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Steve Sandberg
Connections Out

Network Node

  • Name: Steve Sandberg
  • City/Place: New York City
  • Country: United States

Connections Out

  • from this node by: Matrix

Current News

  • What's Up? There is a rising meteor in the musical firmament, a man of the sort of talent we can only associate with greatness. His name is Steve Sandberg. He has gathered together a band whose members are themselves leaders in their field. I, personally, become awestruck when listening to Steve Sandberg. His keyboard artistry and creative gifts are treasures awaiting the world’s recognition.
    — Seymour Bernstein

    Alaya is a breathtaking composite of world music, jazz, and classical expressions. In other words, it’s Sandberg’s whole musical existence merging into a single stream. In these eight tracks, he delivers unto us an exultant music that’s incredibly personal and precise in its direction, yet universal in its language and ability to connect.
    — Dan Bilawsky, All About Jazz

    Many thanks to you and gang for a brilliant concert last Sunday! It was a huge success! We have been fortunate to have hosted excellent musicians in our series; but I have to say, Sunday’s concert was by far my favorite.
    — Sam Holt, Artist Coordinator, Sundays@Three music series, Albemarle, NC

Life & Work

  • Bio: Three-time Emmy-nominated composer/pianist Steve Sandberg plays original music that masterfully blends classical, global music traditions, and jazz with the excitement of virtuosic improvisation.

    Steve was lead composer and musical director for Nickelodeon’s landmark children’s programs “Dora the Explorer” and “Go, Diego, Go!” His scoring and songwriting are informed by a lifetime of immersion in the music of many cultures

    He began playing the piano at the age of four (and is a current student of the legendary pianist and teacher Seymour Bernstein). While studying music at Yale, and African Art History with Robert Farris Thompson, he heard Felipe Luciano’s Latin Roots radio program, and it changed his life. Deeply drawn to these rhythms, Steve moved back to New York after graduating to immerse himself in the world of jazz and Afro-Caribbean music. His mentor was multi-instrumentalist Mario Rivera, a member of the Dizzie Gillespie, Tito Puente, and George Coleman ensembles. Steve was pianist, composer and arranger for Rivera’s “Salsa Refugee” group, and also performed with Celia Cruz, Tito Puente, and Ruben Blades. A highlight of this period was an appearance in Rio and São Paolo in a duo with vocalist Bebel Gilberto.

    Steve has toured with David Byrne (“Rei Momo”) as keyboardist and vocalist, and was musical director for Lincoln Center’s summer Brazilfest series. He has conducted and arranged for Broadway (Chronicle of a Death Foretold) and for many regional and off-Broadway theatres, including the New York Shakespeare Festival.

    In 2017, Steve founded the Steve Sandberg Quartet, featuring the violinist Zach Brock (critically acclaimed as “the pre-eminent improvising violinist of his generation”), bassist Michael O’Brien, and drummer Mauricio Zottarelli. Their first CD, “Alaya,” was released on ArtistShare. Dan Bilawsky of All About Jazz called this CD “… a breathtaking composite of world music, jazz, and classical expressions … personal and precise in its direction, yet universal in its language and ability to connect.” The quartet has performed at Birdland, the DiMenna Center, Sidedoor Jazz, the Allentown Symphony Jazz Upstairs series and many other venues.

    Throughout the pandemic, Steve stayed active, livestreaming regularly from Brooklyn’s Soapbox Gallery, in collaboration with many New York musicians including Zach Brock, Rudy Royston, Boris Koslov, Ed Cherry, Vitor Goncalves, Jay Hoggard, Jay Rodriguez, and Vinicius Gomes.

    In August of 2021, Steve and Zach performed a duo concert at New York’s Bargemusic series and in October, 2022, gave a series of concerts and taught several masterclasses in Egypt, sponsored by the American University of Cairo and the U.S. Embassy.

    Recently, Steve played at the Yale Jazz Festival with his trio, where he was the guest at a Masters Tea and was interviewed on his musical career. Recent performances also include his Brazilian Project at Jazzforum in Tarrytown and regular trio concerts at the Deerhead Inn, the oldest jazz club in North America.

    Steve maintains an active teaching studio in NYC, where he teaches students of all ages and levels, in person and online. He has also presented masterclasses on Improvisation for Classically Trained Musicians via the Global Music Foundation and at the New School.

