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  • @ Ground Zero
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  • From Harlem to Bahia

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Imagine the world's creative economy at your fingertips. Imagine 10 doors side-by-side. Beyond each, 10 more, each opening to a "creative" somewhere around the planet. After passing through 8 such doorways you will have followed 1 pathway out of 100 million possible (2 sets of doorways yield 10 x 10 = 100 pathways). This is a simplified version of the metamathematics that makes it possible to reach everybody in the global creative economy in just a few steps It doesn't mean that everybody will be reached by everybody. It does mean that everybody can  be reached by everybody.


Appear below by recommending Kim Hill:

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  • 2 DJ
  • 2 Entrepreneur
  • 2 Singer
  • 2 Songwriter

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    I Was in The Black Eyed Peas. Then I Quit. | 'Almost Famous' by Op-Docs
    In the mid-1990s, the singer and songwriter Kim Hill met a young rapper who suggested they start making music. That rapper’s name was will.i.am, and his grou...
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Why a "Matrix"?

 

I was explaining the ideas behind this nascent network to (João) Teoria (trumpet player above) over cervejas at Xique Xique (a bar named for a town in Bahia) in the Salvador neighborhood of Barris...

 

And João said (in Portuguese), repeating what I'd just told him, with one addition: "A matrix where musicians can recommend other musicians, and you can move from one to another..."

 

A matrix! That was it! The ORIGINAL meaning of matrix is "source", from "mater", Latin for "mother". So the term would help congeal the concept in the minds of people the network was being introduced to, while giving us a motto: "We're a real mother for ya!" (you know, Johnny "Guitar" Watson?)

 

The original idea was that musicians would recommend musicians, the network thus formed being "small world" (commonly called "six degrees of separation"). In the real world, the number of degrees of separation in such a network can vary, but while a given network might have billions of nodes (people, for example), the average number of steps between any two nodes will usually be minuscule.

 

Thus somebody unaware of the magnificent music of Bahia, Brazil will be able to conceivably move from almost any musician in this matrix to Bahia in just a few steps...

 

By the same logic that might move one from Bahia or anywhere else to any musician anywhere.

 

And there's no reason to limit this system to musicians. To the contrary, while there are algorithms written to recommend music (which, although they are limited, can be useful), there are no algorithms capable of recommending journalism, novels & short stories, painting, dance, film, chefery...

 

...a vast chasm that this network — or as Teoria put it, "matrix" — is capable of filling.

 

@ Ground Zero

 

Have you, dear friend, ever noticed how different places scattered across the face of the globe seem almost to exist in different universes? As if they were permeated throughout with something akin to 19th century luminiferous aether, unique, determined by that place's history? It's like a trick of the mind's light (I suppose), but standing on beach or escarpment in Salvador and looking out across the Baía de Todos os Santos to the great Recôncavo, and mindful of what happened there, one must be led to the inevitable conclusion that one is in a place unique to history, and to the present*.

 

 

"Chegou a hora dessa gente bronzeada mostrar seu valor / The time has come for these bronzed people to show their value..."Música: Assis Valente of Santo Amaro, Bahia. Vídeo: Betão Aguiar.

 

*More enslaved human beings entered the Bay of All Saints and the Recôncavo than any other final port-of-call throughout all of mankind's history.

 

These people and their descendants created some of the most uplifting music ever made, the foundation of Brazil's national art. We wanted their music to be accessible to the world (it's not even accessible here in Brazil) so we created a platform by which everybody's creativity is mutually accessible, including theirs.

 

El Aleph

 

The network was built in an obscure record shop (Kareem Abdul-Jabbar found it) in a shimmering Brazilian port city...

 

...inspired in (the kabbalah-inspired fiction of) Borges' (short story) El Aleph, that in the pillar in Cairo's Mosque of Amr, where the universe in its entirety throughout all time is perceivable as an infinite hum from deep within the stone.

