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  • Issac Delgado

    THE INTEGRATED GLOBAL
    CREATIVE ECONOMY

    promulgated by
    The Brazilian Ministry of Culture

    fomented by
    The Bahian Secretary of Culture

    fomented by
    The Palmares Foundation
    for the promotion of Afro-Brazilian Culture

    fomented by
    The National Foundation of Indigenous Peoples

    I CURATE

Network Node

  • Name: Issac Delgado
  • City/Place: Havana
  • Country: Cuba

CURATION

  • from this node by: Matrix

Life & Work

  • Bio: Without “son”, there would be no “salsa”. Issac Delgado is one of the greatest salseros of all time. A good “salsero” (salsa singer) carries the root of “son” deep in their heart.

    Issac Delgado, “El Chevere de la Salsa”, releases the long awaited Salsa album, “Lluvia y Fuego”—the 17th solo recording of a long discography. This new recording, a modern throwback, is distinguished by its rich compositions and arrangements written by the artist himself in collaboration with Jesus Cruz and Yusef Diaz. The Cuban vocalist sprinkles his album with vocal and instrumental special guests such as Gilberto Santa Rosa, Alain Pérez, Alexander Abreu, Pedrito Martínez, and Samuel Formell, among others. “Lluvia y Fuego”, offers the listener a smorgasbord of diverse sounds, passionate lyrics and the lush feelings of bolero, salsa and son.

    Born in Havana to a tailor father, and an actress-dancer-singer mother, Issac trained on violincello at the Almadeo Roldan Conservatory before transitioning to vocal training with one of the best vocal teachers in Cuba, Marian DeGonish. Soon after, he enrolled in the professional musicians school, Ignacio Cervantes. He became an active member of well-known salsa bands within the vast Cuban musical landscape such as Orquesta de Pacho Alonso and the progressive NG La Banda. NG La Banda was a salsa orchestra led by José Luis Cortes, and was the band that gave birth to “timba”, a genre within salsa music featuring faster tempos and more focus on timbales and percussion. Timba was the first new popular Cuban music genre in a generation, and lead vocalist Issac was on the cutting edge of Cuban dance music becoming one it’s best composers and melodic improvisers.

    Issac’s solo career began in the 90’s with the debut album entitled Dando La Hora followed by Con Ganas under the musical direction and collaboration of pianist, Gonzalo Rubalcaba. After the success of his solo debut, he garnered iconic status in the salsa and timba scenes of Latin America, stocking his bands with great improvisers and sophisticated jazz musicians. His sensuous and velvety voice gave his bands a distinct sound, and the unique arrangements characterized his performances and recordings. He had a string of hits such as the popular Sanduguita, Necesito Una Amiga and No Me Mires a Los Ojos which came from well-known recordings like En Primera Plana and Así Soy. His loving latin tribute to Nat Cole’s most popular songs were recorded on an album entitled Love and includes a classic duet with Freddy Cole on the famous tune Quizas, Quizas, Quizas.

    Prolific creative energy gave way to releases such as Made in Havana and Supercubano as wells as collabs with many illustrious artists including a maxi-single with La India (Que No Se Te Olvide); world tours with Celia Cruz; productions with famed producer, Sergio George;concert with Cachao;recordings with Ana Belén (Dos), Haila (Pensamiento), Cheo Feliciano (Amigo), Víctor Manuel (La Que Mas Te Duele), José Alberto “El Canario”, Pedrito Martínez (Habana Dreams), Alexander Abreu (Comentarios), Descemer Bueno (La Vida Es Buena), Gente de Zona (Somos Cubanos / Bailando), Pablo Milanés (Versos En EL Cielo), Los Van Van (Cubanos), and youngsters like Tony Succar (Sentimiento Original), to name just a few. Most recently, the smash duet with Gilberto Santa Rosa (El Que Siempre Soño) from Lluvia Y Fuego has become an anthem for dreamers around the world.

    Issac is an artist truly loved by his people. He is respected by musicians and bandleaders worldwide, and is known for his charisma and humble ways. Having played on world class stages and collaborated with big names in the Latin and international music world, Issac keeps his classic-modern Cuban essence intact. Citing distinctive syncopation, Issac pays homage to Spanish and African cultures with his own individual brand of Afro-Cuban music, bringing deep-rooted sentiment to modern Cuban music.

