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Will Holshouser via giant steps through a matrix based in the phenomenon placing most of the 7.8 billion of us within 6 or fewer degrees — steps — of each other...

  • Steps from Will Holshouser:
    I'LL TAKE YOU THERE! ▶
Steps to Will Holshouser:
  • 1 Accordion
  • 1 Brooklyn College Conservatory of Music Faculty
  • 1 Composer
  • 1 Folk & Traditional
  • 1 Jazz
  • 1 Musette

'mātriks / "source" / from "mater", Latin for "mother". We're real mothers for ya!

I'LL TAKE YOU THERE! ▶

  • Steps forward by: The Matrix

Who I Am & Where I Live

  • Name: Will Holshouser
  • City: Brooklyn, NY
  • Country: United States

My Life & Work

  • Bio: Will Holshouser was given an accordion as a surprise when he was still young and impressionable. He has since found a unique niche for himself as an accordionist, improviser, and composer in many different areas of music. He tours regularly with jazz violinist Regina Carter and her band Reverse Thread. He also plays in a collaborative trio with Amsterdam-based improvisers, drummer Han Bennink & saxophonist/clarinetist Michael Moore. This group has a new CD out and has toured in Europe, the US and Africa.

    Will's long-standing trio features Ron Horton on trumpet and David Phillips on bass. Together since 1998, these three have developed a truly unified group sound. The trio has three CDs out on the Portuguese label Clean Feed. Their third CD, Palace Ghosts and Drunken Hymns was recorded in Portugal with the late, brilliant pianist Bernardo Sassetti as special guest.

    Will has also played with David Krakauer, Antony and the Johnsons, Martha Wainwright, Loudon Wainwright, Andy Statman, Phillip Johnston, Matt Munisteri & Brock Mumford, the Raymond Scott (tribute) Orchestrette, Roberto Rodriguez, Mark Morris Dance, New York City Ballet, Brooklyn Philharmonic Orchestra, and many others.

    Will studied composition with Anthony Braxton and Bill Barron at Wesleyan University, where he received a grant to research Cajun and Creole music in Louisiana. After moving to New York in the early 1990s, he studied accordion with Dr. William Schimmel. He now lives in Brooklyn, New York with his wife and daughter.

Contact Information

  • Email: wholsho@twc.com
  • Telephone: +1 347-439-2480

My Media & Markets

  • ▶ Instagram: will.hols
  • ▶ Website: http://willholshouser.com
  • ▶ Spotify: http://open.spotify.com/album/4tidAB31ijjOxSSF67KjgJ
  • ▶ Spotify 2: http://open.spotify.com/album/0I7AN8IYfjxug1fptgDMgy
  • ▶ Spotify 3: http://open.spotify.com/album/1xEwwP5WGuOtqLv5gP9chz
  • ▶ Spotify 4: http://open.spotify.com/album/6utRxBoESQC7Edm9HXKbUU

More

  • Quotes, Notes & Etc. Accordionist Will Holshouser's music brings together mesmerizing folklike tunes, pulsating rhythms, and improvisation. "Sucessfully showcased the range and beauty of the accordion . . . this could be music for some fantastical Fellini film."
    - NY Times

Clips (more may be added)

  • Will Holshouser / A Recurring Dream
    By Will Holshouser
    56 views
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The world's artistry via giant steps through a matrix based in the phenomenon placing most of the 7.8 billion of us within 6 or fewer degrees — steps — of each other ...

 

... a project conceived and built in the fertile, fecund and atavistic ground zero of Bahia, Brazil initially for the discoverability of this singular region's dispossessed genius.

 

All explained in the window immediately below. Followed — beneath this window — by scores of magnificent artists, each leading to myriads more artists/categories. Inside this window also  may be found our Brazilian record store radio, named by British journal The Guardian as one of 10 of the Best Radio Stations Around the World!

 

IF YOU CAN'T STAND THE HEAT

 

Brazil is not a European nation. It's not a North American nation. It's not an East Asian nation. It straddles -- jungle and desert and dense urban centers -- both the equator and the Tropic of Capricorn. It absorbed over ten times the number of African slaves taken to the United States of America, and much of its aboriginal population was absorbed into the general population-at-large. Its people have lived under oligarchy, plutocracy, dictatorships and massive corruption, with elements of these still strongly entrenched today.

 

But!

 

Brazil has buzz...not the shallow buzz of a fashionable moment...but the deep buzz of a population which in spite of -- or perhaps because of -- the tough slog through life they've been allotted by humanity's dregs-in-fine-linen, have chosen not to simply pull themselves along but to lift their voices in song and their bodies in dance...to eat well and converse well and much and to wring the joy out of the day-to-day happenings and small pleasures of life which are so often set aside or ignored in the European, North American, and East Asian nations.

 

For this Brazil has a genius perhaps unparalleled in all other countries and societies, a genius which thrives alongside peeling paint and holes in the streets and roads, under bad organization by the powers-that-be, both civil and governmental, under a constant rain of societal indignities...

 

Which is all to say that if you don't know Brazil and you're expecting any semblance of order, progress and light, you will certainly find the light! And the buzz of a people who for generations have responded to privation at many different levels by somehow rising above it all.

 

Raimundo Sodré, in a conversation ranging through New Orleans and Harlem and the South Side of Chicago ... and Appalachia and Irish villages and Russian shtetls and the unofficial symbol of Brazil's Bahian-born national music (the pandeiro) almost certainly having arrived in Brazil in the hands of Sephardic Jews (including conversos) fleeing the Inquisition, once remarked: "Where there's misery, there's music!"

 

A pandeirista on the roof. And it's not just music. And it's not just Brazil.

 

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