    In 2019, Steve was commissioned by Kelly Hall-Tompkins’ Music Kitchen project, which presents classical music at New York City homeless shelters, to write an original song for tenor and string quartet. The song, setting lyrics by former Music Kitchen clients to music, was at Carnegie Hall’s Zankel Hall in April, 2022.

Contact Information

  • Email: [email protected]

Media | Markets

  • ▶ Buy My Music: (downloads/CDs/DVDs) http://www.artistshare.com/Projects/OfferDetails/360/495/2560/1/6
  • ▶ Charts/Scores: http://stevesandbergmusic.com/purchase-steves-piano-book-cd/
  • ▶ Website: http://stevesandbergmusic.com
  • ▶ YouTube Channel: http://www.youtube.com/@stelastic
  • ▶ Spotify: http://open.spotify.com/album/2F4tcvM7XbMYieorefkMQF

My Instruction

  • Lessons/Workshops: In addition to performing and composing, I teach piano and composition students of all levels and interests. Currently, I am teaching on zoom/facetime. My innovative approach is individually tailored to each student’s learning style, needs and goals. For more info please visit:
  • Instruction: http://www.stevesandbergstudio.com

Clips (more may be added)

  • 0:31
    Steve Sandberg Quartet
    By Steve Sandberg
    17 views
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  • Steve Sandberg
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    Steve Sandberg Quartet
    The Steve Sandberg Quartet plays original classical world music and features Zach Brock, Michael O'Brien and Mauricio Zottarelli. Steve's compositions reference Ravel, Bartok, Bach, and Chopin along with African, Cuban, Balkan, and Brazilian rhythms.
    • Jun 28
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Steve Sandberg
Connections Out

 

 

 

Human creativity is everywhere. From Brazil it's all being connected in a manner allowing one to move from any creator to any other creator in just a few steps. Artificial Intelligence & algorithms not necessary. Real intelligence, yes.

 

Raymundo Sodré
Raymundo Sodré Global

A Massa (do povo carente) / The Masses (of people in need)

A Massa (do povo carente) / The Masses (of people in need)
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THE MATRIX IS THE MOTHER SHIP (it carries people to culture; per above, it carries culture too)

 

THE MATRIX IS CULTURAL DIFFUSION ON A PLANETARY SCALE (Bahia is Ground Zero)

 

 

THE MATRIX IS THE INTEGRATED GLOBAL CREATIVE ECONOMY (matrixed economist, Dr. Darius Mans, presents the Africare Award to Luiz Inácio Lula da Silva — Brazil's current president — in 2012)

SPARROW/PARDAL ROBERTS

 

Dear Sparrow: I am thrilled to receive your email! Thank you for including me in this wonderful matrix. — Susan Rogers (personal recording engineer for Prince; recorded "Purple Rain", "Around the World in a Day", "Parade", and "Sign o' the Times"; now director of the Berklee Music Perception and Cognition Laboratory)

SUSAN ROGERS

 

Dear Sparrow, Many thanks for this – I am touched! — Julian Lloyd Webber (most highly renowned cellist in the United Kingdom; brother of composer Andrew Lloyd Webber (Evita, Jesus Christ Superstar, Cats...)

JULIAN LLOYD WEBBER

 

This is super impressive work ! Congratulations ! Thanks for including me :))) — Clarice Assad (pianist, composer with works performed by Yo Yo Ma and orchestras around the world)

CLARICE ASSAD

 

Thanks, this is a brilliant idea!! — Alicia Svigals (world's premier klezmer violinist; founding member of The Klezmatics)

ALICIA SVIGALS

 

Thank you for your note below and we appreciate you including Kamasi in the matrix, Sparrow. — Banch Abegaze (manager, Kamasi Washington)

KAMASI WASHINGTON

 

This Matrix was built by an ex-royalty "rescuer" (Aretha Franklin, Barbra Streisand, Gilberto Gil, Astrud Gilberto, Mongo Santamaria, Jim Hall, Led Zeppelin, Bob Marley and many others) so that deep Brazilian culture, much of it otherwise impossible to find if one is not right there where it is made, might also (via an alternative to major media) be discoverable from all around the world. To do this it integrates this immensity into a system whereby ALL CULTURE EVERYWHERE — from small villages in Africa to Grammy-winning artists in Los Angeles — writers, filmmakers, painters... — can be found from anywhere on the planet.

