Salvador Bahia Brazil Matrix

The Matrix Online Network is a platform conceived & built in Salvador da Bahia, Brazil and upon which people & entities across the creative economic universe can 1) present in variegated detail what it is they do, 2) recommend others, and 3) be recommended by others. Integrated by recommendations and governed by the metamathematical magic of the small world phenomenon (popularly called "6 degrees of separation"), matrix pages tend to discoverable proximity to all other matrix pages, no matter how widely separated in location, society, and degree of fame. From Quincy Jones to celestial samba in the favelas of Rio de Janeiro to you, all is closer than we imagine.

  • Sign in
  • Join Everybody Here
    Loading ...
View All Updates Mark All Read
  • Matrix Home
  • Categories are Here!
  • Showcase Music
  • Add Videos/SC
  • Add Photos
  • (Bahia)
  • Questions?
  • From Brazil with love →
  • @ Ground Zero
  • El Aleph
  • If You Can't Stand the Heat
  • Harlem to Bahia to the Planet
  • Why a "Matrix"?

From Brazil with love →

@ Ground Zero

 

Have you, dear friend, ever noticed how different places scattered across the face of the globe seem almost to exist in different universes? As if they were permeated throughout with something akin to 19th century luminiferous aether, unique, determined by that place's history? It's like a trick of the mind's light (I suppose), but standing on beach or escarpment in Salvador and looking out across the Baía de Todos os Santos to the great Recôncavo, and mindful of what happened there, one must be led to the inevitable conclusion that one is in a place unique to history, and to the present*.

 

 

"Chegou a hora dessa gente bronzeada mostrar seu valor / The time has come for these bronzed people to show their value..."Música: Assis Valente of Santo Amaro, Bahia. Vídeo: Betão Aguiar.

 

*More enslaved human beings entered the Bay of All Saints and the Recôncavo than any other final port-of-call throughout all of mankind's history.

 

These people and their descendants created some of the most uplifting music ever made, the foundation of Brazil's national art. We wanted their music to be accessible to the world (it's not even accessible here in Brazil) so we created a platform by which everybody's creativity is mutually accessible, including theirs.

 

El Aleph

 

The network was built in an obscure record shop (Kareem Abdul-Jabbar found it) in a shimmering Brazilian port city...

 

...inspired in (the kabbalah-inspired fiction of) Borges' (short story) El Aleph, that in the pillar in Cairo's Mosque of Amr, where the universe in its entirety throughout all time is perceivable as an infinite hum from deep within the stone.

 

It "works" by virtue of the "small-world" phenomenon...the same responsible for the fact that most of us 7 billion or so beings are within 6 or fewer degrees of each other.

 

It was described (to some degree) and can be accessed via this article in British journal The Guardian (which named our radio of matrixed artists as one of ten best in the world):

 

www.theguardian.com/travel/2020/apr/17/10-best-music-radio-station-around-world

 

With David Dye for U.S. National Public Radio: www.npr.org/2013/07/16/202634814/roots-of-samba-exploring-historic-pelourinho-in-salvador-brazil

 

All is more connected than we know.

 

Per the "spirit" above, our logo is a cortador de cana, a cane-cutter. It was designed by Walter Mariano, professor of design at the Federal University of Bahia to reflect the origins of the music the shop specialized in. The Brazilian "aleph" doesn't hum... it dances and sings.

 

If You Can't Stand the Heat

 

Image above is from the base of the cross in front of the church of São Francisco do Paraguaçu in the Bahian Recôncavo

 

Sprawled across broad equatorial latitudes, stoked and steamed and sensual in the widest sense of the word, limned in cadenced song, Brazil is a conundrum wrapped in a smile inside an irony...

 

This is not a European nation. It is not a North American nation. It is not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn. Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin. It was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people). Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David. Three cultures — from three continents — running for their lives, their confluence forming an unprecedented fourth. Pandeirista on the roof. Nowhere else but here.

 

Oligarchy, plutocracy, dictatorships and massive corruption — elements of these are still strongly entrenched — have defined, delineated, and limited Brazil.

