Are you inside? Should you be?

  • Artists by Category
  • Categories are Here!
  • Matrix Rádio
  • Matrix Home
  • Showcase Music
  • Add Videos/SC
  • Add Photos
  • Questions?
  • Sign up
  • Sign in
    Loading ...
View All Updates Mark All Read
  • Jack Talty

    THE INTEGRATED GLOBAL
    CREATIVE ECONOMY

    promulgated by
    The Brazilian Ministry of Culture

    fomented by
    The Bahian Secretary of Culture

    fomented by
    The Palmares Foundation
    for the promotion of Afro-Brazilian Culture

    fomented by
    The National Foundation of Indigenous Peoples

    I CURATE/pathways out

Network Node

  • Name: Jack Talty
  • City/Place: Cork
  • Country: Ireland

CURATION

  • from this node by: Matrix

Current News

  • What's Up? "they redefine the possibilities of the sound of the concertina itself"
    - Donal Dineen, The Irish Times, on Na Fir Bolg

    "Talty's playing appears to effortlessly slide through its sets, and his control is amazing – at times, he manages to make some notes ring out stronger, almost like a trombone punctuating a tune. But apart from the technical surety on the reels and jigs, I found the slow airs to be captivating....not to be missed by listeners who enjoy Irish music as a living, breathing art-form that both challenges and delights. In Flow shines like gold."
    - Lee Blackstone, RootsWorld

Life & Work

  • Bio: Jack Talty is a concertina player from County Clare in the west of Ireland, currently Traditional Artist in Residence at University College Cork.

Contact Information

  • Email: [email protected]

Media | Markets

  • ▶ Twitter: jacktalty
  • ▶ Instagram: jack.talty
  • ▶ Website: http://www.jacktalty.com
  • ▶ YouTube Channel: http://youtube.com/user/RaelachRecords
  • ▶ YouTube Music: http://music.youtube.com/channel/UC09Vg_9Tj6EPKcwYoDMHsmQ
  • ▶ Spotify: http://open.spotify.com/album/50ChtIeDPewAZIVdqqbWSw
  • ▶ Spotify 2: http://open.spotify.com/album/3y1G4HdofbXTslkCJzMiBt

Clips (more may be added)

  • Crowleys, Kenmare
    By Jack Talty
    516 views
Previous
Next

Jack Talty Curated
pathways in

  • 1 Composer
  • 1 Concertina
  • 1 County Clare
  • 1 Ireland
  • 1 Irish Traditional Music
  • 1 Musicologist
  • 1 Raelach Records
  • 1 Record Label Owner
  • 1 Record Producer
  • 1 University College Cork Faculty

What's Been Happening?

The post was not added to the feed. Please check your privacy settings.
  • Jack Talty
    Simon McKerrell → Composer has been recommended via Jack Talty.
    • September 2, 2022
  • Jack Talty
    Simon McKerrell → Writer has been recommended via Jack Talty.
    • September 2, 2022
  • Jack Talty
    Simon McKerrell → Uilleann Pipes has been recommended via Jack Talty.
    • September 2, 2022
  • Jack Talty
    Simon McKerrell → Scottish Traditional Music has been recommended via Jack Talty.
    • September 2, 2022
  • Jack Talty
    Simon McKerrell → Scotland has been recommended via Jack Talty.
    • September 2, 2022
  • Jack Talty
    Simon McKerrell → Glasgow Caledonian University Staff has been recommended via Jack Talty.
    • September 2, 2022
  • Jack Talty
    Simon McKerrell → Bagpipes has been recommended via Jack Talty.
    • September 2, 2022
  • Jack Talty
    A category was added to Jack Talty:
    University College Cork Faculty
    • January 20, 2022
  • Jack Talty
    A category was added to Jack Talty:
    Record Label Owner
    • January 20, 2022
  • Jack Talty
    A category was added to Jack Talty:
    Raelach Records
    • January 20, 2022
  • Jack Talty
    Saileog Ní Cheannabháin → Viola has been recommended via Jack Talty.
    • January 20, 2022
  • Jack Talty
    Saileog Ní Cheannabháin → Theater Composer has been recommended via Jack Talty.
    • January 20, 2022
  • Jack Talty
    Saileog Ní Cheannabháin → Sean-Nós Singer has been recommended via Jack Talty.
    • January 20, 2022
  • Jack Talty
    Saileog Ní Cheannabháin → Raelach Records has been recommended via Jack Talty.
    • January 20, 2022
  • Jack Talty
    Saileog Ní Cheannabháin → Piano has been recommended via Jack Talty.
    • January 20, 2022
  • Jack Talty
    Saileog Ní Cheannabháin → Irish Traditional Music has been recommended via Jack Talty.
    • January 20, 2022
  • Jack Talty
    Saileog Ní Cheannabháin → Fiddle has been recommended via Jack Talty.
    • January 20, 2022
  • Jack Talty
    Saileog Ní Cheannabháin → Composer has been recommended via Jack Talty.
    • January 20, 2022
  • Jack Talty
    Saileog Ní Cheannabháin → Classical Music has been recommended via Jack Talty.
    • January 20, 2022
  • Jack Talty
    Jon Cowherd → Record Producer has been recommended via Jack Talty.
    • November 26, 2019
View More
Loading ...
  • ENGLISH (pra Portuguese →)
  • PORTUGUÊS (to English →)

ENGLISH (pra Portuguese →)

 

THE MATRIX BEGAN IN AFRICAN BRAZIL BUT NOW ENCOMPASSES THE WORLD

Explore above a complete (and vast) list of artists and other members of the global creative economy interconnected by matrix. If you fit, join them (from the top of any page) and create your own matrix page.


