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The Birth of the Matrix →

No princípio...

Imagine uma rede em que, por alguma mágica fantástica, todos dentro tenderiam a poucos passos detectáveis ​​de todos os outros... na rede e no planeta...

 

Imagine uma rede que seria mais sobre pessoas que você não conhece do que sobre pessoas que você conhece. E ainda mais importante: sobre pessoas que não o conhecem, mas cujas vidas seriam enriquecidas se o conhecessem...

 

Imagine uma rede que incluiria todos na economia criativa global da humanidade...

 

Você está imaginando O Matrix (Rede Online)!

 

 

Esse Matrix baiano foi fundado (com afeto!) numa questão fundamental: Como é possível fazer com que os músicos mais importantes historicamente do Brasil sejam descobertos por pessoas que vivem em qualquer lugar da Terra?

 

A resposta foi incluí-los num matrix no sentido original da palavra: “fonte”, de “mater”, latim para “mãe”...

 

...um matrix que também incluiria membros da economia criativa de todo o mundo: escritores e jornalistas, pintores, cineastas, coreógrafos, programadores de computador, designers de som e cenografia, designers de moda, matemáticos…

 

Por este meio, podemos pessoalmente alcançar profundamente a realidade da economia criativa global que está realmente lá fora: Roberto Mendes de Santo Amaro pode recomendar João do Boi de São Braz. Munir Hossn de Salvador, mas agora morando em Paris, pode recomendar Roberto Mendes. Alfredo Rodriguez de Havana, mas agora morando em Nova York, pode recomendar Munir Hossn. E Quincy Jones de Los Angeles pode recomendar Alfredo Rodriguez. Quem conhece Quincy Jones agora pode descobrir João do Boi (entre os músicos absolutamente mais fundamentais do Brasil) em apenas quatro passos.

 

Este não é um exemplo isolado. Caminhos curtos de apenas alguns passos entre pessoas criativas amplamente díspares são universais em todo o Matrix. Tal é o fantástico poder matemático do fenômeno do pequeno mundo, o fenômeno responsável pelos "seis graus de separação", unindo a maioria dos seres humanos à maioria dos outros em cerca de seis passos. Essa é a superpotência do Matrix baiano.

 

O Matrix baiano está aberta a todos da economia criativa global. Foi construído numa loja de discos no Centro Histórico de Salvador por um americano que trabalhou anteriormente em Nova York recuperando royalties não pagos para artistas como Aretha Franklin, Barbra Streisand, Led Zeppelin, Cat Stevens (Yusef Islam), Astrud Gilberto, Airto Moreira, Mongo Santamaria, Ray Barretto, o primeiro produtor de Bob Marley, Clement Dodd, o mestre de jazz Jim Hall e outros.

 

Agora o projeto é mostrar ao mundo o que é que a Bahia tem. Ao permitir que todos na economia criativa global também podem estender a mão ao redor do mundo e mostram ao mundo o que é que eles têm.

 

O Matrix é capaz de atingir profundamente... esta é a vila de São Braz, no Recôncavo baiano, criada por escravizados que escaparam para uma liberdade marginal...

 

In the beginning...

Imagine a network wherein by some fantastic magic everybody within would tend to within scant, discoverable steps of everybody else... in the network, and across the planet...

 

Imagine a network that would be more about people you don't know than people you do know. And even more importantly: about people who don't know you but whose lives would be enriched if they did...

 

Imagine a network which would include all in humanity's global creative economy...

 

You are imagining The Matrix (Online Network)!

 

 

This Bahian Matrix was founded (with love!) on a fundamental question: How is it possible to make Brazil’s most historically important musicians discoverable by people living anywhere around the Earth?

 

The answer was to include them in a matrix in the original sense of the word: “source”, from “mater”, Latin for “mother”...

 

...a matrix which would also include members of the creative economy from everywhere else: writers and journalists, painters, filmmakers, choreographers, computer programmers, sound and set designers, fashion designers, mathematicians…

 

By this means we can personally reach deeply into the reality of the global creative economy that is really out there: Roberto Mendes of Santo Amaro can recommend João do Boi of São Braz. Munir Hossn of Salvador but now living in Paris can recommend Roberto Mendes. Alfredo Rodriguez of Havana but now living in New York City can recommend Munir Hossn. And Quincy Jones of Los Angeles can recommend Alfredo Rodriguez. Anybody who knows Quincy Jones can now discover João do Boi (top photo; "John of the Ox" in English, the vastly important Son House of Brazil) in just four steps.

 

This is not an isolated example. Short pathways of just a few steps between widely disparate creative people are universal throughout the Matrix. Such is the fantastic mathematical power of the small world phenomenon, the phenomenon responsible for “six degrees of separation”, joining most human beings to most others within some six or so steps. This is the Bahian Matrix’s superpower.

 

The Bahian Matrix is open to all in the global creative economy. It was built in a record shop in Salvador’s Centro Histórico by an American who formerly worked in New York city retrieving unpaid royalties for artists including Aretha Franklin, Barbra Streisand, Led Zeppelin, Cat Stevens (Yusef Islam), Astrud Gilberto, Airto Moreira, Mongo Santamaria, Ray Barretto, Bob Marley’s first producer Clement Dodd, jazz great Jim Hall and others.