 

 

(Clip by Jorge Pacoa)

  • Nadinho do Congo Produtor Musical, Music Producer

The Matrix uncoils from the Recôncavo of Bahia, Brazil, final port-of-call for more enslaved human beings than any other such throughout all of human history and from where some of the most physically and spiritually uplifting music ever made (samba and its precursor chula, per the Saturno Brothers above) evolved...

  • Wynton Marsalis New Orleans

WHAT IS THE RECÔNCAVO? The peninsula upon which Salvador is situated is like the thumb of an open and grasping hand, what is normally thought of as the Recôncavo then being defined by the curved index finger. This way of definition developed when agricultural products were brought to Salvador by boat, sometimes making their way first down the Paraguaçu river after having been carried overland from the sertão (backlands) to Cachoeira, the river debouching into the Bay of Saints at Maragogipe. The city of Bahia (as it was usually called then) was crouched on the bay, comprised of a commercial district much smaller in area than today (landfill has increased it greatly), the area around the upper section of the elevator, and what is now called Pelourinho.

  • Ellie Kurttz Photographer

Much of the remainder of the peninsula was given to sugarcane plantations, and dotted within the Atlantic rainforest were countless quilombos (Afro-Brazilian villages founded during the age of slavery); both are attested to today in commonly used city names. The neighborhood of Garcia was once Fazenda Garcia (fazenda being a farm or plantation), and this denomination is still used today to distinguish one end of Garcia (fim-de-linha) from the other (the Campo Grande end). Neighborhoods Engenho Velho de Federação and Engenho Velho de Brotas are so called for the old mills (engenhos velhos) which pressed the caldo (juice, so to speak) from the cane so laboriously hacked out of the fields. The neighborhood of Cabula is named for an nkisi (deity) of candomblé angola (the first candomblé -- a West African religious belief system -- to arrive in Bahia)...whose rhythms comprise the basis for samba, meaning that the rhythms to which so many in the world inexpertly swayed as Stan Getz's saxophone soared and João and Astrud Gilberto sensuously intoned -- this paragon of suave Brazilian sophistication -- was born in the rough senzalas (slavequarters) of Bahia. Ironically enough, the barefoot senzala version was/is far more sophisticated than the sophisticated version.

  • Restaurante Axego Bahia

But times have changed, and Cabula is now a crowded, non-descript middle-to-working class Salvador city neighborhood (plenty of candomblé around though), and Engenhos Velhos de Federação and Brotas are swarming working class neighborhoods (ditto the candomblé); the senzala samba, the samba chula and samba-de-roda have disappeared. A simplified version -- Bahian pagode -- is heard everywhere in Salvador, but the real-deal stuff has died out here in the big city. It remains, however, a potent force on the remainder of its native ground, the Recôncavo proper, where it is danced to upon pounded earth, under moonlight broken by banana, palm and mango leaves, lifting the souls of its participants almost like something religious, which it was, and gods aside, is.

  • Reggie Ugwu New York City

Connect to anybody in here. You appear on their page. Anybody in here connects to you, they appear on your page...

  • Sam Eastmond London

...plugged into a superpower: the small world phenomenon.

  • James Brady Multi-Cultural

By the same mathematics positioning some 8 billion human beings within some 6 or so steps of each other, people in the Matrix tend to within close, accessible steps of everybody else inside the Matrix.

  • Jorge Alfredo Bahia

And by extension, to within discoverable reach of everybody everywhere on the planet.

  • Wouter Kellerman South Africa

A little bit about how the math works:

EM PORTUGUÊS / IN ENGLISH

 

BUT WHY BRAZIL???

  • Lizz Wright Jazz

"The time has come for these bronzed people to show their worth..."

 

 

(Music by Assis Valente. Clip by Betão Aguiar. The Matrix was built in Salvador's Centro Histórico above, incorporating these marvelous people.)

  • Shuya Okino Tokyo

Brazil is not a European nation. It's not a North American nation. It's not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn.

  • Nelson Faria Guitar

Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin.

  • Jeremy Danneman Ropeadope

Brazil was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — the hand drum in the opening scene above — was almost certainly brought to Brazil by these people).

  • Joel Ross Composer

Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David.

  • Nego Álvaro Samba

Three cultures — from three continents — running for their lives, their confluence forming an unprecedented fourth. Pandeirista on the roof.

  • THE ROOM Shibuya Tokyo

Nowhere else but here. Brazil itself is a matrix.

