Salvador Bahia Brazil Matrix

The Matrix Online Network is a platform conceived & built in Salvador da Bahia, Brazil and upon which people & entities across the creative economic universe can 1) present in variegated detail what it is they do, 2) recommend others, and 3) be recommended by others. Integrated by recommendations and governed by the metamathematical magic of the small world phenomenon (popularly called "6 degrees of separation"), matrix pages tend to discoverable proximity to all other matrix pages, no matter how widely separated in location, society, and degree of fame. From Quincy Jones to celestial samba in the favelas of Rio de Janeiro to you, all is closer than we imagine.

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  • (Bahia)
  • Questions?
  • From Brazil with love →
  • @ Ground Zero
  • El Aleph
  • If You Can't Stand the Heat
  • Harlem to Bahia to the Planet
  • Why a "Matrix"?

From Brazil with love →

@ Ground Zero

 

Have you, dear friend, ever noticed how different places scattered across the face of the globe seem almost to exist in different universes? As if they were permeated throughout with something akin to 19th century luminiferous aether, unique, determined by that place's history? It's like a trick of the mind's light (I suppose), but standing on beach or escarpment in Salvador and looking out across the Baía de Todos os Santos to the great Recôncavo, and mindful of what happened there, one must be led to the inevitable conclusion that one is in a place unique to history, and to the present*.

 

 

"Chegou a hora dessa gente bronzeada mostrar seu valor / The time has come for these bronzed people to show their value..."Música: Assis Valente of Santo Amaro, Bahia. Vídeo: Betão Aguiar.

 

*More enslaved human beings entered the Bay of All Saints and the Recôncavo than any other final port-of-call throughout all of mankind's history.

 

These people and their descendants created some of the most uplifting music ever made, the foundation of Brazil's national art. We wanted their music to be accessible to the world (it's not even accessible here in Brazil) so we created a platform by which everybody's creativity is mutually accessible, including theirs.

 

El Aleph

 

The network was built in an obscure record shop (Kareem Abdul-Jabbar found it) in a shimmering Brazilian port city...

 

...inspired in (the kabbalah-inspired fiction of) Borges' (short story) El Aleph, that in the pillar in Cairo's Mosque of Amr, where the universe in its entirety throughout all time is perceivable as an infinite hum from deep within the stone.

 

It "works" by virtue of the "small-world" phenomenon...the same responsible for the fact that most of us 7 billion or so beings are within 6 or fewer degrees of each other.

 

It was described (to some degree) and can be accessed via this article in British journal The Guardian (which named our radio of matrixed artists as one of ten best in the world):

 

www.theguardian.com/travel/2020/apr/17/10-best-music-radio-station-around-world

 

With David Dye for U.S. National Public Radio: www.npr.org/2013/07/16/202634814/roots-of-samba-exploring-historic-pelourinho-in-salvador-brazil

 

All is more connected than we know.

 

Per the "spirit" above, our logo is a cortador de cana, a cane-cutter. It was designed by Walter Mariano, professor of design at the Federal University of Bahia to reflect the origins of the music the shop specialized in. The Brazilian "aleph" doesn't hum... it dances and sings.

 

If You Can't Stand the Heat

 

Image above is from the base of the cross in front of the church of São Francisco do Paraguaçu in the Bahian Recôncavo

 

Sprawled across broad equatorial latitudes, stoked and steamed and sensual in the widest sense of the word, limned in cadenced song, Brazil is a conundrum wrapped in a smile inside an irony...

 

This is not a European nation. It is not a North American nation. It is not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn. Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin. It was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people). Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David. Three cultures — from three continents — running for their lives, their confluence forming an unprecedented fourth. Pandeirista on the roof. Nowhere else but here.

 

Oligarchy, plutocracy, dictatorships and massive corruption — elements of these are still strongly entrenched — have defined, delineated, and limited Brazil.

 

But strictured & bound as it has been and is, Brazil has buzz...not the shallow buzz of a fashionable moment...but the deep buzz of a population which in spite of — or perhaps because of — the tough slog through life they've been allotted by humanity's dregs-in-fine-linen, have chosen not to simply pull themselves along but to lift their voices in song and their bodies in dance...to eat well and converse well and much and to wring the joy out of the day-to-day happenings and small pleasures of life which are so often set aside or ignored in the European, North American, and East Asian nations.

