• Artists by Category
  • Categories are Here!
  • Matrix Rádio
  • Matrix Home
  • Showcase Music
  • Add Videos/SC
  • Add Photos
  • Questions?
  • Sign up
  • Sign in
    Loading ...
View All Updates Mark All Read
  • David Sánchez

    THE INTEGRATED GLOBAL
    CREATIVE ECONOMY

    promulgated by
    The Brazilian Ministry of Culture

    fomented by
    The Bahian Secretary of Culture

    fomented by
    The Palmares Foundation
    for the promotion of Afro-Brazilian Culture

    fomented by
    The National Foundation of Indigenous Peoples

    I CURATE/pathways out

Network Node

  • Name: David Sánchez
  • City/Place: Atlanta, Georgia
  • Country: United States
  • Hometown: Guaynabo, Puerto Rico

CURATION

  • from this node by: Matrix+

Life & Work

  • Bio: Puerto Rico-born tenor saxophonist David Sánchez plays jazz based in rhythms from across the wide world of the Caribbean-South/North American African diaspora end/beginningpoints.

Contact Information

  • Email: [email protected]

Media | Markets

  • ▶ Buy My Music: (downloads/CDs/DVDs) http://david-sanchez.bandcamp.com
  • ▶ Buy My Music 2: (downloads/CDs/DVDs) http://music.apple.com/br/album/carib/1460592826
  • ▶ Buy My Vinyl: http://david-sanchez.bandcamp.com
  • ▶ Twitter: davidsanchezone
  • ▶ Instagram: davidsanchezmusic
  • ▶ YouTube Channel: http://www.youtube.com/channel/UCI8fT32n12qJphV5MwOy44w
  • ▶ YouTube Music: http://music.youtube.com/channel/UCx39ysI6gHbednPQjhPjRiw
  • ▶ Spotify: http://open.spotify.com/album/3AVGFHZfppICGSb74721jY
  • ▶ Spotify 2: http://open.spotify.com/album/0OUKHtaFWAN5sy7btZxgf6
  • ▶ Spotify 3: http://open.spotify.com/album/4vbKMg8hmXceZ88nni7Fxg
  • ▶ Spotify 4: http://open.spotify.com/album/050AsTGN9MtjAWvbscjy6P
  • ▶ Spotify 5: http://open.spotify.com/album/7dbckadDBHcdx23GnJJWlu
  • ▶ Spotify 6: http://open.spotify.com/album/2U9LINBycMLf5HXHK4rmeM

Clips (more may be added)

  • 0:11:28
    David Sanchez Carib project Live at Zacatecas Jazz Festival
    By David Sánchez
    254 views
  • 0:12:55
    David Sanchez "A Thousand Yesterdays"
    By David Sánchez
    256 views
  • 0:12:35
    David Sanchez's Carib live at Jazz Standard
    By David Sánchez
    304 views
  • 0:10:48
    David Sanchez "CARIB" original "Mirage" Georgia State University Florence Kopleff Hall
    By David Sánchez
    215 views
  • 0:13:48
    David Sanchez "CARIB" original "Madigra" at Georgia State University Florence Kopleff Hall,
    By David Sánchez
    155 views
  • 0:20:29
    David Sanchez live @ The P.R. Heineken Jazz Fest. segments of performance
    By David Sánchez
    307 views
Previous
Next

David Sánchez Curated
pathways in

  • 3 Afro-Caribbean Music
  • 3 Composer
  • 3 Georgia State University School of Music Faculty
  • 3 Jazz
  • 3 Pan-Africana
  • 3 Puerto Rico
  • 3 Ropeadope
  • 3 Saxophone

What's Been Happening?

The post was not added to the feed. Please check your privacy settings.
  • David Sánchez
    Joyce Moreno → Violão, Guitar has been recommended via David Sánchez.
    • December 23, 2022
  • David Sánchez
    Joyce Moreno → Rio de Janeiro has been recommended via David Sánchez.
    • December 23, 2022
  • David Sánchez
    Joyce Moreno → MPB has been recommended via David Sánchez.
    • December 23, 2022
  • David Sánchez
    Joyce Moreno → Jazz Brasileiro, Brazilian Jazz has been recommended via David Sánchez.
    • December 23, 2022
  • David Sánchez
    Joyce Moreno → Compositora, Songwriter has been recommended via David Sánchez.
    • December 23, 2022
  • David Sánchez
    Joyce Moreno → Cantora, Singer has been recommended via David Sánchez.
    • December 23, 2022
  • David Sánchez
    Joyce Moreno → Brasil, Brazil has been recommended via David Sánchez.
    • December 23, 2022
  • David Sánchez
    Joyce Moreno → Bossa Nova has been recommended via David Sánchez.
    • December 23, 2022
  • David Sánchez
    Orlando 'Maraca' Valle → Havana has been recommended via David Sánchez.
    • June 1, 2022
  • David Sánchez
    Orlando 'Maraca' Valle → Flute has been recommended via David Sánchez.
    • June 1, 2022
  • David Sánchez
    Orlando 'Maraca' Valle → Cuba has been recommended via David Sánchez.
    • June 1, 2022
  • David Sánchez
    Orlando 'Maraca' Valle → Composer has been recommended via David Sánchez.
    • June 1, 2022
  • David Sánchez
    Orlando 'Maraca' Valle → Afro-Cuban Jazz has been recommended via David Sánchez.
    • June 1, 2022
  • David Sánchez
    Rudy Royston → Photographer has been recommended via David Sánchez.
    • April 7, 2022
  • David Sánchez
    Rudy Royston → Percussion has been recommended via David Sánchez.
    • April 7, 2022
  • David Sánchez
    Rudy Royston → Jazz has been recommended via David Sánchez.
    • April 7, 2022
  • David Sánchez
    Rudy Royston → Educator has been recommended via David Sánchez.
    • April 7, 2022
  • David Sánchez
    Rudy Royston → Drums has been recommended via David Sánchez.
    • April 7, 2022
  • David Sánchez
    Rudy Royston → Composer has been recommended via David Sánchez.
    • April 7, 2022
  • David Sánchez
    Rudy Royston → Classical Music has been recommended via David Sánchez.
    • April 7, 2022
View More
Loading ...
  • ENGLISH (pra Portuguese →)
  • PORTUGUÊS (to English →)