 

Now the project is to show the world o que é que a Bahia tem (what it is that Bahia has). By letting everybody in the global creative economy likewise reach out across the planet to connect as they wish and show the world what it is that they have too.

 

The Matrix is capable of reaching deeply...this is João's village of São Braz, in the Bahian Recôncavo, created by enslaved who'd escaped to a marginal freedom...

 

Carpe diem

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  • Imanuel Marcus
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    Fall of the Berlin Wall 30: Following the Wall Path
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    Kreuzberg: The Melting Pot
    Berlin Kreuzberg is an exotic borough. Both tourists and residents love it. Restaurants offer cuisines from all over the planet. Unconventional shops, nice p...
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    Berlin has three all-seasons ferries. If you have a BVG day ticket, a Berlin Welcome Card or a Berlin Pass with public transport option, these ferries are in...
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    Berlin: The Beauty of a Brand New Airport Read about it on The Berlin Spectator at berlinspectator.com.
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CURATION

  • from this node by: Matrix

This is the Universe of

  • Name: Imanuel Marcus
  • City/Place: Berlin
  • Country: Germany

Current News

  • What's Up? The Berlin Spectator is an English-language news and features site about Germany. This publication is being made for expatriates, migrants, people around the world and of course Germans.

    In articles, features and video reports, we will cover the most relevant news from Germany, while not forgetting about cultural and social subjects either. The expatriates themselves will be in the center of our attention too. This publication will also introduce German personalities.

    Yet another task for The Berlin Spectator is to explain Germany and the Germans to those who have just moved to the country or are planning to do so, and to everyone else interested. On top of all of the above, entertainment will be an important aspect.

    We have our very own way of bringing the story across, as you will see. At this stage, we are still in the process of setting up this site and developing it further. Please bear with us.

    Imanuel Marcus is the driving force behind this project and the editor-in-chief. He used to be a radio presenter and editor before becoming a correspondent for German and Swiss radio stations in former Yugoslavia and the United States of America.

    Some four years ago, he returned to journalism after a long break, by reporting about the unfolding refugee crisis from Croatia and Bulgaria. Also he got into writing for online media in Eastern Europe. Back in Germany, The Berlin Spectator is the project he is jump-starting as we speak.

    We thank you for your interest. In order to support us, please keep on following and reading The Berlin Spectator. And please spread articles or features you like by posting them on social media or forwarding them to your friends and family. Thank you very much indeed.

    In case you want to support this publication financially as well, please visit our donations page. In the long term, a publication like this one will only be able to thrive and survive with income from advertising and contributions.

    Thank you yet again for visiting The Berlin Spectator. Please feel free to contact us with any comments or questions you might have.

    Imanuel Marcus, Founder/Editor-in-Chief

Life & Work

  • Bio: In 1987, I started my very first job, at a local radio station in southern Germany. Within a few years, I was the head-of-music, an editor, presenter and news editor, sometimes working for up to three radio stations at once. All of this led to me becoming a correspondent within Germany.

    Starting in 1992, I was a reporter in former Yugoslavia, covering the war in Bosnia, along with those so-called peace negotiations in Geneva, for virtually all independent radio stations in Germany and some in Switzerland.

    In 1996, I moved to Washington D.C. in order to become a correspondent there. I stayed five and a half years, during which I covered basically everything. Most of it was politics. In addition, I dealt with NASA activities, plane crashes, other catastrophes, Oscars, Golden Globes, Grammys and a lot more.

    Many years later, in September of 2015, the radio department within the German Press Agency (dpa) sent me to Croatia, where I reported about the huge influx of refugees on the Balkans.

    Exactly 20 years after the first free elections in Bosnia, which occurred in 1996, I was in Croatia again. This time, the refugees came from war-torn regions, located thousands of miles away. Two decades before, I had covered the plight of refugees at the same spot before. Back then, they were Bosnians fleeing the Serbian Army and paramilitary killer squads, as well as members of the Serbian minority in Croatia, who were trying to flee Eastern Slavonia, before the Croatian Army got there.

Contact Information

  • Email: [email protected]

Media | Markets

  • ▶ Website: http://berlinspectator.com
  • ▶ YouTube Channel: http://www.youtube.com/channel/UCepZsdlIY1bf4pq1tgIX10w
  • ▶ YouTube Channel 2: http://www.youtube.com/user/Imanuel1965

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Imagine the world's creative economy at your fingertips. Imagine 10 doors side-by-side. Beyond each, 10 more, each opening to a "creative" somewhere around the planet. After passing through 8 such doorways you will have followed 1 pathway out of 100 million possible (2 sets of doorways yield 10 x 10 = 100 pathways). This is a simplified version of the metamathematics that makes it possible to reach anybody in the global creative economy in just a few steps. It doesn't mean that everybody will be reached by everybody. It does mean that everybody can  be reached by everybody.



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