  • James Martins Locutor de Rádio, Radio Presenter
  • Arifan Junior Diretor Musical, Music Director
  • Michael Olivera Afro-Cuban Jazz
  • Chris Potter Composer
  • Tom Green Composer
  • J. Velloso Singer
  • Tessa Hadley Non-Fiction
  • Teddy Swims Singer-Songwriter
  • Snigdha Poonam Journalist
  • Marc Cary Multi-Cultural
  • Casa do Alaká Candomblé
  • Ben Hazleton Tabla
  • Adonis Rose Percussion
  • Baiba Skride Violin
  • Camille Thurman New York City
  • Sílvio Humberto Universidade Estadual de Feira de Santana Faculdade
  • Nana Nkweti Africa
  • Heriberto Araujo Brazil
  • Steve Bailey Multi-Instrumentalist
  • Neo Muyanga African Music
  • Ricardo Bacelar Piano
  • Otmaro Ruiz Los Angeles
  • Adonis Rose Drums
  • Pablo Albarenga Montevideo, Uruguay
  • Patty Kiss Multi-Instrumentista, Multi-Instrumentalist
  • Paolo Fresu Paris, France
  • Mateus Aleluia Filho Música Pan-Africana, Pan-African Music
  • Marvin Dunn African American History
  • MARO Portugal
  • Milton Primo Viola Machete
  • Béco Dranoff DJ
  • Danilo Brito Mandolin
  • Luiz Santos Brazil
  • Alex Clark Journalist
  • Milad Yousufi Conductor
  • Rogê MPB
  • A-KILL Graffiti Artist
  • Nadinho do Congo Salvador
  • Gilad Hekselman Photographer
  • Ricardo Bacelar Jazz Brasileiro, Brazilian Jazz
  • Spider Stacy Tin Whistle
  • Amanda Tropicana Bahia
  • Vavá Botelho Salvador
  • Jermaine Stone Wine
  • Rose Aféfé Artista de Instalação, Installation Artist
  • Mestre Barachinha Pernambuco
  • Tshepiso Ledwaba Clarinet
  • Diosmar Filho Rio de Janeiro
  • Lucian Ban New York City
  • Mykia Jovan Singer-Songwriter
  • Raymundo Sodré Samba
  • Marcus Rediker Activist
  • Cécile Fromont Writer
  • Trombone Shorty Funk
  • Bill Summers R&B, Soul
  • Larry Grenadier Composer
  • Joel Ross Brooklyn, NY
  • Gian Correa São Paulo
  • Cathal McNaughton Street Photography Workshops
  • Célestin Monga Cameroon
  • Ofer Mizrahi Indian Slide Guiter
  • Hercules Gomes Composer
  • Jim Hoke Session Musician
  • The Umoza Music Project Rap
  • Eric Coleman Cinematographer
  • Nana Nkweti Short Stories
  • Tony Austin Composer
  • Kronos Quartet String Quartet
  • Philip Sherburne Electronic, Experimental, Underground Music
  • Bem Bahia TVE Salvador
  • Renee Rosnes Piano
  • Romulo Fróes Brasil, Brazil
  • Mart'nália Rio de Janeiro
  • Márcio Bahia Rio de Janeiro
  • Tigran Hamasyan Armenia
  • Peter Erskine USC Thornton School of Music Faculty
  • Myron Walden New York City
  • Samba de Nicinha Samba
  • Filhos de Nagô Brazil
  • Jerry Douglas Dobro
  • Geovanna Costa Cantora-Compositora, Singer-Songwriter
  • J. Cunha Cenógrafo, Scenographer
  • Shanequa Gay Storyteller
  • Rez Abbasi Guitar
  • Tutwiler Quilters Mississippi
  • Ariel Reich Mark Morris Dance Group Teaching Artist Faculty
  • Peter Dasent Television Scores
  • Márcio Pereira Blues
  • Richie Barshay New York City
  • Miroslav Tadić CalArts Music Faculty
  • Matias Traut Argentina
  • Robb Royer Pop
  • Casey Benjamin Vocoder
  • José James R&B
  • John Harle Guildhall School of Music & Drama Faculty
  • Aldri Anunciação Salvador
  • Dobet Gnahoré Auteur, Author
  • Jean-Paul Bourelly Multi-Cultural
  • Beth Bahia Cohen Kabak Kemane