 

For this Brazil has a genius perhaps unparalleled in all other countries and societies, a genius which thrives alongside peeling paint and holes in the streets and roads, under bad organization by the powers-that-be, both civil and governmental, under a constant rain of societal indignities...

 

Which is all to say that if you don't know Brazil and you're expecting any semblance of order, progress and light, you will certainly find the light! And the buzz of a people who for generations have responded to privation at many different levels by somehow rising above it all.

 

"Onde tem miséria, tem música!"* - Raymundo Sodré

 

And it's not just music. And it's not just Brazil.

 

Welcome to the kitchen!

 

* "Where there is misery, there is music!" Remarked during a conversation arcing from Bahia to Haiti and Cuba to New Orleans and the south side of Chicago and Harlem to the villages of Ireland and the gypsy camps and shtetls of Eastern Europe...

 

Harlem to Bahia to the Planet



Why a "Matrix"?

 

I was explaining the ideas behind this nascent network to (João) Teoria (trumpet player above) over cervejas at Xique Xique (a bar named for a town in Bahia) in the Salvador neighborhood of Barris...

 

Like this (but in Portuguese): "It's kind of like Facebook if it didn't spy on you, but reversed... more about who you don't know than who you do know. And who doesn't know you but would be glad if they did. It's kind of like old Myspace Music but instead of having "friends" it has a list on your page of people you recommend. Not just musicians but writers, painters, filmmakers, dancers, chefs... anybody in the creative economy. It has a list of people who recommend you, or through whom you are recommended. It deals with arts which aren't recommendable by algorithm but need human intelligence behind recommendations. And the people who are recommended can recommend, creating a network of recommendations wherein by the small world phenomenon most people in the creative economy are within several steps of everybody else in the creative economy, no matter where they are in the world. Like a chessboard which could have millions of squares, but you can get from any given square to any other in no more than six steps..."

 

And João said (in Portuguese): "A matrix where you can move from one artist to another..."

 

A matrix! That was it! The ORIGINAL meaning of matrix is "source", from "mater", Latin for "mother". So the term would help congeal the concept in the minds of people the network was being introduced to, while giving us a motto: "We're a real mother for ya!" (you know, Johnny "Guitar" Watson?)

 

The original idea was that musicians would recommend musicians, the network thus formed being "small world" (commonly called "six degrees of separation"). In the real world, the number of degrees of separation in such a network can vary, but while a given network might have billions of nodes (people, for example), the average number of steps between any two nodes will usually be minuscule.

 

Thus somebody unaware of the magnificent music of Bahia, Brazil will be able to conceivably move from almost any musician in this matrix to Bahia in just a few steps...

 

By the same logic that might move one from Bahia or anywhere else to any musician anywhere.

 

And there's no reason to limit this system to musicians. To the contrary, while there are algorithms written to recommend music (which, although they are limited, can be useful), there are no algorithms capable of recommending journalism, novels & short stories, painting, dance, film, chefery...

 

...a vast chasm that this network — or as Teoria put it, "matrix" — is capable of filling.

 

  • David Sánchez
    I RECOMMEND

CURATION

  • from this node by: Matrix+

This is the Universe of

  • Name: David Sánchez
  • City/Place: Atlanta, Georgia
  • Country: United States
  • Hometown: Guaynabo, Puerto Rico

Life & Work

  • Bio: Puerto Rico-born tenor saxophonist David Sánchez plays jazz based in rhythms from across the wide world of the Caribbean-South/North American African diaspora end/beginningpoints.

Contact Information

  • Email: [email protected]

Media | Markets

  • ▶ Buy My Music: (downloads/CDs/DVDs) http://david-sanchez.bandcamp.com
  • ▶ Buy My Music 2: (downloads/CDs/DVDs) http://music.apple.com/br/album/carib/1460592826
  • ▶ Buy My Vinyl: http://david-sanchez.bandcamp.com
  • ▶ Twitter: davidsanchezone
  • ▶ Instagram: davidsanchezmusic
  • ▶ YouTube Channel: http://www.youtube.com/channel/UCI8fT32n12qJphV5MwOy44w
  • ▶ YouTube Music: http://music.youtube.com/channel/UCx39ysI6gHbednPQjhPjRiw
  • ▶ Spotify: http://open.spotify.com/album/3AVGFHZfppICGSb74721jY
  • ▶ Spotify 2: http://open.spotify.com/album/0OUKHtaFWAN5sy7btZxgf6
  • ▶ Spotify 3: http://open.spotify.com/album/4vbKMg8hmXceZ88nni7Fxg
  • ▶ Spotify 4: http://open.spotify.com/album/050AsTGN9MtjAWvbscjy6P
  • ▶ Spotify 5: http://open.spotify.com/album/7dbckadDBHcdx23GnJJWlu
  • ▶ Spotify 6: http://open.spotify.com/album/2U9LINBycMLf5HXHK4rmeM

