrigo Amarante
  • City/Place: Los Angeles
  • Country: United States
  • Hometown: Rio de Janeiro

Life & Work

  • Bio: Rodrigo Amarante is a Brazilian singer/songwriter now living in Los Angeles, California.

Contact Information

  • Management/Booking: Management
    Michelle Cable, Panache Management
    [email protected]

    Label
    Natalie Davila, Polyvinyl Records
    [email protected]

    Booking (North America)
    Todd Walker, Outer/Most Agency
    [email protected]

    Booking (EU/UK)
    Nikita Lavrinenko, PlayBook Artists
    [email protected]

Media | Markets

  • ▶ Buy My Music: (downloads/CDs/DVDs) http://www.hellomerch.com/collections/rodrigo-amarante
  • ▶ Buy My Vinyl: http://www.hellomerch.com/collections/rodrigo-amarante
  • ▶ Buy My Merch: http://www.hellomerch.com/collections/rodrigo-amarante
  • ▶ Twitter: RodrigoAmarante
  • ▶ Instagram: _rodrigo_amarante
  • ▶ Website: http://rodrigo-amarante.com
  • ▶ YouTube Channel: http://www.youtube.com/channel/UCUaE4wWJGnlJfTrGB6rBrlw
  • ▶ YouTube Music: http://music.youtube.com/channel/UCRnxR4IhpLckC3PD2-XrIRw
  • ▶ Vimeo Channel: http://vimeo.com/rodrigoamarante
  • ▶ Spotify: http://open.spotify.com/album/4XGFdSkArqglb0DLPeh8N5
  • ▶ Spotify 2: http://open.spotify.com/album/3NRTc5qEBAqOt3dKPFkmnu
  • ▶ Spotify 3: http://open.spotify.com/album/6EyfiA9hNpoS7rIwSLyR3b
  • ▶ Spotify 4: http://open.spotify.com/album/5TbichAfZ6dX1l8RsKV033
  • ▶ Spotify 5: http://open.spotify.com/album/1wr53NXlBQEVIJ8UTwzdbh
  • ▶ Spotify 6: http://open.spotify.com/album/3v85vwElHbbbgPIg9M56Cj

Clips (more may be added)

  • 0:44
    Rodrigo Amarante - Drama [OUT NOW]
    By Rodrigo Amarante
    38 views
  • 3:44
    Rodrigo Amarante - Tango [OFFICIAL MUSIC VIDEO]
    By Rodrigo Amarante
    20 views
  • 4:20
    Rodrigo Amarante - I Can't Wait [OFFICIAL MUSIC VIDEO]
    By Rodrigo Amarante
    20 views
  • 2:46
    Rodrigo Amarante - Tuyo - Narcos intro song (live @Le Guess Who? 2018)
    By Rodrigo Amarante
    16 views
Previous
Next

YOU RECOMMEND

Imagine the world's creative economy at your fingertips. Imagine 10 doors side-by-side. Beyond each, 10 more, each opening to a "creative" somewhere around the planet. After passing through 8 such doorways you will have followed 1 pathway out of 100 million possible (2 sets of doorways yield 10 x 10 = 100 pathways). This is a simplified version of the metamathematics that makes it possible to reach everybody in the global creative economy in just a few steps It doesn't mean that everybody will be reached by everybody. It does mean that everybody can  be reached by everybody.


Appear below by recommending Rodrigo Amarante:

  • 3 Brazil
  • 3 Los Angeles
  • 3 MPB
  • 3 Multi-Instrumentalist
  • 3 Rio de Janeiro
  • 3 Rock
  • 3 Singer-Songwriter
  • Jericho Brown Emory University Faculty
  • Itiberê Zwarg Multi-Instrumentalist
  • Bukassa Kabengele Brazil
  • Paul Cebar Milwaukee
  • Marisa Monte Samba
  • Aneesa Strings Bass
  • Guinha Ramires Guitar
  • Michael League Record Label Owner
  • Tia Surica Singer
  • Andrés Beeuwsaert Jazz
  • Tam-Ky Marseille
  • Brandon J. Acker Baroque Guitar
  • Ênio Bernardes Brasil, Brazil
  • Isaak Bransah Salvador
  • Kris Davis Composer
  • Henrique Cazes Samba
  • Stacy Dillard New York City
  • Giovanni Russonello Jazz
  • NIcholas Casey International Correspondent
  • Jacám Manricks Composer
  • Dale Farmer Fiddle
  • Aubrey Johnson Queens College Faculty
  • Brad Mehldau Piano
  • Jared Jackson Harlem
  • Walter Pinheiro Saxophone
  • Ned Sublette Record Producer
  • Brian Q. Torff Fairfield University Faculty
  • Francisco Mela Cuba
  • Iuri Passos AFROBIZ Salvador
  • Chico Buarque Rio de Janeiro
  • Camille Thurman Jazz
  • Yo La Tengo Indie Rock
  • Fábio Luna Cantor-Compositor, Singer-Songwriter
  • Henrique Cazes Viola Caipira
  • Kirk Whalum Memphis, Tennessee
  • Bodek Janke Germany
  • Issa Malluf Udu
  • Tomoko Omura Japan
  • Antônio Pereira Amazonas
  • Miroslav Tadić Balkan Music
  • Larry McCray Blues
  • Nana Nkweti Short Stories
  • Concha Buika Equatorial Guinea
  • Miroslav Tadić Guitar
  • Grégoire Maret Jazz
  • Olga Mieleszczuk Jewish Music
  • Igor Osypov Germany
  • Paulo Aragão Brazil
  • Peter Mulvey Americana
  • Marc Ribot Brooklyn, NY
  • Peter Serkin Classical Music
  • Maria Drell Brasil, Brazil
  • Spok Frevo Orquestra Big Band
  • Janine Jansen Netherlands
  • Beth Bahia Cohen Violin
  • Leo Genovese Piano
  • Ben Wendel New School for Jazz and Contemporary Music Faculty
  • Cláudio Badega Salvador
  • Howard Levy Composer
  • Congahead Afro-Cuban Jazz
  • James Shapiro Columbia University Faculty
  • Isaac Julien London
  • Serwah Attafuah Australia
  • Yelaine Rodriguez African Diaspora Culture
  • Henry Cole Multi-Cultural
  • Philip Ó Ceallaigh Bucharest
  • Scott Yanow Liner Notes
  • Anna Webber Saxophone
  • J. Cunha Cenógrafo, Scenographer
  • Edsel Gomez Puerto Rico
  • Roberta Sá Brazil
  • Joatan Nascimento Trumpet
  • Marisa Monte Rio de Janeiro
  • John Patrick Murphy Irish Traditional Music
  • Missy Mazolli Piano
  • Mark Turner New York City
  • Chano Domínguez Flamenco
  • Casa Preta Brasil, Brazil
  • Joachim Cooder Multi-Cultural
  • Luciana Souza Bossa Nova
  • Gary Lutz Poet
  • Chad Taylor Jazz
  • Marcel Camargo Record Producer
  • Alex Mesquita Guitar
  • Stan Douglas Canada
  • Aneesa Strings R&B
  • Merima Ključo Klezmer
  • Ryan Keberle Piano
  • Cory Wong Record Producer
  • Plinio Oyò Bahia
  • Stephanie Soileau University of Chicago Faculty
  • Raymundo Sodré Chula
  • Aditya Prakash Ropeadope
  • Tito Jackson Singer-Songwriter
  • Barlavento Brazil
  • Maia Sharp Nashville, Tennessee
  • Meshell Ndegeocello Bass
  • John Luther Adams Writer
  • Lalah Hathaway Record Producer
  • Brooklyn Rider Multi-Cultural
  • Paulinho Fagundes Violão Gaúcho
  • Otmaro Ruiz Venezuela
  • Luiz Brasil Salvador
  • William Parker Jazz
  • Azi Schwartz החזן עזי שוורץ New York City
  • Luis Perdomo Venezuela
  • Ben Allison Concert Producer
  • Stephanie Foden Bahia
  • Tessa Hadley Bath Spa University Faculty
  • Sombrinha Samba
  • John Donohue New York City
  • Kengo Kuma Tokyo
  • Roy Germano Author
  • Nigel Hall New Orleans
  • Hermeto Pascoal Multi-Instrumentalist
