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  • From Brazil with love →
  • @ Ground Zero
  • El Aleph
  • If You Can't Stand the Heat
  • Harlem to Bahia to the Planet
  • Why a "Matrix"?

From Brazil with love →

@ Ground Zero

 

Have you, dear friend, ever noticed how different places scattered across the face of the globe seem almost to exist in different universes? As if they were permeated throughout with something akin to 19th century luminiferous aether, unique, determined by that place's history? It's like a trick of the mind's light (I suppose), but standing on beach or escarpment in Salvador and looking out across the Baía de Todos os Santos to the great Recôncavo, and mindful of what happened there, one must be led to the inevitable conclusion that one is in a place unique to history, and to the present*.

 

 

"Chegou a hora dessa gente bronzeada mostrar seu valor / The time has come for these bronzed people to show their value..."Música: Assis Valente of Santo Amaro, Bahia. Vídeo: Betão Aguiar.

 

*More enslaved human beings entered the Bay of All Saints and the Recôncavo than any other final port-of-call throughout all of mankind's history.

 

These people and their descendants created some of the most uplifting music ever made, the foundation of Brazil's national art. We wanted their music to be accessible to the world (it's not even accessible here in Brazil) so we created a platform by which everybody's creativity is mutually accessible, including theirs.

 

El Aleph

 

The network was built in an obscure record shop (Kareem Abdul-Jabbar found it) in a shimmering Brazilian port city...

 

...inspired in (the kabbalah-inspired fiction of) Borges' (short story) El Aleph, that in the pillar in Cairo's Mosque of Amr, where the universe in its entirety throughout all time is perceivable as an infinite hum from deep within the stone.

 

It "works" by virtue of the "small-world" phenomenon...the same responsible for the fact that most of us 7 billion or so beings are within 6 or fewer degrees of each other.

 

It was described (to some degree) and can be accessed via this article in British journal The Guardian (which named our radio of matrixed artists as one of ten best in the world):

 

www.theguardian.com/travel/2020/apr/17/10-best-music-radio-station-around-world

 

With David Dye for U.S. National Public Radio: www.npr.org/2013/07/16/202634814/roots-of-samba-exploring-historic-pelourinho-in-salvador-brazil

 

All is more connected than we know.

 

Per the "spirit" above, our logo is a cortador de cana, a cane-cutter. It was designed by Walter Mariano, professor of design at the Federal University of Bahia to reflect the origins of the music the shop specialized in. The Brazilian "aleph" doesn't hum... it dances and sings.

 

If You Can't Stand the Heat

 

Image above is from the base of the cross in front of the church of São Francisco do Paraguaçu in the Bahian Recôncavo

 

Sprawled across broad equatorial latitudes, stoked and steamed and sensual in the widest sense of the word, limned in cadenced song, Brazil is a conundrum wrapped in a smile inside an irony...

 

It is not a European nation. It is not a North American nation. It is not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn. Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin. It was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people). Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David. Three cultures — from three continents — running for their lives, their confluence forming an unprecedented fourth. Pandeirista on the roof. Nowhere else but here.

 

Oligarchy, plutocracy, dictatorships and massive corruption — elements of these are still strongly entrenched — have defined, delineated, and limited Brazil.

 

But strictured & bound as it has been and is, Brazil has buzz...not the shallow buzz of a fashionable moment...but the deep buzz of a population which in spite of — or perhaps because of — the tough slog through life they've been allotted by humanity's dregs-in-fine-linen, have chosen not to simply pull themselves along but to lift their voices in song and their bodies in dance...to eat well and converse well and much and to wring the joy out of the day-to-day happenings and small pleasures of life which are so often set aside or ignored in the European, North American, and East Asian nations.

 

For this Brazil has a genius perhaps unparalleled in all other countries and societies, a genius which thrives alongside peeling paint and holes in the streets and roads, under bad organization by the powers-that-be, both civil and governmental, under a constant rain of societal indignities...

 

Which is all to say that if you don't know Brazil and you're expecting any semblance of order, progress and light, you will certainly find the light! And the buzz of a people who for generations have responded to privation at many different levels by somehow rising above it all.

 

"Onde tem miséria, tem música!"* - Raymundo Sodré

 

And it's not just music. And it's not just Brazil.

 

Welcome to the kitchen!