 

It "works" by virtue of the "small-world" phenomenon...the same responsible for the fact that most of us 7 billion or so beings are within 6 or fewer degrees of each other.

 

It was described (to some degree) and can be accessed via this article in British journal The Guardian (which named our radio of matrixed artists as one of ten best in the world):

 

www.theguardian.com/travel/2020/apr/17/10-best-music-radio-station-around-world

 

With David Dye for U.S. National Public Radio: www.npr.org/2013/07/16/202634814/roots-of-samba-exploring-historic-pelourinho-in-salvador-brazil

 

All is more connected than we know.

 

Per the "spirit" above, our logo is a cortador de cana, a cane-cutter. It was designed by Walter Mariano, professor of design at the Federal University of Bahia to reflect the origins of the music the shop specialized in. The Brazilian "aleph" doesn't hum... it dances and sings.

 

If You Can't Stand the Heat

 

Image above is from the base of the cross in front of the church of São Francisco do Paraguaçu in the Bahian Recôncavo

 

Sprawled across broad equatorial latitudes, stoked and steamed and sensual in the widest sense of the word, limned in cadenced song, Brazil is a conundrum wrapped in a smile inside an irony...

 

It is not a European nation. It is not a North American nation. It is not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn. Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin. It was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people). Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David. Three cultures — from three continents — running for their lives, their confluence forming an unprecedented fourth. Pandeirista on the roof. Nowhere else but here.

 

Oligarchy, plutocracy, dictatorships and massive corruption — elements of these are still strongly entrenched — have defined, delineated, and limited Brazil.

 

But strictured & bound as it has been and is, Brazil has buzz...not the shallow buzz of a fashionable moment...but the deep buzz of a population which in spite of — or perhaps because of — the tough slog through life they've been allotted by humanity's dregs-in-fine-linen, have chosen not to simply pull themselves along but to lift their voices in song and their bodies in dance...to eat well and converse well and much and to wring the joy out of the day-to-day happenings and small pleasures of life which are so often set aside or ignored in the European, North American, and East Asian nations.

 

For this Brazil has a genius perhaps unparalleled in all other countries and societies, a genius which thrives alongside peeling paint and holes in the streets and roads, under bad organization by the powers-that-be, both civil and governmental, under a constant rain of societal indignities...

 

Which is all to say that if you don't know Brazil and you're expecting any semblance of order, progress and light, you will certainly find the light! And the buzz of a people who for generations have responded to privation at many different levels by somehow rising above it all.

 

"Onde tem miséria, tem música!"* - Raymundo Sodré

 

And it's not just music. And it's not just Brazil.

 

Welcome to the kitchen!

 

* "Where there is misery, there is music!" Remarked during a conversation arcing from Bahia to Haiti and Cuba to New Orleans and the south side of Chicago and Harlem to the villages of Ireland and the gypsy camps and shtetls of Eastern Europe...

 

From Harlem to Bahia



  • Kim Hill
    I RECOMMEND

CURATION

  • from this node by: Sparrow/Pardal

This is the Universe of

  • Name: Kim Hill
  • City/Place: Los Angeles
  • Country: United States
  • Hometown: Syracuse, New York

Current News

  • What's Up? During a five year run with The Black Eyed Peas, touring, producing and writing with everyone from Mos Def to Tupac, I was constantly asking myself What's NEXT? After my departure in 2000, I began spiritual work that challenged many ideologies around my race and religion. I became coined as a modern day Bush-Woman by fellow artists whose health I helped sustain on the road. I took notes while my grandmother was making salves and remedies from things that were in her kitchen. She had healing hands and a strong respect for nature. This kept me sane and connected to my roots during the most stressful episodes in my life.

    As a mom in a climate thriving on over indulgence, it's essential for me to keep my life as simple and organic as possible. I harnessed the God given gifts that gave me creative license on the stage and put that energy into products, inspired by my son and accessible to all. Today, NOK marks the metamorphosis of what happenes when mixing ingredients replaces mixing records. I'm still nice on the mic though.