  • Jon Faddis Flugelhorn
  • Horace Bray Singer-Songwriter
  • Ben Cox Filmmaker
  • Kronos Quartet San Francisco
  • Ricardo Bacelar Piano
  • Sam Harris Jazz
  • Chano Domínguez Cádiz
  • Marcus Miller Multi-Instrumentalist
  • Gerônimo Santana Trombone
  • Susheela Raman Multi-Cultural
  • Leandro Afonso Federal University of Bahia
  • Daru Jones Brooklyn, NY
  • Reuben Rogers Caribbean Music
  • Cimafunk Singer-Songwriter
  • Mike Compton Bluegrass
  • Billy Strings Americana
  • Wayne Shorter Jazz
  • Bukassa Kabengele Congo
  • Los Muñequitos de Matanzas Santeria
  • Colson Whitehead Writer
  • Dale Farmer Fiddle
  • Paulo Dáfilin São Paulo
  • Sparrow Roberts Bahia
  • Jerry Douglas Record Producer
  • David Chesky Multi-Cultural
  • Dafnis Prieto Composer
  • João Teoria Salvador
  • Alain Mabanckou UCLA Faculty
  • Bebel Gilberto Samba
  • Chris Thile Jazz
  • Elizabeth LaPrelle Banjo
  • Yelaine Rodriguez Site-Specific Installations
  • Stephen Kurczy Journalist
  • David Virelles Piano
  • Emicida Hip-Hop
  • Liron Meyuhas Singer
  • Djuena Tikuna Singer-Songwriter
  • Ajurinã Zwarg Brazil
  • Astrig Akseralian Painter
  • Martin Fondse Amsterdam
  • D.D. Jackson Conservatory of Music at Brooklyn College Faculty
  • Maciel Salú Rabeca
  • Afrocidade Hip-Hop
  • Garth Cartwright Poet
  • Gian Correa Guitar
  • Papa Grows Funk Funk
  • Parker Ighile Multi-Cultural
  • Glória Bomfim Samba
  • Jovino Santos Neto Brazilian Jazz
  • Wouter Kellerman Johannesburg
  • Jared Sims Composer
  • Alexandre Gismonti Composer
  • Hank Roberts Vocalist
  • Taj Mahal Folk & Traditional
  • Yola R&B
  • Alexandre Leão Salvador
  • Cláudio Jorge Singer-Songwriter
  • Jorge Aragão Singer-Songwriter
  • Welson Tremura Choro
  • Elisa Goritzki Brazil
  • Theo Bleckmann Singer
  • John Boutté New Orleans
  • Ryuichi Sakamoto Record Producer
  • Michael Pipoquinha Bass
  • Dadi Carvalho Singer-Songwriter
  • Matt Garrison Jazz Fusion
  • Mono/Poly Music Producer
  • Aruán Ortiz Contemporary Classical Music
  • Guinha Ramires Brazil
  • The Brain Cloud Americana
  • Melvin Gibbs Jazz Fusion
  • Alicia Hall Moran Theater
  • Wolfgang Muthspiel Guitar
  • Darrell Green Composer
  • Sam Harris Piano
  • Clint Mansell Singer-Songwriter
  • BIGYUKI Japan
  • Ryan Keberle Jazz
  • Urânia Munzanzu Brasil, Brazil
  • Wayne Krantz Guitar
  • Richie Stearns Americana
  • Nego Álvaro Percussion
  • Gary Clark Jr. Blues
  • Dwandalyn Reece Washington, D.C.
  • Tank and the Bangas R&B
  • Alexandre Gismonti Brazil
  • LaTasha Lee Soul
  • Massimo Biolcati Bass
  • Danilo Brito São Paulo
  • Darren Barrett R&B
  • Marcus J. Moore Editor
  • Gearóid Ó hAllmhuráin Ethnomusicologist
  • Sérgio Pererê Composer
  • Luis Paez-Pumar New York City
  • Trilok Gurtu Tabla
  • Nate Chinen Radio Director
  • Ivan Neville R&B
  • Camille Thurman Bass Clarinet
  • Dona Dalva Samba de Roda
  • Logan Richardson Kansas City, Missouri
  • Augustin Hadelich Violin
  • João Parahyba Songwriter
  • Rudy Royston Jazz
  • Anat Cohen Tel Aviv
  • Kevin Burke Fiddle
  • Lorna Simpson Sculptor
  • Aaron Goldberg Composer
  • Tommy Orange Short Stories
  • Sean Jones Trumpet
  • Márcia Short Bahia
  • João Teoria Brasil, Brazil
  • Yelaine Rodriguez Wearable Art
  • Teddy Swims Singer-Songwriter
  • Paul McKenna Scottish Traditional Music
  • Laura Cole Singer-Songwriter
  • Paul Cebar Singer-Songwriter
  • João Luiz Choro
  • Galactic New Orleans
  • David Castillo Singer
  • Karsh Kale कर्ष काळे Singer
  • Tyler Gordon Painter
  • Jon Batiste Jazz