Clips (more may be added)

  • 0:11:28
    David Sanchez Carib project Live at Zacatecas Jazz Festival
    By David Sánchez
    142 views
  • 0:12:55
    David Sanchez "A Thousand Yesterdays"
    By David Sánchez
    150 views
  • 0:12:35
    David Sanchez's Carib live at Jazz Standard
    By David Sánchez
    187 views
  • 0:10:48
    David Sanchez "CARIB" original "Mirage" Georgia State University Florence Kopleff Hall
    By David Sánchez
    129 views
  • 0:13:48
    David Sanchez "CARIB" original "Madigra" at Georgia State University Florence Kopleff Hall,
    By David Sánchez
    104 views
  • 0:20:29
    David Sanchez live @ The P.R. Heineken Jazz Fest. segments of performance
    By David Sánchez
    152 views
Previous
Next

YOU RECOMMEND

Imagine the world's creative economy at your fingertips. Imagine 10 doors side-by-side. Beyond each, 10 more, each opening to a "creative" somewhere around the planet. After passing through 8 such doorways you will have followed 1 pathway out of 100 million possible (2 sets of doorways yield 10 x 10 = 100 pathways). This is a simplified version of the metamathematics that makes it possible to reach everybody in the global creative economy in just a few steps It doesn't mean that everybody will be reached by everybody. It does mean that everybody can  be reached by everybody.


Appear below by recommending David Sánchez:

  • 3 Afro-Caribbean Music
  • 3 Composer
  • 3 Georgia State University School of Music Faculty
  • 3 Jazz
  • 3 Pan-Africana
  • 3 Puerto Rico
  • 3 Ropeadope
  • 3 Saxophone

Nodes below are randomly generated. Reload for a different stack.

