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  • From Brazil with love →
  • @ Ground Zero
  • El Aleph
  • If You Can't Stand the Heat
  • Harlem to Bahia to the Planet
  • Why a "Matrix"?

From Brazil with love →

@ Ground Zero

 

Have you, dear friend, ever noticed how different places scattered across the face of the globe seem almost to exist in different universes? As if they were permeated throughout with something akin to 19th century luminiferous aether, unique, determined by that place's history? It's like a trick of the mind's light (I suppose), but standing on beach or escarpment in Salvador and looking out across the Baía de Todos os Santos to the great Recôncavo, and mindful of what happened there, one must be led to the inevitable conclusion that one is in a place unique to history, and to the present*.

 

 

"Chegou a hora dessa gente bronzeada mostrar seu valor / The time has come for these bronzed people to show their value..."Música: Assis Valente of Santo Amaro, Bahia. Vídeo: Betão Aguiar.

 

*More enslaved human beings entered the Bay of All Saints and the Recôncavo than any other final port-of-call throughout all of mankind's history.

 

These people and their descendants created some of the most uplifting music ever made, the foundation of Brazil's national art. We wanted their music to be accessible to the world (it's not even accessible here in Brazil) so we created a platform by which everybody's creativity is mutually accessible, including theirs.

 

El Aleph

 

The network was built in an obscure record shop (Kareem Abdul-Jabbar found it) in a shimmering Brazilian port city...

 

...inspired in (the kabbalah-inspired fiction of) Borges' (short story) El Aleph, that in the pillar in Cairo's Mosque of Amr, where the universe in its entirety throughout all time is perceivable as an infinite hum from deep within the stone.

 

It "works" by virtue of the "small-world" phenomenon...the same responsible for the fact that most of us 7 billion or so beings are within 6 or fewer degrees of each other.

 

It was described (to some degree) and can be accessed via this article in British journal The Guardian (which named our radio of matrixed artists as one of ten best in the world):

 

www.theguardian.com/travel/2020/apr/17/10-best-music-radio-station-around-world

 

With David Dye for U.S. National Public Radio: www.npr.org/2013/07/16/202634814/roots-of-samba-exploring-historic-pelourinho-in-salvador-brazil

 

All is more connected than we know.

 

Per the "spirit" above, our logo is a cortador de cana, a cane-cutter. It was designed by Walter Mariano, professor of design at the Federal University of Bahia to reflect the origins of the music the shop specialized in. The Brazilian "aleph" doesn't hum... it dances and sings.

 

If You Can't Stand the Heat

 

Image above is from the base of the cross in front of the church of São Francisco do Paraguaçu in the Bahian Recôncavo

 

Sprawled across broad equatorial latitudes, stoked and steamed and sensual in the widest sense of the word, limned in cadenced song, Brazil is a conundrum wrapped in a smile inside an irony...

 

It is not a European nation. It is not a North American nation. It is not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn. Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin. It was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people). Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David. Three cultures — from three continents — running for their lives, their confluence forming an unprecedented fourth. Pandeirista on the roof. Nowhere else but here.

 

Oligarchy, plutocracy, dictatorships and massive corruption — elements of these are still strongly entrenched — have defined, delineated, and limited Brazil.

 

But strictured & bound as it has been and is, Brazil has buzz...not the shallow buzz of a fashionable moment...but the deep buzz of a population which in spite of — or perhaps because of — the tough slog through life they've been allotted by humanity's dregs-in-fine-linen, have chosen not to simply pull themselves along but to lift their voices in song and their bodies in dance...to eat well and converse well and much and to wring the joy out of the day-to-day happenings and small pleasures of life which are so often set aside or ignored in the European, North American, and East Asian nations.

 

For this Brazil has a genius perhaps unparalleled in all other countries and societies, a genius which thrives alongside peeling paint and holes in the streets and roads, under bad organization by the powers-that-be, both civil and governmental, under a constant rain of societal indignities...

 

Which is all to say that if you don't know Brazil and you're expecting any semblance of order, progress and light, you will certainly find the light! And the buzz of a people who for generations have responded to privation at many different levels by somehow rising above it all.

 

"Onde tem miséria, tem música!"* - Raymundo Sodré

 

And it's not just music. And it's not just Brazil.

 

Welcome to the kitchen!

