Salvador Bahia Brazil Matrix
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  • (Bahia)
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  • From Brazil with love →
  • @ Ground Zero
  • El Aleph
  • If You Can't Stand the Heat
  • Harlem to Bahia to the Planet
  • Why a "Matrix"?

From Brazil with love →

@ Ground Zero

 

Have you, dear friend, ever noticed how different places scattered across the face of the globe seem almost to exist in different universes? As if they were permeated throughout with something akin to 19th century luminiferous aether, unique, determined by that place's history? It's like a trick of the mind's light (I suppose), but standing on beach or escarpment in Salvador and looking out across the Baía de Todos os Santos to the great Recôncavo, and mindful of what happened there, one must be led to the inevitable conclusion that one is in a place unique to history, and to the present*.

 

 

"Chegou a hora dessa gente bronzeada mostrar seu valor / The time has come for these bronzed people to show their value..."Música: Assis Valente of Santo Amaro, Bahia. Vídeo: Betão Aguiar.

 

*More enslaved human beings entered the Bay of All Saints and the Recôncavo than any other final port-of-call throughout all of mankind's history.

 

These people and their descendants created some of the most uplifting music ever made, the foundation of Brazil's national art. We wanted their music to be accessible to the world (it's not even accessible here in Brazil) so we created a platform by which everybody's creativity is mutually accessible, including theirs.

 

El Aleph

 

The network was built in an obscure record shop (Kareem Abdul-Jabbar found it) in a shimmering Brazilian port city...

 

...inspired in (the kabbalah-inspired fiction of) Borges' (short story) El Aleph, that in the pillar in Cairo's Mosque of Amr, where the universe in its entirety throughout all time is perceivable as an infinite hum from deep within the stone.

 

It "works" by virtue of the "small-world" phenomenon...the same responsible for the fact that most of us 7 billion or so beings are within 6 or fewer degrees of each other.

 

It was described (to some degree) and can be accessed via this article in British journal The Guardian (which named our radio of matrixed artists as one of ten best in the world):

 

www.theguardian.com/travel/2020/apr/17/10-best-music-radio-station-around-world

 

With David Dye for U.S. National Public Radio: www.npr.org/2013/07/16/202634814/roots-of-samba-exploring-historic-pelourinho-in-salvador-brazil

 

All is more connected than we know.

 

Per the "spirit" above, our logo is a cortador de cana, a cane-cutter. It was designed by Walter Mariano, professor of design at the Federal University of Bahia to reflect the origins of the music the shop specialized in. The Brazilian "aleph" doesn't hum... it dances and sings.

 

If You Can't Stand the Heat

 

Image above is from the base of the cross in front of the church of São Francisco do Paraguaçu in the Bahian Recôncavo

 

Sprawled across broad equatorial latitudes, stoked and steamed and sensual in the widest sense of the word, limned in cadenced song, Brazil is a conundrum wrapped in a smile inside an irony...

 

This is not a European nation. It is not a North American nation. It is not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn. Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin. It was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people). Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David. Three cultures — from three continents — running for their lives, their confluence forming an unprecedented fourth. Pandeirista on the roof. Nowhere else but here.

 

Oligarchy, plutocracy, dictatorships and massive corruption — elements of these are still strongly entrenched — have defined, delineated, and limited Brazil.

 

But strictured & bound as it has been and is, Brazil has buzz...not the shallow buzz of a fashionable moment...but the deep buzz of a population which in spite of — or perhaps because of — the tough slog through life they've been allotted by humanity's dregs-in-fine-linen, have chosen not to simply pull themselves along but to lift their voices in song and their bodies in dance...to eat well and converse well and much and to wring the joy out of the day-to-day happenings and small pleasures of life which are so often set aside or ignored in the European, North American, and East Asian nations.

 

For this Brazil has a genius perhaps unparalleled in all other countries and societies, a genius which thrives alongside peeling paint and holes in the streets and roads, under bad organization by the powers-that-be, both civil and governmental, under a constant rain of societal indignities...

 

Which is all to say that if you don't know Brazil and you're expecting any semblance of order, progress and light, you will certainly find the light! And the buzz of a people who for generations have responded to privation at many different levels by somehow rising above it all.

 

"Onde tem miséria, tem música!"* - Raymundo Sodré

 

And it's not just music. And it's not just Brazil.

 

Welcome to the kitchen!

 

* "Where there is misery, there is music!" Remarked during a conversation arcing from Bahia to Haiti and Cuba to New Orleans and the south side of Chicago and Harlem to the villages of Ireland and the gypsy camps and shtetls of Eastern Europe...