 

* "Where there is misery, there is music!" Remarked during a conversation arcing from Bahia to Haiti and Cuba to New Orleans and the south side of Chicago and Harlem to the villages of Ireland and the gypsy camps and shtetls of Eastern Europe...

 

Harlem to Bahia to the Planet



Why a "Matrix"?

 

I was explaining the ideas behind this nascent network to (João) Teoria (trumpet player above) over cervejas at Xique Xique (a bar named for a town in Bahia) in the Salvador neighborhood of Barris...

 

Like this (but in Portuguese): "It's kind of like Facebook if it didn't spy on you, but reversed... more about who you don't know than who you do know. And who doesn't know you but would be glad if they did. It's kind of like old Myspace Music but instead of having "friends" it has a list on your page of people you recommend. Not just musicians but writers, painters, filmmakers, dancers, chefs... anybody in the creative economy. It has a list of people who recommend you, or through whom you are recommended. It deals with arts which aren't recommendable by algorithm but need human intelligence behind recommendations. And the people who are recommended can recommend, creating a network of recommendations wherein by the small world phenomenon most people in the creative economy are within several steps of everybody else in the creative economy, no matter where they are in the world..."

 

And João said (in Portuguese): "A matrix where you can move from one artist to another..."

 

A matrix! That was it! The ORIGINAL meaning of matrix is "source", from "mater", Latin for "mother". So the term would help congeal the concept in the minds of people the network was being introduced to, while giving us a motto: "We're a real mother for ya!" (you know, Johnny "Guitar" Watson?)

 

The original idea was that musicians would recommend musicians, the network thus formed being "small world" (commonly called "six degrees of separation"). In the real world, the number of degrees of separation in such a network can vary, but while a given network might have billions of nodes (people, for example), the average number of steps between any two nodes will usually be minuscule.

 

Thus somebody unaware of the magnificent music of Bahia, Brazil will be able to conceivably move from almost any musician in this matrix to Bahia in just a few steps...

 

By the same logic that might move one from Bahia or anywhere else to any musician anywhere.

 

And there's no reason to limit this system to musicians. To the contrary, while there are algorithms written to recommend music (which, although they are limited, can be useful), there are no algorithms capable of recommending journalism, novels & short stories, painting, dance, film, chefery...

 

...a vast chasm that this network — or as Teoria put it, "matrix" — is capable of filling.

 

  • George Garzone
    I RECOMMEND

CURATION

  • from this node by: Matrix+

This is the Universe of

  • Name: George Garzone
  • City/Place: Boston, MA
  • Country: United States

Life & Work

  • Bio: Saxophonist George Garzone is a member of The Fringe, a jazz trio founded in 1972 that includes bassist John Lockwood and drummer Bob Gullotti, that performs regularly in the Boston area and has toured Portugal. The group has released three albums. A veteran jazzman, George Garzone has appeared on over 20 recordings. He began on the tenor when he was six, played in a family band and attended Berklee College of Music in Boston.

    In addition, George Garzone has guested in many situations, touring Europe with Jamaaladeen Tacuma and performing with Danilo Perez, Joe Lovano, Jack DeJohnette, Rachel Z and John Patitucci among others.

    Garzone is well-known as a sought-after jazz educator, currently teaching at the Berklee College of Music. He has also previously taught at New England Conservatory, Longy School of Music, New York University, Manhattan School of Music, Northeastern University and the New School University.
    He has pioneered the Triadic Chromatic Approach, an improvisation concept which has his own signature in the jazz improvisation vocabulary.

    The first edition of the Triadic Chromatic Approach was released in DVD format. In 2020 George Garzone is releasing the second part of the Triadic Chromatic Approach and other educational books related with his concept and his music.
    In his never ending teaching career, great musicians of the actual scene have been students of George Garzone, like Joshua Redman, Teadross Avery, Seamus Blake, Chris Cheek, Luciana Souza, Mark Turner, Donny McCaslin, Doug Yates, Danilo Perez and the Grammy-Winning Drummer Antonio Sanchez, to name a few.

    In 1995 he recorded a fine tribute to Stan Getz on NYC called Alone; Four’s and Two’s followed a year later with compatriot Joe Lovano which earned him four stars in Downbeat magazine, and in 1999 Garzone returned with Moodiology. Fringe in New York was released in summer 2000. He is a member of the Grammy-winning Joe Lovano Nonet, and performed and recorded with this group On This Day … Live At The Vanguard in September 2002.

