Salvador Bahia Brazil Matrix

The Matrix Online Network is a platform conceived & built in Salvador da Bahia, Brazil and upon which people & entities across the creative economic universe can 1) present in variegated detail what it is they do, 2) recommend others, and 3) be recommended by others. Integrated by such recommendations and governed by the metamathematical magic of the small world phenomenon (popularly called "6 degrees of separation"), matrix pages tend to discoverable proximity to all other matrix pages, no matter how widely separated in location, society, and degree of fame. From Quincy Jones to celestial samba in the favelas of Rio de Janeiro to what people create across the planet, you are closer to it all than you imagine.

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  • (Bahia)
  • Questions?
  • From Brazil with love →
  • @ Ground Zero
  • El Aleph
  • If You Can't Stand the Heat
  • Harlem to Bahia to the Planet
  • Why a "Matrix"?

From Brazil with love →

@ Ground Zero

 

Have you, dear friend, ever noticed how different places scattered across the face of the globe seem almost to exist in different universes? As if they were permeated throughout with something akin to 19th century luminiferous aether, unique, determined by that place's history? It's like a trick of the mind's light (I suppose), but standing on beach or escarpment in Salvador and looking out across the Baía de Todos os Santos to the great Recôncavo, and mindful of what happened there, one must be led to the inevitable conclusion that one is in a place unique to history, and to the present*.

 

 

"Chegou a hora dessa gente bronzeada mostrar seu valor / The time has come for these bronzed people to show their value..."Música: Assis Valente of Santo Amaro, Bahia. Vídeo: Betão Aguiar.

 

*More enslaved human beings entered the Bay of All Saints and the Recôncavo than any other final port-of-call throughout all of mankind's history.

 

These people and their descendants created some of the most uplifting music ever made, the foundation of Brazil's national art. We wanted their music to be accessible to the world (it's not even accessible here in Brazil) so we created a platform by which everybody's creativity is mutually accessible, including theirs.

 

El Aleph

 

The network was built in an obscure record shop (Kareem Abdul-Jabbar found it) in a shimmering Brazilian port city...

 

...inspired in (the kabbalah-inspired fiction of) Borges' (short story) El Aleph, that in the pillar in Cairo's Mosque of Amr, where the universe in its entirety throughout all time is perceivable as an infinite hum from deep within the stone.

 

It "works" by virtue of the "small-world" phenomenon...the same responsible for the fact that most of us 7 billion or so beings are within 6 or fewer degrees of each other.

 

It was described (to some degree) and can be accessed via this article in British journal The Guardian (which named our radio of matrixed artists as one of ten best in the world):

 

www.theguardian.com/travel/2020/apr/17/10-best-music-radio-station-around-world

 

With David Dye for U.S. National Public Radio: www.npr.org/2013/07/16/202634814/roots-of-samba-exploring-historic-pelourinho-in-salvador-brazil

 

All is more connected than we know.

 

Per the "spirit" above, our logo is a cortador de cana, a cane-cutter. It was designed by Walter Mariano, professor of design at the Federal University of Bahia to reflect the origins of the music the shop specialized in. The Brazilian "aleph" doesn't hum... it dances and sings.

 

If You Can't Stand the Heat

 

Image above is from the base of the cross in front of the church of São Francisco do Paraguaçu in the Bahian Recôncavo

 

Sprawled across broad equatorial latitudes, stoked and steamed and sensual in the widest sense of the word, limned in cadenced song, Brazil is a conundrum wrapped in a smile inside an irony...

 

This is not a European nation. It is not a North American nation. It is not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn. Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin. It was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people). Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David. Three cultures — from three continents — running for their lives, their confluence forming an unprecedented fourth. Pandeirista on the roof. Nowhere else but here.

 

Oligarchy, plutocracy, dictatorships and massive corruption — elements of these are still strongly entrenched — have defined, delineated, and limited Brazil.

 

But strictured & bound as it has been and is, Brazil has buzz...not the shallow buzz of a fashionable moment...but the deep buzz of a population which in spite of — or perhaps because of — the tough slog through life they've been allotted by humanity's dregs-in-fine-linen, have chosen not to simply pull themselves along but to lift their voices in song and their bodies in dance...to eat well and converse well and much and to wring the joy out of the day-to-day happenings and small pleasures of life which are so often set aside or ignored in the European, North American, and East Asian nations.