ENGLISH (pra Portuguese →)

 

WHO IS INSIDE THIS GLOBAL MATRIX?

Explore above for a complete list of artists and other members of the creative economy.


WHY BRAZIL?

Brazil is not a European nation. It's not a North American nation. It's not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn.

 

Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin.

 

Brazil was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — the hand drum in the opening scene above — was almost certainly brought to Brazil by these people).

 

Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David.

 

Three cultures — from three continents — running for their lives, their confluence forming a scintillatingly unprecedented fourth. Pandeirista on the roof.

 

Nowhere else but here. Brazil itself is a matrix.

 


✅—João do Boi
João had something priceless to offer the world.
But he was impossible for the world to find...
✅—Pardal/Sparrow
PATHWAYS
from Brazil, with love
THE MISSION: Beginning with the atavistic genius of the Recôncavo (per "RESPLENDENT BAHIA..." below) & the great sertão (the backlands of Brazil's nordeste) — make artists across Brazil — and around the world — discoverable as they never were before.

HOW: Integrate them into a vast matrixed ecosystem together with musicians, writers, filmmakers, painters, choreographers, fashion designers, educators, chefs et al from all over the planet (are you in this ecosystem?) such that these artists all tend to be connected to each other via short, discoverable, accessible pathways. Q.E.D.

"Matrixado! Laroyê!"
✅—Founding Member Darius Mans
Economist, PhD, Massachusetts Institute of Technology
✅—Luiz Inácio Lula da Silva
President of Brazil


The matrix was created in Salvador's Centro Histórico, where Bule Bule below, among first-generation matrixed colleagues, sings "Chegou a hora dessa gente bronzeada mostrar seu valor... The time has come for these bronzed people to show their worth..."

Music & lyrics (Brasil Pandeiro) by Assis Valente of Santo Amaro, Bahia, Brazil. Video by Betão Aguiar of Salvador.

...the endeavor motivated in the first instance by the fact that in common with most cultures around our planet, the preponderance of Brazil's vast cultural treasure has been impossible to find from outside of circumscribed regions, including Brazil itself...

Thus something new under the tropical sun: Open curation beginning with Brazilian musicians recommending other Brazilian musicians and moving on around the globe...

Where by the seemingly magical mathematics of the small world phenomenon, and in the same way that most human beings are within some six or so steps of most others, all in the matrix tend to proximity to all others...

The difference being that in the matrix, these steps are along pathways that can be travelled. The creative world becomes a neighborhood. Quincy Jones is right up the street and Branford Marsalis around the corner. And the most far-flung genius you've never heard of is just a few doors down. Maybe even in Brazil.

"I am thrilled to receive your email! Thank you for including me in this wonderful matrix."
✅—Susan Rogers
Personal recording engineer: Prince, Paisley Park Recording Studio
Director: Music Perception & Cognition Laboratory, Berklee College of Music
Author: This Is What It Sounds Like: What the Music You Love Says About You

"Many thanks for this - I am  touched!"
✅—Julian Lloyd Webber
That most fabled cellist in the United Kingdom (and Brazilian music fan)

"I'm truly thankful... Sohlangana ngokuzayo :)"
✅—Nduduzo Makhathini
Blue Note recording artist

"Thanks, this is a brilliant idea!!"
✅—Alicia Svigals
Founder of The Klezmatics

"This is super impressive work ! Congratulations ! Thanks for including me :)))"
✅—Clarice Assad
Compositions recorded by Yo Yo Ma and played by orchestras around the world

"Thank you"
(Banch Abegaze, manager)
✅—Kamasi Washington


RESPLENDENT BAHIA...