  • THE ROOM Shibuya Jazz
  • Milad Yousufi Composer
  • MicroTrio de Ivan Huol Brasil, Brazil
  • Tom Bergeron Jazz
  • Jean-Paul Bourelly Jazz
  • Brazil Afro Symphonic Samba Reggae
  • Keb' Mo' Nashville, Tennessee
  • D.D. Jackson Composer
  • Andrew Finn Magill Choro
  • Matt Parker London
  • Brandon Deener Afrofuturist Artist
  • Instituto Oyá Desenvolvimento Social, Social Development
  • David Simon Baltimore, Maryland
  • Tom Oren Composer
  • Rosa Passos Bossa Nova
  • Restaurante Axego Pelourinho
  • Nelson Sargento Rio de Janeiro
  • Julian Lage Americana
  • Caroline Shaw Record Producer
  • Kangerê de Sinhá Samba Duro
  • Seckou Keita Africa
  • James Gavin Writer
  • Filipe Escandurras Bahia
  • Nelson Faria Author
  • Hugo Rivas Tango
  • Mário Santana Percussion
  • Negrizu Candomblé
  • Steve Earle Singer-Songwriter
  • Evgeny Kissin Composer
  • Yilian Cañizares Lausanne, Switzerland
  • Alexa Tarantino Composer
  • Michael Olatuja Bass
  • Celso de Almeida Brazilian Jazz
  • Ênio Nogueira DJ
  • Ó Paí, Ó Restaurante Restaurante, Restaurant
  • Martyn Techno
  • Kazemde George Brooklyn, NY
  • Joyce Moreno Brasil, Brazil
  • Rolando Herts Singer
  • Nettrice R. Gaskins STEAM Advocate
  • Jennifer Koh Violin
  • Dónal Lunny Ireland
  • Martin Koenig Liner Notes
  • Phineas Harper Architecture Critic
  • Woz Kaly Singer-Songwriter
  • Mike Moreno Aaron Copeland School of Music Faculty
  • Jeff Spitzer-Resnick Education Law
  • Ari Rosenschein Singer-Songwriter
  • Omer Avital Oud
  • Luizinho Assis Bahia
  • Del McCoury Bluegrass
  • Ben Hazleton Indian Classical Music
  • Albin Zak Musicologist
  • Benny Benack III Jazz
  • Marcelinho Oliveira Music Producer
  • Dan Tepfer Brooklyn, NY
  • Joanna Majoko Singer-Songwriter
  • Jakub Józef Orliński Hip-Hop
  • Ryuichi Sakamoto Record Producer
  • Donald Harrison Mardi Gras Indian
  • Cimafunk Cuban Funk
  • Carlos Paiva Servidor Público, Public Servant
  • Cathal McNaughton Ireland
  • Jim Beard Composer
  • Steven Isserlis Writer
  • Dudu Reis Bahia
  • Emmet Cohen Piano
  • Germán Garmendia Record Producer
  • Nancy Ruth Composer
  • Cinho Damatta Guitarra, Guitar
  • Leon Bridges Fort Worth, Texas
  • Marvin Dunn Miami, Florida
  • Greg Ruby Jazz
  • Cyro Baptista Brazil
  • Fatboy Slim Bass
  • John McEuen Guitar
  • Oleg Fateev Composer
  • Arthur L.A. Buckner Drums
  • Carlos Malta Composer
  • Thiago Trad Berimbau
  • Manuel Alejandro Rangel Venezuela
  • Ronald Bruner Jr. Drums
  • Oksana Zabuzhko Ukraine
  • Karim Ziad Multi-Instrumentalist
  • Juca Ferreira Brasil, Brazil
  • Pretinho da Serrinha Rio de Janeiro
  • Trombone Shorty Trombone
  • Jorge Glem New York City
  • Gilmar Gomes Salvador
  • Joe Newberry Guitar
  • Monk Boudreaux Percussion
  • The Rheingans Sisters England
  • Marília Sodré Violão, Guitar
  • Peter Evans Experimental Music
  • Kimmo Pohjonen Film Scores
  • Ailton Krenak Belo Horizonte
  • Sam Yahel Jazz
  • Antonio Adolfo Piano
  • Eder Muniz Arte da Rua, Street Art
  • Congahead Afro-Cuban Jazz
  • DJ Sankofa Pimenta Africana, African Peppers
  • Maciel Salú Cavalo Marinho
  • Kangerê de Sinhá Salvador
  • Marilda Santanna Salvador
  • Stephen Kurczy The King's College Faculty