    What's NEXT for you?

    Kim

Life & Work

  • Bio: Kim is a singer, actress, DJ and entrepreneur who came into the broad public eye via her participation in the Black Eyed Peas at the beginning of their, and her, career.

Contact Information

  • Email: [email protected]

Media | Markets

  • ▶ Buy My Music: (downloads/CDs/DVDs) http://kimhill2.bandcamp.com/
  • ▶ Twitter: killhim
  • ▶ Instagram: killhim
  • ▶ Website: http://www.kimhill.work
  • ▶ Website 2: http://nextofkimbeauty.com
  • ▶ Vimeo Channel: http://vimeo.com/user33715242
  • ▶ Article: http://www.nytimes.com/2019/12/16/opinion/black-eyed-peas-kim-hill.html

More

  • Quotes, Notes & Etc. "I'm not trying to re-invent the wheel, I'm just trying to do right by the people who've inspired me like Sade, Nina Simone, Bill Withers and Steely Dan... I can deal with label rejection."
    - Kim Hill interviewed by Gail Mitchell

    I hope the first singer [Hill] makes it. The song had a very ethereal sound to it."
    - Dionne Warwick

    "This spring Kim Hill (who you may remember from the golden era of the Black Eyed Peas) is set to star in In The Morning, an indie feature. Ms. Hill plays one of the many protagonists, all young black New Yorkers working to find serenity and satisfaction in their romantic lives."
    - Scott Heins

    "Hill‘s Surrender to Her Sunflower is a testament to her marvelous vocal and songwriting talent."
    - Derrick Mathis

    "Kim Hill was first introduced to the music world as the girl in the Black Eyed Peas. On their 1998 debut LP, Behind the Front, that’s her voice lacing the beats with honeyed estrogen, helping stake territory worlds apart from the gangsta and bling that had come to define rap in the mainstream. Her sexy-but-not-nekkid vibe helped make inroads for the Peas, those torchbearers of breaking, dancing and laughing, those sons of Pharcyde. Along with her boys Will.I.Am, Apl.De.Ap and Taboo, she brought a sense of playfulness and open-ended possibilities to the table, broadening shrunken gender dynamics so that male-female communion wasn’t so mercenary, so bleakly combative. The foursome were a throwback to old-school pioneers Funky 4 +1, reminding you that the hip-hop guy/girl relationship could actually be warm, familial."
    - Ernest Hardy

    "Not one to bite her tongue (like, ever), Kim Hill softens her words with a sweet tone of voice and hyper-annunciated phrases. Referring to a song called “Disney” where she sings, No more auctions on the cinderblocks/ Now that Disney has stock in hip-hop, Hill says, “I’d write songs and my band would go, ‘Now we’re actually going to perform it in front of people?’ and I’d be like Yeah, and y’all are gonna wear Mickey Mouse ears.”
    - Lindsey Caldwell

    "The Real Hip Hop may not be as volatile as Ice Cube's No Vaseline or 2Pac's Hit 'Em Up... but Hill's fluid vocals and lacerating lyrics make it memorably acidic nonetheless."
    - Craig D. Lindsey

    “Because, yes, the character Harper (played by Kim Hill) is in an evening gown going to brunch, because [Hill] would actually do that.”
    - Neferite Nguvu

    "Hill’s entrée onto the national music scene at that time can be attributed to a winning combination of honey-laced vocals, skillful lyricism, coupled with the sort of campy showmanship that was a perfect complement to “The Peas’s” soulful, yet playful, appeal."
    - Zawadi C Morris

Clips (more may be added)

  • I Was in The Black Eyed Peas. Then I Quit. | 'Almost Famous' by Op-Docs
    By Kim Hill
    246 views
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 'mātriks / "source" / from "mater", Latin for "mother"
We're a real mother for ya!

 

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