 

But strictured & bound as it has been and is, Brazil has buzz...not the shallow buzz of a fashionable moment...but the deep buzz of a population which in spite of — or perhaps because of — the tough slog through life they've been allotted by humanity's dregs-in-fine-linen, have chosen not to simply pull themselves along but to lift their voices in song and their bodies in dance...to eat well and converse well and much and to wring the joy out of the day-to-day happenings and small pleasures of life which are so often set aside or ignored in the European, North American, and East Asian nations.

 

For this Brazil has a genius perhaps unparalleled in all other countries and societies, a genius which thrives alongside peeling paint and holes in the streets and roads, under bad organization by the powers-that-be, both civil and governmental, under a constant rain of societal indignities...

 

Which is all to say that if you don't know Brazil and you're expecting any semblance of order, progress and light, you will certainly find the light! And the buzz of a people who for generations have responded to privation at many different levels by somehow rising above it all.

 

"Onde tem miséria, tem música!"* - Raymundo Sodré

 

And it's not just music. And it's not just Brazil.

 

Welcome to the kitchen!

 

* "Where there is misery, there is music!" Remarked during a conversation arcing from Bahia to Haiti and Cuba to New Orleans and the south side of Chicago and Harlem to the villages of Ireland and the gypsy camps and shtetls of Eastern Europe...

 

Harlem to Bahia to the Planet



Why a "Matrix"?

 

I was explaining the ideas behind this nascent network to (João) Teoria (trumpet player above) over cervejas at Xique Xique (a bar named for a town in Bahia) in the Salvador neighborhood of Barris...

 

Like this (but in Portuguese): "It's kind of like Facebook if it didn't spy on you, but reversed... more about who you don't know than who you do know. And who doesn't know you but would be glad if they did. It's kind of like old Myspace Music but instead of having "friends" it has a list on your page of people you recommend. Not just musicians but writers, painters, filmmakers, dancers, chefs... anybody in the creative economy. It has a list of people who recommend you, or through whom you are recommended. It deals with arts which aren't recommendable by algorithm but need human intelligence behind recommendations. And the people who are recommended can recommend, creating a network of recommendations wherein by the small world phenomenon most people in the creative economy are within several steps of everybody else in the creative economy, no matter where they are in the world. Like a chessboard which could have millions of squares, but you can get from any given square to any other in no more than six steps..."

 

And João said (in Portuguese): "A matrix where you can move from one artist to another..."

 

A matrix! That was it! The ORIGINAL meaning of matrix is "source", from "mater", Latin for "mother". So the term would help congeal the concept in the minds of people the network was being introduced to, while giving us a motto: "We're a real mother for ya!" (you know, Johnny "Guitar" Watson?)

 

The original idea was that musicians would recommend musicians, the network thus formed being "small world" (commonly called "six degrees of separation"). In the real world, the number of degrees of separation in such a network can vary, but while a given network might have billions of nodes (people, for example), the average number of steps between any two nodes will usually be minuscule.

 

Thus somebody unaware of the magnificent music of Bahia, Brazil will be able to conceivably move from almost any musician in this matrix to Bahia in just a few steps...

 

By the same logic that might move one from Bahia or anywhere else to any musician anywhere.

 

And there's no reason to limit this system to musicians. To the contrary, while there are algorithms written to recommend music (which, although they are limited, can be useful), there are no algorithms capable of recommending journalism, novels & short stories, painting, dance, film, chefery...

 

...a vast chasm that this network — or as Teoria put it, "matrix" — is capable of filling.

 

  • Scotty Barnhart
    I RECOMMEND

CURATION

  • from this node by: Matrix

This is the Universe of

  • Name: Scotty Barnhart
  • City/Place: Tallahassee, Florida
  • Country: United States
  • Hometown: Atlanta, Georgia

Current News

  • What's Up? Trumpeter Scotty Barnhart Appointed New Director of The Legendary Count Basie Orchestra

    "I take this position very seriously and will do my very best to continue the great legacy for which we are known. Mr. Basie and his musicians set a precedent in Jazz that has been given to us to preserve and protect. I want us to continue to work together to ensure that we are always adhering to the highest standards on and off the bandstand, but I want us to have fun too. I believe that the more serious we are the more fun we can have. Mr. Basie himself said that a happy band is a great band. I want us to leave no doubt after every single tune we play that we are the greatest jazz orchestra on this planet. In every respect. Period.

