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  • From Brazil with love →
  • @ Ground Zero
  • El Aleph
  • If You Can't Stand the Heat
  • Harlem to Bahia to the Planet
  • Why a "Matrix"?

From Brazil with love →

@ Ground Zero

 

Have you, dear friend, ever noticed how different places scattered across the face of the globe seem almost to exist in different universes? As if they were permeated throughout with something akin to 19th century luminiferous aether, unique, determined by that place's history? It's like a trick of the mind's light (I suppose), but standing on beach or escarpment in Salvador and looking out across the Baía de Todos os Santos to the great Recôncavo, and mindful of what happened there, one must be led to the inevitable conclusion that one is in a place unique to history, and to the present*.

 

 

"Chegou a hora dessa gente bronzeada mostrar seu valor / The time has come for these bronzed people to show their value..."Música: Assis Valente of Santo Amaro, Bahia. Vídeo: Betão Aguiar.

 

*More enslaved human beings entered the Bay of All Saints and the Recôncavo than any other final port-of-call throughout all of mankind's history.

 

These people and their descendants created some of the most uplifting music ever made, the foundation of Brazil's national art. We wanted their music to be accessible to the world (it's not even accessible here in Brazil) so we created a platform by which everybody's creativity is mutually accessible, including theirs.

 

El Aleph

 

The network was built in an obscure record shop (Kareem Abdul-Jabbar found it) in a shimmering Brazilian port city...

 

...inspired in (the kabbalah-inspired fiction of) Borges' (short story) El Aleph, that in the pillar in Cairo's Mosque of Amr, where the universe in its entirety throughout all time is perceivable as an infinite hum from deep within the stone.

 

It "works" by virtue of the "small-world" phenomenon...the same responsible for the fact that most of us 7 billion or so beings are within 6 or fewer degrees of each other.

 

It was described (to some degree) and can be accessed via this article in British journal The Guardian (which named our radio of matrixed artists as one of ten best in the world):

 

www.theguardian.com/travel/2020/apr/17/10-best-music-radio-station-around-world

 

With David Dye for U.S. National Public Radio: www.npr.org/2013/07/16/202634814/roots-of-samba-exploring-historic-pelourinho-in-salvador-brazil

 

All is more connected than we know.

 

Per the "spirit" above, our logo is a cortador de cana, a cane-cutter. It was designed by Walter Mariano, professor of design at the Federal University of Bahia to reflect the origins of the music the shop specialized in. The Brazilian "aleph" doesn't hum... it dances and sings.

 

If You Can't Stand the Heat

 

Image above is from the base of the cross in front of the church of São Francisco do Paraguaçu in the Bahian Recôncavo

 

Sprawled across broad equatorial latitudes, stoked and steamed and sensual in the widest sense of the word, limned in cadenced song, Brazil is a conundrum wrapped in a smile inside an irony...

 

This is not a European nation. It is not a North American nation. It is not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn. Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin. It was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people). Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David. Three cultures — from three continents — running for their lives, their confluence forming an unprecedented fourth. Pandeirista on the roof. Nowhere else but here.

 

Oligarchy, plutocracy, dictatorships and massive corruption — elements of these are still strongly entrenched — have defined, delineated, and limited Brazil.

 

But strictured & bound as it has been and is, Brazil has buzz...not the shallow buzz of a fashionable moment...but the deep buzz of a population which in spite of — or perhaps because of — the tough slog through life they've been allotted by humanity's dregs-in-fine-linen, have chosen not to simply pull themselves along but to lift their voices in song and their bodies in dance...to eat well and converse well and much and to wring the joy out of the day-to-day happenings and small pleasures of life which are so often set aside or ignored in the European, North American, and East Asian nations.

 

For this Brazil has a genius perhaps unparalleled in all other countries and societies, a genius which thrives alongside peeling paint and holes in the streets and roads, under bad organization by the powers-that-be, both civil and governmental, under a constant rain of societal indignities...

 

Which is all to say that if you don't know Brazil and you're expecting any semblance of order, progress and light, you will certainly find the light! And the buzz of a people who for generations have responded to privation at many different levels by somehow rising above it all.