WHY BRAZIL?

Brazil is not a European nation. It's not a North American nation. It's not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn.

 

Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin.

 

Brazil was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — the hand drum in the opening scene below — was almost certainly brought to Brazil by these people).

 

Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David.

 

Three cultures — from three continents — running for their lives, their confluence forming a scintillatingly unprecedented fourth. Pandeirista on the roof.

 

Nowhere else but here. Brazil itself is a matrix.

 


✅—João do Boi
João had something priceless to offer the world.
But he was impossible for the world to find...
✅—Pardal/Sparrow
PATHWAYS
from Brazil, with love
THE MISSION: Beginning with the atavistic genius of the Recôncavo (per "RESPLENDENT BAHIA..." below) & the great sertão (the backlands of Brazil's nordeste) — make artists across Brazil — and around the world — discoverable as they never were before.

HOW: Integrate them into a vast matrixed ecosystem together with musicians, writers, filmmakers, painters, choreographers, fashion designers, educators, chefs et al from all over the planet (are you in this ecosystem?) such that these artists all tend to be connected to each other via short, discoverable, accessible pathways. Q.E.D.

"Matrixado! Laroyê!"
✅—Founding Member Darius Mans
Economist, PhD, Massachusetts Institute of Technology
✅—Luiz Inácio Lula da Silva
President of Brazil


The matrix was created in Salvador's Centro Histórico, where Bule Bule below, among first-generation matrixed colleagues, sings "Chegou a hora dessa gente bronzeada mostrar seu valor... The time has come for these bronzed people to show their worth..."

Music & lyrics (Brasil Pandeiro) by Assis Valente of Santo Amaro, Bahia, Brazil. Video by Betão Aguiar of Salvador.

...the endeavor motivated in the first instance by the fact that in common with most cultures around our planet, the preponderance of Brazil's vast cultural treasure has been impossible to find from outside of circumscribed regions, including Brazil itself...

Thus something new under the tropical sun: Open curation beginning with Brazilian musicians recommending other Brazilian musicians and moving on around the globe...

Where by the seemingly magical mathematics of the small world phenomenon, and in the same way that most human beings are within some six or so steps of most others, all in the matrix tend to proximity to all others...

The difference being that in the matrix, these steps are along pathways that can be travelled. The creative world becomes a neighborhood. Quincy Jones is right up the street and Branford Marsalis around the corner. And the most far-flung genius you've never heard of is just a few doors down. Maybe even in Brazil.

"I am thrilled to receive your email! Thank you for including me in this wonderful matrix."
✅—Susan Rogers
Personal recording engineer: Prince, Paisley Park Recording Studio
Director: Music Perception & Cognition Laboratory, Berklee College of Music
Author: This Is What It Sounds Like: What the Music You Love Says About You

"Many thanks for this - I am  touched!"
✅—Julian Lloyd Webber
That most fabled cellist in the United Kingdom (and Brazilian music fan)

"I'm truly thankful... Sohlangana ngokuzayo :)"
✅—Nduduzo Makhathini
Blue Note recording artist

"Thanks, this is a brilliant idea!!"
✅—Alicia Svigals
Founder of The Klezmatics

"This is super impressive work ! Congratulations ! Thanks for including me :)))"
✅—Clarice Assad
Compositions recorded by Yo Yo Ma and played by orchestras around the world

"Thank you"
(Banch Abegaze, manager)
✅—Kamasi Washington


RESPLENDENT BAHIA...

...is a hot cauldron of rhythms and musical styles, but one particular style here is so utterly essential, so utterly fundamental not only to Bahian music specifically but to Brazilian music in general — occupying a place here analogous to that of the blues in the United States — that it deserves singling out. It is derived from (or some say brother to) the cabila rhythm of candomblé angola… …and it is called…

Samba Chula / Samba de Roda

Mother of Samba… daughter of destiny carried to Bahia by Bantus ensconced within the holds of negreiros entering the great Bahia de Todos os Santos (the term referring both to a dance and to the style of music which evolved to accompany that dance; the official orthography of “Bahia” — in the sense of “bay” — has since been changed to “Baía”)… evolved on the sugarcane plantations of the Recôncavo (that fertile area around the bay, the concave shape of which gave rise to the region’s name) — in the vicinity of towns like Cachoeira and Santo Amaro, Santiago do Iguape and Acupe. This proto-samba has unfortunately fallen into the wayside of hard to find and hear…

There’s a lot of spectacle in Bahia…

Carnival with its trio elétricos — sound-trucks with musicians on top — looking like interstellar semi-trailers back from the future…shows of MPB (música popular brasileira) in Salvador’s Teatro Castro Alves (biggest stage in South America!) with full production value, the audience seated (as always in modern theaters) like Easter Island statues…