    I want that stage to be on fire when we finish."

Life & Work

  • Bio: Scotty Barnhart is an acclaimed jazz trumpeter, leader, composer, arranger, educator, author and now in his twentieth year with the legendary Count Basie Orchestra has been appointed as their new Director.

    A Two-time Grammy Award winner with the Basie Orchestra, three critically acclaimed recordings by pianist Marcus Roberts and over ten recordings with the likes of Tony Bennett, Diana Krall, Ray Charles, and Tito Puente, Scotty released his debut solo CD 'Say It Plain' on the Unity Music label. Scotty invited Clark Terry, Ellis and Wynton Marsalis, Marcus Roberts, Jamie Davis and Etienne Charles to share his compositions and love of standards on Con Alma, Giant Steps and Barnhart's own, Dedicated To You. Say It Plain achieved No. 3 in the Jazz Charts and has received celebrated reviews.

    Acknowledged as one of the authorities on the history of jazz trumpet, he intently researched and wrote the ground breaking book The World of Jazz Trumpet - A Comprehensive History and Practical Philosophy. Published by Hal Leonard, it is a valuable source tool for jazz trumpeters, students and jazz fans with interviews from Harry 'Sweets' Edison to Chuck Mangione, technical tutorials, historical events and illustrated with unpublished photographs.

    When Scotty Barnhart is not touring with The Count Basie Orchestra or teaching at Florida State University, he performs with his own quintet-sextet and lectures and demonstrates at schools, colleges, universities, conferences around the world, spreading jazz music to ensure its future for others to explore and enjoy.

Contact Information

  • Email: sbsbmusic [at] aol.com
  • Management/Booking: Heather Taylor
    email: heather [at] redfiremusic.co.uk
    Call: +44 [0]754 507 6874
    Skype: heather6mt

    COUNT BASIE ORCHESTRA
    Management and worldwide bookings:
    All That Music Productions, LLC
    Managing Partner/CEO Bookings: DEE ASKEW
    Email: [email protected]
    Phone: (973) 275-0529 / Mobile: (973) 207-3402
    European Booking Agent:
    Catherine Mayer
    Konzertdirektion Mayer/Just Jazz International
    Immendorfer Weg 5
    50968 Köln/Deutschland
    Phone: + 49 221 250 8189 – 0
    Fax: + 49 221 250 8189 – 29
    [email protected]
    www.justjazz.de

Media | Markets

  • ▶ Buy My Music: (downloads/CDs/DVDs) http://www.thecountbasieorchestra.com/discography/
  • ▶ Book Purchases: http://www.amazon.com/World-Jazz-Trumpet-Comprehensive-Philosophy/dp/0634095277/
  • ▶ Twitter: ScottyBarnhart
  • ▶ Instagram: scottybarnhart
  • ▶ Website: http://www.scottybarnhart.com
  • ▶ Website 2: http://www.thecountbasieorchestra.com
  • ▶ YouTube Channel: http://www.youtube.com/user/scottybarnhart
  • ▶ YouTube Music: http://music.youtube.com/channel/UCCWFQRQ_VbG4OhJSYk3fLEg
  • ▶ Spotify: http://open.spotify.com/album/5BbY21CPYz8IOLxxlCIlij

My Writing

  • Publications: The World of Jazz Trumpet: A Comprehensive History and Practical Philosophy

    In The World of Jazz Trumpet - A Comprehensive History and Practical Philosophy, acclaimed jazz trumpet soloist Scotty Barnhart examines the political, social and musical conditions that led to the creation of jazz as America's premier art form. He traces the many factors that enabled freed slaves and their descendants to merge the blues, gospel, classical marches, and African rhythms to create a timeless and profound art that, since its inception, circa 1900, continues to have a major impact on all music. The World of Jazz Trumpet is a must-have study of the jazz trumpet for students, instructors, and professional musicians, as well as for anyone who appreciates the genre. Readers will appreciate Barnhart's personal and professional connection to a major part of American and world history. This book fills a major void in the world of jazz education as well as in general music education. With entries on 800 trumpeters, it is destined to become required reading in thousands of colleges, schools and homes around the world.