 

"Onde tem miséria, tem música!"* - Raymundo Sodré

 

And it's not just music. And it's not just Brazil.

 

Welcome to the kitchen!

 

* "Where there is misery, there is music!" Remarked during a conversation arcing from Bahia to Haiti and Cuba to New Orleans and the south side of Chicago and Harlem to the villages of Ireland and the gypsy camps and shtetls of Eastern Europe...

 

Harlem to Bahia to the Planet



Why a "Matrix"?

 

I was explaining the ideas behind this nascent network to (João) Teoria (trumpet player above) over cervejas at Xique Xique (a bar named for a town in Bahia) in the Salvador neighborhood of Barris...

 

Like this (but in Portuguese): "It's kind of like Facebook if it didn't spy on you, but reversed... more about who you don't know than who you do know. And who doesn't know you but would be glad if they did. It's kind of like old Myspace Music but instead of having "friends" it has a list on your page of people you recommend. Not just musicians but writers, painters, filmmakers, dancers, chefs... anybody in the creative economy. It has a list of people who recommend you, or through whom you are recommended. It deals with arts which aren't recommendable by algorithm but need human intelligence behind recommendations. And the people who are recommended can recommend, creating a network of recommendations wherein by the small world phenomenon most people in the creative economy are within several steps of everybody else in the creative economy, no matter where they are in the world. Like a chessboard which could have millions of squares, but you can get from any given square to any other in no more than six steps..."

 

And João said (in Portuguese): "A matrix where you can move from one artist to another..."

 

A matrix! That was it! The ORIGINAL meaning of matrix is "source", from "mater", Latin for "mother". So the term would help congeal the concept in the minds of people the network was being introduced to, while giving us a motto: "We're a real mother for ya!" (you know, Johnny "Guitar" Watson?)

 

The original idea was that musicians would recommend musicians, the network thus formed being "small world" (commonly called "six degrees of separation"). In the real world, the number of degrees of separation in such a network can vary, but while a given network might have billions of nodes (people, for example), the average number of steps between any two nodes will usually be minuscule.

 

Thus somebody unaware of the magnificent music of Bahia, Brazil will be able to conceivably move from almost any musician in this matrix to Bahia in just a few steps...

 

By the same logic that might move one from Bahia or anywhere else to any musician anywhere.

 

And there's no reason to limit this system to musicians. To the contrary, while there are algorithms written to recommend music (which, although they are limited, can be useful), there are no algorithms capable of recommending journalism, novels & short stories, painting, dance, film, chefery...

 

...a vast chasm that this network — or as Teoria put it, "matrix" — is capable of filling.

 

  • Zakir Hussain
    I RECOMMEND

CURATION

  • from this node by: Matrix

This is the Universe of

  • Name: Zakir Hussain
  • City/Place: San Francisco, California
  • Country: United States

Life & Work

  • Bio: Zakir Hussain is today appreciated both in the field of percussion and in the music world at large as an international phenomenon. A classical tabla virtuoso of the highest order, his consistently brilliant and exciting performances have not only established him as a national treasure in his own country, India, but gained him worldwide fame.

    His playing is marked by uncanny intuition and masterful improvisational dexterity, founded in formidable knowledge and study. The favorite accompanist for many of India’s greatest classical musicians and dancers, he has not let his genius rest there. Widely considered a chief architect of the contemporary world music movement, Zakir’s contribution to world music has been unique, with many historic collaborations, including Shakti, which he founded with John McLaughlin and L. Shankar, Remember Shakti, the Diga Rhythm Band, Making Music, Planet Drum with Mickey Hart, Tabla Beat Science, Sangam with Charles Lloyd and Eric Harland and recordings and performances with artists as diverse as George Harrison, YoYo Ma, Joe Henderson, Van Morrison, Airto Moreira, Pharoah Sanders, Billy Cobham, Mark Morris, Rennie Harris, and the Kodo drummers.