 

* "Where there is misery, there is music!" Remarked during a conversation arcing from Bahia to Haiti and Cuba to New Orleans and the south side of Chicago and Harlem to the villages of Ireland and the gypsy camps and shtetls of Eastern Europe...

 

Harlem to Bahia to the Planet



Why a "Matrix"?

 

I was explaining the ideas behind this nascent network to (João) Teoria (trumpet player above) over cervejas at Xique Xique (a bar named for a town in Bahia) in the Salvador neighborhood of Barris...

 

Like this (but in Portuguese): "It's kind of like Facebook if it didn't spy on you, but reversed... more about who you don't know than who you do know. And who doesn't know you but would be glad if they did. It's kind of like old Myspace Music but instead of having "friends" it has a list on your page of people you recommend. Not just musicians but writers, painters, filmmakers, dancers, chefs... anybody in the creative economy. It has a list of people who recommend you, or through whom you are recommended. It deals with arts which aren't recommendable by algorithm but need human intelligence behind recommendations. And the people who are recommended can recommend, creating a network of recommendations wherein by the small world phenomenon most people in the creative economy are within several steps of everybody else in the creative economy, no matter where they are in the world..."

 

And João said (in Portuguese): "A matrix where you can move from one artist to another..."

 

A matrix! That was it! The ORIGINAL meaning of matrix is "source", from "mater", Latin for "mother". So the term would help congeal the concept in the minds of people the network was being introduced to, while giving us a motto: "We're a real mother for ya!" (you know, Johnny "Guitar" Watson?)

 

The original idea was that musicians would recommend musicians, the network thus formed being "small world" (commonly called "six degrees of separation"). In the real world, the number of degrees of separation in such a network can vary, but while a given network might have billions of nodes (people, for example), the average number of steps between any two nodes will usually be minuscule.

 

Thus somebody unaware of the magnificent music of Bahia, Brazil will be able to conceivably move from almost any musician in this matrix to Bahia in just a few steps...

 

By the same logic that might move one from Bahia or anywhere else to any musician anywhere.

 

And there's no reason to limit this system to musicians. To the contrary, while there are algorithms written to recommend music (which, although they are limited, can be useful), there are no algorithms capable of recommending journalism, novels & short stories, painting, dance, film, chefery...

 

...a vast chasm that this network — or as Teoria put it, "matrix" — is capable of filling.

 

  • Tommaso Zillio
    I RECOMMEND

CURATION

  • from this node by: Matrix

This is the Universe of

  • Name: Tommaso Zillio
  • City/Place: Edmonton, Alberta
  • Country: Canada

Life & Work

  • Bio: I am a professional prog rock/metal guitarist and composer based in Edmonton, AB, Canada. I have 19 years of playing experience, on and off stage, both solo and with a variety of bands.

    In 2009 I released, together with other 13 artists, the compilation CD "Under the Same Sky", distributed worldwide in 10.000 copies. I am regularly collaborating with local acting companies for musical theater productions, the most recent being "The Rocky Horror Show'' in 2009 (with "Vi Va Voom!'') and "Hair'' in 2010 (with "Patient Mango Theatre'').

    I am the author of "Sweeping Blues: 101 sweep picking licks for Blues Guitar'', an innovative course that applies the cutting-edge technique of sweep-picking to the grittiness and sincerity of the blues.

    I am also collaborating regularly as article writer with websites such as ultimate-guitar.com, cyberfret.com, metalguitarlessons.net, insaneguitar.com, guitar9.com, and MyGuitarWorkshop.com

    I am a proud endorser of AMT Electronics, the best distortion pedals on the planet. My pedals of choice are the SS-20, the F1, and the DT-2.

    Composing music is one of my loves, and right now I'm writing and recording material for my first full-length album (listen to some original songs here).

    As a teacher I am holding the Guitar Results Intensive Program (GRIP) in Edmonton, AB as the main teacher and I am available for private and group lessons. I am graduate of the Tom Hess' Music Career Mentoring Program and is currently involved in the Tom Hess' Elite Guitar Teacher Inner Circle.

    Among my favorite musician and influences are: Dream Theater, Pink Floyd, Joe Satriani, Andy Timmons, Mike Oldfield, Jean-Michel Jarre, Deine Lakaien, Litfiba, Nightwish, Astor Piazzolla, Hans Zimmer.

    I also have a PhD in Theoretical Physics and teach at university in Edmonton.