...is a hot cauldron of rhythms and musical styles, but one particular style here is so utterly essential, so utterly fundamental not only to Bahian music specifically but to Brazilian music in general — occupying a place here analogous to that of the blues in the United States — that it deserves singling out. It is derived from (or some say brother to) the cabila rhythm of candomblé angola… …and it is called…

Samba Chula / Samba de Roda

Mother of Samba… daughter of destiny carried to Bahia by Bantus ensconced within the holds of negreiros entering the great Bahia de Todos os Santos (the term referring both to a dance and to the style of music which evolved to accompany that dance; the official orthography of “Bahia” — in the sense of “bay” — has since been changed to “Baía”)… evolved on the sugarcane plantations of the Recôncavo (that fertile area around the bay, the concave shape of which gave rise to the region’s name) — in the vicinity of towns like Cachoeira and Santo Amaro, Santiago do Iguape and Acupe. This proto-samba has unfortunately fallen into the wayside of hard to find and hear…

There’s a lot of spectacle in Bahia…

Carnival with its trio elétricos — sound-trucks with musicians on top — looking like interstellar semi-trailers back from the future…shows of MPB (música popular brasileira) in Salvador’s Teatro Castro Alves (biggest stage in South America!) with full production value, the audience seated (as always in modern theaters) like Easter Island statues…

…glamour, glitz, money, power and press agents…

And then there’s where it all came from…the far side of the bay, a land of subsistence farmers and fishermen, many of the older people unable to read or write…their sambas the precursor to all this, without which none of the above would exist, their melodies — when not created by themselves — the inventions of people like them but now forgotten (as most of these people will be within a couple of generations or so of their passing), their rhythms a constant state of inconstancy and flux, played in a manner unlike (most) any group of musicians north of the Tropic of Cancer…making the metronome-like sledgehammering of the Hit Parade of the past several decades almost wincefully painful to listen to after one’s ears have become accustomed to evershifting rhythms played like the aurora borealis looks…

So there’s the spectacle, and there’s the spectacular, and more often than not the latter is found far afield from the former, among the poor folk in the villages and the backlands, the humble and the honest, people who can say more (like an old delta bluesman playing a beat-up guitar on a sagging back porch) with a pandeiro (Brazilian tambourine) and a chula (a shouted/sung “folksong”) than most with whatever technology and support money can buy. The heart of this matter, is out there. If you ask me anyway.

Above, the incomparable João do Boi, chuleiro, recently deceased.

 

 

PORTUGUÊS (to English →)

 

QUEM ESTÁ DENTRO DESTE MATRIX?

Explore acima para uma lista completa de artistas e outros membros da economia criativa global.


POR QUE BRASIL?

O Brasil não é uma nação européia. Não é uma nação norte-americana. Não é uma nação do leste asiático. Compreende — selva e deserto e centros urbanos densos — tanto o equador quanto o Trópico de Capricórnio.

 

O Brasil absorveu mais de dez vezes o número de africanos escravizados levados para os Estados Unidos da América, e é um repositório de divindades africanas (e sua música) agora em grande parte esquecido em suas terras de origem.

 

O Brasil era um refúgio (de certa forma) para os sefarditas que fugiam de uma Inquisição que os seguia através do Atlântico (aquele símbolo não oficial da música nacional brasileira — o pandeiro — foi quase certamente trazido ao Brasil por esse povo).

 

Através das savanas ressequidas do interior do culturalmente fecundo nordeste, onde o mago Hermeto Pascoal nasceu na Lagoa da Canoa e cresceu em Olho d'Águia, uma grande parte da população aborígine do Brasil foi absorvida por uma cultura caboclo/quilombola pontuada pela Estrela de Davi.

 

Três culturas — de três continentes — correndo por suas vidas, sua confluência formando uma quarta cintilante e sem precedentes. Pandeirista no telhado.

 

Em nenhum outro lugar a não ser aqui. Brasil é um matrix mesmo.

 


✅—João do Boi
João tinha algo inestimável pro mundo.
Mas ele era impossível pro mundo encontrar...
✅—Pardal/Sparrow
CAMINHOS
do Brasil, com amor
A MISSÃO: Começando com a atávica genialidade do Recôncavo (conforme "RESPLANDECENTE BAHIA..." abaixo) e do grande sertão — tornar artistas através do Brasil — e ao redor do mundo — descobriveis como nunca foram antes.

COMO: Integrá-los num vasto ecosistema matrixado, juntos com músicos, escritores, cineastas, pintores, coreógrafos, designers de moda, educadores, chefs e outros de todos os lugares (você está neste ecosistema?) de modo que todos esses artistas tendem a estar ligados entre si por caminhos curtos, descobriveis e acessíveis. Q.E.D.

"Matrixado! Laroyê!"
✅—Membro Fundador Darius Mans
Economista, doutorado, Massachusetts Institute of Technology
✅—Luiz Inácio Lula da Silva
Presidente do Brasil


O matrix foi criado no Centro Histórico de Salvador, onde Bule Bule no clipe, entre colegas da primeira geração no matrix, canta "Chegou a hora dessa gente bronzeada mostrar seu valor..."

Música & letras (Brasil Pandeiro) por Assis Valente de Santo Amaro, Bahia. Vídeo por Betão Aguiar de Salvador.

...o empreendimento motivado na primeira instância pelo fato de que em comum com a maioria das culturas ao redor do nosso planeta, a preponderância do vasto tesouro cultural do Brasil tem sido impossível de encontrar fora de regiões circunscritas, incluindo o próprio Brasil.

Assim, algo novo sob o sol tropical: Curadoria aberta começando com músicos brasileiros recomendando outros músicos brasileiros e avançando ao redor do globo...