 

For this Brazil has a genius perhaps unparalleled in all other countries and societies, a genius which thrives alongside peeling paint and holes in the streets and roads, under bad organization by the powers-that-be, both civil and governmental, under a constant rain of societal indignities...

 

Which is all to say that if you don't know Brazil and you're expecting any semblance of order, progress and light, you will certainly find the light! And the buzz of a people who for generations have responded to privation at many different levels by somehow rising above it all.

 

"Onde tem miséria, tem música!"* - Raymundo Sodré

 

And it's not just music. And it's not just Brazil.

 

Welcome to the kitchen!

 

* "Where there is misery, there is music!" Remarked during a conversation arcing from Bahia to Haiti and Cuba to New Orleans and the south side of Chicago and Harlem to the villages of Ireland and the gypsy camps and shtetls of Eastern Europe...

 

Harlem to Bahia to the Planet



Why a "Matrix"?

 

I was explaining the ideas behind this nascent network to (João) Teoria (trumpet player above) over cervejas at Xique Xique (a bar named for a town in Bahia) in the Salvador neighborhood of Barris...

 

Like this (but in Portuguese): "It's kind of like Facebook if it didn't spy on you, but reversed... more about who you don't know than who you do know. And who doesn't know you but would be glad if they did. It's kind of like old Myspace Music but instead of having "friends" it has a list on your page of people you recommend. Not just musicians but writers, painters, filmmakers, dancers, chefs... anybody in the creative economy. It has a list of people who recommend you, or through whom you are recommended. It deals with arts which aren't recommendable by algorithm but need human intelligence behind recommendations. And the people who are recommended can recommend, creating a network of recommendations wherein by the small world phenomenon most people in the creative economy are within several steps of everybody else in the creative economy, no matter where they are in the world. Like a chessboard which could have millions of squares, but you can get from any given square to any other in no more than six steps..."

 

And João said (in Portuguese): "A matrix where you can move from one artist to another..."

 

A matrix! That was it! The ORIGINAL meaning of matrix is "source", from "mater", Latin for "mother". So the term would help congeal the concept in the minds of people the network was being introduced to, while giving us a motto: "We're a real mother for ya!" (you know, Johnny "Guitar" Watson?)

 

The original idea was that musicians would recommend musicians, the network thus formed being "small world" (commonly called "six degrees of separation"). In the real world, the number of degrees of separation in such a network can vary, but while a given network might have billions of nodes (people, for example), the average number of steps between any two nodes will usually be minuscule.

 

Thus somebody unaware of the magnificent music of Bahia, Brazil will be able to conceivably move from almost any musician in this matrix to Bahia in just a few steps...

 

By the same logic that might move one from Bahia or anywhere else to any musician anywhere.

 

And there's no reason to limit this system to musicians. To the contrary, while there are algorithms written to recommend music (which, although they are limited, can be useful), there are no algorithms capable of recommending journalism, novels & short stories, painting, dance, film, chefery...

 

...a vast chasm that this network — or as Teoria put it, "matrix" — is capable of filling.

 

  • Paulinho da Viola
    I RECOMMEND

CURATION

  • from this node by: Criador acima/Creator above

This is the Universe of

  • Name: Paulinho da Viola
  • City/Place: Rio de Janeiro
  • Country: Brazil

Life & Work

  • Bio: A sambista who started his career in Zicartola, Cartola's club in the 1960s, his payment being bus fare home, and then back for the next time he'd play.

    Paulinho had been adopted by the composers of the Portela samba school after having been taken to meet them by Hermínio Bello de Carvalho, who recognized Paulinho as the son of choroão (choro player) César Faria when he got to the window of the bank where he'd been standing in line.

    It was Paulinho's first job. His father hadn't wanted Paulinho to work as a professional musician, considering the work too insecure. Later Paulinho would write a beautiful song about this, 14 anos (14 Years Old).