…glamour, glitz, money, power and press agents…

And then there’s where it all came from…the far side of the bay, a land of subsistence farmers and fishermen, many of the older people unable to read or write…their sambas the precursor to all this, without which none of the above would exist, their melodies — when not created by themselves — the inventions of people like them but now forgotten (as most of these people will be within a couple of generations or so of their passing), their rhythms a constant state of inconstancy and flux, played in a manner unlike (most) any group of musicians north of the Tropic of Cancer…making the metronome-like sledgehammering of the Hit Parade of the past several decades almost wincefully painful to listen to after one’s ears have become accustomed to evershifting rhythms played like the aurora borealis looks…

So there’s the spectacle, and there’s the spectacular, and more often than not the latter is found far afield from the former, among the poor folk in the villages and the backlands, the humble and the honest, people who can say more (like an old delta bluesman playing a beat-up guitar on a sagging back porch) with a pandeiro (Brazilian tambourine) and a chula (a shouted/sung “folksong”) than most with whatever technology and support money can buy. The heart of this matter, is out there. If you ask me anyway.

Above, the incomparable João do Boi, chuleiro, recently deceased.

 

 

PORTUGUÊS (to English →)

 

O MATRIX COMEÇOU NO BRASIL AFRICANO MAS AGORA ENGLOBA O MUNDO

Explore acima uma lista completa (e vasta) de artistas e outros membros da economia criativa global interconectados por matrix. Se você se encaixar, junte-se a nós (do topo de qualquer página) e cria sua própria página matrix.


POR QUE BRASIL?

O Brasil não é uma nação européia. Não é uma nação norte-americana. Não é uma nação do leste asiático. Compreende — selva e deserto e centros urbanos densos — tanto o equador quanto o Trópico de Capricórnio.

 

O Brasil absorveu mais de dez vezes o número de africanos escravizados levados para os Estados Unidos da América, e é um repositório de divindades africanas (e sua música) agora em grande parte esquecido em suas terras de origem.

 

O Brasil era um refúgio (de certa forma) para os sefarditas que fugiam de uma Inquisição que os seguia através do Atlântico (aquele símbolo não oficial da música nacional brasileira — o pandeiro — foi quase certamente trazido ao Brasil por esse povo).

 

Através das savanas ressequidas do interior do culturalmente fecundo nordeste, onde o mago Hermeto Pascoal nasceu na Lagoa da Canoa e cresceu em Olho d'Águia, uma grande parte da população aborígine do Brasil foi absorvida por uma cultura caboclo/quilombola pontuada pela Estrela de Davi.

 

Três culturas — de três continentes — correndo por suas vidas, sua confluência formando uma quarta cintilante e sem precedentes. Pandeirista no telhado.

 

Em nenhum outro lugar a não ser aqui. Brasil é um matrix mesmo.

 


✅—João do Boi
João tinha algo inestimável pro mundo.
Mas ele era impossível pro mundo encontrar...
✅—Pardal/Sparrow
CAMINHOS
do Brasil, com amor
A MISSÃO: Começando com a atávica genialidade do Recôncavo (conforme "RESPLANDECENTE BAHIA..." abaixo) e do grande sertão — tornar artistas através do Brasil — e ao redor do mundo — descobriveis como nunca foram antes.

COMO: Integrá-los num vasto ecosistema matrixado, juntos com músicos, escritores, cineastas, pintores, coreógrafos, designers de moda, educadores, chefs e outros de todos os lugares (você está neste ecosistema?) de modo que todos esses artistas tendem a estar ligados entre si por caminhos curtos, descobriveis e acessíveis. Q.E.D.

"Matrixado! Laroyê!"
✅—Membro Fundador Darius Mans
Economista, doutorado, Massachusetts Institute of Technology
✅—Luiz Inácio Lula da Silva
Presidente do Brasil


O matrix foi criado no Centro Histórico de Salvador, onde Bule Bule no clipe, entre colegas da primeira geração no matrix, canta "Chegou a hora dessa gente bronzeada mostrar seu valor..."

Música & letras (Brasil Pandeiro) por Assis Valente de Santo Amaro, Bahia. Vídeo por Betão Aguiar de Salvador.

...o empreendimento motivado na primeira instância pelo fato de que em comum com a maioria das culturas ao redor do nosso planeta, a preponderância do vasto tesouro cultural do Brasil tem sido impossível de encontrar fora de regiões circunscritas, incluindo o próprio Brasil.

Assim, algo novo sob o sol tropical: Curadoria aberta começando com músicos brasileiros recomendando outros músicos brasileiros e avançando ao redor do globo...

Onde pela matemática aparentemente mágica do fenômeno do mundo pequeno, e da mesma forma que a maioria dos seres humanos estão dentro de cerca de seis passos da maioria dos outros, todos no matrix tendem a se aproximar de todos...

Com a diferença que no matrix, estes passos estão ao longo de caminhos que podem ser percorridos. O mundo criativo se torna uma vizinhança. Quincy Jones está lá em cima e Branford Marsalis está ao virar da esquina. E o gênio distante que você nunca ouviu falar tá lá embaixo. Talvez até no Brasil.