Onde pela matemática aparentemente mágica do fenômeno do mundo pequeno, e da mesma forma que a maioria dos seres humanos estão dentro de cerca de seis passos da maioria dos outros, todos no matrix tendem a se aproximar de todos...

Com a diferença que no matrix, estes passos estão ao longo de caminhos que podem ser percorridos. O mundo criativo se torna uma vizinhança. Quincy Jones está lá em cima e Branford Marsalis está ao virar da esquina. E o gênio distante que você nunca ouviu falar tá lá embaixo. Talvez até no Brasil.

"Obrigada por me incluir neste matrix maravilhoso!"
✅—Susan Rogers
Engenheiro de gravação pessoal para Prince: Paisley Park Estúdio de Gravação
Diretora: Laboratório de Percepção e Cognição Musical, Berklee College of Music
Autora: This Is What It Sounds Like: What the Music You Love Says About You

"Muito obrigado por isso - estou tocado!"
✅—Julian Lloyd Webber
Merecidamente o violoncelista mais lendário do Reino Unido (e fã da música brasileira)

"Estou realmente agradecido... Sohlangana ngokuzayo :)"
✅—Nduduzo Makhathini
Artista da Blue Note

"Obrigada, esta é uma ideia brilhante!!"
✅—Alicia Svigals
Fundadora do The Klezmatics

"Este é um trabalho super impressionante! Parabéns! Obrigada por me incluir :)))"
✅—Clarice Assad
Composições gravadas por Yo Yo Ma e tocadas por orquestras ao redor do mundo

"Thank you"
(Banch Abegaze, empresário)
✅—Kamasi Washington


RESPLANDECENTE BAHIA...

...é um caldeirão quente de ritmos e estilos musicais, mas um estilo particular aqui é tão essencial, tão fundamental não só para a música baiana especificamente, mas para a música brasileira em geral - ocupando um lugar aqui análogo ao do blues nos Estados Unidos - que merece ser destacado. Ela deriva (ou alguns dizem irmão para) do ritmo cabila do candomblé angola... ...e é chamada de...

Samba Chula / Samba de Roda

Mãe do Samba... filha do destino carregada para a Bahia por Bantus ensconced dentro dos porões de negreiros entrando na grande Bahia de Todos os Santos (o termo refere-se tanto a uma dança quanto ao estilo de música que evoluiu para acompanhar essa dança; a ortografia oficial da "Bahia" - no sentido de "baía" - foi desde então alterada para "Baía")... evoluiu nas plantações de cana de açúcar do Recôncavo (aquela área fértil ao redor da baía, cuja forma côncava deu origem ao nome da região) - nas proximidades de cidades como Cachoeira e Santo Amaro, Santiago do Iguape e Acupe. Este proto-samba infelizmente caiu no caminho de difíceis de encontrar e ouvir...

Há muito espetáculo na Bahia...

Carnaval com seu trio elétrico - caminhões sonoros com músicos no topo - parecendo semi-reboques interestelares de volta do futuro...shows de MPB (música popular brasileira) no Teatro Castro Alves de Salvador (maior palco da América do Sul!) com total valor de produção, o público sentado (como sempre nos teatros modernos) como estátuas da Ilha de Páscoa...

...glamour, glitz, dinheiro, poder e publicitários...

E depois há de onde tudo isso veio... do outro lado da baía, uma terra de agricultores e pescadores de subsistência, muitos dos mais velhos incapazes de ler ou escrever... seus sambas precursores de tudo isso, sem os quais nenhuma das anteriores existiria, suas melodias - quando não criadas por eles mesmos - as invenções de pessoas como eles, mas agora esquecidas (pois a maioria dessas pessoas estará dentro de um par de gerações ou mais), seus ritmos um constante estado de inconstância e fluxo, tocados de uma forma diferente (a maioria) de qualquer grupo de músicos do norte do Trópico de Câncer... fazendo com que o martelo de forja do Hit Parade das últimas décadas seja quase que doloroso de ouvir depois que os ouvidos se acostumam a ritmos sempre mutáveis, tocados como a aurora boreal parece...

Portanto, há o espetáculo, e há o espetacular, e na maioria das vezes o último é encontrado longe do primeiro, entre o povo pobre das aldeias e do sertão, os humildes e os honestos, pessoas que podem dizer mais (como um velho bluesman delta tocando uma guitarra batida em um alpendre flácido) com um pandeiro (pandeiro brasileiro) e uma chula (um "folksong" gritado/cantado) do que a maioria com qualquer tecnologia e dinheiro de apoio que o dinheiro possa comprar. O coração deste assunto, está lá. Se você me perguntar de qualquer forma.

Acima, o incomparável João do Boi, chuleiro, recentemente falecido.