    As Issac would say: “Vaya que chévere”!

    Sin son, no hay salsa, algo que Issac Delgado tiene mas que claro. ¡Un buen salsero, es un sonero de corazón!

    Issac Delgado, “El Chevere de la Salsa”, regresa a la escena musical de la salsa de Cuba y del mundo, con su nuevo álbum “Lluvia y Fuego”, fonograma que destaca por sus composiciones, en su mayoría del propio artista en coautoría con Jesús Cruz y en coproducción musical con Yusef Díaz y nuevamente la colaboración de artistas como Gilberto Santa Rosa, Alain Pérez, Alexander Abreu, Pedrito Martínez, Ángel Bonne, Samuel Formell, Luis Quintero, y César López, “Lluvia y Fuego”, propone un recorrido por diversas sonoridades de la música cubana. Entonaciones propias del “feeling”, el bolero, y obviamente, la salsa y el son.

    “Lluvia y Fuego”, su producción discográfica # 17, recopila sus experiencias durante un periodo viviendo fuera de su Isla, durante el cual continuó nutriéndose de elementos sonoros y vivencias en España y los Estados Unidos. Ese retorno a sus raíces, a sus calles habaneras, a su gente, fue bienvenido con algarabía por su público posicionando a Issac nuevamente, como uno de los principales precursores y más populares intérpretes de la escena musical bailable.

    Nacido en La Habana, Issac formó parte de destacadas agrupaciones dentro del panorama musical cubano, tales como la Orquesta de Pacho Alonso y NG La Banda, ambas orquestas de gran renombre en el panorama la mayor de las Antillas. NG La Banda, orquesta liderada por José Luis Cortes alias “El Tosco”, flautista de formación y un jazzman a respetar, fue la cuna de lo que hoy se conoce como “timba”. “Nací en La Habana, soy Habanero…” cantaba Issac con NG La Banda, tema titulado “Los Sitios Enteros” que rinde homenaje a las barriadas habaneras, acercando a Issac a cada rincón y corazón de su público, de su pueblo.

    En 1990 fundo su propia agrupación, lanzo su primera producción discográfica “Dando La Hora” bajo la dirección musical del pianista, Gonzalo Rubalcaba (Irakere). Rápidamente alcanzo gran popularidad tras su debut como solista y se convierte en un ícono de los géneros de salsa y timba, tocando fibras con su voz aterciopelada y ese sonido tan peculiar que lo caracteriza. El considera que su música no es solo música cubana, sino que es “afrocubana”, orgulloso de sus raíces y esa sincretizacion cultural tan peculiar y especial que se vive y respira en la Cuba actual.

    A lo largo de su carrera Issac ha colaborado con destacadas figuras como Celia Cruz, Sergio George, Cachao, Ana Belén, Cheo Feliciano, Víctor Manuel, Gilberto Santa Rosa, José Alberto “El Canario”, Freddy Cole, Pedrito Martínez, Gonzalo Rubalcaba, Alexander Abreu, Descemer Bueno, Gente de Zona, Pablo Milanés, Silvio Rodríguez y Los Van Van, entre otros.

    Músico del pueblo, amado por todos por su carisma y sencillez, hace fiel tributo a su apodo. Un hombre “chévere”, buena gente, sonriente, humilde de corazón, humano y familiar, que a pesar de haber tocado en los escenarios más importantes del mundo y colaborado con grandes nombres de la música latina e internacional, mantiene su esencia intacta, es cubano 100%, donde quiera que vaya.

    “Vaya que chévere”, anuncia el sonero y salsero donde quiera que se presenta, como si fuera un pregón típico de sus calles habaneras, como un presagio que rima con Issac Delgado.