"Obrigada por me incluir neste matrix maravilhoso!"
✅—Susan Rogers
Engenheiro de gravação pessoal para Prince: Paisley Park Estúdio de Gravação
Diretora: Laboratório de Percepção e Cognição Musical, Berklee College of Music
Autora: This Is What It Sounds Like: What the Music You Love Says About You

"Muito obrigado por isso - estou tocado!"
✅—Julian Lloyd Webber
Merecidamente o violoncelista mais lendário do Reino Unido (e fã da música brasileira)

"Estou realmente agradecido... Sohlangana ngokuzayo :)"
✅—Nduduzo Makhathini
Artista da Blue Note

"Obrigada, esta é uma ideia brilhante!!"
✅—Alicia Svigals
Fundadora do The Klezmatics

"Este é um trabalho super impressionante! Parabéns! Obrigada por me incluir :)))"
✅—Clarice Assad
Composições gravadas por Yo Yo Ma e tocadas por orquestras ao redor do mundo

"Thank you"
(Banch Abegaze, empresário)
✅—Kamasi Washington


RESPLANDECENTE BAHIA...

...é um caldeirão quente de ritmos e estilos musicais, mas um estilo particular aqui é tão essencial, tão fundamental não só para a música baiana especificamente, mas para a música brasileira em geral - ocupando um lugar aqui análogo ao do blues nos Estados Unidos - que merece ser destacado. Ela deriva (ou alguns dizem irmão para) do ritmo cabila do candomblé angola... ...e é chamada de...

Samba Chula / Samba de Roda

Mãe do Samba... filha do destino carregada para a Bahia por Bantus ensconced dentro dos porões de negreiros entrando na grande Bahia de Todos os Santos (o termo refere-se tanto a uma dança quanto ao estilo de música que evoluiu para acompanhar essa dança; a ortografia oficial da "Bahia" - no sentido de "baía" - foi desde então alterada para "Baía")... evoluiu nas plantações de cana de açúcar do Recôncavo (aquela área fértil ao redor da baía, cuja forma côncava deu origem ao nome da região) - nas proximidades de cidades como Cachoeira e Santo Amaro, Santiago do Iguape e Acupe. Este proto-samba infelizmente caiu no caminho de difíceis de encontrar e ouvir...

Há muito espetáculo na Bahia...

Carnaval com seu trio elétrico - caminhões sonoros com músicos no topo - parecendo semi-reboques interestelares de volta do futuro...shows de MPB (música popular brasileira) no Teatro Castro Alves de Salvador (maior palco da América do Sul!) com total valor de produção, o público sentado (como sempre nos teatros modernos) como estátuas da Ilha de Páscoa...

...glamour, glitz, dinheiro, poder e publicitários...

E depois há de onde tudo isso veio... do outro lado da baía, uma terra de agricultores e pescadores de subsistência, muitos dos mais velhos incapazes de ler ou escrever... seus sambas precursores de tudo isso, sem os quais nenhuma das anteriores existiria, suas melodias - quando não criadas por eles mesmos - as invenções de pessoas como eles, mas agora esquecidas (pois a maioria dessas pessoas estará dentro de um par de gerações ou mais), seus ritmos um constante estado de inconstância e fluxo, tocados de uma forma diferente (a maioria) de qualquer grupo de músicos do norte do Trópico de Câncer... fazendo com que o martelo de forja do Hit Parade das últimas décadas seja quase que doloroso de ouvir depois que os ouvidos se acostumam a ritmos sempre mutáveis, tocados como a aurora boreal parece...

Portanto, há o espetáculo, e há o espetacular, e na maioria das vezes o último é encontrado longe do primeiro, entre o povo pobre das aldeias e do sertão, os humildes e os honestos, pessoas que podem dizer mais (como um velho bluesman delta tocando uma guitarra batida em um alpendre flácido) com um pandeiro (pandeiro brasileiro) e uma chula (um "folksong" gritado/cantado) do que a maioria com qualquer tecnologia e dinheiro de apoio que o dinheiro possa comprar. O coração deste assunto, está lá. Se você me perguntar de qualquer forma.

Acima, o incomparável João do Boi, chuleiro, recentemente falecido.

 

 

