Salvador Bahia Brazil Matrix

The Matrix Online Network is a platform conceived & built in Salvador da Bahia, Brazil and upon which people & entities across the creative economic universe can 1) present in variegated detail what it is they do, 2) recommend others, and 3) be recommended by others. Integrated by recommendations and governed by the metamathematical magic of the small world phenomenon (popularly called "6 degrees of separation"), matrix pages tend to discoverable proximity to all other matrix pages, no matter how widely separated in location, society, and degree of fame. From Quincy Jones to celestial samba in the favelas of Rio de Janeiro to you, all is closer than we imagine.

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  • (Bahia)
  • Questions?
  • From Brazil with love →
  • @ Ground Zero
  • El Aleph
  • If You Can't Stand the Heat
  • Harlem to Bahia to the Planet
  • Why a "Matrix"?

From Brazil with love →

@ Ground Zero

 

Have you, dear friend, ever noticed how different places scattered across the face of the globe seem almost to exist in different universes? As if they were permeated throughout with something akin to 19th century luminiferous aether, unique, determined by that place's history? It's like a trick of the mind's light (I suppose), but standing on beach or escarpment in Salvador and looking out across the Baía de Todos os Santos to the great Recôncavo, and mindful of what happened there, one must be led to the inevitable conclusion that one is in a place unique to history, and to the present*.

 

 

"Chegou a hora dessa gente bronzeada mostrar seu valor / The time has come for these bronzed people to show their value..."Música: Assis Valente of Santo Amaro, Bahia. Vídeo: Betão Aguiar.

 

*More enslaved human beings entered the Bay of All Saints and the Recôncavo than any other final port-of-call throughout all of mankind's history.

 

These people and their descendants created some of the most uplifting music ever made, the foundation of Brazil's national art. We wanted their music to be accessible to the world (it's not even accessible here in Brazil) so we created a platform by which everybody's creativity is mutually accessible, including theirs.

 

El Aleph

 

The network was built in an obscure record shop (Kareem Abdul-Jabbar found it) in a shimmering Brazilian port city...

 

...inspired in (the kabbalah-inspired fiction of) Borges' (short story) El Aleph, that in the pillar in Cairo's Mosque of Amr, where the universe in its entirety throughout all time is perceivable as an infinite hum from deep within the stone.

 

It "works" by virtue of the "small-world" phenomenon...the same responsible for the fact that most of us 7 billion or so beings are within 6 or fewer degrees of each other.

 

It was described (to some degree) and can be accessed via this article in British journal The Guardian (which named our radio of matrixed artists as one of ten best in the world):

 

www.theguardian.com/travel/2020/apr/17/10-best-music-radio-station-around-world

 

With David Dye for U.S. National Public Radio: www.npr.org/2013/07/16/202634814/roots-of-samba-exploring-historic-pelourinho-in-salvador-brazil

 

All is more connected than we know.

 

Per the "spirit" above, our logo is a cortador de cana, a cane-cutter. It was designed by Walter Mariano, professor of design at the Federal University of Bahia to reflect the origins of the music the shop specialized in. The Brazilian "aleph" doesn't hum... it dances and sings.

 

If You Can't Stand the Heat

 

Image above is from the base of the cross in front of the church of São Francisco do Paraguaçu in the Bahian Recôncavo

 

Sprawled across broad equatorial latitudes, stoked and steamed and sensual in the widest sense of the word, limned in cadenced song, Brazil is a conundrum wrapped in a smile inside an irony...

 

This is not a European nation. It is not a North American nation. It is not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn. Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin. It was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people). Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David. Three cultures — from three continents — running for their lives, their confluence forming an unprecedented fourth. Pandeirista on the roof. Nowhere else but here.

 

Oligarchy, plutocracy, dictatorships and massive corruption — elements of these are still strongly entrenched — have defined, delineated, and limited Brazil.

 

But strictured & bound as it has been and is, Brazil has buzz...not the shallow buzz of a fashionable moment...but the deep buzz of a population which in spite of — or perhaps because of — the tough slog through life they've been allotted by humanity's dregs-in-fine-linen, have chosen not to simply pull themselves along but to lift their voices in song and their bodies in dance...to eat well and converse well and much and to wring the joy out of the day-to-day happenings and small pleasures of life which are so often set aside or ignored in the European, North American, and East Asian nations.