 

 

  • Eric Roberson Neo Soul
  • Melanie Charles Jazz
  • Anderson Lacerda Maxixe
  • Melanie Charles Experimental Music
  • Abel Selaocoe Classical Music
  • A-KILL Street Artist
  • Rachael Price Singer-Songwriter
  • Michael League Composer
  • Fábio Peron Choro
  • Marc Cary Jazz
  • Martin Koenig Balkan Music
  • Adrian Younge Orchestrator
  • Peter Slevin Northwestern University Faculty
  • Zara McFarlane Soul
  • Dafnis Prieto Jazz
  • Oleg Fateev Composer
  • Jen Shyu Vocalist
  • Billy Strings Mandolin
  • Dafnis Prieto University of Miami Frost School of Music Faculty
  • Keith Jarrett Jazz
  • Jim Hoke Record Producer
  • Ajurinã Zwarg Universal Music
  • Fabiana Cozza Samba
  • Sombrinha Brazil
  • John McEuen Banjo
  • Ivan Bastos Faculdade da UFBA, Federal University of Bahia Faculty
  • John Zorn Film Scores
  • James Sullivan Writer
  • Amanda Tropicana Brasil, Brazil
  • Leon Bridges Record Producer
  • Moses Boyd London
  • Etienne Charles Cuatro
  • Henry Cole Drums
  • Nailor Proveta Choro
  • Edmar Colón Puerto Rico
  • Tarus Mateen Bass
  • Roque Ferreira Bahia
  • J. Pierre Artist
  • Berkun Oya Istanbul
  • James Gadson Funk
  • Maracatu Ventos de Ouro Bahia
  • Gerônimo Santana Trombone
  • Isaias Rabelo Salvador
  • Errollyn Wallen Royal Conservatoire of Scotland
  • Forrest Hylton Ethnohistorian: Latin America & the Caribbean
  • Matt Ulery Contemporary Classical Music
  • Meena Karimi Cello
  • Antonio Adolfo Rio de Janeiro
  • Lô Borges Guitarra, Violão, Guitar
  • Harish Raghavan Jazz
  • Carl Allen Jazz
  • Gustavo Caribé Chula
  • Carwyn Ellis Experimental Music
  • THE ROOM Shibuya Jazz
  • Maria Marighella Gestor Público, Public Servant
  • Aneesa Strings Bass
  • Thiago Trad Bahia
  • Alegre Corrêa Berimbau
  • Conrad Herwig Jazz
  • Marko Djordjevic Berklee College of Music Faculty
  • Paulinho da Viola Singer-Songwriter
  • Vinnie Colaiuta Los Angeles, California
  • Bill Frisell Americana
  • Endea Owens New York City
  • Arifan Junior Brasil, Brazil
  • Shamarr Allen R&B
  • OVANA Xangongo
  • Msaki Singer-Songwriter
  • Shabaka Hutchings Saxophone
  • Paul Cebar R&B
  • Seu Jorge Singer-Songwriter
  • Irma Thomas Songwriter
  • Jill Scott Actor
  • Leci Brandão Rio de Janeiro
  • Gregory Porter Songwriter
  • Astrig Akseralian Mixed Media Art
  • Kalani Pe'a Hawaiian Music
  • Sarah Jarosz New York City
  • Zisl Slepovitch Composer
  • Fábio Luna Bateria, Drums
  • Nelson Cerqueira Brasil, Brazil
  • Melanie Charles Flute
  • Parker Ighile Multi-Cultural
  • Matt Ulery Multi-Instrumentalist
  • Ronaldo do Bandolim Brazil
  • Melvin Gibbs Brooklyn, NY
  • Daniil Trifonov Classical Music
  • Ubiratan Marques Maestro, Conductor
  • Dwayne Dopsie Louisiana
  • Alana Gabriela Salvador
  • Jared Sims Funk
  • David Greely Songwriter
  • Anton Fig New York City
  • Yamandu Costa Composer
  • Merima Ključo Sephardic Music
  • Yacouba Sissoko Griot
  • Plínio Fernandes Brazil
  • Gail Ann Dorsey Singer-Songwriter
  • VJ Gabiru Videógrafo, Videographer
  • Cayenna Ponchione-Bailey Contemporary Classical Music
  • Kiko Souza Ska
  • Ry Cooder Singer-Songwriter
  • Dadi Carvalho Bass
  • Isaiah Sharkey Guitar
  • Issa Malluf Middle Eastern Percussion
  • Marcos Portinari Brasil, Brazil
  • Dan Tepfer Piano
  • Walter Blanding Clarinet
  • Phakama Mbonambi Publisher
  • BaianaSystem Salvador
  • Estrela Brilhante do Recife Maracatu
  • Laércio de Freitas MPB
  • Soweto Kinch MC
  • Speech MC
  • J. Velloso Brazil
  • Calida Rawles Los Angeles
  • Maria Rita Rio de Janeiro
  • Martin Shore Music Producer
  • Antibalas New York City
  • Adriano Giffoni Bass Instruction, Master Classes
  • Siba Veloso Brazil
  • Lula Galvão Samba
  • Bob Bernotas Radio Presenter
  • Jamel Brinkley Short Stories
  • Nathan Amaral Salzburg
  • Ricky (Dirty Red) Gordon Frottoir
  • Daedelus Electronic Music
  • Michael Sarian Composer
  • Nooriyah نوريّة Middle Eastern Music
