CURATION
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from this page:
by Matrix
Network Node
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Name:
Jim Beard
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City/Place:
New York City
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Country:
United States
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Hometown:
Philadelphia, Pennsylvania
Life
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Bio:
Since moving to New York in 1985, Jim Beard has toured the world extensively with some of the greatest names in music including Steely Dan, Pat Metheny, John McLaughlin and Wayne Shorter. He has recorded with artists from an extremely wide range of musical styles. From Dizzy Gillespie to the Brecker Brothers. Dianne Reeves to Meshell Ndegeocello. Toninho Horta to Steve Vai.
Jim has over 100 published compositions featured on recordings by John McLaughlin, Michael Brecker and many others and in books such as The New Real Book. He has appeared with the Metropole Orchestra, Detroit Symphony Orchestra, and the Jazz at Lincoln Center Orchestra and performed in major festivals such as JVC, Montreux, Live Under the Sky, North Sea, Montreal, and stages in venues such as Carnegie Hall, Avery Fisher Hall, Royal Festival Hall, Blue Note (New York and Japan), CBGBs, Montmartre and many more. His writing has been used in television, movies and radio call signals and his piano playing can be heard in major Hollywood film scores.
He has produced dozens of recordings for artists such as Mike Stern, Bob Berg, Bill Evans, Eliane Elias and others. Jim has sat in the producer's chair for projects that have included Chick Corea, Al Jarreau, Medeski Martin and Wood, Bill Frisell, Marcus Miller, Richard Bona and Esperanza Spalding. His work can be heard on Sony Pictures, Paramount Pictures, Blue Note, Verve, Columbia, NBC, ABC, and CBS/Sony. Jim has taught and continues to teach at renowned music institutions around the world such as the Mason Gross School of Arts, Berklee College of Music, Aaron Copland School of Music and the Sibelius Academy in Finland.
Jim has recorded six solo CDs; “Song of the Sun” in 1990 that featured Wayne Shorter and Michael Brecker, “Lost at the Carnival” (voted in top 10 new CDs by Jazziz Magazine critics) in 1995, “Truly” (voted in top 10 new CDs by Jazziz Magazine critics) in 1997, “Advocate” in 2000, "Revolutions" in 2008 (song Grammy nomination 2009) and "Show of Hands" in 2013.
Jim's music productions and compositions have been nominated for seven Grammy awards and Jim won a Grammy in 2007 as a featured performer on 'Some Skunk Funk' (Randy and Michael Brecker).
Contact Information
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Management/Booking:
Please note that it may take a while for me to get back to you, but I will get back to you.
If you want to ask me a question about gear, recordings or my favorite brand of bourbon, please use this email address:
[email protected]
If you are trying to contact me about work, as in hiring me to do some, please use this email address:
[email protected]
Clips (more may be added)
The Integrated Global Creative Economy
Wolfram Mathematics
From Salvador, Bahia, Brazil, the unprecedented integration of the creative economy. Creators planet-wide positioned within reach of each other and the entire world by means of technology + small-world theory (see Wolfram above). Bahia was final port-of-call for more enslaved human beings than any other place on earth throughout all of human history. It was refuge for Sephardim fleeing the Inquisition. It is Indigenous both apart and subsumed into a sociocultural matrix which is all of these: a small-world matrix. Neural structures for human memory are small-world. This technological matrix is small-world...
In small worlds great things are possible.
Alicia Svigals
"Thanks, this is a brilliant idea!!"
—Alicia Svigals (NEW YORK CITY): Apotheosis of klezmer violinists
"I'm truly thankful ... Sohlangana ngokuzayo :)"
—Nduduzo Makhathini (JOHANNESBURG): piano, Blue Note recording artist
"Dear Sparrow: I am thrilled to receive your email! Thank you for including me in this wonderful matrix."
—Susan Rogers (BOSTON): Director of the Berklee Music Perception and Cognition Laboratory ... Former personal recording engineer for Prince; "Purple Rain", "Sign o' the Times", "Around the World in a Day"
"Dear Sparrow, Many thanks for this – I am touched!"
—Julian Lloyd Webber (LONDON): Premier cellist in UK; brother of Andrew (Evita, Jesus Christ Superstar, Cats, Phantom of the Opera...)