My Instruction

  • Lessons/Workshops: When I am not touring with The Count Basie Orchestra or teaching my students in the Jazz Studies Department at Florida State University, I am delighted to offer online or 'in person' trumpet lessons. Using Skype or iChat, learn the elements of playing your trumpet whether your a beginner or at advanced levels and wherever you are in the world.
  • Instruction: http://www.scottybarnhart.com/lessons.html

Clips (more may be added)

  • Con Alma - Jon Faddis & Scotty Barnhart Trumpet | Tallahassee Jazz Fest
    By Scotty Barnhart
    207 views
  • A Night In Tunisia - Jon Faddis & Scotty Barnhart Trumpet | Tallahassee Jazz Fest
    By Scotty Barnhart
    204 views
  • Count Basie Orchestra Directed By Scotty Barnhart
    By Scotty Barnhart
    190 views
Previous
Next

YOU RECOMMEND

Imagine the world's creative economy at your fingertips. Imagine 10 doors side-by-side. Beyond each, 10 more, each opening to a "creative" somewhere around the planet. After passing through 8 such doorways you will have followed 1 pathway out of 100 million possible (2 sets of doorways yield 10 x 10 = 100 pathways). This is a simplified version of the metamathematics that makes it possible to reach everybody in the global creative economy in just a few steps It doesn't mean that everybody will be reached by everybody. It does mean that everybody can  be reached by everybody.


Appear below by recommending Scotty Barnhart:

  • 0 Author
  • 0 Big Band Leader
  • 0 Composer
  • 0 Florida State University College of Music Faculty
  • 0 Trumpet
  • 0 Trumpet Instruction

Nodes below are randomly generated. Reload for a different stack.