 

For this Brazil has a genius perhaps unparalleled in all other countries and societies, a genius which thrives alongside peeling paint and holes in the streets and roads, under bad organization by the powers-that-be, both civil and governmental, under a constant rain of societal indignities...

 

Which is all to say that if you don't know Brazil and you're expecting any semblance of order, progress and light, you will certainly find the light! And the buzz of a people who for generations have responded to privation at many different levels by somehow rising above it all.

 

"Onde tem miséria, tem música!"* - Raymundo Sodré

 

And it's not just music. And it's not just Brazil.

 

Welcome to the kitchen!

 

* "Where there is misery, there is music!" Remarked during a conversation arcing from Bahia to Haiti and Cuba to New Orleans and the south side of Chicago and Harlem to the villages of Ireland and the gypsy camps and shtetls of Eastern Europe...

 

Harlem to Bahia to the Planet



Why a "Matrix"?

 

I was explaining the ideas behind this nascent network to (João) Teoria (trumpet player above) over cervejas at Xique Xique (a bar named for a town in Bahia) in the Salvador neighborhood of Barris...

 

Like this (but in Portuguese): "It's kind of like Facebook if it didn't spy on you, but reversed... more about who you don't know than who you do know. And who doesn't know you but would be glad if they did. It's kind of like old Myspace Music but instead of having "friends" it has a list on your page of people you recommend. Not just musicians but writers, painters, filmmakers, dancers, chefs... anybody in the creative economy. It has a list of people who recommend you, or through whom you are recommended. It deals with arts which aren't recommendable by algorithm but need human intelligence behind recommendations. And the people who are recommended can recommend, creating a network of recommendations wherein by the small world phenomenon most people in the creative economy are within several steps of everybody else in the creative economy, no matter where they are in the world. Like a chessboard which could have millions of squares, but you can get from any given square to any other in no more than six steps..."

 

And João said (in Portuguese): "A matrix where you can move from one artist to another..."

 

A matrix! That was it! The ORIGINAL meaning of matrix is "source", from "mater", Latin for "mother". So the term would help congeal the concept in the minds of people the network was being introduced to, while giving us a motto: "We're a real mother for ya!" (you know, Johnny "Guitar" Watson?)

 

The original idea was that musicians would recommend musicians, the network thus formed being "small world" (commonly called "six degrees of separation"). In the real world, the number of degrees of separation in such a network can vary, but while a given network might have billions of nodes (people, for example), the average number of steps between any two nodes will usually be minuscule.

 

Thus somebody unaware of the magnificent music of Bahia, Brazil will be able to conceivably move from almost any musician in this matrix to Bahia in just a few steps...

 

By the same logic that might move one from Bahia or anywhere else to any musician anywhere.

 

And there's no reason to limit this system to musicians. To the contrary, while there are algorithms written to recommend music (which, although they are limited, can be useful), there are no algorithms capable of recommending journalism, novels & short stories, painting, dance, film, chefery...

 

...a vast chasm that this network — or as Teoria put it, "matrix" — is capable of filling.

 

  • Guto Wirtti
    I RECOMMEND

CURATION

  • from this node by: Matrix+

This is the Universe of

  • Name: Guto Wirtti
  • City/Place: Rio de Janeiro
  • Country: Brazil

Life & Work

  • Bio: Guto Wirrti is a bass player who works regularly with João Bosco and Yamandu Costa and who's worked with Léo Gandelman, Celso Fonseca, Ed Motta, Luiz Melodia, Wilson das Neves, Milton Nascimento, Mart'nália, Gabriel Grossi, Nicolas Krassik and others.