    Paulinho went on to become a magnificent sambista and chorão, composing many, many beautiful sambas. He also has the voice of an angel. And in public anyway, a temperament to match.

Media | Markets

  • ▶ Twitter: paulinhodaviola
  • ▶ Instagram: paulinhodaviola
  • ▶ YouTube Music: http://music.youtube.com/channel/UC14FL5fYa8aPKghYRwrTkXw
  • ▶ Spotify: http://open.spotify.com/album/1UpjEv84CuTDus9L5br86V
  • ▶ Spotify 2: http://open.spotify.com/album/0ROUnAXYIbuVYYksmWhkVc
  • ▶ Spotify 3: http://open.spotify.com/album/0ROUnAXYIbuVYYksmWhkVc
  • ▶ Spotify 4: http://open.spotify.com/album/7rF6hgJfhkeIx2HuOE1p2G
  • ▶ Spotify 5: http://open.spotify.com/album/2nGpo81bnXYrJWj1p6QH77

Clips (more may be added)

  • 4:58
    Paulinho da Viola - Foi Um Rio Que Passou Em Minha Vida
    By Paulinho da Viola
    233 views
  • Nervos de Aço
    By Paulinho da Viola
    480 views
Previous
Next

YOU RECOMMEND

Imagine the world's creative economy at your fingertips. Imagine 10 doors side-by-side. Beyond each, 10 more, each opening to a "creative" somewhere around the planet. After passing through 8 such doorways you will have followed 1 pathway out of 100 million possible (2 sets of doorways yield 10 x 10 = 100 pathways). This is a simplified version of the metamathematics that makes it possible to reach everybody in the global creative economy in just a few steps It doesn't mean that everybody will be reached by everybody. It does mean that everybody can  be reached by everybody.


Appear below by recommending Paulinho da Viola:

  • 10 Brazil
  • 10 Choro
  • 10 Rio de Janeiro
  • 10 Samba
  • 10 Singer-Songwriter

Nodes below are randomly generated. Reload for a different stack.

