Jean Rondeau, steps away
Jean Rondeau and most of humanity are within 6 degrees of each other. This matrix combines the small-world principle behind this seemingly magical fact with inter-artist recommendations-in-series in order to make all artists potential curators and discoverable within a handful of steps from everywhere on the planet. It works like this:
I RECOMMEND people (do you?)Jean Rondeau & degrees of proximity
Why again is Jean Rondeau mere steps away from other artists in here, and by extension, most everybody on the planet???
WHO CURATES "I RECOMMEND" ABOVE?
- Vertex/Edges Out by: The Matrix
Artist & Where
- Name: Jean Rondeau
- City/Place: Paris
- Country: France
Life & Work
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Bio:
Jean Rondeau studied harpsichord with Blandine Verlet for over ten years, followed by training in basso continuo, organ, piano, jazz and improvisation, and conducting. He pursued further studies at the Conservatoire National Supérieur de Musique in Paris, graduating with honours, and the Guildhall School of Music and Drama in London.
In 2012, at just 21 years old, he became one of the youngest performers ever to take First Prize at the International Harpsichord Competition in Bruges (MAfestival 2012), also winning the EUBO Development Trust prize; an accolade bestowed on the most promising young musician of the European Union. The same year, he claimed second place in the Prague Spring International Harpsichord Competition (64th edition of the Festival, 2012), along with a nod for the best interpretation of the contemporary piece composed specially for that contest. In 2013, he also won the Prix des Radios Francophones Publiques.
Rondeau is in demand for solo, chamber music and orchestral appearances throughout Europe and in the United States. He frequently performs with the Baroque quartet Nevermind. Quite apart from his activities as harpsichordist, he founded the ensemble Note Forget, presenting his own jazz-oriented compositions and improvisations on piano.
Rondeau is signed to Erato as an exclusive recording artist. His debut album of music by J.S. Bach, Imagine, was released in January 2015 and received the Choc de Classica and Prix Charles Cros. The second recording on Erato, Vertigo, saw Rondeau pay tribute to two Baroque composers from his native France: Jean-Philippe Rameau and Pancrace Royer. His latest album, Dynastie, explores keyboard concertos by Bach&Sons. In 2016 he composed his first original score for a film, Christian Schwochow’s Paula, which premiered at the 2016 Locarno Film Festival.
Media & Markets
- ▶ Buy My Music (downloads/CDs/DVDs): http://www.jean-rondeau.com/discography/
- ▶ Twitter: jeanrondeau3
- ▶ Instagram: jeanrondeau.official
- ▶ Website: http://www.jean-rondeau.com
- ▶ YouTube Channel: http://www.youtube.com/channel/UC_Lxz3EAtg1LWmOZYa8UUtg
- ▶ YouTube Music: http://music.youtube.com/channel/UC6CvNAJO0_lHHXniK883p3g
- ▶ Spotify: http://open.spotify.com/album/0nctM62YjYfdEG6dIdIHFm
- ▶ Spotify 2: http://open.spotify.com/album/6WmlfjXdtaCaazyh0ZLJ8e
- ▶ Spotify 3: http://open.spotify.com/album/6yfbDFkO8IrJ26AE6s7iat
- ▶ Spotify 4: http://open.spotify.com/album/2egjtE3vU76habSWVusxQo
More
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Quotes, Notes & Etc.
“Rondeau is one of the most natural performers one is likely to hear on a classical music stage these days. Affectation and ostentation are not part of his makeup and, once seated at the instrument, he and the harpsichord become one. Everything after that is music-making that is masculine, direct and richly human. Rondeau is a master of his instrument with the sort of communicative gifts normally encountered in musicians twice his age. He internalizes the music he plays so completely that any interpretive ambivalence or miscalculation is unthinkable. The sincerity and modesty of his delivery are the keys to its power.”
- The Washington Post
“Rondeau has developed an affinity for [the harpsichord] and a comfort in its presence that allow him to see in it its possibilities rather than its limitations…his agile and rock-solid finger technique means that Rameau’s Les Niais de Sologne and Royer’s La marche des Scythes can thrill as they should while never trampling on the gorgeous deep tone of the magnificent instrument…there is no doubt that he is a player of immense ability from whom we reasonably may hope for much.”
- Gramophone
“Not only is the trajectory utterly sure-footed; he can also generate palpable excitement without resorting to empty bravado…Rondeau is a natural communicator, unimpeded by the imperative to score academic points…
- BBC Music Magazine
Clips (more may be added)
ABOUT THE MATRIX
This matrix is dedicated to creative artists and non-algorithmic discovery.
It was described (to some degree) and can be accessed via this article in British journal The Guardian (which named our radio of matrixed artists as one of ten best in the world):
www.theguardian.com/travel/2020/apr/17/10-best-music-radio-station-around-world
While the Brazilian musicians I work with now you may not know, I formerly worked (chasing unpaid royalties!) on behalf of Aretha Franklin, Barbra Streisand, Led Zeppelin, Jim Hall, Mongo Santamaria, Gilberto Gil, Astrud Gilberto, Wah Wah Watson (Melvin Ragin), Philip Glass, The Cadillacs (Earl Carroll), The Flamingos (Zeke and Jake Carey), and others, including Oscar-winning world-class great-guy Robb Royer. I was interviewed by David Dye for broadcast on U.S. National Public Radio several years ago ... about the Brazilians:
- Randy "Pardal/Sparrow" Roberts
All is more connected than we know.
w/ David Dye for U.S. National Public Radio
The matrix was inspired in (the kabbalah-inspired fiction of) Borges' El Aleph, that in the pillar in Cairo's Mosque of Amr, where the universe in its entirety throughout all time is perceivable as an infinite hum from deep within the stone...
Our logo, per the "spirit" above, is a cortador de cana, a cane cutter. It was designed by Walter Mariano, professor of design at the Federal University of Bahia to reflect the origins of the music the shop specialized in. The Brazilian "aleph" doesn't hum... it dances and sings.