 

Harlem to Bahia to the Planet



Why a "Matrix"?

 

I was explaining the ideas behind this nascent network to (João) Teoria (trumpet player above) over cervejas at Xique Xique (a bar named for a town in Bahia) in the Salvador neighborhood of Barris...

 

Like this (but in Portuguese): "It's kind of like Facebook if it didn't spy on you, but reversed... more about who you don't know than who you do know. And who doesn't know you but would be glad if they did. It's kind of like old Myspace Music but instead of having "friends" it has a list on your page of people you recommend. Not just musicians but writers, painters, filmmakers, dancers, chefs... anybody in the creative economy. It has a list of people who recommend you, or through whom you are recommended. It deals with arts which aren't recommendable by algorithm but need human intelligence behind recommendations. And the people who are recommended can recommend, creating a network of recommendations wherein by the small world phenomenon most people in the creative economy are within several steps of everybody else in the creative economy, no matter where they are in the world. Like a chessboard which could have millions of squares, but you can get from any given square to any other in no more than six steps..."

 

And João said (in Portuguese): "A matrix where you can move from one artist to another..."

 

A matrix! That was it! The ORIGINAL meaning of matrix is "source", from "mater", Latin for "mother". So the term would help congeal the concept in the minds of people the network was being introduced to, while giving us a motto: "We're a real mother for ya!" (you know, Johnny "Guitar" Watson?)

 

The original idea was that musicians would recommend musicians, the network thus formed being "small world" (commonly called "six degrees of separation"). In the real world, the number of degrees of separation in such a network can vary, but while a given network might have billions of nodes (people, for example), the average number of steps between any two nodes will usually be minuscule.

 

Thus somebody unaware of the magnificent music of Bahia, Brazil will be able to conceivably move from almost any musician in this matrix to Bahia in just a few steps...

 

By the same logic that might move one from Bahia or anywhere else to any musician anywhere.

 

And there's no reason to limit this system to musicians. To the contrary, while there are algorithms written to recommend music (which, although they are limited, can be useful), there are no algorithms capable of recommending journalism, novels & short stories, painting, dance, film, chefery...

 

...a vast chasm that this network — or as Teoria put it, "matrix" — is capable of filling.

 

  • Justin Stanton
    I RECOMMEND

CURATION

  • from this node by: Criador acima/Creator above

This is the Universe of

  • Name: Justin Stanton
  • City/Place: Brooklyn, NY
  • Country: United States

Life & Work

  • Bio: As a trumpet player, keyboardist, and composer, Justin has developed a reputation as a multi-faceted musician who can serve an essential role to whichever artist he is contributing, both onstage and in the studio.

    Justin attended the prestigious University of North Texas, where he performed for two years in the One O'Clock Lab Band, recording three albums as well as performing at major festivals throughout Europe. While at North Texas, Justin joined the group Snarky Puppy that, since its humble beginnings, has gone on to earn four GRAMMY Awards. Justin has performed and recorded with the group since 2006, appearing on the majority of their numerous studio and live recordings.

    In addition to Snarky Puppy, Justin maintains an active schedule performing, recording, and writing with a variety of original artists and groups, including Banda Magda, whose debut album, “Amour T'es La,” was featured in NPR's top ten list of “World Music” albums of 2013. Justin appears on recordings with artists as diverse as David Crosby, Donald Fagen, Harry Shearer/Derek Smalls, Larry Carlton, Randy Brecker, Robert Glasper, Trombone Shorty, Musiq Soulchild, Kirk Franklin, Laura Mvula, Becca Stevens, and Salif Keita. He has also shared the stage with Joe Walsh, Michael McDonald, Toto, Derek Trucks, Terence Blanchard, Chris Potter, Eric Harland, and Fatoumata Diawara, to name a few.

    Justin resides in Brooklyn, New York, and is in constant demand for his ability as a multi-instrumentalist, knowledge of synthesis and sound design, familiarity with a broad spectrum of musical realms, and abundant creative energy.

    In May of 2019, Justin released Secret Place, his long-awaited debut solo record of all new original material, and in June of 2020, he released an adaptation of Flor Peeters's 35 Miniatures for Organ for synthesizers.

