Salvador Bahia Brazil Matrix
  • Sign in
  • Join Everybody Here
    Loading ...
View All Updates Mark All Read
  • Matrix Home
  • Categories are Here!
  • Showcase Music
  • Add Videos/SC
  • Add Photos
  • (Bahia)
  • Questions?
  • From Brazil with love →
  • @ Ground Zero
  • El Aleph
  • If You Can't Stand the Heat
  • Harlem to Bahia to the Planet
  • Why a "Matrix"?

From Brazil with love →

@ Ground Zero

 

Have you, dear friend, ever noticed how different places scattered across the face of the globe seem almost to exist in different universes? As if they were permeated throughout with something akin to 19th century luminiferous aether, unique, determined by that place's history? It's like a trick of the mind's light (I suppose), but standing on beach or escarpment in Salvador and looking out across the Baía de Todos os Santos to the great Recôncavo, and mindful of what happened there, one must be led to the inevitable conclusion that one is in a place unique to history, and to the present*.

 

 

"Chegou a hora dessa gente bronzeada mostrar seu valor / The time has come for these bronzed people to show their value..."Música: Assis Valente of Santo Amaro, Bahia. Vídeo: Betão Aguiar.

 

*More enslaved human beings entered the Bay of All Saints and the Recôncavo than any other final port-of-call throughout all of mankind's history.

 

These people and their descendants created some of the most uplifting music ever made, the foundation of Brazil's national art. We wanted their music to be accessible to the world (it's not even accessible here in Brazil) so we created a platform by which everybody's creativity is mutually accessible, including theirs.

 

El Aleph

 

The network was built in an obscure record shop (Kareem Abdul-Jabbar found it) in a shimmering Brazilian port city...

 

...inspired in (the kabbalah-inspired fiction of) Borges' (short story) El Aleph, that in the pillar in Cairo's Mosque of Amr, where the universe in its entirety throughout all time is perceivable as an infinite hum from deep within the stone.

 

It "works" by virtue of the "small-world" phenomenon...the same responsible for the fact that most of us 7 billion or so beings are within 6 or fewer degrees of each other.

 

It was described (to some degree) and can be accessed via this article in British journal The Guardian (which named our radio of matrixed artists as one of ten best in the world):

 

www.theguardian.com/travel/2020/apr/17/10-best-music-radio-station-around-world

 

With David Dye for U.S. National Public Radio: www.npr.org/2013/07/16/202634814/roots-of-samba-exploring-historic-pelourinho-in-salvador-brazil

 

All is more connected than we know.

 

Per the "spirit" above, our logo is a cortador de cana, a cane-cutter. It was designed by Walter Mariano, professor of design at the Federal University of Bahia to reflect the origins of the music the shop specialized in. The Brazilian "aleph" doesn't hum... it dances and sings.

 

If You Can't Stand the Heat

 

Image above is from the base of the cross in front of the church of São Francisco do Paraguaçu in the Bahian Recôncavo

 

Sprawled across broad equatorial latitudes, stoked and steamed and sensual in the widest sense of the word, limned in cadenced song, Brazil is a conundrum wrapped in a smile inside an irony...

 

This is not a European nation. It is not a North American nation. It is not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn. Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin. It was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people). Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David. Three cultures — from three continents — running for their lives, their confluence forming an unprecedented fourth. Pandeirista on the roof. Nowhere else but here.

 

Oligarchy, plutocracy, dictatorships and massive corruption — elements of these are still strongly entrenched — have defined, delineated, and limited Brazil.

 

But strictured & bound as it has been and is, Brazil has buzz...not the shallow buzz of a fashionable moment...but the deep buzz of a population which in spite of — or perhaps because of — the tough slog through life they've been allotted by humanity's dregs-in-fine-linen, have chosen not to simply pull themselves along but to lift their voices in song and their bodies in dance...to eat well and converse well and much and to wring the joy out of the day-to-day happenings and small pleasures of life which are so often set aside or ignored in the European, North American, and East Asian nations.

 

For this Brazil has a genius perhaps unparalleled in all other countries and societies, a genius which thrives alongside peeling paint and holes in the streets and roads, under bad organization by the powers-that-be, both civil and governmental, under a constant rain of societal indignities...

 

Which is all to say that if you don't know Brazil and you're expecting any semblance of order, progress and light, you will certainly find the light! And the buzz of a people who for generations have responded to privation at many different levels by somehow rising above it all.

 

"Onde tem miséria, tem música!"* - Raymundo Sodré

 

And it's not just music. And it's not just Brazil.