Contact Information

  • Management/Booking: Artist Representation
    Anna M. Sala
    AMS Artists in collaboration with AB Artists
    Office: +212 581-0612
    Cell: +646 621-1104
    Email: [email protected]

Media | Markets

  • ▶ Twitter: issacdelgado
  • ▶ Instagram: issacdelgadoofficial
  • ▶ Website: http://issacdelgado.com
  • ▶ YouTube Channel: http://www.youtube.com/channel/UC8KYqW2ZScmVV7ZQNrgjaOQ
  • ▶ YouTube Music: http://music.youtube.com/channel/UCc3M9kemNFmlIKTkhaKgrcw
  • ▶ Spotify: http://open.spotify.com/album/74QZy4tcjEtvSkXnBxZo78
  • ▶ Spotify 2: http://open.spotify.com/album/1sr0n0CCMNaeCYWbNO7O2u
  • ▶ Spotify 3: http://open.spotify.com/album/2OA6qsXCj07gt7lmhgFunv
  • ▶ Spotify 4: http://open.spotify.com/album/0osNPSLgqMihcwRKoqToba
  • ▶ Spotify 5: http://open.spotify.com/album/5OL31LlbUSHcMzJeqE0acq
  • ▶ Spotify 6: http://open.spotify.com/album/5i8j55ot3XvADl3dbIAueJ

Clips (more may be added)

  • Issac Delgado ft. Gilberto Santa Rosa - El Que Siempre Soñó (Official Music Video)
    By Issac Delgado
    389 views
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Issac Delgado Curated

  • 2 Composer
  • 2 Cuba
  • 2 Havana
  • 2 Salsa
  • 2 Singer
  • 2 Timba

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  • Issac Delgado
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  • English (Portuguese →)
  • (← Inglês) Português

English (Portuguese →)

 

PATHWAYS
from Brazil, with love

"I am thrilled to receive your email! Thank you for including me in this wonderful matrix."
✅—Susan Rogers
Personal recording engineer: Prince, Paisley Park
Director: Music Perception & Cognition Laboratory, Berklee College of Music
Author: This Is What It Sounds Like: What the Music You Love Says About You

 

 

The Matrix was Born in Brazil, but It Embraces the Entire World

Why Brazil?

 

Brazil is not a European nation. It's not a North American nation. It's not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn.

 

Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin (Bahia's Bay of All Saints received more enslaved human beings than any other final port-of-call throughout all of human history).

 

Brazil was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people).

 

Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David.

 

Three cultures — from three continents — running for their lives, their confluence forming a scintillatingly unprecedented fourth. Pandeirista on the roof.

 

Brazil itself is a matrix. Nowhere else but here.


Music & lyrics (Brasil Pandeiro) by Assis Valente of Santo Amaro, Bahia, Brazil. Video by Betão Aguiar of Salvador.

The matrix was created in Salvador's Centro Histórico, where Bule Bule above, among magisterial colleagues for whom this matrix was originally built (it's now open to all in the Global Creative Economy) sings, "Chegou a hora dessa gente bronzeada mostrar seu valor... The time has come for these bronzed people to show their worth..."

...the endeavor motivated in the first instance by the fact that in common with most cultures around our planet, the preponderance of Brazil's vast cultural treasure has been impossible to find from outside of circumscribed regions, including Brazil itself...

Thus something new under the tropical sun: A means by which those above, those below, and EVERYBODY ELSE in the creative economy can be divulged EVERYWHERE.

For by the seemingly magical mathematics of the small world phenomenon, all in the matrix will tend to proximity to all others, in the same way that most human beings are within some six or so steps of most others.

The difference being that in the matrix, these steps are along pathways that can be travelled. The creative world becomes a neighborhood. Quincy Jones is right up the street and Branford Marsalis around the corner. And the most far-flung genius you've never heard of is just a few doors down. Maybe even in Brazil. Laroyê!

 

"Matrixado!"
✅—Founding Member Darius Mans
Economist, PhD, Massachusetts Institute of Technology
✅—Luiz Inácio Lula da Silva
President of Brazil

"Many thanks for this - I am  touched!"

✅—Julian Lloyd Webber
That most fabled cellist in the United Kingdom (and Brazilian music fan)

"I'm truly thankful... Sohlangana ngokuzayo :)"
✅—Nduduzo Makhathini
Blue Note recording artist)

"Thanks, this is a brilliant idea!!"
✅—Alicia Svigals
Founder of The Klezmatics

"This is super impressive work ! Congratulations ! Thanks for including me :)))"
✅—Clarice Assad
Compositions recorded by Yo Yo Ma and played by orchestras around the world

"Thank you"
(Banch Abegaze, manager)
✅—Kamasi Washington

 