"This is super impressive work ! Congratulations ! Thanks for including me :)))"
—Clarice Assad (RIO DE JANEIRO/CHICAGO): Pianist and composer with works performed by Yo Yo Ma and orchestras around the world
"We appreciate you including Kamasi in the matrix, Sparrow."
—Banch Abegaze (LOS ANGELES): manager, Kamasi Washington
"Thanks! It looks great!....I didn't write 'Cantaloupe Island' though...Herbie Hancock did! Great Page though, well done! best, Randy"
"Very nice! Thank you for this. Warmest regards and wishing much success for the project! Matt"
—Son of Jimmy Garrison (bass for John Coltrane, Bill Evans...); plays with Herbie Hancock and other greats...
Dear friends & colleagues,
Having arrived in Salvador 13 years earlier, I opened a record shop in 2005 in order to create an outlet to the wider world for Bahian musicians, many of them magisterial but unknown.
David Dye & Kim Junod for NPR found us (above), and Kareem Abdul-Jabbar (he's a huge jazz fan), David Byrne, Oscar Castro-Neves... Spike Lee walked past the place while I was sitting on the stoop across the street drinking beer and listening to samba from the speaker in the window...
But we weren't exactly easy for the world-at-large to get to. So in order to extend the place's ethos I transformed the site associated with it into a network wherein Brazilian musicians I knew would recommend other Brazilian musicians, who would recommend others...
And as I anticipated, the chalky hand of God-as-mathematician intervened: In human society — per the small-world phenomenon — most of the billions of us on earth are within some 6 or fewer degrees of each other. Likewise, within a network of interlinked artists as I've described above, most of these artists will in the same manner be at most a handful of steps away from each other.
So then, all that's necessary to put the Bahians and other Brazilians within possible purview of the wide wide world is to include them among a wide wide range of artists around that world.
If, for example, Quincy Jones is inside the matrix (people who have passed are not removed), then anybody on his page — whether they be accessing from a campus in L.A., a pub in Dublin, a shebeen in Cape Town, a tent in Mongolia — will be close, transitable steps away from Raymundo Sodré, even if they know nothing of Brazil and are unaware that Sodré sings/dances upon this planet. Sodré, having been knocked from the perch of fame and ground into anonymity by Brazil's dictatorship, has now the alternative of access to the world-at-large via recourse to the vast potential of network theory.
...to the degree that other artists et al — writers, researchers, filmmakers, painters, choreographers...everywhere — do also. Artificial intelligence not required. Real intelligence, yes.
Years ago in NYC I "rescued" unpaid royalties (performance & mechanical) for artists/composers including Barbra Streisand, Aretha Franklin, Mongo Santamaria, Jim Hall, Clement "Coxsone" Dodd (for his rights in Bob Marley compositions; Clement was Bob's first producer), Led Zeppelin, Ray Barretto, Philip Glass and many others. Aretha called me out of the blue vis-à-vis money owed by Atlantic Records. Allen Klein (managed The Beatles, The Rolling Stones, Ray Charles) called about money due the estate of Sam Cooke. Jerry Ragovoy (Time Is On My Side, Piece of My Heart) called just to see if he had any unpaid money floating around out there (the royalty world was a shark-filled jungle, to mangle metaphors, and I doubt it's changed).
But the pertinent client (and friend) in the present context is Earl "Speedo" Carroll, of The Cadillacs. Earl went from doo-wopping on Harlem streetcorners to chart-topping success to working as a custodian at PS 87 elementary school on the west side of Manhattan. Through all of this he never lost what made him great.
Greatness and fame are too often conflated. The former should be accessible independently of the latter.
Matrix founding creators are behind "one of 10 of the best (radios) around the world", per The Guardian.
Recent access to this matrix and Bahia are from these places (a single marker can denote multiple accesses).
Across the creative universe... For another list, reload page.
This list is random, and incomplete. Reload the page for another list.
For a complete list of everybody inside, tap TOTAL below:
TOTAL
Nduduzo Makhathini
Susan Rogers
Julian Lloyd Webber
Clarice Assad
Kamasi Washington
Randy Brecker
Matt Garrison
RÁDIO MATRIX