  • Carl Joe Williams Painter
  • Helado Negro Sound Installations
  • Brian Stoltz R&B
  • Taylor McFerrin Multi-Instrumentalist
  • Siobhán Peoples Fiddle
  • Anna Mieke Wicklow
  • David Hepworth Music Journalist
  • Zé Luíz Nascimento Salvador
  • Roy Ayers Jazz, Funk, R&B, Soul, Hip-Hop
  • Orrin Evans Composer
  • Doug Wamble New York City
  • Nelson Latif Samba
  • Plínio Fernandes Brazilian Classical Guitar
  • James Grime YouTuber
  • Isaiah J. Thompson Composer
  • Sarz Multi-Instrumentalist
  • Jacám Manricks Composer
  • Jaques Morelenbaum MPB
  • Marcel Camargo MPB
  • Lívia Mattos Singer-Songwriter
  • Glória Bomfim Brazil
  • Thomas Àdes London
  • Tedy Santana Bahia
  • Donald Harrison Composer
  • Fantastic Negrito Oakland, California
  • Jakub Józef Orliński Countertenor
  • John Zorn Saxophone
  • Caroline Keane Educator
  • Caoimhín Ó Raghallaigh Composer
  • Mário Pam Percussion
  • Nathan Amaral Rio de Janeiro
  • Gringo Cardia Architect
  • Shanequa Gay Southern Black Tradition
  • Jim Hoke Saxophone
  • Billy O'Shea Denmark
  • Siba Veloso Brazil
  • Célestin Monga Author
  • Ênio Bernardes Percussão, Percussion
  • Simone Sou São Paulo
  • Marko Djordjevic Drums
  • David Castillo Voiceovers
  • Samba de Nicinha Chula
  • Nicholas Payton New Orleans
  • Sophia Deboick Historian
  • Gail Ann Dorsey Bass
  • Andrew Dickson Journalist
  • Siba Veloso Viola Nordestina
  • Michael Cleveland Indiana
  • Peter Mulvey Americana
  • Savoy Family Cajun Band Louisiana
  • Nettrice R. Gaskins Afro-Futurist
  • Jean-Paul Bourelly Guitar
  • Ron Mader Communications Catalyst
  • Nelson Ayres Jazz
  • Deborah Colker Choreographer
  • Emily Elbert Guitar
  • Keola Beamer Hawaii
  • Rodrigo Amarante Singer-Songwriter
  • João Luiz Guitar
  • Elizabeth LaPrelle Appalachian Music
  • Amy K. Bormet Composer
  • Dale Bernstein Photographer
  • Gian Correa Samba
  • Immanuel Wilkins New School Faculty
  • Mateus Asato Guitar
  • Dan Tepfer Classical Music
  • Rudy Royston Educator
  • Yvette Holzwarth Composer
  • Cashmere Cat DJ
  • Hank Roberts Vocalist
  • Avishai Cohen אבישי כה Jazz
  • Soweto Kinch MC
  • André Becker Orquestra Sinfônica da Bahia
  • Eric Harland Composer
  • Bukassa Kabengele Congo
  • Jim Hoke Record Producer
  • Otmaro Ruiz Jazz
  • Márcio Valverde MPB
  • Ron McCurdy Trumpet
  • Mike Moreno Aaron Copeland School of Music Faculty
  • Owen Williams Marketer
  • Reuben Rogers Bass
  • Simone Sou Brazil
  • Woody Mann Guitar Instruction
  • Lucian Ban Romania
  • Ajurinã Zwarg Rio de Janeiro
  • Wayne Krantz Composer
  • Gevorg Dabaghyan Armenian Folk Music
  • Gabriel Grossi Forró
  • Ballaké Sissoko Mali
  • Luis Paez-Pumar New York City
  • Mary Norris New York City
  • Issac Delgado Salsa
  • Nublu Record Label
  • William Skeen Cello
  • JD Allen Saxophone
  • Peter Erskine Drums
  • Mulatu Astatke Addis Ababa
  • Ari Hoenig New York City
  • Michael Pipoquinha Brazilian Jazz
  • Stan Douglas Vancouver
  • Brandee Younger Pop Music
  • Léo Rodrigues Samba
  • Guinga Brazil
  • Tiganá Santana Produtor Musical, Music Producer
  • Paulo Aragão Rio de Janeiro
  • Ibrahim Maalouf Multi-Cultural
  • Run the Jewels Hip-Hop
  • PATRICKTOR4 Global Bass
  • Liz Dany Choreographer
  • Fernando Brandão Berklee College of Music Faculty
  • Marília Sodré Bahia
  • Karsh Kale कर्ष काळे Brooklyn, NY
  • Casa da Mãe Música ao Vivo, Live Music
  • Bodek Janke Multi-Cultural
  • Catherine Russell Singer
  • Amy K. Bormet Jazz
  • Mona Lisa Saloy New Orleans