Media | Markets

  • ▶ Book Purchases: http://www.tommasozillio.com/sweeping-blues-101-sweep-picking-licks-blues-guitar
  • ▶ Twitter: MusicTheoryForGuitar
  • ▶ Website: http://www.tommasozillio.com
  • ▶ YouTube Channel: http://www.youtube.com/user/MusicTheoryForGuitar
  • ▶ Spotify: http://open.spotify.com/album/5E47NSyQzaUFfqiQr94Mqw

More

  • Quotes, Notes & Etc. "For those who want to build an explosive vocabulary of killer blues phrases and simultaneously achieve ridiculous sweep picking chops I highly recommend Tommaso's book 101 Sweep Picking Licks for Blues Guitar. This book will keep you inspired and motivated for years to come!"
    - Nick Layton, Professional Guitarist and Author.

    "101 Sweep Picking Licks for Blues Guitar is a no-nonsense book packed full of useful information. Most instructional products today seem to be filled with material to reach a particular page number and sacrifice quality while doing this. Not this product! It gets right to the point and delivers comprehensive information that is valuable for any guitarist whether they play blues or not. Excellent work Tommaso!!"
    - Zack Uidl, Professional Guitarist and Composer

    "The first book of its kind to cover an innovative approach to blues playing is here. Tommaso does a great job of breaking down and integrating a common metal guitar technique into the structure of the blues style, enabling guitarists to play blues with the highest levels of creativity and expression . Fans of Eric Johnson, Guthrie Govan, Scott Henderson and Frank Gambale will find a lot of awesome ideas from this book to expand upon their stock blues licks and phrasing ideas and take their blues soloing to a much higher level."
    - Mike Philippov, Guitarist and Instructor

My Instruction

  • Instruction: http://www.musictheoryforguitar.com

Clips (more may be added)

  • How To Play Atonal Metal Licks
    By Tommaso Zillio
    506 views
  • How To Play The SANTANA Note: Make Your Guitar Pentatonic Solo Better
    By Tommaso Zillio
    510 views
  • How To Change Key Smoothly In A Chord Progression
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  • Secrets Of Film Music Composers: Chromatic Mediants Made Easy
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YOU RECOMMEND

Imagine the world's creative economy at your fingertips. Imagine 10 doors side-by-side. Beyond each, 10 more, each opening to a "creative" somewhere around the planet. After passing through 8 such doorways you will have followed 1 pathway out of 100 million possible (2 sets of doorways yield 10 x 10 = 100 pathways). This is a simplified version of the metamathematics that makes it possible to reach everybody in the global creative economy in just a few steps It doesn't mean that everybody will be reached by everybody. It does mean that everybody can  be reached by everybody.


Appear below by recommending Tommaso Zillio:

  • 1 Author
  • 1 Canada
  • 1 Edmonton
  • 1 Guitar
  • 1 Guitar Instruction
  • 1 Metal
  • 1 Prog Rock
  • 1 YouTuber
  • Regina Carter Classical Music
  • Miles Mosley Double Bass
  • Joe Lovano Flute
  • Simone Sou Record Producer
  • Shabaka Hutchings Composer
  • Leon Bridges Record Producer
  • Igor Osypov Ukraine
  • Monk Boudreaux Funk
  • Mikki Kunttu Set Designer
  • Joana Choumali Visual Artist
  • Jocelyn Ramirez Chef
  • Calypso Rose Calypso
  • Rosa Passos Guitar
  • Paulo César Pinheiro Brazil
  • Angel Bat Dawid Chicago
  • Lula Moreira Sculptor
  • Ron Carter Educator
  • Horácio Reis Salvador
  • Alana Gabriela Brasil, Brazil
  • James Sullivan Journalist
  • Lívia Mattos Bahia
  • Lina Lapelytė Lithuania
  • Lilli Lewis Singer-Songwriter
  • Jane Ira Bloom Composer
  • Teodor Currentzis Conducter
  • Ron McCurdy Writer
  • Will Vinson Jazz
  • Loli Molina Buenos Aires
  • Gustavo Caribé Chula
  • Filhos de Nagô Brazil
  • Tom Schnabel World Music
  • Ilê Aiyê Bahia
  • Alan Brain Screenwriter
  • Urânia Munzanzu Escritora, Writer
  • Kris Davis Composer
  • Pat Metheny Guitar
  • Elio Villafranca Juilliard Faculty
  • Kiko Souza Bahia
  • Stephen Guerra Composer
  • Otto Singer-Songwriter
  • Fabiana Cozza Phonoaudiologist
  • Mary Halvorson Brooklyn, NY
  • Kiko Loureiro Author
  • Eric R. Danton Writer
  • Seth Rogovoy Journalist
  • Brigit Katz Writer
  • Nguyên Lê Vietnam
  • Manuel Alejandro Rangel Venezuela
  • Nels Cline Jazz, Rock, Country, Experimental
  • Hercules Gomes Composer
  • Gilmar Gomes Singer-Songwriter
  • Brad Ogbonna Brooklyn, NY
  • Nelson Ayres São Paulo
  • Fabiana Cozza Singer
  • Dave Douglas Multi-Cultural
  • Magda Giannikou Film Scores
  • Andra Day Singer-Songwriter
  • Bobby Sanabria Afro-Cuban Jazz
  • James Poyser Multi-Instrumentalist
  • João Luiz Jazz
  • Lenna Bahule Brazil
  • Seu Jorge Brazil
  • Tatiana Eva-Marie Swing
  • Dale Barlow Saxophone
  • Yuja Wang Classical Music
  • Rachael Price Tin Pan Alley
  • Hua Hsu Vassar College Faculty
  • Carlos Blanco Violão Clássico, Classical Guitar
  • João Rabello Brazil
  • Bodek Janke Tabla
  • Asali Solomon Writer
  • Léo Rodrigues Percussion
  • Larissa Fulana de Tal Salvador
  • Larisa Wiegant Illustrator
  • Custódio Castelo Fado
  • Chris Dingman Multi-Cultural
  • Chick Corea Piano
  • Alicia Keys Piano
  • Daniel Jobim Brazilian Jazz
  • Ryuichi Sakamoto Japan
  • Jack Talty Musicologist
  • Gord Sheard Multi-Cultural
  • Dwayne Dopsie New Orleans
  • Seth Swingle Banjo
  • Luíz Paixão Cavalo Marinho
  • Malin Fezehai Brooklyn, NY
  • China Moses Singer
  • Raelis Vasquez Drawings
  • Walter Ribeiro, Jr. Forró
  • James Strauss Classical Music
  • Romero Lubambo MPB
  • Natan Drubi Bahia
  • Wayne Krantz Composer
  • Karim Ziad Algeria
  • Kiko Loureiro Brazil
  • Andrew Dickson Essayist
  • Sara Gazarek USC Thornton School of Music Faculty
  • Ry Cooder Record Producer
  • Trombone Shorty New Orleans
  • Demond Melancon Big Chief
  • Plamen Karadonev Piano
  • Louis Marks Writer
  • Giovanni Russonello New York City
  • Tambay Obenson Cultural Critic
  • Adriano Giffoni Author
  • Ricardo Bacelar Piano
  • Kim André Arnesen Norway
  • Bruce Molsky Banjo Instruction
  • Yoron Israel Multi-Cultural
  • Richie Stearns Old-Time Music
  • Bill Frisell Guitar
  • Cedric Watson Zydeco
  • Robi Botos Ropeadope
  • Carwyn Ellis Rio de Janeiro
  • Nicholas Daniel Trossingen Musikhochschule Staff
  • Reggie Ugwu Journalist
  • Linda Sikhakhane Johannesburg
  • Rick Beato Atlanta, Georgia