    In January 2019 George Garzone with Peter Erskine, Alan Pasqua and Darek Oles had a three night concert-recording session which became a Three CD recording called Three Nights in L.A., which became a favorite of many critics like Downbeat Magazine and All about jazz.

Contact Information

  • Contact by Webpage: http://georgegarzone.com/contact/

Media | Markets

  • ▶ Buy My Music: (downloads/CDs/DVDs) http://georgegarzone.com/music/
  • ▶ Book Purchases: http://georgegarzone.com/shop/
  • ▶ Twitter: saxello
  • ▶ Instagram: georgegarzone
  • ▶ Website: http://georgegarzone.com
  • ▶ YouTube Channel: http://www.youtube.com/channel/UCk-awQ3S9t7JbD1C-L6ln1A
  • ▶ YouTube Music: http://music.youtube.com/channel/UCY7NDpn2V3qdqYoPxZlRjVA
  • ▶ Spotify: http://open.spotify.com/album/6cmLLlLrXmykuZDmylhXOt
  • ▶ Spotify 2: http://open.spotify.com/album/6e5lSB8Dgnn6R0hknnLlQu
  • ▶ Spotify 3: http://open.spotify.com/album/1uB8ZdIy8LNcJ8tFKtxaD0
  • ▶ Spotify 4: http://open.spotify.com/album/3ljpHiODNGuZynft9sNOgx
  • ▶ Spotify 5: http://open.spotify.com/album/4IP77AxWL7ZbPTi3j4acYL
  • ▶ Spotify 6: http://open.spotify.com/album/7gpdnu98YcJ4vNJFFUT9Lf

Clips (more may be added)

  • George Garzone & Peter Erskine Trio - Like Someone In Love
    By George Garzone
    405 views
  • All the Things You Are - George GARZONE Quartet
    By George Garzone
    225 views
  • George Garzone & Berklee Global Jazz Ambassadors The Checkout Live at Berklee
    By George Garzone
    227 views
  • George Garzone Group "Giant Steps" @ Porgy&Bess
    By George Garzone
    257 views
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YOU RECOMMEND

Imagine the world's creative economy at your fingertips. Imagine 10 doors side-by-side. Beyond each, 10 more, each opening to a "creative" somewhere around the planet. After passing through 8 such doorways you will have followed 1 pathway out of 100 million possible (2 sets of doorways yield 10 x 10 = 100 pathways). This is a simplified version of the metamathematics that makes it possible to reach everybody in the global creative economy in just a few steps It doesn't mean that everybody will be reached by everybody. It does mean that everybody can  be reached by everybody.


Appear below by recommending George Garzone:

  • 2 Author
  • 2 Berklee College of Music Faculty
  • 2 Jazz
  • 2 Saxophone
  • Chick Corea Piano
  • Beeple Graphic Designer
  • Horácio Reis MPB
  • David Ngwerume Sculptor
  • Mona Lisa Saloy Louisiana
  • John Santos Cape Verde
  • Egberto Gismonti Piano
  • Adriana L. Dutra Director
  • Zigaboo Modeliste Second Line
  • Ofer Mizrahi Jazz, Folk, Eastern Music
  • Anat Cohen Israel
  • Stan Douglas Filmmaker
  • Barbara Paris Austin, Texas
  • Kiko Loureiro Finland
  • David Ngwerume Africa
  • Barlavento Salvador
  • Nelson Ayres Brazil
  • Dave Douglas Composer
  • Ambrose Akinmusire Composer
  • Gamelan Sekar Jaya Gamelan
  • Norah Jones Piano
  • Swizz Beatz Art Collector
  • Kermit Ruffins Trumpet
  • Keith Jarrett Piano
  • Congahead African Music
  • Horácio Reis Violão Clássico Brasileiro, Brazilian Classical Guitar
  • Zé Luíz Nascimento Barcelona
  • Silas Farley Dance Teacher
  • Garvia Bailey Writer
  • Marcus Strickland Record Producer
  • Bobby Vega Rock 'n' Roll
  • Bruce Williams Composer
  • Tommaso Zillio Guitar Instruction
  • Manassés de Souza 12 String Guitar
  • Marc-André Hamelin Boston
  • Romero Lubambo Brazilian Jazz
  • Giba Conceição Salvador
  • Julie Fowlis Multi-Instrumentalist
  • David Mattingly Matte Painter
  • Jaques Morelenbaum MPB
  • Rob Garland Musicians Institute College of Contemporary Music Faculty
  • Ibrahim Maalouf Jazz
  • Soweto Kinch Hip-Hop
  • Jimmy Dludlu Composer
  • Perumal Murugan Novelist
  • Nelson Cerqueira Salvador
  • Ramita Navai Writer
  • Rob Garland Guitar
  • Bob Bernotas Rutgers Faculty
  • Frank London Jewish Music
  • Nelson Latif Samba
  • Ari Hoenig Drum Instruction
  • Paulão 7 Cordas Samba
  • Ryuichi Sakamoto Experimental Music
  • Aloísio Menezes Bahia
  • Larry Grenadier Jazz
  • Sam Yahel New York City
  • Christopher James Musicologist
  • David Kirby Journalist
  • John Waters Public Speaker
  • Casa PretaHub Cachoeira Bahia
  • Anna Webber Flute
  • Bodek Janke Jazz
  • Carwyn Ellis Alternative Indie
  • Rob Garland Jazz, Rock
  • Carlinhos Brown Multi-Instrumentalist
  • Ajurinã Zwarg Choro
  • Katuka Africanidades Loja de Arte, Art Shop
  • Arto Tunçboyacıyan Multi-Cultural
  • Ceumar Coelho Brazil
  • Mike Compton Nashville, Tennessee
  • Omar Sosa Composer
  • Anat Cohen New York City
  • Tonynho dos Santos Guitarra, Violão, Guitar
  • Roy Ayers Film Scores
  • Robby Krieger Painter
  • Shamarr Allen Trumpet
  • Rick Beato Educator
  • Mariana Zwarg Rio de Janeiro
  • Yo La Tengo Hoboken, New Jersey
  • Archie Shepp Pianist
  • Woody Mann Writer
  • Stefon Harris Manhattan School of Music Faculty
  • Evgeny Kissin Poet
  • James Carter Saxophone
  • Robby Krieger Rock 'n' Roll
  • Omari Jazz Visual Artist
  • David Hepworth Writer
  • Anissa Senoussi London
  • Ken Avis Music Writer
  • Zeca Pagodinho Samba
  • Liberty Ellman Record Producer
  • Jason Marsalis Drums
  • Brian Stoltz Funk
  • Márcia Short Bahia
  • Damon Albarn Record Producer
  • Ed Roth Los Angeles
  • Brian Jackson Brooklyn, NY
  • Samba de Lata Bahia
  • Larry Grenadier Basel Music Academy Faculty
  • Savoy Family Cajun Band Louisiana
  • Adriano Giffoni Brazilian Jazz
  • João Camarero Samba
  • Jacám Manricks Composer
  • Kurt Andersen New York City
  • Echezonachukwu Nduka Nigeria
  • Papa Grows Funk Funk
  • Rotem Sivan Jazz
  • Danilo Pérez Multi-Cultural
  • Victor Wooten Composer
  • Bianca Gismonti Rio de Janeiro
  • Shez Raja Bass
  • Sam Wasson Los Angeles
  • Carlinhos Pandeiro de Ouro Rio de Janeiro
  • Martin Fondse Piano
  • Leo Genovese Multi-Instrumentalist
  • Bob Reynolds Los Angeles
  • Capitão Corisco Flute