  • Sameer Gupta Brooklyn, NY
  • Andrew Huang Songwriter
  • Richard Bona Jazz
  • Guillermo Klein Jazz
  • Marcelo Caldi Choro
  • Alexa Tarantino Woodwinds
  • Amit Chatterjee Vocalist
  • Alicia Keys Actor
  • Kiko Loureiro Heavy Metal
  • Iara Rennó Diretora, Director
  • Michael Sarian Jazz
  • Eduardo Kobra Arte Urbana, Urban Art
  • Rowney Scott Faculdade da UFBA, Federal University of Bahia Faculty
  • Gregory Tardy Saxophone
  • Edgar Meyer Jazz
  • Leon Parker Multi-Cultural
  • Marilda Santanna Escritora, Writer
  • Adam Rogers Guitar
  • Alan Williams Furniture
  • Jamie Dupuis Canada
  • Bertram Drum Set Performance
  • Luiz Antônio Simas Escritor, Writer
  • Omar Sosa Cuba
  • Cinho Damatta Brasil, Brazil
  • Joyce Moreno Violão, Guitar
  • Mehdi Rajabian Multi-Cultural
  • Kazemde George African-American Music
  • Luques Curtis Composer
  • Luedji Luna Singer-Songwriter
  • Alma Deutscher Composer
  • Azi Schwartz החזן עזי שוורץ Cantor
  • Yasmin Williams Multi-Cultural
  • Nelson Ayres Piano
  • Igor Levit Piano
  • Gabriel Geszti Acordeon, Accordion
  • Ron McCurdy Writer
  • Andrew Gilbert Roots Music
  • Varijashree Venugopal Jazz
  • Casa PretaHub Cachoeira Estúdio de Fotografía, Photography Studio
  • Luê Soares Carimbó
  • Casa PretaHub Cachoeira Espaço de Coworking, Coworking Space
  • João Rabello Classical Guitar
  • Greg Kurstin Film Scores
  • Ana Luisa Barral Bandolim
  • Shankar Mahadevan Playback Singer
  • Ibrahim Maalouf Beirut, Lebanon
  • Little Dragon Sweden
  • Edsel Gomez Jazz
  • Ben Okri Poet
  • Maria Calú Igatu
  • María Grand New York City
  • Ivan Bastos Baixo, Bass
  • João Teoria Chef
  • Fabian Almazan Record Label Owner
  • Doug Wamble Singer-Songwriter
  • Dan Tepfer Classical Music
  • Omar Sosa Vibraphone
  • Curly Strings Tallinn
  • China Moses R&B
  • Adam Rogers Composer
  • Cassie Osei Historian of Latin America & African Diaspora
  • Amanda Tropicana Bahia
  • Tal Wilkenfeld Jazz
  • Nego Álvaro Singer-Songwriter
  • Marcus Rediker Activist
  • Jamie Dupuis Banjo
  • Larry Grenadier Jazz
  • Mateus Aleluia Samba
  • Casuarina Samba
  • Wadada Leo Smith Trumpet
  • Jason Moran Piano
  • Bing Futch Americana
  • Gal Costa Brazil
  • Case Watkins Cultural-Environmental Geographer
  • Zeca Freitas Produtor Musical, Music Producer
  • Ray Angry Piano
  • Joe Chambers Composer
  • Julien Libeer Belgium
  • Jared Sims Classical Music
  • Nelson Faria YouTuber
  • Anoushka Shankar Journalist
  • Savoy Family Cajun Band Cajun Music
  • Barlavento Brazil
  • Lionel Loueke Guitar
  • David Kirby Journalist
  • Louis Marks Apparel & Fashion
  • Gabrielzinho do Irajá Partideiro
  • Rogério Caetano Composer
  • Bodek Janke Tabla
  • Sérgio Pererê Composer
  • Kirk Whalum Jazz
  • William Parker Multi-Instrumentalist
  • Stefan Grossman Music Producer
  • Ryuichi Sakamoto Singer-Songwriter
  • J. Cunha Cenógrafo, Scenographer
  • Lucas Santtana Multi-Instrumentista
  • Nubya Garcia Jazz
  • Morgan Page DJ
  • Edu Lobo MPB
  • Roosevelt Collier Lap Steel Guitar
  • Meddy Gerville Réunion
  • Oteil Burbridge Jazz
  • Chris Dingman Vibraphone Instruction
  • Cinho Damatta Cantor-Compositor, Singer-Songwriter
  • Molly Tuttle Singer-Songwriter
  • Joshua Abrams Theater Scores
  • Chris Boardman Television Scores
  • Flying Lotus Songwriter
  • Pierre Onassis Singer-Songwriter
  • Henrique Cazes Composer
  • Ricardo Bacelar Direitos Autorais, Royalties
  • Adam Cruz Drums
  • João Callado Rio de Janeiro
  • Nora Fischer Contemporary Classical Music
  • Zisl Slepovitch Belarus
  • Paulo Dáfilin Composer
  • Anne Gisleson Writer
  • Cássio Nobre Viola Brasileira
  • Luciano Matos Bahia
  • Seu Regi de Itapuã Cantor, Singer
  • Mark Bingham Record Producer
  • Shanequa Gay Southern Black Tradition
  • Etan Thomas Radio Presenter
  • Meena Karimi Afghanistan
  • Marco Pereira Rio de Janeiro
  • Christopher Silver McGill University Faculty