Media | Markets

  • ▶ Instagram: gutowirtti
  • ▶ YouTube Channel: http://www.youtube.com/user/MrGutowirtti
  • ▶ YouTube Music: http://music.youtube.com/channel/UCUBTuNe9szUCqI1RU0PPRXw
  • ▶ Spotify: http://open.spotify.com/album/0isCXeiiUK992FLTPFoouE
  • ▶ Spotify 2: http://open.spotify.com/album/4rtL2Xj7cpVHIaA9xVCBl0
  • ▶ Spotify 3: http://open.spotify.com/album/6njzXPpRZcA6eHaeOqjXMw
  • ▶ Spotify 4: http://open.spotify.com/album/4V2ndbp3sGeAnwGlxjKyD6

Clips (more may be added)

  • 4:55
    Gracias a la vida (Violeta Parra)
    By Guto Wirtti
    189 views
  • 3:34
    Guto Wirtti plays Django Reinhart
    By Guto Wirtti
    115 views
  • 4:40
    Esses moços ( Lupicínio Rodrigues)
    By Guto Wirtti
    86 views
  • 2:18
    Guto Wirtti tocando baixo solo, Folhas secas (Nelson Cavaquinho e Guilherme de Brito)
    By Guto Wirtti
    73 views
  • 1:04
    Adoleta Live
    By Guto Wirtti
    91 views
  • 1:48
    Do Tamanho do Rio Grande
    By Guto Wirtti
    164 views
  • 2:34
    Pai Brasil ( Guto Wirtti/Iara Ferreira)
    By Guto Wirtti
    220 views
  • 3:51
    Nasci pra sonhar e cantar (Délcio Carvalho e Dona Ivone Lara)
    By Guto Wirtti
    99 views
  • 4:54
    Truco e Paruco
    By Guto Wirtti
    204 views
  • 0:23
    Samba que mexe com a gente
    By Guto Wirtti
    83 views
  • 0:38
    Blowin 'in the wind of freedom
    By Guto Wirtti
    97 views
  • 1:47
    O primeiro bonde
    By Guto Wirtti
    160 views
Previous
Next

YOU RECOMMEND

Imagine the world's creative economy at your fingertips. Imagine 10 doors side-by-side. Beyond each, 10 more, each opening to a "creative" somewhere around the planet. After passing through 8 such doorways you will have followed 1 pathway out of 100 million possible (2 sets of doorways yield 10 x 10 = 100 pathways). This is a simplified version of the metamathematics that makes it possible to reach everybody in the global creative economy in just a few steps It doesn't mean that everybody will be reached by everybody. It does mean that everybody can  be reached by everybody.


Appear below by recommending Guto Wirtti:

  • 3 Bass
  • 3 Brazil
  • 3 Brazilian Jazz
  • 3 Choro
  • 3 Composer
  • 3 Guitar
  • 3 MPB
  • 3 Multi-Instrumentalist
  • 3 Rio de Janeiro
  • 3 Samba

Nodes below are randomly generated. Reload for a different stack.