  • Ariane Astrid Atodji Yaoundé
  • Capinam Letrista, Lyricist
  • Bukassa Kabengele Actor
  • THE ROOM Shibuya Jazz
  • Mehdi Rajabian Multi-Cultural
  • Sarah Hanahan Saxophone
  • Vadinho França Presidente de Bloco de Carnaval, Carnival Bloco President
  • Rumaan Alam Literary Critic
  • Stephen Guerra New York City
  • Anne Gisleson New Orleans
  • John Santos Puerto Rico
  • Regina Carter Multi-Cultural
  • Byron Thomas Music Director
  • Fantastic Negrito Oakland, California
  • Anthony Hervey Actor
  • James Martins Bahia
  • Robb Royer Songwriter
  • Paulinho do Reco Brazil
  • Jorge Washington Afro-Bahian Cuisine
  • Stephan Crump Brooklyn, NY
  • Flora Purim Singer-Songwriter
  • Bill T. Jones Theater Director
  • Mika Mutti Electronic Music
  • Luciana Souza Brazil
  • André Vasconcellos Produtor Musical, Music Producer
  • Utar Artun Percussion
  • Liron Meyuhas Percussion Instruction
  • Richard Bona Multi-Cultural
  • Kurt Andersen Radio Presenter
  • Courtney Pine Flute
  • Aditya Prakash India
  • Diana Fuentes Cuba
  • Michael Peha Talent Management
  • Meshell Ndegeocello Rapper
  • Martyn Techno
  • Yoruba Andabo Havana
  • Sarah Hanahan Jazz
  • Ferenc Nemeth Hungary
  • André Becker Saxophone
  • Horacio Hernández Percussion
  • Paulo Aragão Composer
  • Martín Sued Argentina
  • Tessa Hadley Short Stories
  • Negrizu Salvador
  • Gustavo Caribé Produtor Musical, Music Producer
  • Shemekia Copeland Chicago
  • Larissa Fulana de Tal Cineasta, Filmmaker
  • James Strauss Flute
  • Negrizu Candomblé
  • David Chesky Record Label Owner
  • Yasushi Nakamura Jazz
  • Darol Anger Americana
  • Emmet Cohen Composer
  • Alan Brain Film, Television Director
  • Yamandu Costa Choro
  • Rita Batista Apresentadora de Rádio, Radio Presenter
  • Oded Lev-Ari New York City
  • Karla Vasquez Food Writer
  • Kurt Andersen Television Writer
  • Ed O'Brien Singer-Songwriter
  • Mike Compton Folk & Traditional
  • Jorge Glem Composer
  • Sérgio Pererê Percussion
  • Missy Mazolli Piano
  • Thiago Espírito Santo Brasil, Brazil
  • Fábio Luna Cantor-Compositor, Singer-Songwriter
  • China Moses Singer
  • Tony Allen Composer
  • Arthur Verocai Guitar
  • Cédric Villani Author
  • Yacouba Sissoko New York City
  • Garth Cartwright Journalist
  • Carrtoons Multi-Instrumentalist
  • Steve Earle Poet
  • Stefon Harris Marimba
  • João Camarero Violão de Sete
  • Cleber Augusto Guitar
  • Jess Gillam Concert Promoter
  • Sombrinha Banjo
  • Isaak Bransah Choreographer
  • Cristovão Bastos MPB
  • Irma Thomas R&B
  • Thomas Àdes Contemporary Classical Music
  • Stan Douglas Photographer
  • Jennifer Koh Violin
  • Marcus Miller Clarinet
  • Luciana Souza São Paulo
  • Kirk Whalum Memphis, Tennessee
  • Ambrose Akinmusire Trumpet
  • Seu Jorge Samba
  • Bob Telson New York City
  • Sharita Towne Multidisciplinary Artist
  • Ben Okri Writer
  • Del McCoury Guitar
  • Ben Williams New York City
  • Kareem Abdul-Jabbar Journalist
  • Léo Rugero Ethnomusicologist
  • Jimmy Greene Jazz
  • Terri Lyne Carrington Composer
  • Harold López-Nussa Piano
  • Pierre Onassis Salvador
  • Adriano Souza MPB
  • Katuka Africanidades Brasil, Brazil
  • Michael Janisch Experimental Music
  • Inaicyra Falcão Bahia
  • Varijashree Venugopal Carnatic Music
  • Bob Mintzer Big Band Leader
  • Gregory Porter Songwriter
  • Marcus Miller Jazz
  • Bonerama Brass Band
  • Felipe Guedes Bahia
  • Guillermo Klein Piano
  • Tobias Meinhart Composer
  • Cláudio Jorge Singer-Songwriter
  • Geovanna Costa Salvador