The matrix is the ultimate evolution of a pathway which began in New York City decades ago per the "rescue" of unpaid royalties, performance & mechanicals, for artists burned by major labels: Aretha Franklin, Barbra Streisand, Mongo Santamaria, Gilberto Gil, Astrud Gilberto, Airto Moreira, Jim Hall, Led Zeppelin, Philip Glass, Clement "Coxsone" Dodd of Kingston's Studio One (Bob Marley's producer; I made a copy of his original contract with Bob to take to CBS Records to argue; Bob was 17 when he signed and his aunt co-signed)...
...Funk Brother Wah Wah Watson (Melvin Ragin) and others. A long and winding road that led inexorably to the necessity of a truly open arts universe, for there is more in Heaven and Earth...

Tap people, tap categories, tap curations... The matrix is a maze of tunnels within King Solomon's creative mines.

(← Inglês) Português

 

CAMINHOS
do Brasil, com amor

"Fico muitíssimo feliz em receber seu e-mail! Obrigada por me incluir neste matrix maravilhoso."
✅—Susan Rogers
Engenheiro de gravação pessoal para Prince: Paisley Park
Diretora: Laboratório de Percepção e Cognição Musical, Berklee College of Music
Autora: This Is What It Sounds Like: What the Music You Love Says About You

 

 

O Matrix Nasceu no Brasil, mas Abraça o Mundo Inteiro

Por que construir o matrix no Brasil?

 

O Brasil não é uma nação européia. Não é uma nação norte-americana. Não é uma nação do leste asiático. Compreende — selva e deserto e centros urbanos densos — tanto o equador quanto o Trópico de Capricórnio.

 

O Brasil absorveu mais de dez vezes o número de africanos escravizados levados para os Estados Unidos da América, e é um repositório de divindades africanas (e sua música) agora em grande parte esquecido em suas terras de origem (a Baía de Todos os Santos recebeu mais seres humanos escravizados do que qualquer outro porto de escala final ao longo de toda a história humana).

 

O Brasil era um refúgio (de certa forma) para os sefarditas que fugiam de uma Inquisição que os seguia através do Atlântico (aquele símbolo não oficial da música nacional brasileira — o pandeiro — foi quase certamente trazido ao Brasil por esse povo).

 

Através das savanas ressequidas do interior do culturalmente fecundo nordeste, onde o mago Hermeto Pascoal nasceu na Lagoa da Canoa e cresceu em Olho d'Águia, uma grande parte da população aborígine do Brasil foi absorvida por uma cultura caboclo/quilombola pontuada pela Estrela de Davi.

 
Três culturas - de três continentes - correndo por suas vidas, sua confluência formando uma quarta cintilante e sem precedentes. Pandeirista no telhado.

 

Brasil é um matrix mesmo. Em nenhum outro lugar a não ser aqui.


Música & letras (Brasil Pandeiro) por Assis Valente de Santo Amaro, Bahia. Vídeo por Betão Aguiar de Salvador.

O matrix foi criado no Centro Histórico de Salvador, onde Bule Bule acima, entre colegas magisteriais para quem este matrix foi originalmente construído (está aberto agora a todos na Economia Criativa Global) canta, "Chegou a hora dessa gente bronzeada mostrar seu valor..."

...o empreendimento motivado na primeira instância pelo fato de que em comum com a maioria das culturas ao redor do nosso planeta, a preponderância do vasto tesouro cultural do Brasil tem sido impossível de encontrar fora de regiões circunscritas, incluindo o próprio Brasil.

Assim algo novo sob o sol tropical: Um meio pelo qual os acima, os abaixo e TODOS OS OUTROS na economia criativa podem ser divulgados em TODOS OS LUGARES.

Pela matemática aparentemente mágica do fenômeno do mundo pequeno, todos no matrix tenderão a se aproximar de todos, da mesma forma que a maioria dos seres humanos estão dentro de cerca de seis passos da maioria dos outros.

Com a diferença que no matrix, estes passos estão ao longo de caminhos que podem ser percorridos. O mundo criativo se torna uma vizinhança. Quincy Jones está lá em cima e Branford Marsalis está ao virar da esquina. E o gênio distante que você nunca ouviu falar tá lá embaixo. Talvez até no Brasil. Laroyê!