  • Sarz Afrobeat
  • João Rabello Classical Guitar
  • Mingo Araújo Brazil
  • Nelson Latif Samba
  • Sunna Gunnlaugs Composer
  • James Brandon Lewis Jazz
  • Ann Hallenberg Mezzo-Soprano
  • Walmir Lima Bahia
  • Kiko Loureiro Brazil
  • Corey Henry Second Line
  • Amit Chatterjee Indian Classical Music
  • Andrew Gilbert Writer
  • Jeremy Pelt Trumpet Instruction
  • Luke Daniels Singer-Songwriter
  • Michael Cleveland Fiddle
  • Keith Jarrett Piano
  • Deesha Philyaw Columnist
  • Edgar Meyer Curtis Institute of Music Faculty
  • David Bruce Opera
  • James Martins Salvador
  • Clint Smith Poet
  • Flying Lotus Record Label Owner
  • ANNA EDM
  • Corey Henry Trombone
  • Taj Mahal Folk & Traditional
  • Mike Compton Songwriter
  • Eric Coleman Cinematographer
  • Darius Mans Economist
  • Fred Hersch Jazz
  • Alex Conde Spain
  • Ajeum da Diáspora Salvador
  • Mino Cinélu Percussion
  • Sarah Jarosz Mandolin
  • Wynton Marsalis Composer
  • Joel Guzmán Conjunto
  • Avishai Cohen Composer
  • Conrad Herwig Jazz
  • Gevorg Dabaghyan Armenia
  • Elodie Bouny Composer
  • Giveton Gelin Jazz
  • Alma Deutscher Piano
  • Frank Negrão MPB
  • Ibrahim Maalouf Paris, France
  • Harish Raghavan Brooklyn, NY
  • Darren Barrett Trumpet
  • Tomoko Omura Brooklyn, NY
  • David Sánchez Ropeadope
  • Malin Fezehai Brooklyn, NY
  • Joshua White Composer
  • George Porter Jr. New Orleans
  • Kengo Kuma Tokyo
  • Maia Sharp Nashville, Tennessee
  • César Orozco Cuba
  • Siba Veloso Pernambuco
  • Mauro Refosco Experimental, Eletrônica, Electronic
  • Inaicyra Falcão Opera
  • James Andrews Trumpet
  • Tero Saarinen Choreographer
  • Simone Sou São Paulo
  • Dan Trueman Composer
  • Yasmin Williams Multi-Cultural
  • Gabi Guedes Salvador
  • Art Rosenbaum Illustrator
  • Jason Moran New England Conservatory of Music Faculty
  • Rita Batista Apresentadora de Rádio, Radio Presenter
  • Gerald Cleaver Jazz
  • Brian Stoltz New Orleans
  • Urânia Munzanzu Cineasta, Filmmaker
  • Aderbal Duarte Guitar
  • Itamar Borochov Multi-Cultural
  • Marc-André Hamelin Piano
  • Frank Beacham Videographer
  • Irma Thomas New Orleans
  • Scott Kettner Jazz
  • Turíbio Santos Rio de Janeiro
  • Demond Melancon Young Seminole Hunters
  • John Medeski Piano
  • Gal Costa Brazil
  • César Orozco Venezuela
  • Simon Singh YouTuber
  • Vijay Gupta Los Angeles Philharmonic
  • Rowney Scott Saxophone
  • Yilian Cañizares Afro-Cuban Music
  • Richard Galliano Bandoneon
  • Egberto Gismonti Brazil
  • Monarco Cavaquinho
  • Mart'nália Brazil
  • Mateus Alves Pernambuco
  • Avishai Cohen Composer
  • Arto Lindsay Record Producer
  • Albin Zak Author
  • Sérgio Mendes Singer-Songwriter
  • Congahead World Music
  • Nara Couto Atriz, Actor
  • Jim Hoke Multi-Instrumentalist
  • David Wax Museum Charlottesville, Virgina
  • Caoimhín Ó Raghallaigh Ireland
  • Alyn Shipton Music Critic
  • Richie Pena Drums
  • Weedie Braimah Drums
  • Jeffrey Boakye Writer
  • Raphael Saadiq Singer-Songwriter
  • Wolfgang Muthspiel Guitar
  • OVANA Angola
  • Armandinho Macêdo Guitarra Baiana
  • Otto Manguebeat
  • Walter Ribeiro, Jr. Bahia
  • Corey Henry Songwriter
  • Hercules Gomes Piano
  • BIGYUKI Jazz, Electronic, R&B, Soul
  • Tyler Gordon San Jose, California
  • Nahre Sol Canada
  • Carl Allen Jazz Workshops
  • The Umoza Music Project Senga Bay
  • Fábio Zanon Brazil
  • Donny McCaslin Saxophone
  • Vanessa Moreno São Paulo
  • Ken Avis Music Writer