  • Arany Santana Salvador
  • Mestre Nenel Capoeira
  • Sam Reider Piano
  • Barry Harris Jazz
  • Gel Barbosa Salvador
  • Susana Baca Singer-Songwriter
  • Greg Ruby Composer
  • Shez Raja London
  • Nate Smith Ropeadope
  • Jean-Paul Bourelly Avant-Blues-Rock
  • Paulo Martelli Brazilian Classical Guitar
  • Martin Fondse Multi-Cultural
  • Rudy Royston Jazz
  • Tomo Fujita Guitar
  • Milford Graves Jazz
  • Raymundo Sodré Samba de Roda
  • Steve Sandberg Music Instruction
  • Tam-Ky Vietnamese Foods
  • Gabi Guedes Candomblé
  • Geovanna Costa Pandeiro
  • Joshue Ashby Afro-Cuban Music
  • Maria de Xindó Samba de Roda
  • Jonga Lima Samba
  • Mavis Staples Gospel
  • Wilson Café Brasil, Brazil
  • Ryan Keberle Jazz
  • Luques Curtis New York City
  • Hopkinson Smith Schola Cantorum Basiliensis Faculty
  • Zé Katimba Cavaquinho
  • Nancy Viégas Salvador
  • Manu Chao Multi-Cultural
  • Restaurante Axego Salvador
  • Glória Bomfim Afoxé
  • Augustin Hadelich Violin
  • Gilsons Bahia
  • Mauro Senise Choro
  • Mauro Diniz Rio de Janeiro
  • Celso de Almeida MPB
  • María Mercedes Coroy Atriz, Actor
  • Chris Dave Drums
  • Jorge Washington Cultural Producer
  • Tele Novella Austin, Texas
  • Lucio Yanel Argentina
  • Ricky (Dirty Red) Gordon Composer
  • Paulo César Pinheiro Rio de Janeiro
  • Michael League Composer
  • Mario Ulloa Guitar
  • Gilad Hekselman Guitar Instruction
  • Aubrey Johnson Brazilian Music
  • Antônio Pereira Singer-Songwriter
  • Cut Worms Americana
  • David Greely Cajun Fiddle
  • Marco Pereira Choro
  • Lia de Itamaracá Pernambuco
  • Ferenc Nemeth New York City
  • Julien Libeer Brussels
  • Philip Ó Ceallaigh Bucharest
  • Steve McKeever Hidden Beach Recordings
  • Ben Wendel Saxophone
  • Richard Galliano Bandoneon
  • Paulo Axé Locutor, Announcer
  • Rob Garland Jazz, Rock
  • Alex Rawls New Orleans
  • Angel Deradoorian Multi-Instrumentalist
  • Sônia Guajajara Servidor Público, Public Servant
  • Little Simz Photographer
  • Nancy Viégas Designer Gráfico, Graphic Designer
  • Raimundo Rodrigues Jazz Brasileiro, Brazilian Jazz
  • Aaron Diehl New York City
  • ACBANTU Bahia
  • Daniel Gonzaga Brasil, Brazil
  • Stacy Dillard New York City
  • Edmar Colón Piano
  • Fapy Lafertin Gypsy Jazz
  • Ilya Kaminsky Atlanta, Georgia
  • Academia de Música do Sertão Conceição do Coité
  • Michael Cuscuna Record Producer
  • David Chesky Record Label Owner
  • Mou Brasil Salvador
  • Brooklyn Rider Multi-Cultural
  • Massimo Biolcati Composer
  • Issac Delgado Havana
  • Bill Hinchberger Paris
  • Jaleel Shaw Jazz
  • Joana Choumali Multimedia Artist
  • Dr. Lonnie Smith Composer
  • Igor Osypov Berlin
  • Mark Markham Piano
  • André Vasconcellos Produtor Musical, Music Producer
  • Swizz Beatz New York City
  • Stomu Takeishi Bass
  • Bright Red Dog Albany, New York
  • Paquito D'Rivera Havana
  • Donald Harrison Composer
  • Marcelo Caldi Accordion
  • Adam Shatz Literary Critic
  • Arto Tunçboyacıyan Jazz
  • Ron Carter Author
  • Mike Marshall Bluegrass
  • Dermot Hussey Author
  • Giba Gonçalves Candomblé
  • Andrew Huang Toronto
  • John Edwin Mason Historian
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