Contact Information

  • Management/Booking: IMG Artists
    DEAN SHULTZ
    [email protected]
    www.imgartists.com
    212 994 3500
    7 West 54th St.
    New York, NY 10019

Media | Markets

  • ▶ Buy My Music: (downloads/CDs/DVDs) http://www.momentrecords.com
  • ▶ Twitter: zakirhtabla
  • ▶ Instagram: officialzakirhussain
  • ▶ Website: http://www.zakirhussain.com
  • ▶ YouTube Music: http://music.youtube.com/channel/UCHMR1Eq-zq8cAmMLHbdtxpQ
  • ▶ Spotify: http://open.spotify.com/album/6Z5RRaRtxckdDY9W9711lB
  • ▶ Spotify 2: http://open.spotify.com/album/2DK6dpOqFfi9s5gXaMUHOe
  • ▶ Spotify 3: http://open.spotify.com/album/5n2VyhtcSF6k0JJcCtabD0
  • ▶ Spotify 4: http://open.spotify.com/album/1Fc8yR4hBdWcDpRDMuX51I
  • ▶ Spotify 5: http://open.spotify.com/album/0ejADj4ASGiKt2Tn9mlZHM
  • ▶ Spotify 6: http://open.spotify.com/album/0Gjp6bjN1furRn7bHAIsdi

Clips (more may be added)

  • Zakir Hussain and Dave Holland: Crosscurrents | JAZZ NIGHT IN AMERICA
    By Zakir Hussain
    215 views
Previous
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YOU RECOMMEND

Imagine the world's creative economy at your fingertips. Imagine 10 doors side-by-side. Beyond each, 10 more, each opening to a "creative" somewhere around the planet. After passing through 8 such doorways you will have followed 1 pathway out of 100 million possible (2 sets of doorways yield 10 x 10 = 100 pathways). This is a simplified version of the metamathematics that makes it possible to reach everybody in the global creative economy in just a few steps It doesn't mean that everybody will be reached by everybody. It does mean that everybody can  be reached by everybody.


Appear below by recommending Zakir Hussain:

  • 4 Hindustani Classical Music
  • 4 Indian Classical Music
  • 4 Multi-Cultural
  • 4 Percussion
  • 4 Tabla
  • Ronaldo Bastos Brazil
  • Roque Ferreira Chula
  • Julie Fowlis Singer
  • Stephan Crump Composer
  • Nate Chinen Radio Director
  • Olivia Trummer Singer
  • Asali Solomon Haverford College Faculty
  • Mahsa Vahdat Tehran
  • David Castillo Actor
  • Shankar Mahadevan Singer
  • Mavis Staples Singer-Songwriter
  • Paulo Martelli Brazilian Classical Guitar
  • Leo Genovese Argentina
  • Mateus Aleluia Filho Cachoeira
  • Yasushi Nakamura Japan
  • Philip Watson Ireland
  • Andra Day Los Angeles
  • Ambrose Akinmusire Composer
  • Júlio Lemos San Francisco
  • Kronos Quartet Contemporary Classical Music
  • Asanda Mqiki Singer-Songwriter
  • Justin Stanton Brooklyn, NY
  • Myles Weinstein Drums
  • Adam Cruz Composer
  • Virgínia Rodrigues Bahia
  • James Gavin Writer
  • Daru Jones Record Label Owner
  • Maria Drell Bahia
  • Ayrson Heráclito Cachoeira
  • Gilsons Bahia
  • Priscila Castro Pará
  • James Grime YouTuber
  • Etan Thomas Poet
  • Luke Daniels Scottish Traditional Music
  • Miles Okazaki Composer
  • María Grand R&B
  • Luiz Santos New York City
  • Capitão Corisco Pífano
  • João Callado Composer
  • Jimmy Greene Jazz
  • Nicholas Barber Arts Journalist
  • Aurino de Jesus Viola Machete
  • Yoko Miwa Jazz
  • Gary Lutz Poet
  • Steve Earle Poet
  • Cara Stacey Umrhubhe, Uhadi, Makhoyane
  • Ayrson Heráclito Federal University of the Recôncavo of Bahia Faculty
  • Mark Bingham Singer-Songwriter
  • Niwel Tsumbu Ireland
  • Léo Rugero Sanfona de 8 Baixos
  • Joey Baron Composer
  • Tambay Obenson Los Angeles
  • Little Simz Photographer
  • Alexandre Leão Compositor de Filmes, Film Scores
  • Derrick Hodge Record Producer
  • Daymé Arocena Composer
  • Alexandre Gismonti Belo Horizonte
  • Sam Reider Composer
  • Avishai Cohen אבישי כה Record Label Owner
  • ANNA DJ
  • Gonzalo Rubalcaba Composer
  • Marcos Suzano Composer
  • Aindrias de Staic Cainteoir Gaeilge
  • Lenine Brazil
  • Barney McAll New York City
  • Rob Garland Jazz, Funk
  • Sameer Gupta Percussion
  • Iuri Passos Bahia
  • Eliane Elias Bossa Nova
  • Isaac Julien England
  • Rez Abbasi Indian Classical Music
  • Johnathan Blake New York City
  • Michel Camilo Dominican Republic
  • Domingos Preto Brazil
  • Mike Moreno Guitar
  • Steve Earle Radio Presenter
  • Renee Rosnes Composer
  • Pedro Martins Choro
  • Amitava Kumar Screenwriter
  • Linda May Han Oh Jazz
  • Jack Talty County Clare
  • Victor Gama Luanda
  • Nathan Amaral Rio de Janeiro
  • Cale Glendening Cinematographer
  • Clint Mansell Television Scores
  • Alessandro Penezzi Brazil
  • Jan Ramsey Culture Journalist
  • Barney McAll Bulbul Tarang
  • Nduduzo Makhathini Composer
  • Robertinho Silva Drums
  • Renata Flores Rapper
  • Airto Moreira Singer
  • The Weeknd R&B
  • Adriano Souza Bossa Nova
  • David Braid Composer
  • Ronell Johnson Trombone
  • David Virelles New York City
  • Renato Braz Percussion
  • Niwel Tsumbu Singer
  • Arifan Junior Percussão, Percussion
  • Del McCoury Banjo
  • Scott Devine YouTuber
  • Joe Lovano Flute
  • Ronell Johnson New Orleans
  • Tessa Hadley Writer
  • Conrad Herwig Composer
  • Arto Tunçboyacıyan Armenian Folk Music
  • Seu Jorge Samba
  • Filhos da Pitangueira Samba
  • Ben Wendel Brooklyn, NY
  • Alain Mabanckou Africa
  • Kendrick Scott Composer
  • Mônica Salmaso MPB
  • Dan Tyminski Guitar
  • Bombino Singer-Songwriter
  • John Archibald Journalist
  • Chico Buarque MPB
  • Chief Xian aTunde Adjuah New Orleans