  • Molly Tuttle Singer-Songwriter
  • Ron Miles MSU Denver Music Faculty
  • Bruce Molsky Old-Time Music
  • Michael Peha Composer
  • Linda Sikhakhane Johannesburg
  • James Sullivan Journalist
  • Carlinhos Pandeiro de Ouro Pandeiro
  • Maciel Salú Pernambuco
  • Carlos Lyra Bossa Nova
  • Jamael Dean Composer
  • Aneesa Strings Composer
  • Leigh Alexander Short Stories
  • Restaurante Axego Afro-Bahian Cuisine
  • Gustavo Caribé Compositor, Composer
  • Peter Dasent Australia
  • Bule Bule Bahia
  • Weedie Braimah Folk & Traditional
  • Sunna Gunnlaugs Composer
  • Nduduzo Makhathini Fort Hare University Faculty
  • Ned Sublette Musicologist
  • Cory Wong Record Producer
  • Jovino Santos Neto Brazilian Jazz
  • Ed Roth Songwriter
  • António Zambujo Portugal
  • Walter Ribeiro, Jr. Guitar
  • Jimmy Duck Holmes Singer-Songwriter
  • Miles Mosley Bass
  • Robert Glasper Jazz
  • Luciana Souza MPB
  • Christopher Wilkinson Movie Producer
  • Wouter Kellerman World Music
  • Marcos Sacramento Brazil
  • Cut Worms Americana
  • Nate Smith Ropeadope
  • Marisa Monte MPB
  • D.D. Jackson Composer
  • Chau do Pife Alagoas
  • Manolo Badrena Berimbau
  • Hugo Linns Multi-Instrumentalist
  • Taylor McFerrin DJ
  • Gel Barbosa Luthier
  • Carwyn Ellis Experimental Music
  • David Fiuczynski Multi-Cultural
  • Issac Delgado Cuba
  • Daniil Trifonov Composer
  • Alicia Keys Record Producer
  • Trombone Shorty Trombone
  • Yasmin Williams Harp-Guitar
  • Jeffrey Boakye Educator
  • Pretinho da Serrinha Singer
  • Aditya Prakash Singer
  • Munir Hossn Salvador
  • Hendrik Meurkens Vibraphone
  • Fabiana Cozza Writer
  • Michael League Record Producer
  • Greg Osby Jazz
  • Jimmy Dludlu Composer
  • Raelis Vasquez Chicago
  • Itamar Borochov Trumpet
  • Cara Stacey Piano
  • Marcel Powell Samba
  • Sergio Krakowski Rio de Janeiro
  • Orlando Costa Percussion
  • Eric Galm Percussion
  • Plamen Karadonev Jazz
  • Yo La Tengo Indie Rock
  • LaTasha Lee Soul
  • Avishai Cohen Composer
  • Brandee Younger Classical Music
  • John Santos Record Label Owner
  • David Castillo Singer
  • Kenny Garrett Saxophone
  • Andrés Beeuwsaert Composer
  • Caoimhín Ó Raghallaigh Hardanger d'Amoré 10-string Fiddle
  • Johnny Lorenz Writer
  • Chris Potter Jazz
  • Saileog Ní Cheannabháin Irish Traditional Music
  • Siba Veloso Composer
  • Rez Abbasi Composer
  • Dermot Hussey Author
  • Will Holshouser Accordion
  • Carlinhos 7 Cordas Guitar
  • Trombone Shorty Trombone
  • Carlos Lyra Guitar
  • Yuja Wang New York City
  • Eliane Elias Piano
  • Taylor Ashton Vancouver
  • Nigel Hall New Orleans
  • Jon Faddis Purchase College Conservatory of Music Faculty
  • Mauro Refosco Compositor de Televisão, Television Scores
  • Cainã Cavalcante Brazil
  • Vivien Schweitzer Music Critic
  • Diedrich Diederichsen Writer
  • Mayra Andrade Lisbon
  • Léo Rodrigues Choro
  • Ray Angry Gospel
  • Pedrito Martinez Congas
  • G. Thomas Allen Columbia College Chicago Faculty
  • Jubu Smith Guitar
  • Linda May Han Oh Bass
  • Milton Primo Chula
  • Jeremy Danneman Composer
  • Gerson Silva Guitar
  • Fernando Brandão Jazz
  • Demond Melancon Big Chief
  • Karsh Kale कर्ष काळे Indian Classical Music
  • Nate Smith Television Scores
  • María Grand R&B
  • Chucho Valdés Composer
  • Célestin Monga Author
  • The Bayou Mosquitos Zydeco
  • Gregory Hutchinson Drums
  • Djuena Tikuna Singer-Songwriter
  • Hilton Schilder South Africa
  • Kathy Chiavola Singer
  • Gaby Moreno Guitar
  • Intisar Abioto Writer
  • Vanessa Moreno Brazilian Jazz
  • Kiko Loureiro Progressive Metal
  • Flying Lotus Electronic Music
  • Ajeum da Diáspora Salvador
  • Ricky (Dirty Red) Gordon Composer