  • Kurt Andersen Playwright
  • Béla Fleck Bluegrass
  • Carlinhos 7 Cordas Samba
  • Brett Orrison Austin, Texas
  • Custódio Castelo Produtor de Discos, Record Producer
  • Caterina Lichtenberg Author
  • Larry Grenadier Composer
  • Chris Boardman University of Miami Frost School of Music Faculty
  • Xenia França Brazil
  • Ta-Nehisi Coates Journalist
  • Rogério Caetano Violão de Sete
  • Siobhán Peoples Fiddle
  • PATRICKTOR4 Global Bass
  • Hank Roberts Ithaca, New York
  • Gian Correa Violão de Sete
  • André Becker Orquestra Sinfônica da Bahia
  • Terell Stafford Trumpet
  • Courtney Pine Jazz
  • Robi Botos Piano
  • Miles Mosley Multi-Instrumentalist
  • Patrice Quinn Jazz
  • Madhuri Vijay India
  • Kevin Burke Fiddle
  • Robi Botos Jazz
  • Gretchen Parlato Singer
  • Shamarr Allen Funk
  • Ricky (Dirty Red) Gordon Percussion
  • Andy Romanoff Storyteller
  • Richard Bona Bass
  • Michael Janisch Double Bass
  • Larissa Luz Music Producer
  • Sunna Gunnlaugs Iceland
  • Tarus Mateen Jazz
  • Ferenc Nemeth Hungary
  • Jussara Silveira Bahia
  • Bill T. Jones Theater Director
  • Chris Thile Classical Music
  • David Braid London
  • Laura Cole Singer-Songwriter
  • Albin Zak Record Producer
  • Betsayda Machado Venezuela
  • John Zorn Record Label Owner
  • Tom Bergeron Composer
  • Olivia Trummer Germany
  • Luiz Brasil Brazil
  • Brandee Younger Harp
  • Sam Harris Piano
  • David Wax Museum Folk Roots Rock
  • Nelson Latif Brazil
  • Maria Drell Produção Cultural, Cultural Production
  • Welson Tremura Choro
  • Bukassa Kabengele Cultural Producer
  • Frank Olinsky Parson's School of Design Faculty
  • Flying Lotus Record Label Owner
  • Silas Farley Ballet
  • Patty Kiss Bahia
  • Brandon Coleman Los Angeles
  • Gringo Cardia Graphic Design
  • Nomcebo Zikode Singer-Songwriter
  • Ari Hoenig Jazz
  • Andrew Finn Magill Fiddle
  • Duane Benjamin Bass
  • Germán Garmendia Los Angeles
  • Jaques Morelenbaum Rio de Janeiro
  • Oswaldinho do Acordeon Accordion
  • Karla Vasquez Recipe Developer
  • Kris Davis Piano
  • Edmar Colón Puerto Rico
  • Jeff Tweedy Record Producer
  • Benoit Fader Keita Electro Music
  • Adam O'Farrill Composer
  • Marcos Sacramento Brazil
  • Shuya Okino Composer
  • Miguel Atwood-Ferguson Violin
  • Leci Brandão Singer-Songwriter
  • Tigran Hamasyan Singer
  • Jason Treuting Percussion
  • Hilton Schilder Piano
  • Avishai Cohen New York City
  • Joanna Majoko Singer-Songwriter
  • Sam Yahel New York City
  • Dan Weiss Drumming Instruction
  • Alan Brain Screenwriter
  • Zeca Pagodinho Samba
  • Bob Mintzer USC Thornton School of Music Faculty
  • Sam Yahel Organ
  • James Gadson R&B
  • Cleber Augusto Guitar
  • Alex Hargreaves Brooklyn, NY
  • Towa Tei テイ・トウワ Record Producer
  • Echezonachukwu Nduka Classical Music
  • Sebastian Notini Produtor Musical, Music Producer
  • Walter Ribeiro, Jr. Samba
  • Vânia Oliveira Educadora, Educator
  • Bukassa Kabengele Guitar
  • Manu Chao Multi-Cultural
  • Ethan Iverson Composer
  • Flor Jorge MPB
  • Mona Lisa Saloy Louisiana
  • Rosa Cedrón Singer
  • Geraldine Inoa Television Writer
  • Sean Jones Trumpet
  • Meshell Ndegeocello Bass
  • Chico César São Paulo
  • Stephen Guerra Brazilian Classical Guitar
  • Gabriel Geszti Piano
  • Hendrik Meurkens Jazz
  • Khruangbin Houston, Texas
  • Kiko Souza Jazz Brasileiro, Brazilian Jazz
  • Shirazee Africa
  • Tomo Fujita Berklee College of Music Faculty
  • Rudy Royston Classical Music
  • Anat Cohen Clarinet
  • John Patrick Murphy Pernambuco
  • Vânia Oliveira Bahia