  • Gabriel Grossi Harmonica
  • Wolfgang Muthspiel Guitar
  • David Bruce Contemporary Classical Music
  • Steve Cropper R&B
  • Alana Gabriela Salvador
  • Aditya Prakash Carnatic Music
  • James Elkington Record Producer
  • Arismar do Espírito Santo Bass
  • David Castillo Actor
  • June Yamagishi Guitar
  • Dona Dalva Samba
  • Rodrigo Caçapa Música Nordestina
  • Siba Veloso Viola Nordestina
  • Jazzmeia Horn Writer
  • Daymé Arocena Havana
  • Miguel Atwood-Ferguson Television Scores
  • Ariel Reich Actor
  • Yola R&B
  • The Umoza Music Project Multi-Cultural
  • Aditya Prakash Multi-Cultural
  • Peter Mulvey Milwaukee, Wisconsin
  • Hilton Schilder Piano
  • Negra Jhô African Hairstyles
  • Stephanie Foden Toronto
  • Iuri Passos Ethnomusicologist
  • Leyla McCalla Cello
  • Oscar Bolão Choro
  • Matt Garrison Bass
  • Fabian Almazan Film Scores
  • Asma Khalid White House Correspondent
  • Chris Dave Hip-Hop
  • Brian Stoltz New Orleans
  • Maria Nunes Trinidad
  • Horace Bray Guitar
  • Brett Orrison Record Producer
  • Béco Dranoff Record Label Owner
  • Tobias Meinhart Saxophone
  • Helado Negro Singer-Songwriter
  • Shannon Ali Liner Notes
  • Rosa Cedrón Galicia
  • Daniel Jobim Brazil
  • Logan Richardson Flute
  • Philip Cashian Royal Academy of Music Staff
  • Tom Oren Piano
  • Rodrigo Amarante Multi-Instrumentalist
  • Júlio Caldas Brasil, Brazil
  • Jim Farber Journalist
  • Quatuor Ebène France
  • Monarco Samba
  • Musa Okwonga Berlin
  • Gilsons Brazil
  • Wayne Krantz Jazz
  • Gregory Hutchinson Drums
  • Cédric Villani Author
  • Brandee Younger Jazz
  • Stephanie Soileau Louisiana
  • Kaia Kater Singer-Songwriter
  • Paulinho Fagundes Rio Grande do Sul
  • Paul Anthony Smith Painter
  • Denzel Curry Los Angeles
  • João Camarero Brazil
  • Congahead Latin Jazz
  • Joel Best London
  • Imanuel Marcus Journalist
  • Chief Xian aTunde Adjuah Record Producer
  • Cinho Damatta Brasil, Brazil
  • Lakecia Benjamin R&B
  • Marilda Santanna Escritora, Writer
  • Tom Schnabel Music Salon
  • Ben Harper Funk
  • Seth Swingle Multi-Cultural
  • Jaleel Shaw Saxophone
  • Fred P Record Producer
  • Carlinhos 7 Cordas Rio de Janeiro
  • Tessa Hadley Bath Spa University Faculty
  • Paulo Paulelli Bass
  • Kevin Hays Composer
  • Ronaldo do Bandolim Choro
  • Sheryl Bailey Jazz
  • Gel Barbosa Luthier
  • David Bragger Mandolin Instruction
  • Antonio García Arranger
  • Tiganá Santana Brasil, Brazil
  • Samba de Nicinha Samba de Roda
  • Nana Nkweti Fiction
  • Dwayne Dopsie Louisiana
  • David Chesky Composer
  • Ta-Nehisi Coates Black American Culture & History
  • Scott Kettner Percussion
  • Jorge Glem Venezuela
  • Adriene Cruz Tapestry Crochet
  • Congahead African Music
  • Brandon J. Acker Classical Guitar
  • Teddy Swims Georgia
  • Bob Mintzer Composer
  • Nicholas Daniel Conductor
  • Mino Cinélu Percussion
  • John Patrick Murphy Sanfona
  • Ajurinã Zwarg Percussion
  • Yola Bristol
  • Dan Trueman Composer
  • Pedro Aznar Argentina
  • Larissa Luz Brazil
  • Carrtoons Multi-Instrumentalist
  • Marcus Printup Trumpet
  • David Kirby Journalist
  • Johnny Lorenz Writer
  • Regina Carter Jazz
  • Gary Clark Jr. Austin, Texas
  • Jorge Pita Candomblé
  • John Patitucci Jazz
  • Ivan Bastos Baixo, Bass
  • Aindrias de Staic Ireland
  • Dan Tepfer Composer
  • Diedrich Diederichsen Cultural Critic
  • Little Dragon Sweden
  • Nikki Yeoh Composer
  • Raymundo Sodré Forró
  • Antonio Sánchez Jazz
  • Adonis Rose Percussion
  • John Archibald Alabama
  • Aaron Parks Brooklyn, NY
  • Mario Caldato Jr. Bass