 

Welcome to the kitchen!

 

* "Where there is misery, there is music!" Remarked during a conversation arcing from Bahia to Haiti and Cuba to New Orleans and the south side of Chicago and Harlem to the villages of Ireland and the gypsy camps and shtetls of Eastern Europe...

 

Harlem to Bahia to the Planet



Why a "Matrix"?

 

I was explaining the ideas behind this nascent network to (João) Teoria (trumpet player above) over cervejas at Xique Xique (a bar named for a town in Bahia) in the Salvador neighborhood of Barris...

 

Like this (but in Portuguese): "It's kind of like Facebook if it didn't spy on you, but reversed... more about who you don't know than who you do know. And who doesn't know you but would be glad if they did. It's kind of like old Myspace Music but instead of having "friends" it has a list on your page of people you recommend. Not just musicians but writers, painters, filmmakers, dancers, chefs... anybody in the creative economy. It has a list of people who recommend you, or through whom you are recommended. It deals with arts which aren't recommendable by algorithm but need human intelligence behind recommendations. And the people who are recommended can recommend, creating a network of recommendations wherein by the small world phenomenon most people in the creative economy are within several steps of everybody else in the creative economy, no matter where they are in the world. Like a chessboard which could have millions of squares, but you can get from any given square to any other in no more than six steps..."

 

And João said (in Portuguese): "A matrix where you can move from one artist to another..."

 

A matrix! That was it! The ORIGINAL meaning of matrix is "source", from "mater", Latin for "mother". So the term would help congeal the concept in the minds of people the network was being introduced to, while giving us a motto: "We're a real mother for ya!" (you know, Johnny "Guitar" Watson?)

 

The original idea was that musicians would recommend musicians, the network thus formed being "small world" (commonly called "six degrees of separation"). In the real world, the number of degrees of separation in such a network can vary, but while a given network might have billions of nodes (people, for example), the average number of steps between any two nodes will usually be minuscule.

 

Thus somebody unaware of the magnificent music of Bahia, Brazil will be able to conceivably move from almost any musician in this matrix to Bahia in just a few steps...

 

By the same logic that might move one from Bahia or anywhere else to any musician anywhere.

 

And there's no reason to limit this system to musicians. To the contrary, while there are algorithms written to recommend music (which, although they are limited, can be useful), there are no algorithms capable of recommending journalism, novels & short stories, painting, dance, film, chefery...

 

...a vast chasm that this network — or as Teoria put it, "matrix" — is capable of filling.

 

  • Joe Newberry
    I RECOMMEND

CURATION

  • from this node by: Criador acima/Creator above

This is the Universe of

  • Name: Joe Newberry
  • City/Place: Raleigh, North Carolina
  • Country: United States

Life & Work

  • Bio: Known around the world for his clawhammer banjo playing, Joe Newberry is also a powerful guitarist, singer and songwriter. The Gibson Brothers’ version of his song “Singing As We Rise,” featuring guest vocalist Ricky Skaggs, won the 2012 IBMA “Gospel Recorded Performance” Award. With Eric Gibson, he shared the 2013 IBMA “Song of the Year” Award for “They Called It Music.”

    A longtime and frequent guest on A Prairie Home Companion, he was a featured singer on the Transatlantic Sessions 2016 tour of the U.K. with fiddler Aly Bain and Dobro master Jerry Douglas, and at the Transatlantic Session's debut at Merlefest in 2017 with fellow singers James Taylor, Sarah Jarosz, Declan O’Rourke, Karen Matheson, and Maura O’Connell. In addition to performing solo, Joe plays in a duo with mandolin icon Mike Compton, and also performs with the dynamic fiddler and step-dancer April Verch.

    Joe has taught banjo, guitar, singing, and songwriting at numerous camps and festivals, including Ashokan, Midwest Banjo Camp, American Banjo Camp, the Puget Sound Guitar Workshop, Targhee Music Camp, the Swannanoa Gathering, Centrum Voice Works, the Festival of American Fiddle Tunes, Pinewoods Camp, the Australia National Folk Festival, the Blue Ridge Old-Time Music Week, Bluff Country Gathering, and Vocal Week, Bluegrass Week, and Old-Time Week at the Augusta Heritage Center in Elkins, WV.

    Growing up in a family full of singers and dancers, Joe took up the guitar and banjo as a teenager and learned fiddle tunes from great Missouri fiddlers. he moved to North Carolina as a young man and quickly became an anchor of the incredible music scene in the state. He does solo and studio work, and plays and teaches at festivals and workshops in North America and abroad.