  • Imanuel Marcus Germany
  • Iroko Trio Brazil
  • Riley Baugus Old-Time Music
  • Anoushka Shankar Tanpura
  • Gavin Marwick Multi-Cultural
  • Béco Dranoff Record Label Owner
  • Swami Jr. Forró
  • Tito Jackson Soul
  • Nancy Ruth Spain
  • Gevorg Dabaghyan Duduk
  • André Mehmari Piano
  • Thiago Amud Singer-Songwriter
  • Goran Krivokapić Contemporary Classical Music
  • Jack Talty Concertina
  • Peter Evans Trumpet
  • Rowney Scott Faculdade da UFBA, Federal University of Bahia Faculty
  • Osvaldo Golijov Argentina
  • Daru Jones Record Label Owner
  • Sharay Reed Bass
  • Gabriel Geszti Choro
  • Azi Schwartz החזן עזי שוורץ Cantor
  • Pedrito Martinez Cuba
  • Oteil Burbridge Bass
  • Luques Curtis New York City
  • Restaurante Axego Restaurant
  • David Chesky Composer
  • Ryuichi Sakamoto Record Producer
  • Geraldine Inoa Playwright
  • Lucio Yanel Guitar
  • Mestre Barachinha Nazaré da Mata
  • Laércio de Freitas Composer
  • Marcus J. Moore Brooklyn, NY
  • Dadá do Trombone Trombone
  • Goran Krivokapić Serbia
  • Varijashree Venugopal Composer
  • Leyla McCalla Singer-Songwriter
  • Joey Baron Composer
  • Ron Blake Jazz
  • Terri Hinte Jazz Publicist
  • Aubrey Johnson Contemporary Music
  • Plamen Karadonev Jazz
  • Jason Parham Editor
  • Simon Singh Physics
  • James Martin Brass Band
  • Jamael Dean Piano
  • Raphael Saadiq Record Producer
  • Elio Villafranca Jazz
  • Aaron Goldberg Jazz
  • Warren Wolf Composer
  • João Camarero Samba
  • Carlinhos Pandeiro de Ouro Percussion
  • Robert Glasper Record Producer
  • Meddy Gerville Réunion
  • Alicia Svigals Violin
  • Chris Thile Americana
  • Vadinho França Presidente de Bloco de Carnaval, Carnival Bloco President
  • Marília Sodré MPB
  • Maia Sharp Singer-Songwriter
  • Bodek Janke Tabla
  • Robi Botos Hungary
  • Burhan Öçal Kös
  • César Orozco New York City
  • Bodek Janke Germany
  • Negra Jhô Tranças, Braids
  • Forrest Hylton Brazil
  • Aditya Prakash Composer
  • Ben Azar Composer
  • Nate Smith Television Scores
  • Ibram X. Kendi Writer
  • Jacám Manricks Jazz
  • Ron McCurdy USC Thornton School of Music Faculty
  • Chris McQueen Austin, Texas
  • Jane Ira Bloom Contemporary Classical Music
  • Chano Domínguez Piano
  • Stefon Harris Vibraphone
  • Brett Kern Ceramic Artist
  • David Sacks MPB
  • Marcos Suzano Composer
  • Greg Ruby Composer
  • José Antonio Escobar Santiago de Chile
  • Marcelo Caldi Brazil
  • Gilmar Gomes Brazil
  • James Elkington Guitar
  • Chris Dingman Multi-Cultural
  • Frank Beacham Photographer
  • Goran Krivokapić Montenegro
  • Michael League Record Producer
  • Robb Royer Record Producer
  • RAM Mizik Rasin
  • G. Thomas Allen Jazz
  • Garth Cartwright Writer
  • Tom Oren Piano
  • Lucian Ban Romania
  • Paul Cebar Milwaukee
  • Woody Mann Americana
  • Mateus Alves Recife
  • Gel Barbosa Salvador
  • NIcholas Casey New York Times
  • Carlinhos 7 Cordas Violão de Sete
  • Marcus Printup Composer
  • Ana Luisa Barral Choro
  • Jack Talty County Clare
  • Isaiah J. Thompson Jazz
  • Michelle Mercer Radio Producer
  • Joshue Ashby Afro-Panamanian
  • Kyle Poole Drums
  • Frank London Composer
  • Bernardo Aguiar Percussion
  • João Rabello Guitar
  • Tom Green Contemporary Classical Music
  • Dorian Concept Composer
  • Jaques Morelenbaum Cello
  • Chelsea Kwakye Writer
  • Masao Fukuda Choro
  • Elizabeth LaPrelle Banjo
  • Manolo Badrena Puerto Rico
  • Louis Marks Writer
  • Caroline Shaw Violin