  • Jaimie Branch Brooklyn, NY
  • Miguel Zenón New York City
  • Jakub Knera Musical Event Producer
  • Herlin Riley Second Line
  • Laura Cole R&B
  • David Sacks Washington, D.C.
  • Issac Delgado Cuba
  • Dan Trueman New Instrument Creator
  • Joshue Ashby Jazz
  • Alicia Keys New York City
  • Mateus Aleluia Candomblé
  • Paul McKenna Singer-Songwriter
  • Negra Jhô Brazil
  • Taylor Ashton Singer-Songwriter
  • Miles Mosley Television Scores
  • Leci Brandão Samba
  • Wynton Marsalis New York City
  • Larry Achiampong Composer
  • Negra Jhô Turbantes, Turbans
  • Rhiannon Giddens Banjo
  • Shana Redmond Singer
  • Fabiana Cozza Phonoaudiologist
  • Seth Swingle Kora
  • Tatiana Campêlo Brazil
  • Paulo Aragão Samba
  • Armandinho Macêdo Bahia
  • Yosvany Terry Composer
  • Berkun Oya Screenwriter
  • Jas Kayser London
  • Rodrigo Caçapa Guitar
  • Ilya Kaminsky Poet
  • João Callado Cavaquinho
  • Gavin Marwick Scotland
  • Ivan Huol Salvador
  • Ned Sublette Writer
  • Giveton Gelin Trumpet
  • Yosvany Terry Afro-Cuban Jazz
  • Kurt Rosenwinkel Composer
  • Guga Stroeter Brazil
  • Zoran Orlić Photographer
  • Jan Ramsey New Orleans
  • Ben Wendel Jazz
  • Carlos Lyra Bossa Nova
  • Eli Degibri אלי דג'יברי Jazz
  • Alexandre Vieira Contrabaixo, Double Bass
  • Paolo Fresu Flugelhorn
  • King Britt University of San Diego Faculty
  • Morten Lauridsen USC Thornton School of Music Faculty
  • Samuel Organ Electronic Music
  • Kenyon Dixon Soul
  • Abderrahmane Sissako Film Director
  • Robert Everest Multi-Instrumentalist
  • Luizinho Assis Bahia
  • José Antonio Escobar Chile
  • George Porter Jr. Bass
  • Nara Couto Atriz, Actor
  • Jimmy Greene Gospel
  • Maria Marighella Salvador
  • Logan Richardson Kansas City, Missouri
  • Greg Kurstin Singer-Songwriter
  • Jonathan Scales Multi-Cultural
  • Aditya Prakash Carnatic Music
  • Angel Deradoorian Multi-Instrumentalist
  • Di Freitas Rabeca
  • Jack Talty Ireland
  • Henry Cole Multi-Cultural
  • Tony Austin Television Scores
  • Woody Mann Guitar Instruction
  • Chubby Carrier Accordion
  • Giba Gonçalves Brazil
  • Forrest Hylton Documentary Filmmaker
  • Andrew Finn Magill Violin
  • Arthur Jafa Sculptor
  • Yosvany Terry Cuba
  • Dadi Carvalho MPB
  • Liz Pelly Writer
  • Dan Trueman Hardanger Fiddle
  • Gevorg Dabaghyan Armenia
  • Zachary Richard Cajun Music
  • Magary Lord AFROBIZ Salvador
  • Ariane Astrid Atodji African Cinema
  • Kendrick Scott New York City
  • Arany Santana Brasil, Brazil
  • 小野リサ Lisa Ono Japan
  • Richard Galliano Composer
  • Parker Ighile Progressive Afro Pop
  • Ambrose Akinmusire New York City
  • Amanda Tropicana Salvador
  • Chucho Valdés Cuba
  • Thiago Trad Bateria, Drums
  • Mônica Salmaso Brazil
  • Ricardo Bacelar MPB
  • Little Dragon Synthpop
  • Marcus Gilmore Drums
  • Léo Rugero Brazil
  • Armen Donelian Multi-Cultural
  • Yoron Israel Berklee College of Music Faculty
  • Julian Lage Jazz
  • Peter Serkin Classical Music
  • Liron Meyuhas Tel Aviv
  • Raynald Colom Flamenco
  • Ben Cox Cinematographer
  • Romero Lubambo Samba
  • Kathy Chiavola Bluegrass
  • Ivo Perelman Multi-Instrumentalist
  • Alita Moses Neo Soul
  • Liam Farrell 'Dr L' Paris
  • Nação Zumbi Maracatu
  • Nailor Proveta Arranjador, Arranger
  • Steve Lehman Jazz
  • Charles Munka Hong Kong
  • Jared Jackson Writer
  • Gabriel Grossi Forró
  • Ofer Mizrahi Indian Slide Guiter
  • Ethan Iverson Avant-Garde Jazz
  • Bill Summers Percussion
  • Martin Fondse Vibrandeon
  • Logan Richardson Flute
  • Saileog Ní Cheannabháin Theater Composer
  • Brett Orrison Sound Engineer
  • Sheryl Bailey New York City
  • Tommaso Zillio Guitar
  • Jane Cornwell Liner Notes
  • Stephanie Jones Classical Guitar
  • Justin Stanton Composer
  • Dorothy Berry Museum Curator
  • Horácio Reis MPB
  • John Santos California Jazz Conservatory Faculty
  • Ron McCurdy Trumpet
  • Jonathan Scales New York City