Contact Information

  • Email: [email protected]
  • Contact by Webpage: http://www.joenewberry.biz/contact

Media | Markets

  • ▶ Twitter: JoeNewberry
  • ▶ Instagram: js.newberry
  • ▶ Website: http://www.joenewberry.biz
  • ▶ YouTube Channel: http://www.youtube.com/user/Joe1957Newberry
  • ▶ Spotify: http://open.spotify.com/album/1q7zkoQ7rk1Qngv7yUxn4H
  • ▶ Spotify 2: http://open.spotify.com/album/3lzAGZ0vdEnMiY8nCMXXCP
  • ▶ Spotify 3: http://open.spotify.com/album/1jifrKqcA2svvFRphUkBah

My Instruction

  • Lessons/Workshops: Award-winning songwriter Joe Newberry will help you focus on making your good songs even better, or get you started if you only have a trunk full of ideas. The workshop will use examples of different types of songs, with an eye and ear toward simplifying the words to uncover the heart of the song. Through word play and writing, writing, and more writing, the song in your head can become the song on your lips!

    Joe offers instruction in clawhammer banjo, rhythm and fingerstyle guitar, singing, and also does individual and band coaching. Contact him at [email protected]
  • Instruction: http://www.joenewberry.biz/my-songs

Clips (more may be added)

  • 3:32
    Hello in There
    By Joe Newberry
    31 views
  • 3:54
    Sweet Shadows
    By Joe Newberry
    18 views
  • 2:24
    Arkansas Traveler- David Holt and Joe Newberry
    By Joe Newberry
    36 views
Previous
Next

YOU RECOMMEND

Imagine the world's creative economy at your fingertips. Imagine 10 doors side-by-side. Beyond each, 10 more, each opening to a "creative" somewhere around the planet. After passing through 8 such doorways you will have followed 1 pathway out of 100 million possible (2 sets of doorways yield 10 x 10 = 100 pathways). This is a simplified version of the metamathematics that makes it possible to reach everybody in the global creative economy in just a few steps It doesn't mean that everybody will be reached by everybody. It does mean that everybody can  be reached by everybody.


Appear below by recommending Joe Newberry:

  • 0 Banjo
  • 0 Banjo Instruction
  • 0 Bluegrass
  • 0 Folk & Traditional
  • 0 Guitar
  • 0 Guitar Instruction
  • 0 North Carolina
  • 0 Old-Time Music
  • 0 Raleigh
  • 0 Singer-Songwriter
  • Garvia Bailey Jamaica
  • Ivan Huol Drums
  • Júlio Lemos Violão de Sete
  • Demond Melancon New Orleans
  • The Weeknd Actor
  • Fabian Almazan Piano
  • Frank London Multi-Cultural
  • Jim Farber Music Critic
  • Seu Jorge MPB
  • Stephanie Foden Toronto
  • Benoit Fader Keita Techno
  • Christopher Seneca Drums
  • Júlio Caldas Produtor de Discos, Record Producer
  • Lalah Hathaway Jazz
  • Vivien Schweitzer Photographer
  • Maciel Salú Rabeca
  • Isaak Bransah Choreographer
  • Mauro Diniz Violão de Sete
  • Jan Ramsey Creole Music
  • Lula Galvão Bossa Nova
  • Martin Hayes Ireland
  • MicroTrio de Ivan Huol Salvador
  • Ashley Page Aukland
  • Mestre Nelito Capoeira Angola
  • Richie Stearns Banjo
  • Lula Galvão Choro
  • Lô Borges Guitarra, Violão, Guitar
  • Gabi Guedes Bahia
  • Arthur Jafa Video Artist
  • Richard Galliano Classical Music
  • Jack Talty Raelach Records
  • Tambay Obenson Journalist
  • Mohamed Diab Director
  • Casey Benjamin Saxophone
  • Miles Mosley Singer
  • Tonynho dos Santos Bahia
  • Joe Newberry Guitar
  • Tigran Hamasyan Armenian Folk Music
  • Capinam Bahia
  • Jimmy Duck Holmes Singer-Songwriter
  • Alex Clark Documentary Filmmaker
  • Larissa Fulana de Tal Bahia
  • Gui Duvignau Brazilian Jazz
  • Mick Goodrick Berklee College of Music Faculty
  • Omer Avital Composer
  • Scott Yanow Writer
  • Paulinho da Viola Rio de Janeiro
  • Jaques Morelenbaum Brazilian Jazz
  • Chris Thile Jazz
  • Chris Speed Clarinet
  • Jeff Tweedy Multi-Instrumentalist
  • Ryuichi Sakamoto Singer-Songwriter
  • Ronell Johnson Trombone
  • Rema Namakula Singer
  • Ivan Bastos Baixo, Bass
  • Greg Ruby Jazz
  • Raul Midón Guitar
  • Daedelus Berklee College of Music Faculty
  • Paddy Groenland Composer
  • Cara Stacey Musicologist
  • Matt Garrison Brooklyn, NY
  • Eric Bogle Australia
  • Ken Avis World Jazz
  • Aloísio Menezes Salvador
  • Francisco Mela Cuba
  • Missy Mazolli Piano
  • Scotty Apex Hip-Hop
  • Asanda Mqiki Port Elizabeth
  • Bianca Gismonti Piano
  • Cory Wong Minneapolis, Minnesota
  • Pedro Aznar Bass
  • Aruán Ortiz Composer
  • Jerry Douglas Lap Steel Guitar
  • Arifan Junior Cantor-Compositor, Singer-Songwriter
  • Paquito D'Rivera Composer
  • Ken Avis Radio Presenter
  • Tomo Fujita Jazz
  • Seckou Keita Kora
  • Yunior Terry Jazz
  • Darol Anger Folk & Traditional
  • Ian Hubert Filmmaker
  • Bill Hinchberger Educator
  • Lenny Kravitz Record Producer
  • Linda Sikhakhane Johannesburg
  • Nancy Ruth Vocal Instruction
  • Niwel Tsumbu Composer
  • Benny Benack III New York City
  • Guilherme Kastrup Percussion
  • Bianca Gismonti Composer
  • Priscila Castro Pará
  • Carlinhos 7 Cordas Violão de Sete
  • Teodor Currentzis Conducter
  • Arto Lindsay Composer
  • Ênio Bernardes Diretor Musical, Music Director
  • Nancy Ruth Spain
  • Peter Serkin Contemporary Classical Music
  • Walter Ribeiro, Jr. Bahia
  • Dezron Douglas New York City
  • Atlantic Brass Quintet Baroque
  • Lionel Loueke Singer
  • Dadi Carvalho Brazil
  • Stephen Kurczy The King's College Faculty
  • Saul Williams Multi-Instrumentalist
  • Otto Percussion
  • Diana Fuentes Cuba
  • Sam Dagher Syria
  • Tommaso Zillio Author
  • Bule Bule Samba Rural
  • Bonerama Funk
  • Thiago Espírito Santo Brasil, Brazil
  • Dafnis Prieto Afro-Cuban Jazz
  • Monarco Cavaquinho
  • Guinha Ramires Guitar
  • John Patrick Murphy Sanfona
  • Luiz Brasil Bahia
  • Nubya Garcia London
  • Nate Smith Drums
  • Rogê Rio de Janeiro
  • Thundercat Composer
  • Béco Dranoff New York City
  • Juliana Ribeiro Samba
  • Marcos Sacramento Samba
  • Bruce Molsky Appalachian Music
  • Nego Álvaro Percussion