 

"Matrixado!"
✅—Membro Fundador Darius Mans
Economista, doutorado, Massachusetts Institute of Technology
✅—Luiz Inácio Lula da Silva
Presidente do Brasil

"Muito obrigado por isso - estou tocado!"

✅—Julian Lloyd Webber
Estamos tocados também Sr. Webber!
Merecidamente o violoncelista mais lendário do Reino Unido (e fã da música brasileira)

"Estou realmente agradecido... Sohlangana ngokuzayo :)"
✅—Nduduzo Makhathini
Artista da Blue Note)

"Obrigada, esta é uma ideia brilhante!!"
✅—Alicia Svigals
Fundadora do The Klezmatics

"Este é um trabalho super impressionante! Parabéns! Obrigada por me incluir :)))"
✅—Clarice Assad
Composições gravadas por Yo Yo Ma e tocadas por orquestras ao redor do mundo

"Thank you"
(Banch Abegaze, empresário)
✅—Kamasi Washington


O matrix é a evolução definitiva de um caminho que começou em Nova York há décadas atrás pelo "resgate" dos direitos autorais não pagos para Aretha Franklin, Barbra Streisand, Mongo Santamaria, Gilberto Gil, Astrud Gilberto, Airto Moreira, Jim Hall, Led Zeppelin, Philip Glass, Clement "Coxsone" Dodd do Studio One de Kingston (o produtor de Bob Marley; Eu fiz uma cópia de seu contrato original com Bob para levar à CBS Records para discutir; Bob tinha 17 anos quando assinou e sua tia co-assinou)...
...Funk Brother Wah Wah Watson (Melvin Ragin) e outros. Um longo e sinuoso caminho que levou inexoravelmente à necessidade de um universo de artes verdadeiramente aberto, pois há mais no Céu e na Terra...

Toque em pessoas, toque em categorias, toque em curadoria... O matrix é um labirinto de túneis dentro das minas criativas do Rei Salomão.