  • Marcel Powell Brazil
  • Adenor Gondim Bahia
  • Samba de Nicinha Brazil
  • Paul Cebar R&B
  • Cláudio Jorge Singer-Songwriter
  • Stephanie Foden Montreal
  • James Martins Bahia
  • Thiago Espírito Santo Jazz
  • Molly Tuttle Singer-Songwriter
  • Joatan Nascimento Federal University of Bahia Faculty
  • Trilok Gurtu Drums
  • Shaun Martin Keyboards
  • Nic Hard Record Producer
  • Seckou Keita Composer
  • J. Period Remixer
  • Harold López-Nussa Composer
  • Questlove Author
  • Delfeayo Marsalis Composer
  • Julie Fowlis Traditional Scottish Music
  • Papa Mali Louisiana
  • Nic Hard Audio Engineer
  • Los Muñequitos de Matanzas Matanzas
  • Nelson Cerqueira Bahia
  • Varijashree Venugopal Bengaluru
  • María Grand Jazz
  • Siba Veloso Composer
  • Dan Moretti Saxophone
  • Dave Weckl Multi-Cultural
  • Richard Bona Singer
  • Logan Richardson Jazz
  • Bill T. Jones Writer
  • Jared Sims Clarinet
  • Lenine Brazil
  • Asa Branca Samba
  • Mike Marshall Choro
  • Zara McFarlane London
  • Joshua White Composer
  • Nubya Garcia Composer
  • Fred Dantas Trombone
  • Dezron Douglas New York City
  • Nabih Bulos Journalist
  • Riley Baugus Luthier
  • Alexandre Leão Bahia
  • Allen Morrison Piano
  • Dafnis Prieto Afro-Cuban Jazz
  • Hank Roberts Avant-Garde, Folk, Classical
  • Joe Newberry North Carolina
  • Michael Janisch Avant-Garde Jazz
  • Sombrinha Banjo
  • Roque Ferreira Brazil
  • Peter Slevin Chicago, Illinois
  • Mingo Araújo Percussion
  • Cécile McLorin Salvant New York City
  • Daphne A. Brooks Yale Faculty
  • Kiko Loureiro Progressive Metal
  • Jurandir Santana Salvador
  • Hugues Mbenda France
  • Ivo Perelman Brooklyn, NY
  • Ricardo Bacelar Fortaleza
  • John McWhorter New York City
  • Ilê Aiyê Bahia
  • Taylor Ashton Drawings
  • Ricardo Herz Choro
  • Carlinhos Pandeiro de Ouro Rio de Janeiro
  • Victoria Sur Bogotá
  • Ivan Bastos Salvador
  • Terrace Martin Rapper
  • Eric Harland Drums
  • Karim Ziad Composer
  • Amitava Kumar Literary Critic
  • Brandee Younger Composer
  • Renato Braz Brazil
  • Leonardo Mendes Violão, Guitar
  • Joe Lovano Flute
  • Fernando Brandão Pífano
  • Herlin Riley New Orleans
  • Tony Allen Paris
  • Miles Mosley Los Angeles
  • Nguyên Lê Composer
  • Mateus Alves Bass
  • Filhos da Pitangueira Brazil
  • Stuart Duncan Nashville, Tennessee
  • Şener Özmen Video Artist
  • Merima Ključo Klezmer
  • Nei Lopes Brazil
  • Fabiana Cozza Brazil
  • Mariana Zwarg Samba
  • Marco Pereira Choro
  • Márcia Short Salvador
  • Molly Tuttle Guitar
  • Jessie Montgomery Chamber Musician
  • Kareem Abdul-Jabbar Actor
  • Swami Jr. São Paulo
  • Hugo Linns Multi-Instrumentalist
  • Asa Branca Samba de Roda
  • Nara Couto Afropop
  • Cinho Damatta MPB
  • Gilberto Gil Brazil
  • J. Cunha Brasil, Brazil
  • Rayendra Sunito Jakarta
  • James Martins Poeta, Poet
  • King Britt University of San Diego Faculty
  • Michael Doucet Mandolin
  • Christopher Seneca Journalist
  • Taylor Ashton Banjo
  • Paul McKenna Scottish Traditional Music
  • Forrest Hylton Salvador
  • Stomu Takeishi New York City
  • Bill Hinchberger Brazil Expert
  • Yosvany Terry Harvard University Faculty
  • Martin Hayes County Clare
  • Dan Moretti Berklee College of Music Faculty
  • Gêge Nagô Samba de Roda
  • Meshell Ndegeocello Bass

 'mātriks / "source" / from "mater", Latin for "mother"
We're a real mother for ya!

 

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