  • Sergio Krakowski Experimental Music
  • Aindrias de Staic Ireland
  • Barbara Paris Multi-Media Artist
  • Tierra Whack Rapper
  • Mokhtar Samba Percussion
  • Academia de Música do Sertão Música Clássica Contemporânea, Contemporary Classical Music
  • Kiko Loureiro Finland
  • Joe Chambers Drums
  • Vincent Valdez Printmaker
  • Reuben Rogers Bass Instruction
  • Germán Garmendia Comedian
  • Timothy Duffy Photographer
  • Mauro Senise Flute
  • David Kirby New York City
  • Guga Stroeter Samba
  • Choronas Choro
  • Billy Strings Mandolin
  • Eli Degibri אלי דג'יברי Jazz
  • Swizz Beatz Rapper
  • Jussara Silveira Samba
  • Rick Beato Author
  • Nara Couto Atriz, Actor
  • Edward P. Jones Short Stories
  • Doug Wamble Record Producer
  • Pasquale Grasso Guitar
  • Andrés Prado Afro-Peruvian Music
  • Marcus Miller Record Producer
  • Hamilton de Holanda Mandolin
  • Carlinhos 7 Cordas Rio de Janeiro
  • Sammy Britt Mississippi
  • Armandinho Macêdo Frevo
  • Mário Pam Percussion
  • Nguyên Lê Guitar
  • Urânia Munzanzu Cultura Afro-Baiana, Afro-Bahian Culture
  • Chubby Carrier Louisiana
  • Dan Tepfer Composer
  • Tyshawn Sorey Wesleyan University Faculty
  • Filhos da Pitangueira Brazil
  • Nelson Sargento Samba
  • Peter Erskine Record Producer
  • Raul Midón Singer
  • Gearóid Ó hAllmhuráin Irish Traditional Music
  • Júlio Lemos Brazil
  • Cécile Fromont Art Historian
  • VJ Gabiru Brasil, Brazil
  • David Sacks Washington, D.C.
  • June Yamagishi Guitar
  • Jovino Santos Neto Seattle
  • Barney McAll Jazz
  • Bernardo Aguiar Rio de Janeiro
  • Lenna Bahule Mozambique
  • Gilson Peranzzetta Accordion
  • Dan Tyminski Singer-Songwriter
  • Chris Cheek New School for Jazz and Contemporary Music Faculty
  • Ênio Bernardes Choro
  • Mestre Nelito Capoeira Angola
  • Masao Fukuda Yokahama
  • Jorge Washington AFROBIZ Salvador
  • George Porter Jr. New Orleans
  • Horacio Hernández Cuba
  • Michelle Mercer Writer
  • Marilda Santanna Brasil, Brazil
  • Pedro Abib Brazil
  • Andrés Prado Lima
  • Masao Fukuda Brazil
  • Justin Stanton Composer
  • Daphne A. Brooks Writer
  • Chief Xian aTunde Adjuah Multi-Cultural
  • Cashmere Cat Norway
  • Jovino Santos Neto Flute
  • Fred Dantas Composer
  • Keshav Batish Percussion
  • Raymundo Sodré Bahia
  • Alan Bishop Singer-Songwriter
  • Mauro Diniz Violão de Sete
  • Lalah Hathaway Record Producer
  • Los Muñequitos de Matanzas Cuba
  • Luciano Calazans Bahia
  • Luizinho do Jêje Salvador
  • Thana Alexa Jazz
  • Steve Bailey Bass
  • 小野リサ Lisa Ono Bossa Nova
  • Paul Mahern Mastering Engineer
  • Dhafer Youssef ظافر يوسف Oud
  • Carlos Lyra Guitar
  • Nathan Amaral Salzburg
  • Bob Mintzer Big Band Leader
  • Joachim Cooder Keyboards
  • André Muato Singer-Songwriter
  • Adam Cruz New York City
  • Ceumar Coelho Minas Gerais
  • Bob Mintzer Multi-Instrumentalist
  • Johnny Vidacovich Funk
  • Paulo Aragão Samba
  • RAM Port-au-Prince
  • Vânia Oliveira Bahia
  • Sean Jones Johns Hopkins Peabody Institute Faculty
  • H.L. Thompson DJ
  • Fernando Brandão Jazz
  • Jon Batiste Bandleader
  • Errollyn Wallen Royal Conservatoire of Scotland
  • Ibram X. Kendi Historian
  • Keita Ogawa Drums
  • Amy K. Bormet Composer
  • Kurt Andersen Short Stories
  • Tyshawn Sorey Avant-Garde Jazz
  • Mark Lettieri Ropeadope
  • Nação Zumbi Brazil
  • Atlantic Brass Quintet Balkan Music
  • Immanuel Wilkins Jazz
  • Ivo Perelman Painter
  • Mike Moreno Jazz
  • Olga Mieleszczuk Jewish Music
  • Ivan Sacerdote Choro
  • Amaro Freitas Pernambuco