Contact Information

  • Email: [email protected]
  • Management/Booking: Booking - Eric Gerber, Royal Artist Group
    [email protected]
  • Record Company: Label - Jamie Margulies, GroundUP Music
    [email protected]

Media | Markets

  • ▶ Buy My Music: (downloads/CDs/DVDs) http://store.snarkypuppy.com/collections/justin-stanton
  • ▶ Buy My Vinyl: http://www.justinmstanton.com/shop
  • ▶ Charts/Scores: http://www.justinmstanton.com/shop
  • ▶ Twitter: _justinmstanton
  • ▶ Instagram: justinmstanton
  • ▶ Website: http://www.justinmstanton.com
  • ▶ YouTube Channel: http://www.youtube.com/c/JustinStanton
  • ▶ YouTube Music: http://music.youtube.com/channel/UChkLu6pYOViIXbutXGHnujg
  • ▶ Spotify: http://open.spotify.com/album/0Zy9754hkihmCstklG593j
  • ▶ Spotify 2: http://open.spotify.com/album/02dLvMkZV7UB7OL1YwsCMl
  • ▶ Spotify 3: http://open.spotify.com/album/1TdY3x9QjguYrzJ8QjA8hs
  • ▶ Spotify 4: http://open.spotify.com/album/3GqYwAwJhg6aKpRkD6Qi6u
  • ▶ Spotify 5: http://open.spotify.com/album/7Maxr67eS8mA5JVjZHBjfJ

Clips (more may be added)

  • 3:33
    Gisela João e Justin Stanton apresentam ‘Voltei’ | Tributo para quem vive com o cancro da mama
    By Justin Stanton
    50 views
  • 0:54:41
    Snarky Puppy - We Like it Here
    By Justin Stanton
    52 views
  • 2:38
    Snarky Puppy - “What about Me” - Justin Stanton solo
    By Justin Stanton
    54 views
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YOU RECOMMEND

Imagine the world's creative economy at your fingertips. Imagine 10 doors side-by-side. Beyond each, 10 more, each opening to a "creative" somewhere around the planet. After passing through 8 such doorways you will have followed 1 pathway out of 100 million possible (2 sets of doorways yield 10 x 10 = 100 pathways). This is a simplified version of the metamathematics that makes it possible to reach everybody in the global creative economy in just a few steps It doesn't mean that everybody will be reached by everybody. It does mean that everybody can  be reached by everybody.


Appear below by recommending Justin Stanton:

  • 2 Brooklyn, NY
  • 2 Composer
  • 2 Keyboards
  • 2 Multi-Cultural
  • 2 Sound Design
  • 2 Trumpet
  • Nicolas Krassik Jazz
  • Reuben Rogers Jazz
  • Zeca Pagodinho Singer-Songwriter
  • Raynald Colom Barcelona
  • Inaicyra Falcão Cantora, Singer
  • Will Vinson Saxophone
  • Margareth Menezes Singer-Songwriter
  • Jon Batiste Multi-Instrumentalist
  • Eric Galm Percussion
  • Johnny Vidacovich New Orleans
  • Michael Peha Guitar
  • Katuka Africanidades Loja de Roupa, Clothing Store
  • Brigit Katz Journalist
  • Asanda Mqiki Singer-Songwriter
  • Bob Reynolds Composer
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  • Moses Sumney Singer-Songwriter
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  • Ariane Astrid Atodji Yaoundé
  • Mestrinho Singer-Songwriter
  • Clarice Assad Brazil
  • Hercules Gomes Choro
  • Kim Hill Songwriter
  • Kendrick Scott Drums
  • Ronaldo Bastos Rio de Janeiro
  • Giovanni Russonello New York City
  • Cleber Augusto Guitar
  • Rick Beato Author
  • Philip Ó Ceallaigh Writer
  • Jon Batiste Classical Music
  • Ken Coleman Black American Culture & History
  • Reggie Ugwu Journalist
  • Reena Esmail Hindustani Classical Music
  • Ênio Bernardes Bahia
  • Marcus J. Moore DJ
  • Ana Moura Fado
  • Teddy Swims R&B
  • Hercules Gomes MPB
  • Emmet Cohen Piano
  • Gel Barbosa Produtor Musical, Music Producer
  • Capinam Diretor de Museu, Museum Director
  • Intisar Abioto Portland, Oregon
  • Chris McQueen Video Producer
  • Nduduzo Makhathini Jazz
  • Giorgi Mikadze გიორგი მიქაძე Classical Music
  • Galactic Funk
  • THE ROOM Shibuya Cocktail Bar
  • Derrick Adams Brooklyn, NY
  • Alicia Keys Actor
  • Alicia Keys Author
  • Perumal Murugan Tamil Literature
  • Woz Kaly African Music
  • Harvey G. Cohen Songwriter
  • Casa Preta Brasil, Brazil
  • Cedric Watson Zydeco
  • Herbie Hancock Jazz
  • Jussara Silveira Bahia
  • Ari Hoenig Drum Instruction
  • Jonathan Griffin Reporter
  • Wilson Simoninha Samba
  • Kiko Horta Accordion
  • Fábio Luna Forró
  • Terence Blanchard New Orleans
  • Melanie Charles Singer-Songwriter
  • Marc Cary Jazz
  • Chris Thile Jazz
  • Luciano Calazans Bahia
  • Diosmar Filho Rio de Janeiro
  • Tommy Peoples Donegal Fiddle
  • Rachael Price Americana
  • Nêgah Santos Percussion
  • Henrique Araújo Choro
  • Mário Pam Brazil
  • Amilton Godoy Classical Music
  • Mandla Buthelezi Johannesburg
  • Matt Ulery Chicago
  • Adriano Giffoni Bass
  • Ari Rosenschein Journalist
  • David Chesky Composer
  • Alicia Hall Moran Theater
  • Nublu Turkish Music
  • Wouter Kellerman Johannesburg
  • Monty's Good Burger Southern California
  • Renata Flores Rapper
  • Welson Tremura Guitar
  • Vijay Gupta Los Angeles Philharmonic
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  • Carlos Malta Brazil
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  • Colm Tóibín Literary Critic
  • Rayendra Sunito Songwriter
  • MonoNeon Bass
  • Edward P. Jones Short Stories
  • Edsel Gomez Multi-Cultural
  • Julie Fowlis Scotland
  • John Luther Adams Writer
  • Nate Chinen Radio Director
  • Mokhtar Samba Author
  • Gilmar Gomes Salvador
  • LaTasha Lee Texas
  • Andra Day Los Angeles
  • Karla Vasquez Los Angeles
  • Scott Yanow Music Critic
  • Mark Turner Jazz
  • Lenna Bahule Mozambique
  • Pretinho da Serrinha Percussion
  • Marcelo Caldi Rio de Janeiro
  • Ricky (Dirty Red) Gordon Second Line
  • Ajeum da Diáspora AFROBIZ Salvador
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  • João Teoria Ska
  • Doug Wamble Jazz
  • Allen Morrison Jazz
  • Scott Devine Bass
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  • Rick Beato Record Producer
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  • David Simon Writer
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  • Art Rosenbaum Folk & Traditional
  • Seth Rogovoy Journalist
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  • Janine Jansen Classical Music
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  • Andy Kershaw Journalist
  • Joanna Majoko Jazz
  • Clint Mansell Multi-Instrumentalist
  • Curtis Hasselbring Brooklyn, NY
  • Alain Mabanckou Writer
  • James Martin Saxophone
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  • Carla Visi Singer
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  • David Bragger Mandolin Instruction
  • Eric R. Danton Writer
  • Mauro Refosco Forró
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  • Shez Raja London
  • Avishai Cohen אבישי כה Singer
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  • Anouar Brahem Tunisia
  • Roberta Sá MPB
  • Domingos Preto Brazil
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  • Tom Moon Saxophone
  • Eric Harland Composer
  • Ofer Mizrahi Jazz, Folk, Eastern Music
  • Nelson Sargento Brazil
  • Renato Braz MPB
  • Otto Recife
  • Craig Ross Guitar
  • Victoria Sur Colombia
  • Chris Dingman Vibraphone Instruction
  • MARO Portugal
  • Mauro Diniz Singer-Songwriter
  • Peter Slevin Writer
  • Jonga Cunha Percussion
  • Jas Kayser Panama
  • Barbara Paris Austin, Texas
  • Bobby Vega Rock 'n' Roll
  • Jon Otis Singer-Songwriter
  • Diosmar Filho Bahia
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  • Bebel Gilberto Samba
  • Cainã Cavalcante Choro
  • McIntosh County Shouters Spirituals
  • James Poyser Songwriter
  • Stephen Guerra Brazilian Classical Guitar
  • Léo Rodrigues Brazil
  • Perumal Murugan India
  • The Bayou Mosquitos Tex-Mex
  • Giveton Gelin Bahamas
  • Hermeto Pascoal Alagoas
  • Fred P Composer
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  • Plínio Fernandes Classical Guitar
  • Ajurinã Zwarg Samba
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  • Justin Brown Composer
  • Tyler Gordon Writer

 'mātriks / "source" / from "mater", Latin for "mother"
We're a real mother for ya!

 

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