  • Roots Manuva Record Producer
  • Roots Manuva Hip-Hop
  • Fernando Brandão Composer
  • Kyle Poole New York City
  • César Orozco Cuba
  • Monk Boudreaux R&B
  • William Parker Composer
  • Marcello Gonçalves Choro
  • Egberto Gismonti Rio de Janeiro
  • Munyungo Jackson Author
  • Utar Artun Berklee College of Music Faculty
  • Edsel Gomez Puerto Rico
  • Miles Mosley Composer
  • Kurt Rosenwinkel Composer
  • Warren Wolf Singer
  • Elizabeth LaPrelle Folk & Traditional
  • Miroslav Tadić Contemporary Classical Music
  • Ibrahim Maalouf Trumpet
  • Brian Jackson Keyboards
  • Carlos Malta Bass Clarinet
  • Catherine Bent Cello
  • Ray Angry Brooklyn, NY
  • Tom Oren Piano
  • Victor Wooten Record Label Owner
  • Dale Farmer Folk & Traditional
  • Raymundo Sodré Forró
  • Marilda Santanna Faculdade da UFBA, Federal University of Bahia Faculty
  • Sam Reider Piano
  • Anat Cohen Israel
  • Moacyr Luz Rio de Janeiro
  • Malin Fezehai Africa
  • Tom Piazza Music Writer
  • Damon Albarn Film Scores
  • Lokua Kanza Paris
  • Rumaan Alam New York City
  • Intisar Abioto Storyteller
  • Carl Joe Williams New Orleans
  • Gel Barbosa Paraiba
  • Sergio Krakowski Pandeiro Instruction
  • Gonzalo Rubalcaba Cuba
  • Doug Adair Braver Angels
  • Luciana Souza Bossa Nova
  • Little Dragon Synthpop
  • Yvette Holzwarth Los Angeles
  • Berkun Oya Istanbul
  • Stephen Guerra Choro
  • Caterina Lichtenberg Hochschule für Musik und Tanz Köln
  • David Wax Museum Folk Roots Rock
  • Gêge Nagô Cachoeira
  • Ceumar Coelho Singer-Songwriter
  • Negra Jhô Brazil
  • Brian Lynch Latin Jazz
  • Tiganá Santana Trilhas Sonoras, Film Scores
  • Daymé Arocena Santeria
  • Fabiana Cozza São Paulo
  • Kehinde Wiley New York City
  • Kareem Abdul-Jabbar Essayist
  • Mino Cinélu Percussion
  • Matt Ulery Loyola University Faculty
  • Ricardo Herz São Paulo
  • Gustavo Di Dalva Percussion Instruction Online
  • Jim Farber Clive Davis Institute of Recorded Music Faculty
  • Michael Janisch Experimental Music
  • Paulão 7 Cordas Music Director
  • Varijashree Venugopal Flute
  • Will Holshouser Folk & Traditional
  • Andrew Finn Magill Samba
  • Román Díaz Cuba
  • Orrin Evans Record Label Owner
  • Kirk Whalum Saxophone
  • Case Watkins Cultural-Environmental Geographer
  • Sarah Hanahan New York City
  • Nilze Carvalho Choro
  • Gerald Clayton Piano
  • John Donohue Journalist
  • Joachim Cooder Americana
  • Frank Negrão Salvador
  • Don Moyer Graphic Design
  • Mauro Senise MPB
  • Cuong Vu Jazz
  • Jason Treuting Percussion
  • Teodor Currentzis Russia
  • Tony Kofi Flute
  • Rick Beato Songwriter
  • Questlove Songwriter
  • Mario Caldato Jr. Keyboards
  • Alexa Tarantino Woodwinds
  • David Ritz Los Angeles
  • Shannon Ali Writer
  • João Teoria Brasil, Brazil
  • Robert Randolph Funk
  • Burhan Öçal Kös
  • Isaiah Sharkey Chicago
  • Andrew Finn Magill Choro
  • Lenna Bahule Maputo
  • Fábio Luna Percussão, Percussion
  • Babau Santana Samba
  • Ivan Neville Keyboards
  • Diana Fuentes Havana
  • Saileog Ní Cheannabháin Raelach Records
  • Steve Earle Country
  • Charles Munka Drawings
  • Chris Acquavella Mandolin
  • Jess Gillam Contemporary Classical Music
  • Alisa Weilerstein Classical Music
  • James Poyser Multi-Instrumentalist
  • Kotringo Japan
  • Scotty Barnhart Composer
  • Seth Swingle Kora
  • Alex de Mora Photographer
  • Armandinho Macêdo Mandolin
  • Doug Wamble Guitar
  • Pallett Iran
  • Lula Galvão Classical Guitar
  • Bodek Janke Percussion
  • Alicia Keys Record Producer
  • Ryan Keberle Trombone
  • Shez Raja Multi-Cultural
  • Toninho Nascimento Belém do Pará
  • Aditya Prakash Ropeadope
  • Lula Moreira Cultural Producer
  • Asanda Mqiki Port Elizabeth