  • Biréli Lagrène Jazz
  • Taylor Eigsti Composer
  • Kurt Andersen Novelist
  • Nei Lopes Rio de Janeiro
  • Georgia Anne Muldrow Singer-Songwriter
  • Fred Dantas Samba
  • Maria Calú Brasil, Brazil
  • Bob Bernotas Jazz
  • Carlos Lyra Rio de Janeiro
  • David Bragger Guitar Instruction
  • Ramita Navai Journalist
  • Al Kooper Multi-Instrumentalist
  • Cleber Augusto Songwriter
  • Ali Jackson Jazz
  • Dave Smith Percussion
  • Marta Sánchez Piano
  • Zé Luíz Nascimento Salvador
  • Manuel Alejandro Rangel Caracas
  • Shuya Okino Radio Presenter
  • Kazemde George Composer
  • Doug Wamble Jazz
  • Third Coast Percussion Chicago, Illinois
  • Giorgi Mikadze გიორგი მიქაძე Microtonal
  • Richie Pena Programmer
  • Zeca Pagodinho Samba
  • Emmet Cohen New York City
  • Shankar Mahadevan India
  • Rebeca Tárique Brasil, Brazil
  • Milton Nascimento MPB
  • Maracatu Ventos de Ouro Brasil, Brazil
  • Tony Kofi Saxophone
  • Rory Marx Anderson Director
  • Mandisi Dyantyis South Africa
  • Eric Alper Radio Presenter
  • Emicida Rapper
  • Nonesuch Records Classical Music
  • Meshell Ndegeocello Jazz, Funk, R&B, Soul, Hip-Hop, Reggae
  • Lydia R. Diamond Playwright
  • 9th Wonder Raleigh, North Carolina
  • Sara Gazarek Singer
  • TaRon Lockett Drums
  • Júlio Caldas Brasil, Brazil
  • Chief Xian aTunde Adjuah Multi-Cultural
  • Shuya Okino DJ
  • Juliana Ribeiro Salvador
  • Donald Harrison Saxophone
  • Djuena Tikuna Indigenous Brazilian Music
  • Yacoce Simões Arranjador, Arranger
  • Jurandir Santana Brazilian Jazz
  • Tom Schnabel Radio Presenter
  • Garvia Bailey Jamaica
  • Shaun Martin Songwriter
  • Charlie Bolden Trumpet
  • Adam Neely Composer
  • Nick Douglas Tech Writer
  • Gaby Moreno Multi-Cultural
  • Filhos de Nagô Samba de Roda
  • John Zorn Saxophone
  • J. Cunha Artista Plástico, Artist
  • Lydia R. Diamond University of Illinois at Chicago School of Theater & Music Faculty
  • Ben Wendel Saxophone
  • Cory Wong Songwriter
  • Márcio Valverde MPB
  • Wilson Café Bahia
  • Alexandre Leão Brasil, Brazil
  • Isaac Butler Podcaster
  • Ed O'Brien London
  • Utar Artun Percussion
  • Sam Harris Jazz
  • Bule Bule Brazil
  • Rosa Cedrón Galicia
  • Antonio Adolfo Brasil, Brazil
  • Marcello Gonçalves Brazil
  • Ferenc Nemeth App Developer
  • Sebastian Notini Salvador
  • Roberto Mendes Chula
  • Teodor Currentzis Classical Music
  • Zeca Baleiro Violão, Guitar
  • Brian Jackson Flute
  • Alberto Pitta Bloco Afro
  • Magda Giannikou New York City
  • Gêge Nagô Samba de Roda
  • Tom Bergeron Composer
  • Michael Pipoquinha Bass
  • Daniel Gonzaga MPB
  • Saileog Ní Cheannabháin Fiddle
  • Lizz Wright Gospel
  • Curtis Hasselbring Guitar
  • Willie Jones III New York City
  • Ubiratan Marques Brasil, Brazil
  • Moreno Veloso MPB
  • Dani Deahl Writer
  • Maria Bethânia Brasil, Brazil
  • Ana Luisa Barral MPB
  • Virgínia Rodrigues Salvador
  • César Orozco Composer
  • Brad Mehldau Composer
  • Muireann Nic Amhlaoibh Radio Presenter
  • Julia Alvarez Latin American Literature
  • Shuya Okino Music Venue Owner
  • Gerald Clayton Los Angeles
  • Vijay Gupta Los Angeles Philharmonic
  • Yoron Israel R&B
  • Cleber Augusto Guitar
  • Christian McBride Composer
  • William Skeen USC Thornton School of Music Faculty
  • Adrian Younge Film Scores
  • João Luiz MPB
  • Laércio de Freitas Choro
  • Pretinho da Serrinha Cavaquinho
  • Tia Fuller Composer
  • Cacá Diegues Brasil, Brazil
  • Alicia Keys Author
  • Ronaldo Bastos Composer
  • Anne Gisleson New Orleans
  • Danilo Brito Choro
  • Della Mae Nashville, Tennessee
  • Marília Sodré Cantora, Singer
  • Joanna Majoko Singer-Songwriter
  • Jane Ira Bloom Multi-Cultural
  • Danilo Brito Brazil
  • Edgar Meyer Double Bass
  • 小野リサ Lisa Ono Guitar
  • Fred Dantas Bahia
  • Mariana Zwarg Samba
  • Nicolas Krassik Samba
  • Renata Flores Peru
  • Tab Benoit Baton Rouge
  • Daniel Jobim MPB
  • Roy Ayers Vibraphone