  • Gregory Hutchinson Jazz
  • Margaret Renkl Writer
  • Little Simz London
  • Toninho Ferragutti Accordion
  • Michael Janisch Record Producer
  • Rudresh Mahanthappa Multi-Cultural
  • Melvin Gibbs Jazz Fusion
  • Júlio Lemos Brazilian Jazz
  • Shankar Mahadevan Playback Singer
  • Paulinho da Viola Choro
  • Luíz Paixão Composer
  • Iuri Passos Salvador
  • Shalom Adonai Chula
  • Yilian Cañizares Violin
  • Masao Fukuda Japan
  • Jason Reynolds Writer
  • Roque Ferreira Chula
  • Shalom Adonai Brazil
  • Shez Raja Bass
  • Julian Lage Americana
  • Gab Ferruz Bahia
  • Isaiah J. Thompson Composer
  • Psoy Korolenko Псой Короленко Songwriter
  • Carwyn Ellis Record Producer
  • Keyon Harrold Singer
  • Frank London Multi-Cultural
  • Jeremy Pelt Jazz
  • David Fiuczynski Guitar
  • Hilton Schilder South Africa
  • Jovino Santos Neto Cornish College of the Arts Faculty
  • Alphonso Johnson Jazz
  • Dale Barlow New York City
  • Alegre Corrêa Berimbau
  • Arturo O'Farrill Brooklyn College Conservatory of Music Faculty
  • John Edward Hasse Piano
  • Stuart Duncan Fiddle
  • Chief Xian aTunde Adjuah Mardi Gras Indian
  • Steve Earle Multi-Instrumentalist
  • Jack Talty Composer
  • Geraldo Azevedo Frevo
  • Marc-André Hamelin Composer
  • Charlie Bolden New Orleans
  • Andrew Finn Magill Fiddle
  • Ben Okri Writer
  • ANNA DJ
  • Luiz Santos Latin Jazz
  • Mestre Nenel Bahia
  • Giorgi Mikadze გიორგი მიქაძე Microtonal
  • Stephanie Foden Bahia
  • Vijith Assar Writer
  • Zara McFarlane London
  • James Martin New Orleans
  • Yosvany Terry Afro-Cuban Jazz
  • Nicholas Daniel Trossingen Musikhochschule Staff
  • Kevin Hays Singer-Songwriter
  • Kiko Souza Saxophone
  • Donny McCaslin Composer
  • David Sánchez Georgia State University School of Music Faculty
  • Sérgio Mendes Singer-Songwriter
  • Alicia Hall Moran Mezzo-Soprano
  • Andy Romanoff Photographer
  • Mestre Nelito Chula
  • Clint Mansell Television Scores
  • King Britt DJ
  • Caoimhín Ó Raghallaigh Irish Traditional Music
  • Robertinho Silva Choro
  • Paddy Groenland World Music
  • Tonynho dos Santos Guitarra, Violão, Guitar
  • H.L. Thompson Brazil
  • Mou Brasil Salvador
  • Tank and the Bangas Hip-Hop
  • Marcel Camargo Guitar
  • Brad Mehldau Piano
  • Moreno Veloso Singer-Songwriter
  • Myron Walden Jazz
  • Gêge Nagô Bahia
  • Kurt Andersen Writer
  • Jaques Morelenbaum Cello
  • Jau Singer-Songwriter
  • Orrin Evans Neo Soul, Acid Jazz
  • Kurt Rosenwinkel Guitar
  • Richie Stearns Bluegrass
  • Andy Romanoff Writer
  • Philip Watson Ireland
  • Matt Ulery Contemporary Classical Music
  • Horacio Hernández Afro-Cuban Jazz
  • Ana Tijoux Santiago
  • Trilok Gurtu Percussion
  • Snigdha Poonam India
  • Chief Xian aTunde Adjuah Ropeadope
  • Yazhi Guo 郭雅志 Jazz
  • Sophia Deboick Historian
  • Nicholas Barber London
  • Gilmar Gomes Bahia
  • Seckou Keita Multi-Cultural
  • Amit Chatterjee Guitar
  • Arturo Sandoval Composer
  • Ivan Lins Piano
  • Otis Brown III Drums
  • Chris Thile Composer
  • Seth Swingle Multi-Cultural
  • Joatan Nascimento Salvador
  • Abel Selaocoe Johannesburg
  • Nath Rodrigues Brazil
  • César Camargo Mariano Piano
  • Daymé Arocena Composer
  • Weedie Braimah Folk & Traditional
  • Cory Henry Organ
  • Henry Cole Puerto Rico
  • Banning Eyre Photographer
  • Alfredo Rodriguez New York City
  • Samuca do Acordeon Bossa Nova
  • Norah Jones New York City
  • Roosevelt Collier Blues, Gospel, Rock, Funk
  • Andy Romanoff Storyteller
  • Eddie Palmieri Puerto Rico
  • Jack Talty University College Cork Faculty
  • Paulo Paulelli MPB
  • Wayne Escoffery Composer
  • Yotam Silberstein Israel
  • Ricky (Dirty Red) Gordon New Orleans
  • Guto Wirtti Choro
  • Echezonachukwu Nduka Classical Music
  • Maria Rita Bossa Nova
  • Anoushka Shankar Author
  • Ênio Bernardes Percussão, Percussion