  • Gonzalo Rubalcaba Cuba
  • Andrew Finn Magill Composer
  • Jeff Tweedy Singer-Songwriter
  • Lakecia Benjamin Saxophone
  • Johnny Vidacovich Drums
  • Jeff Ballard Jazz
  • Camille Thurman Bass Clarinet
  • Alicia Hall Moran Opera
  • Benny Benack III Jazz
  • Bule Bule Samba
  • Airto Moreira Jazz
  • Luizinho do Jêje Salvador
  • JD Allen Composer
  • Chris McQueen Guitar
  • Huey Morgan DJ
  • Caridad De La Luz New York City
  • Musa Okwonga Podcaster
  • Keshav Batish Composer
  • Nguyên Lê Vietnam
  • Manassés de Souza Brazil
  • Tom Moon Writer
  • Paulinho da Viola Singer-Songwriter
  • Lenna Bahule Mozambique
  • Robi Botos Composer
  • Hermeto Pascoal Brazil
  • Yosvany Terry New York City
  • Martin Fondse Vibrandeon
  • Danilo Caymmi Record Producer
  • Derron Ellies Trinidad & Tobago
  • Gord Sheard Humber College Music Faculty
  • Ana Luisa Barral Bandolim
  • Billy Strings Mandolin
  • Alexandre Vieira Compositor, Composer
  • Maria Drell Bahia
  • Juliana Ribeiro Brazil
  • Mike Moreno Jazz
  • Lula Galvão MPB
  • Seu Jorge Rio de Janeiro
  • Darryl Hall Composer
  • Donald Harrison Mardi Gras Indian
  • Margareth Menezes Samba-Reggae
  • Munyungo Jackson Los Angeles
  • James Elkington Folk Rock
  • Marcus Teixeira MPB
  • Rita Batista Apresentadora de Televisão, Television Presenter
  • Leandro Afonso Brazil
  • Eliane Elias Bossa Nova
  • Shaun Martin Keyboards
  • Michael Peha Composer
  • Nego Álvaro Percussion
  • Ry Cooder Writer
  • Rodrigo Caçapa Brazil
  • Zé Katimba Samba
  • Oteil Burbridge Southern Rock
  • Antônio Queiroz Bahia
  • Kenny Barron Piano
  • Bukassa Kabengele Brazil
  • Mestre Nenel AFROBIZ Salvador
  • Samuel Organ Composer
  • Marcus Miller Film Scores
  • As Ganhadeiras de Itapuã Samba de Roda
  • Kendrick Scott New York City
  • Elza Soares Rio de Janeiro
  • Tony Trischka Bluegrass
  • John Patitucci Bass Instruction
  • Natan Drubi Brasil, Brazil
  • Barney McAll New York City
  • Antonio Sánchez Jazz
  • Parker Ighile Contemporary R&B
  • Alex Conde Madrid
  • Banning Eyre Guitar
  • Tia Fuller Berklee College of Music Faculty
  • Gevorg Dabaghyan Yerevan State Conservatory Faculty
  • Fabiana Cozza Phonoaudiologist
  • Utar Artun Film Scores
  • Casey Benjamin DJ
  • Pierre Onassis Singer-Songwriter
  • Jessie Montgomery Violin
  • Lula Galvão Choro
  • Mohini Dey Mumbai
  • Hercules Gomes MPB
  • Tal Wilkenfeld Los Angeles
  • Flying Lotus DJ
  • Bill Hinchberger Paris
  • Lalah Hathaway Record Producer
  • Bob Reynolds Saxophone
  • Ethan Iverson Writer
  • Garth Cartwright Poet
  • Sérgio Pererê Belo Horizonte
  • Keita Ogawa Japan
  • Paul McKenna Scottish Traditional Music
  • Bebel Gilberto Brazil
  • Concha Buika Spain
  • Emmet Cohen Jazz
  • Benoit Fader Keita Africa
  • John Patitucci Jazz
  • Richard Galliano Musette
  • Rebeca Omordia London
  • D.D. Jackson Opera
  • Mário Pam Brazil
  • Alexandre Gismonti Composer
  • Paquito D'Rivera Afro-Cuban Jazz
  • Jeff Preiss Filmmaker
  • Marc Ribot Brooklyn, NY
  • Little Dragon Sweden
  • Kirk Whalum Gospel
  • Gevorg Dabaghyan Armenian Folk Music
  • Vincent Valdez Houston, Texas
  • Harish Raghavan Bass
  • Manassés de Souza Viola de Doze
  • Felipe Guedes Salvador
  • Lina Lapelytė Composer
  • Lionel Loueke African Music
  • Marc-André Hamelin Boston
  • Russell Malone Jazz
  • Michael Doucet Cajun Music
  • Harish Raghavan Composer

 'mātriks / "source" / from "mater", Latin for "mother"
We're a real mother for ya!

 

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