  • George Cables Composer
  • Shanequa Gay Southern Black Tradition
  • Carl Allen Record Producer
  • Yazz Ahmed Audio Manipulation
  • Obed Calvaire Drums
  • Louis Marks Ropeadope Sur
  • Marcus Printup Trumpet
  • Biréli Lagrène Guitar
  • Derrick Adams Installation Artist
  • Dermot Hussey Author
  • Branford Marsalis New Orleans
  • Otmaro Ruiz Los Angeles
  • John Medeski Piano
  • Aaron Parks Jazz
  • Brian Jackson Keyboards
  • Jason Moran New England Conservatory of Music Faculty
  • Matt Garrison Jazz Fusion
  • Léo Rodrigues Pandeiro Instruction Online
  • Ferenc Nemeth App Developer
  • Virgínia Rodrigues Singer
  • Casa da Mãe Restaurante-Bar, Restaurant-Bar
  • Xenia França São Paulo
  • Bruce Molsky Banjo Instruction
  • Kermit Ruffins New Orleans
  • Adam Rogers Composer
  • JD Allen Saxophone
  • Terri Lyne Carrington Jazz
  • Olga Mieleszczuk Yiddish Folk Songs
  • H.L. Thompson Rio de Janeiro
  • Luciana Souza Songwriter
  • Paulo Costa Lima Compositor, Composer
  • Tarus Mateen New York City
  • Daymé Arocena Cuba
  • Tom Bergeron Bossa Nova
  • Marc Cary Composer
  • Nabih Bulos Beirut, Lebanon
  • Isaac Julien Installation Artist
  • Oscar Bolão Photographer
  • Mino Cinélu Composer
  • John Morrison Sample-Flipper
  • Amit Chatterjee Sitar
  • Arturo O'Farrill Piano
  • Shemekia Copeland Blues
  • Conrad Herwig Jazz
  • Chris Acquavella Mandolin Instruction
  • Zé Luíz Nascimento Multi-Cultural
  • Laércio de Freitas Brazilian Jazz
  • Jill Scott Neo Soul
  • Roots Manuva Singer-Songwriter
  • Jorge Ben Rio de Janeiro
  • Richie Stearns Tenor Guitar
  • Billy Strings Guitar
  • Jacob Collier Composer
  • Keshav Batish Jazz
  • Ryuichi Sakamoto Composer
  • Eric Galm Berimbau
  • Paulinho do Reco Bahia
  • Germán Garmendia YouTuber
  • Bonerama Funk
  • Tobias Meinhart Saxophone
  • Gavin Marwick Edinburgh
  • Paulo Aragão Samba
  • Marcela Valdes Journalist
  • Ry Cooder Americana
  • Bright Red Dog Improvising Collective
  • Siba Veloso Rabeca
  • Oscar Bolão Drums
  • Billy Strings Mandolin
  • Walter Smith III Berklee College of Music Faculty
  • Doug Wamble Jazz
  • Anissa Senoussi Matte Painter
  • Robertinho Silva Jazz
  • Isaias Rabelo Bahia
  • Guto Wirtti Brazilian Jazz
  • Deesha Philyaw Writer
  • Stephen Guerra Composer
  • The Weeknd Toronto
  • Terrace Martin Rapper
  • James Shapiro Columbia University Faculty
  • Alegre Corrêa Brazil
  • Amaro Freitas Jazz
  • Nelson Cerqueira Academia de Letras da Bahia, Bahian Academy of Letters
  • Dafnis Prieto Percussion
  • Terreon Gully Composer
  • Raelis Vasquez Afro-Latinx Art
  • The Weeknd Hip-Hop
  • Andra Day Los Angeles
  • Thomas Àdes Conductor
  • Billy Strings Americana
  • Cláudio Jorge Brazil
  • Herlin Riley Northwestern University Bienen School of Music Faculty
  • Matt Garrison Record Producer
  • Larissa Fulana de Tal Bahia
  • John Zorn Multi-Instrumentalist
  • John Zorn Record Label Owner
  • David Bruce YouTuber
  • Miles Mosley Los Angeles
  • Tony Trischka Banjo Instruction
  • Andrés Beeuwsaert Composer
  • Noam Pikelny Nashville, Tennessee
  • Tony Austin Television Scores
  • Don Byron Film Scores
  • Simon Shaheen Composer
  • Dale Farmer Appalachian Music
  • Ben Williams Bass
  • Jocelyn Ramirez Plant-Based Mexican Cooking
  • Anthony Coleman Jewish Music
  • Kim Hill Songwriter
  • Colson Whitehead Literary Critic
  • Ron Mader Travel Specialist
  • Kenny Barron New York City
  • Michael Peha Record Producer
  • Benoit Fader Keita Techno
  • John Harle Television Scores
  • Bombino Singer-Songwriter
  • Fatoumata Diawara African Music
  • Abderrahmane Sissako Film Producer