  • Siobhán Peoples Ireland
  • Alyn Shipton Writer
  • Fábio Luna Samba
  • Tom Bergeron Samba
  • Chico César Poet
  • Lula Galvão Choro
  • Jurandir Santana Brazilian Jazz
  • Stuart Duncan Guitar
  • Dan Weiss Drums
  • Nilze Carvalho Bandolim
  • Milton Primo Brazil
  • Fabian Almazan Record Label Owner
  • Jonga Cunha Brazil
  • Tambay Obenson Los Angeles
  • Samuel Organ Guitar
  • Rosângela Silvestre Bahia
  • Antonio García Virginia Commonwealth University Faculty
  • Corey Ledet Zydeco
  • Marcos Portinari Rio de Janeiro
  • Shannon Ali New York City
  • Sophia Deboick England
  • Rogê MPB
  • Christopher Seneca Writer
  • Raymundo Sodré Samba
  • Hank Roberts Cello
  • Caterina Lichtenberg Mandolin
  • Walmir Lima Bahia
  • Roberto Fonseca Composer
  • Jen Shyu Multi-Instrumentalist
  • Leigh Alexander Journalist
  • Julien Libeer Piano
  • Omer Avital Oud
  • Anthony Coleman Jewish Music
  • Eric Alexander Composer
  • Jaimie Branch Trumpet
  • Grégoire Maret Composer
  • Mateus Aleluia Filho Flugelhorn
  • James Martin New Orleans
  • Orlando Costa Brazil
  • Luíz Paixão Pernambuco
  • Monk Boudreaux Singer
  • Pretinho da Serrinha Brazil
  • Errollyn Wallen Piano
  • Endea Owens Composer
  • Irma Thomas Singer
  • John Harle Saxophone
  • Nicole Mitchell Jazz
  • Geovanna Costa Samba
  • Dave Jordan Roots Rock
  • Issa Malluf Udu
  • Nomcebo Zikode South Africa
  • Kengo Kuma Architect
  • William Skeen Early Music
  • Alexandre Leão Salvador
  • Elie Afif Bass
  • Kiko Souza Saxophone
  • Paulo César Pinheiro Samba
  • Frank London Composer
  • Tonynho dos Santos Trompete, Trumpet
  • Tom Oren Composer
  • Arturo O'Farrill Piano
  • Bobby Sanabria Bandleader
  • Tero Saarinen Finland
  • Munyungo Jackson Composer
  • Lucía Fumero Composer
  • Mario Caldato Jr. Record Producer
  • Georgia Anne Muldrow Hip-Hop
  • Shannon Sims Brazil
  • Dee Spencer Jazz
  • Giba Gonçalves Bahia
  • Ben Wolfe Composer
  • Brentano String Quartet String Quartet
  • Danilo Caymmi Rio de Janeiro
  • Márcio Valverde Brazil
  • Bonerama Jazz
  • Cleber Augusto Samba
  • Weedie Braimah Ropeadope
  • Tedy Santana Drums
  • Eddie Kadi Comedian
  • Juliana Ribeiro Brazil
  • Allen Morrison Writer
  • David Sedaris Humor
  • Hot Dougie's Salvador
  • Aderbal Duarte Salvador
  • Darren Barrett Record Producer
  • Ben Allison Television Scores
  • Tom Green Writer
  • Luiz Brasil Brazil
  • Gord Sheard Toronto
  • Art Rosenbaum Multi-Instrumentalist
  • Aditya Prakash Los Angeles
  • Nara Couto Coreógrafa, Choreographer
  • Negrizu Bahia
  • Ana Luisa Barral Composer
  • Arthur Verocai Singer-Songwriter
  • Jura Margulis Classical Music
  • Teresa Cristina Singer
  • Gord Sheard Composer
  • Christone 'Kingfish' Ingram Mississippi
  • Tiganá Santana Produtor Musical, Music Producer
  • Miles Mosley Double Bass
  • Tank and the Bangas R&B
  • Daru Jones Nashville, TN
  • Tony Allen Afrobeat
  • As Ganhadeiras de Itapuã Folk & Traditional
  • Chris Thile Mandolin

 'mātriks / "source" / from "mater", Latin for "mother"
We're a real mother for ya!

 

Copyright ©2022  -  Privacy  -  Terms of Service  -  Contact  - 

Open to members of the worldwide creative economy.

You'll use your email address to log in.

Passwords must be at least 6 characters in length.

Enter your password again for confirmation.

This will be the end of your profile link, for example:
http://www.matrixonline.net/profile/yourname

Please type the characters you see in the image. May take several tries. Sorry!!!

 

Matrix Sign In

Please enter your details below. If are a member of the global creative economy and don't have a page yet, please sign up first.

 
 
 
Forgot Password?
Share