  • Tonynho dos Santos Flugelhorn
  • Irma Thomas Blues
  • Anthony Wilson Guitar
  • Luiz Antônio Simas Poeta, Poet
  • Cashmere Cat Songwriter
  • Mike Compton Folk & Traditional
  • Chris Thile Jazz
  • Marcela Valdes Journalist
  • Eddie Kadi Radio Presenter
  • Alan Brain Screenwriter
  • Diego Figueiredo Compositor, Composer
  • Camille Thurman Piccolo
  • Walter Pinheiro São Paulo
  • Marko Djordjevic Jazz
  • Geovanna Costa Pandeiro
  • Walter Pinheiro Flute
  • Robi Botos Ropeadope
  • Leandro Afonso Bahia
  • Matt Glaser Violin
  • Jorge Washington Salvador
  • Edmar Colón Piano
  • Bobby Sanabria Afro-Cuban Jazz
  • Mickalene Thomas Video Artist
  • Instituto Oyá Brasil, Brazil
  • Nara Couto Salvador
  • Cassie Osei Brazilianist
  • Molly Tuttle Nashville, Tennessee
  • Horace Bray Funk
  • Chau do Pife Maceió
  • Samba de Nicinha Samba
  • Pedrito Martinez Percussion
  • Tom Wilcox Accountant
  • Guga Stroeter Samba
  • Baiba Skride Classical Music
  • Jaleel Shaw Jazz
  • Nate Chinen Music Critic
  • Larry McCray Arkansas
  • María Grand Jazz
  • Mariene de Castro Samba de Roda
  • Paulo César Figueiredo Jornalista, Journalist
  • Sam Yahel New York City
  • Terri Hinte Travel Writer
  • Bill Laurance Composer
  • Arturo Sandoval Cuba
  • Bruce Williams Saxophone
  • Ryuichi Sakamoto Experimental Music
  • Alex Conde Madrid
  • Sérgio Pererê MPB
  • Yazz Ahmed Arabic Jazz
  • Ronell Johnson Second Line
  • Plamen Karadonev Composer
  • David Mattingly New York City
  • Zisl Slepovitch New York City
  • Banning Eyre Photographer
  • Celino dos Santos Terra Nova
  • Karla Vasquez El Salvador
  • Mestrinho Brazil
  • Alphonso Johnson Funk
  • Darcy James Argue Composer
  • Allen Morrison Writer
  • Tia Surica Brazil
  • Horácio Reis Faculdade da Ucsal, Catholic University of Salvador Faculty
  • Eric Galm Hartford, Connecticut
  • Marc Maron Guitar
  • Otis Brown III Composer
  • Karsh Kale कर्ष काळे EDM
  • Bob Reynolds Saxophone Instruction
  • Custódio Castelo Compositor, Composer
  • Wouter Kellerman World Music
  • Simon Singh Physics
  • Abel Selaocoe Cello
  • Mark Markham New York City
  • Neo Muyanga Singer
  • Jussara Silveira MPB
  • Anthony Coleman Composer
  • Aloísio Menezes Samba
  • Dave Douglas New York City
  • David Hepworth Writer
  • Mingus Big Band Big Band
  • Isaac Julien Filmmaker
  • Jeff Parker Jazz
  • Tony Trischka Banjo
  • Richard Galliano Bandoneon
  • Howard Levy Record Label Owner
  • Christopher Seneca Journalist
  • Alma Deutscher Piano
  • Oteil Burbridge Jazz
  • Capitão Corisco Flute
  • Marvin Dunn Historian
  • D.D. Jackson Television Scores
  • David Virelles Cuba
  • Myron Walden Piccolo
  • Jon Otis Singer-Songwriter
  • Sergio Krakowski Rio de Janeiro
  • Walter Ribeiro, Jr. Bahia
  • China Moses Soul
  • Daniel Jobim Samba
  • Yola Singer-Songwriter
  • Imani Winds Contemporary Classical Music
  • Dave Douglas Jazz
  • Marc-André Hamelin Composer
  • Harvey G. Cohen Political Historian
  • Mauro Senise Rio de Janeiro
  • Christopher Wilkinson Movie Producer
  • Chano Domínguez Jazz
  • Bule Bule Chula
  • Imani Winds Multi-Cultural
  • Carlos Blanco Bahia
  • Jason Moran Film Scores
  • Nicolas Krassik Forró
  • Jam no MAM Bahia

 'mātriks / "source" / from "mater", Latin for "mother"
A real mother for ya!

 

Copyright ©2023  -  Privacy  -  Terms of Service  -  Contact  - 

Open to members of the worldwide creative economy.

You'll use your email address to log in.

Passwords must be at least 6 characters in length.

Enter your password again for confirmation.

This will be the end of your profile link, for example:
http://www.matrixonline.net/profile/yourname

Please type the characters you see in the image. May take several tries. Sorry!!!

 

Matrix Sign In

Please enter your details below. If are a member of the global creative economy and don't have a page yet, please sign up first.

 
 
 
Forgot Password?
Share