  • Reena Esmail Los Angeles
  • Şener Özmen Multimedia Art
  • João Teoria Salvador
  • Bejun Mehta Countertenor
  • Léo Rugero Composer
  • Mike Compton Songwriter
  • Maia Sharp Nashville, Tennessee
  • Paulinho Fagundes Brazil
  • David Kirby Novelist
  • Kamasi Washington Multi-Cultural
  • Dave Eggers Writer
  • Ali Jackson Composer
  • Michael Olatuja Afrobeat
  • Quincy Jones Composer
  • Geovanna Costa Samba
  • Fred Hersch Piano
  • Jamie Dupuis Canada
  • Ron McCurdy USC Thornton School of Music Faculty
  • Sameer Gupta Composer
  • PATRICKTOR4 Bahia
  • Paulo Dáfilin São Paulo
  • Joachim Cooder Drums
  • Tray Chaney Rapper
  • Luizinho Assis Piano
  • Molly Tuttle Americana
  • Rita Batista Brasil, Brazil
  • Gui Duvignau Brazilian Jazz
  • Victor Gama Multimedia Opera
  • Aurino de Jesus Samba
  • Alicia Keys Record Producer
  • Ramita Navai Writer
  • Tommy Orange Native American Literature
  • Bukassa Kabengele Actor
  • Stan Douglas Installation Artist
  • Daniel Jobim Samba
  • Jamel Brinkley Writer
  • Nicolas Krassik Samba
  • Vijay Gupta Violin
  • Lynn Nottage Screenwriter
  • Mauro Senise Rio de Janeiro
  • Katuka Africanidades Salvador
  • Thomas Àdes Opera
  • John Santos Composer
  • Thiago Espírito Santo Guitarra, Guitar
  • OVANA Xangongo
  • Shanequa Gay Atlanta, Georgia
  • Billy Strings Bluegrass
  • Greg Osby Jazz
  • Jamie Dupuis Singer
  • Alain Mabanckou Congo-Brazzaville
  • Yilian Cañizares Classical Music
  • David Castillo Moorpark College Faculty
  • Garth Cartwright Music Promoter
  • Nath Rodrigues Multi-Instrumentalist
  • Roy Nathanson Jazz
  • Jonathan Scales Steel Pans
  • António Zambujo Singer
  • John McWhorter Linguist
  • Bobby Vega Bass
  • Teodor Currentzis Russia
  • Tatiana Eva-Marie Gypsy Jazz
  • Siba Veloso Pernambuco
  • Derron Ellies Steel Pans
  • Gearóid Ó hAllmhuráin Ethnomusicologist
  • Leela James Jazz
  • THE ROOM Shibuya Cocktail Bar
  • Kiya Tabassian كيا طبسيان Iran
  • Flying Lotus Record Label Owner
  • David Hepworth London
  • Alexa Tarantino New York City
  • Oswaldo Amorim Escola de Música de Brasília Faculty
  • Tomo Fujita Funk
  • Arturo O'Farrill New York City
  • Clint Smith Writer
  • Bisa Butler Quilts
  • A-KILL Building Art
  • Jovino Santos Neto Seattle
  • Kalani Pe'a Hawaii
  • Nabihah Iqbal Electronic, Experimental, Alternative Music
  • Barbara Paris Multi-Media Artist
  • Jakub Knera Writer
  • Gevorg Dabaghyan Duduk
  • Brandon Seabrook Avant-Garde Jazz
  • Nara Couto Diretora, Director
  • Nate Smith Music Producer
  • Alex de Mora Photographer
  • Barlavento Bahia
  • Gerson Silva Record Producer
  • Astrig Akseralian Mixed Media Art
  • Walmir Lima Songwriter
  • Betão Aguiar Rio de Janeiro
  • Gino Sorcinelli Music Production, Rapping, Sampling, Beatmaking
  • Jonathon Grasse Minas Gerais
  • Abel Selaocoe South Africa
  • Elie Afif Composer
  • Kenny Garrett Jazz
  • Magary Lord Brazil
  • Robby Krieger Guitar
  • Miguel Atwood-Ferguson Los Angeles
  • Serginho Meriti Rio de Janeiro
  • Jorge Washington Brazil
  • Lenny Kravitz Multi-Instrumentalist
  • Teresa Cristina Singer
  • Kevin Hays Singer-Songwriter
  • Ênio Bernardes Bahia
  • Masao Fukuda Brazil
  • Anna Webber Contemporary Classical Music
  • Nardis Jazz Club Turkey
  • Anthony Hervey Actor
  • Deborah Colker Choreographer
  • Ben Wolfe Double Bass
  • Frank Negrão Bass
  • Ivan Bastos MPB
  • Horácio Reis Faculdade da Ucsal, Catholic University of Salvador Faculty
  • Omar Sosa Vibraphone

 'mātriks / "source" / from "mater", Latin for "mother"
We're a real mother for ya!

 

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