  • Paulo César Figueiredo Rio de Janeiro
  • Gary Clark Jr. Blues
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  • Brandon J. Acker Theorbo
  • Dorothy Berry Museum Curator
  • Nonesuch Records Record Label
  • Catherine Bent Cello
  • Joana Choumali Multimedia Artist
  • Jon Faddis Composer
  • Dan Tepfer Brooklyn, NY
  • Liam Farrell 'Dr L' Paris
  • Jared Sims Composer
  • Luques Curtis Record Label Owner
  • Brian Q. Torff Composer
  • Amit Chatterjee Multi-Cultural
  • Ryuichi Sakamoto Film Scores
  • Nooriyah نوريّة Filmmaker
  • Brandon Coleman Jazz, Funk, R&B, Soul
  • Donny McCaslin Jazz
  • Serginho Meriti Singer
  • Ben Monder Jazz
  • Jason Moran New England Conservatory of Music Faculty
  • Estrela Brilhante do Recife Pernambuco
  • Sebastian Notini Salvador
  • Giovanni Russonello Magazine Founder, Editor
  • Albin Zak Record Producer
  • Ivan Huol Drums
  • Swizz Beatz Record Producer
  • Cara Stacey Composer
  • Sheryl Bailey New York City
  • Danilo Brito São Paulo
  • Nabil Ayers Brooklyn, NY
  • Meddy Gerville Réunion
  • Tom Schnabel Radio Presenter
  • Roots Manuva Singer-Songwriter
  • Alfredo Rodriguez Cuba
  • Anderson Lacerda Maxixe
  • Etienne Charles Michigan State University Faculty
  • Steve McKeever Hidden Beach Recordings
  • Manolo Badrena Berimbau
  • Orrin Evans Piano
  • Alexa Tarantino Jazz
  • Luizinho do Jêje Bahia
  • Raphael Saadiq Neo Soul
  • Yazhi Guo 郭雅志 Chinese Traditional Music
  • Daniil Trifonov New York City
  • Papa Grows Funk New Orleans
  • Fernando César Choro
  • Ferenc Nemeth New York City
  • Matias Traut Brasil, Brazil
  • Filhos da Pitangueira Chula
  • Eric Galm Caribbean Studies
  • John McEuen Folk & Traditional
  • Jeff Tweedy Multi-Instrumentalist
  • Willie Jones III Drumming Instruction
  • Issa Malluf North African Percussion
  • Gustavo Caribé Chula
  • Nguyên Lê Record Producer
  • Avishai Cohen Jazz
  • Celso de Almeida Brazil
  • Bill Summers Batá Drums
  • Ênio Bernardes Diretor Musical, Music Director
  • Paulinho da Viola Brazil
  • Cécile Fromont Art Historian
  • Giorgi Mikadze გიორგი მიქაძე Contemporary Classical Music
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  • Mohini Dey India
  • Caetano Veloso MPB
  • Roberta Sá Samba
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  • Alan Brain Filmmaker
  • James Martins Bahia
  • Arismar do Espírito Santo São Paulo
  • Darcy James Argue Manhattan School of Music Faculty
  • David Virelles Piano
  • Fidelis Melo Salvador
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  • Liz Pelly Journalist
  • Paulo Paulelli São Paulo
  • Makaya McCraven Record Producer
  • Susheela Raman Singer-Songwriter
  • Pedro Martins Brasília
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  • Steve Earle Multi-Instrumentalist
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  • Wayne Escoffery Yale Faculty
  • Jan Ramsey Creole Music
  • Gringo Cardia Video Director
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  • Bebê Kramer Composer
  • Joe Fiedler New York City
  • Ariel Reich Actor
  • Sammy Britt Delta State University Faculty
  • Shuya Okino Writer
  • Clarice Assad Singer
  • Shannon Sims New Orleans
  • Duane Benjamin Trombone
  • Pasquale Grasso Guitar
  • Lakecia Benjamin Funk
  • Miroslav Tadić Guitar
  • Sharay Reed Chicago
  • Dumpstaphunk New Orleans
  • Ray Angry Record Producer
  • Michael Cleveland Indiana
  • Jon Otis Drums
  • Samuca do Acordeon Brazil
  • Yo La Tengo Hoboken, New Jersey
  • Gerald Albright Contemporary Jazz
  • Armen Donelian New School Faculty
  • Tony Austin Sound Designer
  • Sandra de Sá Soul Brasileiro, Brazilian Soul
  • Corey Henry Second Line
  • Yazhi Guo 郭雅志 Microtonal
  • Colson Whitehead New York City
  • Aubrey Johnson Jazz
  • Alegre Corrêa MPB
  • Jorge Washington AFROBIZ Salvador
  • Tito Jackson Soul
  • Nelson Cerqueira Brasil, Brazil
  • Marcos Suzano Composer
  • Margareth Menezes Cantora-Compositora, Singer-Songwriter
  • Curtis Hasselbring Arranger
  • Chris Dingman Multi-Cultural
  • Luíz Paixão Brazil
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  • Huey Morgan DJ
  • Otto Manguebeat
  • The Umoza Music Project London
  • Cayenna Ponchione-Bailey Percussion
  • James Martins Locutor de Rádio, Radio Presenter
  • Lorna Simpson Photographer
  • Daniel Jobim Brazilian Jazz
  • Banning Eyre Guitar
  • Luíz Paixão Forró
  • Marvin Dunn African American History
  • Elio Villafranca Piano
  • Flor Jorge Los Angeles
  • Kim André Arnesen Choral Works
  • John Harle Saxophone
  • Art Rosenbaum Folk & Traditional
  • Vinson Cunningham Writer
  • Leandro Afonso Film Producer
  • Milford Graves New York City
  • Damon Albarn Film Scores
  • Guto Wirtti Multi-Instrumentalist
  • John Waters Songwriter
  • Marc Johnson Bossa Nova
  • Gerson Silva Guitar
  • André Vasconcellos Jazz
  • Tele Novella Austin, Texas
  • Robi Botos Ropeadope
  • Simon Singh Mathematics
  • Anthony Wilson Jazz
  • Luciana Souza Brazil
  • Regina Carter Americana
  • Pururu Mão no Couro Percussão, Percussion
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  • Dom Flemons Piedmont Blues
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  • Dezron Douglas NYU Steinhardt Faculty
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  • Susheela Raman Indian Classical Music
  • Roy Ayers Composer
  • Horace Bray Record Producer
  • Andrew Dickson Writer
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  • Tony Kofi Flute
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  • Jon Madof Development Consultant
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