  • Gabriel Policarpo Rio de Janeiro
  • Rez Abbasi Microtonal
  • Mohamed Diab Cairo
  • Brandee Younger New York University Faculty
  • Onisajé Diretora Teatral, Theater Director
  • John Zorn Film Scores
  • Edgar Meyer Multi-Cultural
  • Walter Ribeiro, Jr. Bahia
  • Bodek Janke Berlin
  • Rissi Palmer Country
  • Terell Stafford Trumpet
  • Jon Otis Percussion
  • John Morrison Sample-Flipper
  • H.L. Thompson New York City
  • Welson Tremura Bossa Nova
  • Miguel Atwood-Ferguson Composer
  • Daedelus Berklee College of Music Faculty
  • Tierra Whack Hip-Hop
  • Arthur Verocai Rio de Janeiro
  • Lokua Kanza Congo
  • John Francis Flynn Flute
  • Berkun Oya Screenwriter
  • Adriano Souza MPB
  • Victoria Sur Singer-Songwriter
  • Danilo Caymmi Samba
  • PATRICKTOR4 Recife
  • Imani Winds Classical Music
  • Kaveh Rastegar Music Director
  • Marcela Valdes Writer
  • Warren Wolf Baltimore, Maryland
  • Gabrielzinho do Irajá Partideiro
  • Tony Kofi London
  • Alphonso Johnson CalArts Music Faculty
  • Martin Fondse Arranger
  • Roy Nathanson Saxophone
  • Sam Yahel Piano
  • Francisco Mela Percussion
  • Jonathan Scales Jazz
  • Eliane Elias Piano
  • Andrew Finn Magill Forró
  • Doug Adair Producer
  • Sarah Hanahan New York City
  • Jerry Douglas Americana
  • James Carter Blue Note Records
  • James Andrews Trumpet
  • Sarz Sample Creator
  • MonoNeon Experimental Music
  • Casa da Mãe Restaurante-Bar, Restaurant-Bar
  • Tomoko Omura Composer
  • Bebel Gilberto MPB
  • Chick Corea Jazz
  • Colm Tóibín Columbia University Faculty
  • Neymar Dias Composer
  • Cara Stacey Umrhubhe, Uhadi, Makhoyane
  • Robertinho Silva Samba
  • Meklit Hadero San Francisco
  • Joey Baron Composer
  • Gerson Silva Bahia
  • Fábio Peron Compositor, Composer
  • Hendrik Meurkens Composer
  • Anthony Coleman Avant-Garde Jazz
  • Logan Richardson Saxophone
  • Nara Couto Afropop
  • Ben Harper Reggae
  • Dan Trueman Norwegian Traditional Music
  • Ari Hoenig Drum Instruction
  • Michael Cleveland Fiddle
  • John Boutté Singer
  • Oteil Burbridge Southern Rock
  • Jas Kayser Jazz
  • Aloísio Menezes Candomblé
  • Chris Acquavella Composer
  • Gabriel Policarpo Samba
  • Matthew Guerrieri Composer
  • Luizinho Assis Jazz Brasileiro, Brazilian Jazz
  • Nublu Jazz
  • Diedrich Diederichsen Music Journalist
  • Gilberto Gil Brazil
  • Saileog Ní Cheannabháin Fiddle
  • Tomo Fujita Funk
  • Joel Guzmán Conjunto
  • Yoron Israel R&B
  • Theo Bleckmann Germany
  • Kevin Hays Singer-Songwriter
  • Taj Mahal Blues
  • Chris Dave Gospel
  • Alyn Shipton Music Critic
  • Munyungo Jackson Percussion
  • Tito Jackson R&B
  • Steve Cropper Guitar
  • Mou Brasil Bahia
  • Clint Smith Essayist
  • Ana Luisa Barral Bahia
  • Keith Jarrett Piano
  • Victor Wooten Bass
  • Bebel Gilberto Singer-Songwriter
  • Larissa Fulana de Tal Salvador
  • Jazzmeia Horn New York City
  • Russell Malone Guitar
  • Joel Ross Vibraphone
  • Dan Tepfer Brooklyn, NY
  • John McLaughlin Guitar
  • Michael Olatuja Lagos
  • Martin Fondse Piano
  • Susana Baca Peru
  • Bob Lanzetti Composer
  • Paulinho Fagundes Rio Grande do Sul
  • Patrice Quinn Actor
  • Rebeca Omordia Classical Music
  • Carl Joe Williams Sculptor
  • Adriana L. Dutra Film Festival Director
  • Benny Benack III Piano
  • Marc Johnson MPB
  • Damion Reid Brooklyn, NY
  • Luis Perdomo Jazz
  • Ronald Bruner Jr. Los Angeles
  • Lenine Pernambuco
  • Reggie Ugwu Pop Culture Reporter
  • Adonis Rose Drum Instruction
  • Darrell Green Drums