  • Laura Marling Singer-Songwriter
  • Gab Ferruz Cantora-Compositora, Singer-Songwriter
  • Dónal Lunny Multi-Instrumentalist
  • Saileog Ní Cheannabháin Theater Composer
  • Tarus Mateen New York City
  • Caetano Veloso Singer-Songwriter
  • Papa Grows Funk Funk
  • Katuka Africanidades Loja de Roupa, Clothing Store
  • Robert Glasper Composer
  • Aaron Parks Jazz
  • David Ritz Lyricist
  • J. Cunha Artista Plástico, Artist
  • Jeff Tang Creative Producer
  • Richie Barshay Afro-Latin Percussion
  • Joatan Nascimento Brazilian Jazz
  • Joatan Nascimento Bahia
  • Gabriel Geszti Piano
  • Dee Spencer Sound Designer
  • Niwel Tsumbu Congo
  • Patrice Quinn Los Angeles
  • Adriano Giffoni Brazil
  • Nomcebo Zikode Singer-Songwriter
  • Shabaka Hutchings London
  • Eric Alexander New York City
  • Yilian Cañizares Afro-Cuban Music
  • Paddy Groenland Jazz
  • Will Holshouser Composer
  • Fabiana Cozza Brazil
  • Babau Santana São Braz
  • Oleg Fateev Composer
  • Marilda Santanna Salvador
  • Nara Couto Afropop
  • Brandon Seabrook New York City
  • Tom Green Composer
  • Maia Sharp Record Producer
  • Archie Shepp Playwright
  • James Andrews Jazz
  • Bebê Kramer Brazilian Jazz
  • Menelaw Sete Artista Plástico, Artist
  • Cale Glendening Cinematographer
  • Mario Ulloa Federal University of Bahia Faculty
  • Doug Wamble Guitar
  • Caroline Shaw Composer
  • Giveton Gelin Bahamas
  • André Mehmari São Paulo
  • Luciana Souza Singer
  • Andra Day Pop
  • Dhafer Youssef ظافر يوسف Tunis
  • James Elkington Chicago, Illinois
  • Zé Luíz Nascimento Drums
  • David Chesky New York City
  • Ronell Johnson Second Line
  • Vijay Iyer Harvard University Faculty
  • Itamar Vieira Júnior Bahia
  • Ana Luisa Barral Mandolin
  • Aditya Prakash Multi-Cultural
  • Atlantic Brass Quintet Jazz
  • Cara Stacey Umrhubhe, Uhadi, Makhoyane
  • Jerry Douglas Dobro
  • Baiba Skride Violin
  • Stefon Harris Marimba
  • Ibrahim Maalouf Paris, France
  • Marc Ribot Experimental Music
  • Aaron Goldberg Jazz
  • David Binney Los Angeles
  • Cláudio Badega Salvador
  • Camille Thurman Singer
  • Liron Meyuhas Tel Aviv
  • Mika Mutti Multi-Instrumentalist
  • Mestrinho Singer-Songwriter
  • Parker Ighile Africa
  • Brandee Younger Pop Music
  • Gary Clark Jr. Blues
  • Jeremy Danneman Ropeadope
  • Wouter Kellerman African Music
  • Mateus Aleluia Candomblé
  • Renell Medrano Dominican Republic
  • Little Dragon Synthpop
  • Billy O'Shea Copenhagen
  • Marcus Gilmore Drums
  • Allen Morrison Press Releases
  • Mestre Nenel Brazil
  • Dadá do Trombone Jazz Afro-Baiano, Afro-Bahian Jazz
  • Arifan Junior Percussão, Percussion
  • Ronald Bruner Jr. Los Angeles
  • Avishai Cohen אבישי כה Folk Jazz
  • Catherine Bent Composer
  • Marvin Dunn African American History
  • Chris Thile Americana
  • Philip Glass New York City
  • Jimmy Cliff Jamaica
  • Hélio Delmiro Brazilian Jazz
  • Tom Schnabel DJ
  • Corey Ledet Singer-Songwriter
  • Bill Hinchberger Communications Consultant
  • Ben Williams New York City
  • PATRICKTOR4 Produtor Musical, Music Producer
  • Tab Benoit Blues
  • Questlove DJ
  • John Patrick Murphy Brazilian Music

 'mātriks / "source" / from "mater", Latin for "mother"
We're a real mother for ya!

 

Copyright ©2022  -  Privacy  -  Terms of Service  -  Contact  - 

Open to members of the worldwide creative economy.

You'll use your email address to log in.

Passwords must be at least 6 characters in length.

Enter your password again for confirmation.

This will be the end of your profile link, for example:
http://www.matrixonline.net/profile/yourname

Please type the characters you see in the image. May take several tries. Sorry!!!

 

Matrix Sign In

Please enter your details below. If are a member of the global creative economy and don't have a page yet, please sign up first.

 
 
 
Forgot Password?
Share