  • Reuben Rogers Bass Instruction
  • Christian Sands Piano
  • Chris Dave Drums
  • Munyungo Jackson Percussion
  • Garth Cartwright DJ
  • Jimmy Dludlu Jazz
  • Ivan Sacerdote Choro
  • Mark Markham Jazz
  • Simon Singh Journalist
  • Yvette Holzwarth Violin
  • João Rabello Choro
  • Jorge Washington Chef
  • Bebê Kramer Samba
  • Yasushi Nakamura New York City
  • Plinio Oyò Brasil, Brazil
  • Cláudio Badega Bahia
  • Mayra Andrade Lisbon
  • Xenia França MPB
  • Ry Cooder Multi-Cultural
  • Snigdha Poonam India
  • Oscar Bolão Samba
  • Marquis Hill Hip-Hop
  • Chris Potter Multi-Instrumentalist
  • Damon Krukowski Journalist
  • Eduardo Kobra Ativista da Paz, Peace Activist
  • Riley Baugus North Carolina
  • Fabiana Cozza MPB
  • Benoit Fader Keita Mënik
  • James Andrews Singer
  • Plamen Karadonev Piano
  • Domingos Preto Chula
  • Ali Jackson Jazz
  • Dudu Reis Bahia
  • Timothy Jones Violin
  • Julien Libeer Classical Music
  • Nabaté Isles Trumpet
  • Rogê MPB
  • Caoimhín Ó Raghallaigh Tin Whistle
  • Susana Baca Singer-Songwriter
  • Imani Winds New York City
  • Sahba Aminikia San Francisco
  • Fapy Lafertin Manouche
  • Zara McFarlane Singer-Songwriter
  • Ricardo Bacelar Piano
  • Duane Benjamin Orchestrator
  • The Bayou Mosquitos Amsterdam
  • Raelis Vasquez Chicago
  • Bing Futch Mountain Dulcimer
  • Onisajé Dramaturga, Playwright
  • Marcelinho Oliveira Keyboards
  • Arany Santana Ativista do Movimento Negro, Black Power Movement Activist
  • Darol Anger Composer
  • William Parker Bass
  • Rudy Royston Photographer
  • Jubu Smith Blues
  • Derrick Hodge Jazz
  • Sam Dagher Journalist
  • Brian Cross aka B+ Photographer
  • Flavio Sala Guitar Instruction, Master Classes
  • Jorge Washington Bahia
  • Ben Paris Bahia
  • Oscar Peñas Barcelona
  • Hélio Delmiro Samba
  • Pallett Persian Music
  • Alex Rawls Music Writer
  • João Luiz Brazil
  • Arifan Junior Cavaquinho
  • Mika Mutti Salvador
  • Shabaka Hutchings Jazz
  • Román Díaz Cuba
  • Nahre Sol YouTuber
  • Filhos da Pitangueira Samba
  • Nikki Yeoh Composer
  • James Gadson Blues
  • Fabian Almazan Havana
  • Onisajé Educadora, Educator
  • Piti Canella Bahia
  • Mateus Aleluia Filho Cantor-Compositor, Singer-Songwriter
  • Plamen Karadonev Balkan Music
  • Olga Mieleszczuk Jewish Music
  • Bruno Monteiro Brasil, Brazil
  • Dwandalyn Reece Museum Professional
  • Casey Benjamin Keyboards
  • Eddie Palmieri Composer
  • Byron Thomas Keyboards
  • Lucía Fumero Barcelona
  • Ben Williams New York City
  • Fábio Zanon Brazil
  • Greg Spero Keyboards
  • Frank Beacham Playwright
  • Bruce Molsky Fiddle Instruction
  • Craig Ross Recording Engineer
  • Jon Otis Singer-Songwriter
  • Ben Harper R&B
  • Jakub Knera Radio Presenter
  • Joshua Redman Jazz
  • Paul Cebar R&B
  • Keola Beamer Hawaiian Music
  • Márcio Bahia Brazil
  • Cinho Damatta Bahia
  • Muhsinah Singer-Songwriter
  • Adam Shatz Music Critic
  • David Hepworth Writer
  • Nomcebo Zikode South Africa
  • Weedie Braimah Jazz
  • Márcio Valverde Singer-Songwriter
  • Custódio Castelo Portugal
  • Timothy Jones Concertmaster
  • Aperio Chamber Music
  • Mulatu Astatke Keyboards
  • Bobby Sanabria Afro-Cuban Jazz
  • John Boutté Singer
  • Luciano Calazans Composer
  • Richard Rothstein Author
  • David Chesky Jazz
  • Milad Yousufi Afghanistan
  • China Moses Voiceovers
  • Steve Earle Multi-Instrumentalist
  • Ben Williams Composer
  • Nicolas Krassik Rio de Janeiro
  • Eddie Kadi Voiceover Artist
  • Román Díaz Percussion
  • Adam Neely Bass
  • Eric R. Danton Writer
  • Keita Ogawa Brooklyn, NY
  • Miroslav Tadić Contemporary Classical Music
  • Lucio Yanel Brazil
  • Lizz Wright Jazz
  • Philip Ó Ceallaigh Ireland
  • H.L. Thompson Brazil
  • Ariane Astrid Atodji Yaoundé
  • Aruán Ortiz Film Scores
  • Evgeny Kissin Classical Music
  • Betsayda Machado Folk & Traditional
  • Questlove Author
  • Julien Libeer Piano
  • Casa da Mãe Brasil, Brazil