  • Peter Serkin Contemporary Classical Music
  • Magda Giannikou Accordion
  • Rachael Price Americana
  • Marcelo Caldi Singer
  • David Mattingly Matte Painter
  • Nara Couto Brasil, Brazil
  • Weedie Braimah Hip-Hop
  • Issa Malluf Middle Eastern Percussion
  • Jon Batiste New York City
  • Ricardo Bacelar Jazz Brasileiro, Brazilian Jazz
  • Louis Marks Apparel & Fashion
  • Jubu Smith Singer-Songwriter
  • Lolis Eric Elie Filmmaker
  • Alita Moses Jazz
  • Etan Thomas Writer
  • Ben Azar Israel
  • Yosvany Terry Harvard University Faculty
  • Keyon Harrold Hip-Hop
  • Marc-André Hamelin Boston
  • Rumaan Alam Writer
  • Asa Branca Chula
  • Keshav Batish Multi-Cultural
  • Trilok Gurtu Jazz
  • Miroslav Tadić Film, Theater, Dance Scores
  • Moreno Veloso Guitar
  • Jeff Tweedy Chicago, Illinois
  • Hilton Schilder Multi-Instrumentalist
  • George Porter Jr. R&B
  • Gel Barbosa Bahia
  • Jeff Ballard New York City
  • Guto Wirtti Guitar
  • Dan Weiss Tabla
  • Brandon J. Acker Classical Guitar
  • Michael League Record Label Owner
  • Fred P Berlin
  • Diosmar Filho Geógrafo, Geographer
  • Chris Acquavella Classical Music
  • Bule Bule Bahia
  • Tero Saarinen Helsinki
  • Gab Ferruz MPB
  • Maciel Salú Pernambuco
  • Scott Kettner Percussion
  • Swami Jr. Violão de Sete
  • John Santos Puerto Rico
  • Cássio Nobre Guitarra Baiana
  • Ferenc Nemeth Drumming Instruction
  • Yazhi Guo 郭雅志 Jazz
  • Thomas Àdes Opera
  • Keola Beamer Composer
  • Helado Negro Multi-Instrumentalist
  • Fred Hersch Jazz
  • Kenny Garrett Flute
  • Ed O'Brien Guitar
  • Merima Ključo Sevdalinka
  • Pallett Tehran
  • Steve Lehman Saxophone
  • Katuka Africanidades Livraria, Bookshop
  • Carlinhos Pandeiro de Ouro Pandeiro
  • Joel Best Sculptor
  • Stefon Harris Jazz
  • Arthur Verocai MPB
  • Jerry Douglas Lap Steel Guitar
  • Max ZT Dulcimer Instruction
  • Forrest Hylton Ethnohistorian: Latin America & the Caribbean
  • Roosevelt Collier Blues, Gospel, Rock, Funk
  • Etan Thomas Radio Presenter
  • Ron Blake Jazz
  • Simon Shaheen Arabic Music
  • Asali Solomon Short Stories
  • Rez Abbasi Composer
  • Nancy Viégas Brasil, Brazil
  • Kris Davis Jazz
  • Beeple VR / AR
  • Ênio Bernardes Bahia
  • Marcus Miller R&B
  • Mark Bingham New Orleans
  • Eddie Kadi Radio Presenter
  • Elio Villafranca Jazz
  • Samba de Lata Samba
  • Berta Rojas Berklee College of Music Faculty
  • David Bruce Opera
  • Jimmy Greene Composer
  • Dan Nimmer New York City
  • Christian McBride Composer
  • Mario Caldato Jr. Record Producer
  • Casa da Mãe Restaurante-Bar, Restaurant-Bar
  • Massimo Biolcati App Developer
  • Tam-Ky Vietnamese Foods
  • Ari Hoenig New York City
  • Carlos Aguirre Composer
  • Dee Spencer Sound Designer
  • Grégoire Maret Jazz
  • Ivo Perelman Brooklyn, NY
  • Léo Rugero São Paulo
  • Oswaldinho do Acordeon Composer
  • Jim Lauderdale Singer-Songwriter
  • Paul McKenna Singer-Songwriter
  • Stephanie Foden Montreal
  • Dadá do Trombone Samba
  • Ari Rosenschein Seattle
  • Jaques Morelenbaum Classical Music
  • Third Coast Percussion Contemporary Classical Music
  • Domingos Preto Santiago do Iguape
  • Bertram Hand Percussion Performance
  • Hugo Rivas Composer
  • Djuena Tikuna Tikuna
  • Walter Smith III Berklee College of Music Faculty
  • Mavis Staples Singer-Songwriter
  • John Harle Film Scores
  • Berkun Oya Playwright
  • Ron Carter Jazz
  • Mahsa Vahdat Tehran
  • Yazhi Guo 郭雅志 Multi-Instrumentalist

 'mātriks / "source" / from "mater", Latin for "mother"
We're a real mother for ya!

 

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