  • Tonynho dos Santos Música Afro-Baiana, Afro-Bahian Music
  • Richie Stearns Banjo
  • Asanda Mqiki Jazz
  • Ivan Bastos Faculdade da UFBA, Federal University of Bahia Faculty
  • Yazhi Guo 郭雅志 Jazz
  • Larisa Wiegant Utrecht
  • Cory Wong Minneapolis, Minnesota
  • Rick Beato Educator
  • Martin Koenig Čalgija
  • Wayne Shorter Jazz
  • James Strauss Classical Music
  • Don Byron Klezmer
  • Monk Boudreaux Percussion
  • Dani Deahl Writer
  • Joana Choumali Multimedia Artist
  • King Britt DJ
  • Morgan Page DJ
  • Mahsa Vahdat Composer
  • Monty's Good Burger Vegan Restaurant
  • Yasushi Nakamura New York City
  • Georgia Anne Muldrow Singer-Songwriter
  • Colson Whitehead Short Stories
  • Utar Artun Piano
  • Luiz Brasil Brazil
  • Alana Gabriela Salvador
  • Lucian Ban New York City
  • Edivaldo Bolagi Bahia
  • Luíz Paixão Pernambuco
  • João Callado Brazil
  • Ofer Mizrahi Jazz, Folk, Eastern Music
  • Jaimie Branch Composer
  • Issa Malluf Doumbek
  • Tyler Gordon Painter
  • Casa PretaHub Cachoeira Estúdio de Gravação, Recording Studio
  • Miguel Zenón New York City
  • Mário Pam Percussion Classes & Workshops
  • Alexandre Leão Violão, Guitar
  • Carol Soares Singer
  • Tal Wilkenfeld Guitar
  • Jill Scott Model
  • Carlinhos Pandeiro de Ouro Percussion
  • Jahi Sundance Hip-Hop
  • Greg Ruby Jazz
  • Menelaw Sete Cubismo Afro-Brasileiro, Afro-Brazilian Cubism
  • Larry Grenadier Composer
  • Ariane Astrid Atodji Filmmaker
  • China Moses Singer
  • Benjamin Grosvenor Piano
  • Marcello Gonçalves Choro
  • Ari Hoenig Drums
  • Stuart Duncan Bluegrass
  • Mark Lettieri Instructor
  • Cristovão Bastos Composer
  • Susheela Raman London
  • Thomas Àdes Piano
  • Ry Cooder Writer
  • Duane Benjamin Orchestrator
  • Branford Marsalis Film Scores
  • Andrew Gilbert Jazz
  • Ben Wolfe Bass
  • Isaak Bransah Dancer
  • Roque Ferreira Samba
  • Edsel Gomez Latin Jazz
  • Paulo Martelli Brasil, Brazil
  • Darol Anger Record Producer
  • Barlavento Samba
  • Ray Angry Piano
  • João do Boi Samba de Roda
  • Marc Cary Composer
  • Ryan Keberle Hunter College Faculty
  • Jeff Tweedy Country
  • Lula Galvão Samba
  • Nate Smith Television Scores
  • Mariana Zwarg Rio de Janeiro
  • Chano Domínguez Cádiz
  • Daru Jones Record Label Owner
  • Edgar Meyer Composer
  • Marcus Miller Bass
  • Dafnis Prieto Jazz
  • Luizinho do Jêje Bahia
  • Dezron Douglas Bass
  • Anouar Brahem Tunisia
  • Woody Mann Blues
  • Keith Jarrett Multi-Instrumentalist
  • Carlos Malta Rio de Janeiro
  • Bob Mintzer Jazz
  • Carlinhos 7 Cordas Samba
  • Ben Harper R&B
  • Inaicyra Falcão Cantora, Singer
  • Jaleel Shaw Composer
  • Mou Brasil Salvador
  • João Bosco Brazil
  • Augustin Hadelich New York City
  • Christopher Wilkinson Movie Producer
  • Nicholas Payton Composer
  • Fábio Zanon Royal Academy of Music Visiting Professor
  • Vivien Schweitzer Culture Journalist
  • Barney McAll Composer
  • Patty Kiss Guitarra Baiana
  • Ofer Mizrahi Tel Aviv
  • Tony Kofi Composer
  • Lilli Lewis Folk Rock
  • Dan Tyminski Mandolin
  • Tigran Hamasyan Composer
  • Horace Bray Guitar
  • Martín Sued Buenos Aires
  • Anna Webber Avant-Garde Jazz
  • Ed Roth Songwriter
  • Chick Corea Contemporary Classical Music
  • Jahi Sundance DJ
  • Tomo Fujita Blues
  • Mestre Nenel Capoeira
  • Darol Anger Folk & Traditional
  • Tatiana Campêlo Choreographer
  • Paddy Groenland Guitar

 'mātriks / "source" / from "mater", Latin for "mother"
We're a real mother for ya!

 

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