  • Raymundo Sodré Samba
  • Saileog Ní Cheannabháin Raelach Records
  • Bebê Kramer Rio Grande do Sul
  • Jill Scott R&B
  • Oswaldinho do Acordeon Accordion
  • Şener Özmen Kurdish Culture
  • Endea Owens Composer
  • John Patitucci Composer
  • Sharay Reed Jazz
  • Fernando Brandão Pífano
  • Flying Lotus Rapper
  • Julia Alvarez Latin American Literature
  • Rob Garland Jazz, Rock
  • Samba de Nicinha Samba de Roda
  • Lalá Evangelista Choro
  • Gregory Hutchinson Drumming Instruction
  • Craig Ross Songwriter
  • Robin Eubanks Jazz
  • Ibram X. Kendi Boston University Faculty
  • Gilson Peranzzetta Brazil
  • Maria Struduth Cachoeira
  • Lenine MPB
  • Brenda Navarrete Cuba
  • Morten Lauridsen Contemporary Classical Music
  • Yasmin Williams Kalimba
  • Stephan Crump Bass
  • Ajurinã Zwarg Universal Music
  • Alexia Arthurs Short Stories
  • Marc-André Hamelin Boston
  • Adam Cruz Jazz
  • Neymar Dias Classical Music
  • Victor Gama Composer
  • Hélio Delmiro Composer
  • John Schaefer Writer
  • Anna Mieke Irish Folk Music
  • Ivan Neville Multi-Instrumentalist
  • Courtney Pine Flute
  • Tigran Hamasyan Piano
  • Darren Barrett Flugelhorn
  • Júlio Lemos Brazilian Jazz
  • Jorge Ben Singer-Songwriter
  • Eliane Elias São Paulo
  • Raynald Colom Flamenco
  • Peter Dasent Film Scores
  • Paddy Groenland Soul
  • Taj Mahal Blues
  • Eric Alexander Saxophone Instruction
  • James Andrews Trumpet
  • Tom Wilcox Music & Arts Consultant
  • Mika Mutti Electronic Music
  • Marquis Hill Jazz
  • Bebê Kramer Composer
  • Luíz Paixão Pernambuco
  • Rosa Cedrón Cello
  • Júlio Lemos Violão de Sete
  • Gavin Marwick Scottish Traditional Music
  • Jacám Manricks Composer
  • Moses Boyd London
  • Isaiah J. Thompson Piano
  • André Becker Saxophone
  • Dan Trueman Norwegian Traditional Music
  • Ivan Huol Brazil
  • Jorge Alfredo Brasil, Brazil
  • Siphiwe Mhlambi Photographer
  • Arismar do Espírito Santo Bass
  • Esteban Sinisterra Paz Cali
  • Thundercat Los Angeles
  • Jerry Douglas Music Director
  • Philip Glass Piano
  • Gabi Guedes Brasil, Brazil
  • Ben Allison Music Writer
  • Ken Avis Guitar
  • Ta-Nehisi Coates Journalist
  • Dave Weckl Drums
  • Carlos Paiva Bahia
  • Stephen Guerra Guitar
  • Camilla A. Hawthorne Critical Human Geographer
  • Inaicyra Falcão Bahia
  • Christopher Silver Jewish Music
  • João Callado Painter
  • Itamar Borochov Multi-Cultural
  • Robert Everest Percussion
  • Kimberlé Crenshaw Author
  • Joanna Majoko Zimbabwe
  • Marcus Rediker University of Pittsburgh Faculty
  • Greg Spero Composer
  • MicroTrio de Ivan Huol MicroTrio
  • Otto Pernambuco
  • Marcos Suzano Rio de Janeiro
  • Priscila Castro Música Afro-Amazônica, Afro-Amazonian Music
  • Anna Webber Contemporary Classical Music
  • Brian Stoltz Songwriter
  • Harish Raghavan Composer
  • Bebê Kramer Brazilian Jazz
  • Bule Bule Chula
  • Darren Barrett Trumpet
  • Marcelo Caldi Composer
  • Catherine Russell Blues
  • Cláudio Badega Salvador
  • BaianaSystem Brasil, Brazil
  • Joshua White Composer
  • Keyon Harrold Trumpet
  • Estrela Brilhante do Recife Maracatu
  • Biréli Lagrène France
  • Marcos Suzano Brazil
  • Jim Lauderdale Singer-Songwriter
  • Zachary Richard Cajun Music
  • Joel Best London
  • Romulo Fróes Cantor-Compositor, Singer-Songwriter
  • Marilda Santanna Salvador
  • Aindrias de Staic Cainteoir Gaeilge
  • Denzel Curry Los Angeles
  • Milton Nascimento Minas Gerais
  • Rosa Cedrón Galego Folk Music
  • Bill Laurance Composer
  • Byron Thomas Piano
  • Sandi Bachom Documentary Filmmaker
  • Darcy James Argue Conductor
  • David Bragger Mandolin Instruction
  • Nduduzo Makhathini Johannesburg
  • Azadeh Moussavi Tehran
  • Bill Pearis Brooklyn, NY
  • Dezron Douglas Composer
  • Taylor Eigsti Piano
  • Lula Galvão Bossa Nova
  • VJ Gabiru Fotógrafo, Photographer
  • Wadada Leo Smith Composer
  • Bruce Williams Composer