  • Marisa Monte Rio de Janeiro
  • Joshua Abrams Multi-Instrumentalist
  • Dave Jordan Singer-Songwriter
  • Rez Abbasi Multi-Cultural
  • Mino Cinélu Multi-Instrumentalist
  • Menelaw Sete Cubismo Afro-Brasileiro, Afro-Brazilian Cubism
  • Laura Beaubrun Choreographer
  • Billy O'Shea Ireland
  • Marcelinho Oliveira Songwriter
  • Margareth Menezes Brazil
  • Daniil Trifonov Russia
  • Rayendra Sunito Drums
  • Gretchen Parlato MPB
  • Gustavo Di Dalva Salvador
  • Roque Ferreira Samba
  • Olivia Trummer Singer
  • Miles Mosley Los Angeles
  • Tito Jackson Singer-Songwriter
  • Imanuel Marcus War Correspondent
  • Paulo César Figueiredo Rio de Janeiro
  • Eric Bogle Australia
  • Kurt Andersen New York City
  • Molly Tuttle Banjo
  • Matt Garrison Record Producer
  • Fabian Almazan Havana
  • Miroslav Tadić Multi-Cultural
  • Giveton Gelin New York City
  • Peter Slevin Journalist
  • Nettrice R. Gaskins STEAM Advocate
  • Soweto Kinch Radio Presenter
  • Romero Lubambo MPB
  • Onisajé Diretora Teatral, Theater Director
  • Casey Benjamin R&B
  • Rita Batista Apresentadora de Rádio, Radio Presenter
  • Bruce Molsky Berklee College of Music Faculty
  • Angel Deradoorian Music Producer
  • Alê Siqueira Salvador
  • Alan Bishop Cairo
  • Amilton Godoy Brazilian Jazz
  • Loli Molina Argentina
  • Nigel Hall New Orleans
  • Aaron Parks Ropeadope
  • Perumal Murugan Poet
  • Echezonachukwu Nduka Classical Music
  • King Britt Composer
  • Daedelus DJ
  • Alana Gabriela Percussão, Percussion
  • Milton Nascimento Minas Gerais
  • Asali Solomon Novelist
  • Emmet Cohen Jazz
  • Ivan Bastos Faculdade da UFBA, Federal University of Bahia Faculty
  • Hank Roberts Vocalist
  • Tatiana Eva-Marie Gypsy Jazz
  • Sharay Reed Bass
  • Jay Mazza New Orleans
  • Carlos Blanco Salvador
  • Isaak Bransah Choreographer
  • John McLaughlin Jazz Fusion
  • Ivo Perelman Saxophone
  • Luiz Brasil MPB
  • Chris Dingman Multi-Cultural
  • Negrizu Brasil, Brazil
  • Beth Bahia Cohen Hardingfele
  • Larissa Luz Music Producer
  • Hopkinson Smith Schola Cantorum Basiliensis Faculty
  • Julie Fowlis Multi-Instrumentalist
  • Rahim AlHaj Baghdad
  • Judith Hill Singer-Songwriter
  • Melanie Charles Experimental Music
  • Kurt Rosenwinkel Composer
  • Dave Jordan Roots Rock
  • Dumpstaphunk New Orleans
  • Emicida MC
  • Carrtoons Brooklyn, NY
  • Jimmy Cliff Rocksteady
  • Anders Osborne Singer-Songwriter
  • Alexandre Leão Compositor de Televisão, Television Scores
  • Rick Beato Recording Engineer
  • Jennifer Koh Classical Music
  • Wadada Leo Smith Multi-Instrumentalist
  • Gian Correa Brazil
  • Nancy Ruth Jazz
  • Alicia Svigals Klezmer Fiddle
  • Lolis Eric Elie Filmmaker
  • Henrique Cazes Composer
  • Adam Neely YouTuber
  • Arifan Junior Produtor Cultural, Cultural Producer
  • Courtney Pine Radio Presenter
  • Bob Mintzer Jazz
  • João Callado Painter
  • Henrique Araújo Brazil
  • Jimmy Dludlu Cape Town
  • Jamz Supernova Record Label Owner
  • Léo Rodrigues Samba
  • Daphne A. Brooks Yale Faculty
  • Shemekia Copeland R&B
  • Yayá Massemba Bahia
  • Jurandir Santana Bahia
  • Angel Bat Dawid Black American Traditional Music
  • Paulo Martelli Brasil, Brazil
  • Amaro Freitas Jazz
  • Eli Saslow Journalist
  • Lina Lapelytė Composer
  • Branford Marsalis Saxophone
  • Paulo César Pinheiro Lyricist
  • Lolis Eric Elie New Orleans
  • Neymar Dias Composer
  • Andy Romanoff Writer
  • Shanequa Gay Installation

 'mātriks / "source" / from "mater", Latin for "mother"
We're a real mother for ya!

 

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