  • Kurt Andersen Novelist
  • Marcos Sacramento Brazil
  • J. Period Hip-Hop
  • Shamarr Allen Funk
  • Questlove Rapper
  • James Elkington Singer-Songwriter
  • Bobby Fouther Painter
  • Kiko Souza MPB
  • Ayrson Heráclito Visual Artist
  • Roy Nathanson Saxophone
  • João Bosco Singer-Songwriter
  • Emicida São Paulo
  • Adriano Souza Brazil
  • Richard Bona Singer
  • Natan Drubi Violão de Sete, Seven-string Guitar
  • Reena Esmail Composer
  • Paulo César Pinheiro MPB
  • Brenda Navarrete Cuba
  • Marc Ribot Experimental Music
  • Dona Dalva Samba
  • Chelsea Kwakye Writer
  • Milton Primo Viola Machete
  • Marcus Teixeira EMESP Tom Jobim Faculty
  • Edgar Meyer Classical Music
  • Anna Webber Brooklyn, NY
  • Armandinho Macêdo Frevo
  • Mariene de Castro Brazil
  • Gab Ferruz Bahia
  • Nabih Bulos Violin
  • China Moses Soul
  • Silas Farley Ballet
  • Dafnis Prieto Cuba
  • Caoimhín Ó Raghallaigh Composer
  • Bobby Vega San Francisco, California
  • Tiganá Santana Brasil, Brazil
  • Itamar Vieira Júnior Salvador
  • Donald Vega Jazz
  • Elodie Bouny Classical Guitar
  • Ana Luisa Barral Salvador
  • Lucía Fumero Piano
  • Martyn Dubstep
  • Gui Duvignau Brazil
  • Kevin Hays Piano
  • Riley Baugus Luthier
  • Weedie Braimah Drums
  • Scotty Apex Hip-Hop
  • Áurea Martins MPB
  • Intisar Abioto Journalist
  • Terri Hinte Jazz Publicist
  • Peter Evans Piccolo Trumpet
  • Sarz Hip-Hop
  • Fidelis Melo Brasil, Brazil
  • Leela James Blues
  • Gerald Cleaver Brooklyn, NY
  • Angelique Kidjo Singer-Songwriter
  • Dee Spencer Sound Designer
  • Aindrias de Staic Storyteller
  • Monk Boudreaux Singer
  • Gearóid Ó hAllmhuráin County Clare
  • Vânia Oliveira Salvador
  • Brian Stoltz Funk
  • Django Bates Theater Composer
  • Luques Curtis Jazz
  • Shankar Mahadevan Bollywood
  • Warren Wolf Drums
  • James Gadson Funk
  • Nicolas Krassik Brazil
  • OVANA Cunene
  • Lenny Kravitz Songwriter
  • Mario Caldato Jr. Brazil
  • Paulão 7 Cordas Choro
  • Alex Mesquita Salvador
  • Jimmy Duck Holmes Mississippi
  • Marc Ribot Brooklyn, NY
  • André Vasconcellos Compositor, Composer
  • Luedji Luna Singer-Songwriter
  • Massimo Biolcati Bass
  • Mike Compton Mandolin
  • Mohamed Diab Egypt
  • Cinho Damatta Cantor-Compositor, Singer-Songwriter
  • Rudresh Mahanthappa New York City
  • Vijay Gupta Los Angeles Philharmonic
  • Lô Borges Brasil, Brazil
  • As Ganhadeiras de Itapuã Folk & Traditional
  • Bob Reynolds Saxophone Instruction
  • Pedro Martins Brazil
  • Brian Stoltz Singer
  • Larry Achiampong Ghana
  • David Braid Classical Music
  • Demond Melancon Young Seminole Hunters
  • Lenny Kravitz Photographer
  • The Rheingans Sisters Folk & Traditional
  • Issac Delgado Singer
  • Alicia Hall Moran Jazz
  • Mestre Barachinha Pernambuco
  • Tal Wilkenfeld Bass
  • Toninho Nascimento Brazil
  • Filhos da Pitangueira Chula
  • Anat Cohen Jazz
  • Danilo Caymmi Brazil
  • Lynn Nottage Film Producer
  • Neymar Dias Composer
  • Saileog Ní Cheannabháin Theater Composer
  • Celso Fonseca Singer
  • Yuja Wang Classical Music
  • Ethan Iverson Piano
  • Alexandre Leão Cantor-Compositor, Singer-Songwriter
  • Anders Osborne R&B
  • Jill Scott R&B
  • Jon Otis Drums
  • THE ROOM Shibuya Japan
  • Simone Sou Percussion
  • Nic Adler Restaurant Owner
  • Howard Levy Harmonica
  • Wynton Marsalis Bandleader
  • Gabriel Geszti Brasil, Brazil
  • Lenna Bahule Maputo

 'mātriks / "source" / from "mater", Latin for "mother"
We're a real mother for ya!

 

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