  • Gonzalo Rubalcaba University of Miami Frost School of Music Faculty
  • Maurício Massunaga Director de Musica, Music Director
  • Miguel Zenón Composer
  • Clint Mansell Film Scores
  • Jorge Glem Cuatro
  • Victor Wooten Multi-Instrumentalist
  • Anissa Senoussi Matte Painter
  • Mayra Andrade Cape Verde
  • Iara Rennó Cantora-Compositora, Singer-Songwriter
  • Jaleel Shaw Jazz
  • Ron Mader Travel Specialist
  • Cinho Damatta Guitarra, Guitar
  • Monarco Rio de Janeiro
  • Jon Batiste Classical Music
  • Amy K. Bormet Singer
  • Estrela Brilhante do Recife Pernambuco
  • Alfredo Del-Penho Brazil
  • Liam Farrell 'Dr L' Record Producer
  • Lolis Eric Elie Screenwriter
  • Warren Wolf Marimba
  • Jean-Paul Bourelly Guitar
  • Maria Marighella Salvador
  • David Sacks Bossa Nova
  • Booker T. Jones Record Producer
  • Walter Smith III Saxophone
  • Henrique Cazes Bandolim
  • Ivan Sacerdote Clarinet
  • Terry Hunter Record Producer
  • Alegre Corrêa Brazilian Jazz
  • Zigaboo Modeliste Drums
  • Zeca Freitas Salvador
  • Ricky (Dirty Red) Gordon New Orleans
  • Aneesa Strings Jazz
  • Choronas Brasil, Brazil
  • Bob Mintzer USC Thornton School of Music Faculty
  • Luedji Luna Bahia
  • António Zambujo Fado
  • Rhiannon Giddens Writer
  • Irmandade da Boa Morte Irmandade
  • Snigdha Poonam Writer
  • Denzel Curry Rapper
  • Larry Grenadier Bass
  • Cássio Nobre Viola Machete
  • Fred Dantas Brazil
  • David Castillo Voiceovers
  • Alexandre Gismonti Brazil
  • Léo Rugero Brazil
  • Steve Cropper Soul
  • Caroline Shaw NYU Faculty
  • Jahi Sundance Hip-Hop
  • Derrick Adams Multidisciplinary Artist
  • Brigit Katz Toronto
  • Sam Dagher Author
  • Luíz Paixão Composer
  • Nelson Cerqueira Romancista, Novelist
  • Tab Benoit Singer-Songwriter
  • David Bragger Old-Time Music
  • Martyn DJ
  • Vânia Oliveira Candomblé
  • Ben Allison New School Faculty
  • Peter Erskine Author
  • Kenny Barron Jazz
  • Musa Okwonga Uganda
  • Jane Ira Bloom New York City
  • Alex Clark Documentary Filmmaker
  • Nate Smith Ropeadope
  • Africania Samba de Roda
  • Jen Shyu Composer
  • Madhuri Vijay India
  • Dan Trueman Electronic Music
  • Aubrey Johnson Contemporary Music
  • Ricardo Markis Cantor, Singer
  • Geraldine Inoa Writer
  • Miguel Atwood-Ferguson Music Producer
  • John Doyle Singer-Songwriter
  • Pedro Martins Guitar
  • Burkard Polster Mathematics
  • Carrtoons Songwriter
  • Abhijith P. S. Nair Indian Classical Music
  • Sam Eastmond Composer
  • Jorge Alfredo Cineasta, Filmmaker
  • Mick Goodrick Author
  • Raphael Saadiq Multi-Instrumentalist
  • Ronald Bruner Jr. Drums
  • Lenny Kravitz Singer
  • Mário Pam Bahia
  • Cláudio Jorge Rio de Janeiro
  • Ali Jackson Percussion
  • Dr. Lonnie Smith Hammond B-3
  • Dani Deahl Record Producer
  • Onisajé Candomblé
  • Yasmin Williams Harp-Guitar
  • Aditya Prakash Los Angeles
  • Marc Ribot Free Jazz
  • Ajeum da Diáspora Bahia
  • Ivan Huol Salvador
  • Garth Cartwright Music Critic
  • Hank Roberts Jazz
  • Alex Conde Spain
  • Afel Bocoum Mali
  • J. Pierre Artist
  • Yamandu Costa Choro
  • OVANA Singers-Songwriters
  • Léo Rodrigues São Paulo
  • Arifan Junior Rio de Janeiro
  • Eder Muniz Salvador
  • Martin Fondse Amsterdam
  • Adam Shatz Editor
  • Tarus Mateen Bass

 'mātriks / "source" / from "mater", Latin for "mother"
A real mother for ya!

 

Copyright ©2023  -  Privacy  -  Terms of Service  -  Contact  - 

Open to members of the worldwide creative economy.

You'll use your email address to log in.

Passwords must be at least 6 characters in length.

Enter your password again for confirmation.

This will be the end of your profile link, for example:
http://www.matrixonline.net/profile/yourname

Please type the characters you see in the image. May take several tries. Sorry!!!

 

Matrix Sign In

Please enter your details below. If are a member of the global creative economy and don't have a page yet, please sign up first.

 
 
 
Forgot Password?
Share