CURATION
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from this page:
by Augmented Matrix
Network Node
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Name:
Terell Stafford
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City/Place:
New York City
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Country:
United States
Life & Work
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Bio:
Terell Stafford, acclaimed trumpet player based in New York, has been hailed as “one of the great players of our time, a fabulous trumpet player” by piano legend McCoy Tyner. Stafford is recognized as an incredibly gifted and versatile player, he combines a deep love of melody with his own brand of spirited and adventurous lyricism. Stafford’s exceptionally expressive and well defined musical talent allows him to dance in and around the rich trumpet tradition of his predecessors while making his own inroads.
Stafford first picked up the trumpet at age thirteen, initially studying classical music. While pursuing a music education degree at the University of Maryland, Stafford played with the school’s jazz band. In 1988, Stafford had the good fortune to meet and receive advice from Wynton Marsalis who suggested that he study with Dr. William Fielder at Rutgers University. After studying trumpet fundamentals with Dr. Fielder, Stafford was inspired to play all genres of music including jazz. It was during this time that he began to immerse himself in jazz; listening to everything he could get his hands on. Stafford cites one of his most profound musical influences as Clifford Brown’s rendition of Cherokee. Later, Marsalis gave Stafford the opportunities to perform in his group Jazz at Lincoln Center Orchestra, and teach at Jazz at Lincoln Center and Juilliard. Marsalis supports Stafford’s current role as Managing and Artistic Director of the Jazz Orchestra of Philadelphia and continues to offer his guidance and support. While studying at Rutgers, Stafford was invited to join Bobby Watson’s group, Horizon. The next five years were spent balancing his offstage education with the incredible knowledge and experience gained from performing alongside Watson, co-leader Victor Lewis and Shirley Scott. Scott invited Stafford to join her quintet and the house band on You Bet Your Life, where Scott was Musical Director, this gave Stafford the opportunity to play alongside Tim Warfield that led to their ongoing musical collaborations. Stafford credits these experiences to honing his skills as an effective arranger, composer and bandleader; all things that Bobby Watson himself learned from his time with the late Art Blakey while performing with the Jazz Messengers. Stafford’s time with Horizon led to his joining McCoy Tyner’s Latin All-Star Band that featured some of the best Latin jazz players, including trombonist Steve Turre, flutist Dave Valentin and percussionist Jerry Gonzalez.
Since the mid-1990’s, Stafford has performed with groups such as Benny Golson’s Sextet, McCoy Tyner’s Sextet, Kenny Barron Quintet, Frank Wess Quintet, Jimmy Heath Quintet and Big Band, Jon Faddis Jazz Orchestra, Carnegie Hall Jazz Band and Dizzy Gillespie All-Star Alumni Band.
Stafford has been an integral member in bands led by esteemed artists such as Cedar Walton, Sadao Watanabe, Herbie Mann, and Matt Wilson. Stafford has appeared on The Tonight Show with Jay Leno, Rosie O’Donnell Show, and You Bet your Life. Stafford can be heard along with Bobby Watson on the soundtrack for the feature film A Bronx Tale and in the documentary Treme: Untold Story of Black New Orleans. Stafford has performed as a guest artist with the Billy Taylor Trio on National Public Radio’s Billy Taylor’s Jazz at the Kennedy Center.
Time to Let Go (Candid 1995) was Stafford’s debut album featuring Victor Lewis, Ed Simon, Steve Wilson, Tim Warfield, Victor See-Yuen, Steve Nelson and Michael Bowie. Centripetal Force (Candid 1997) was Stafford’s second release featuring Ron Blake, John Clark, Stefon Harris, Ed Howard, Victor Lewis, Russell Malone, Daniel Moreno, Stephen Scott and Tim Warfield. His third album was Fields of Gold (Nagel-Heyer 2000) featuring Bill Cunliffe, Kiyoshi Kitagawa, Antonio Hart and Rodney Green. His fourth release was New Beginnings (MAXJAZZ 2003) featuring Mulgrew Miller, Derrick Hodge, Dana Hall, Steve Wilson, Dick Oatts, Harry Allen, and Jesse Davis. He followed this album with Taking Chances (MAXJAZZ 2007) featuring Bruce Barth, Tim Warfield, Dana Hall and Derrick Hodge. Stafford released BrotherLee Love, Celebrating Lee Morgan, featuring Tim Warfield, Bruce Barth, Peter Washington and Dana Hall, and received a 47th Annual NAACP Image Award nomination. His most recent album is Family Feeling, a BCM&D release.
Stafford can be heard performing on over 130 albums; a sampling is included here. Stafford with the Hamilton-Clayton Jazz Orchestra, performed on Diana Krall’s GRAMMY nominated From this Moment On (2006). John Clayton invited Stafford to perform with the Clayton Brothers Quintet, Clayton-Hamilton Jazz Orchestra and to teach for the prestigious Vail Jazz Foundation. In celebration of Jimmy Heath’s 80th birthday, Stafford recorded with the Jimmy Heath Big Band for the album Turn Up the Heath (2006). As a member of drummer Matt Wilson’s group Arts and Crafts, Stafford is featured on the album Scenic Route (2007). Stafford performed on Alvin Queen and the Organic’s album I Ain’t Lookin’ at You (2006).
Stafford was a member of the GRAMMY nominated Bobby Watson’s Tailor Made Big Band for their album Tailor Made. Stafford is a member of the Vanguard Jazz Orchestra and they were awarded a GRAMMY in 2009 for Best Large Ensemble, Live at the Village Vanguard. Stafford had the privilege of performing solo trumpet with the Temple University Symphony Orchestra for the premiere performance of Fourth Stream…La Banda. This commissioned piece for orchestra, jazz combo and solo trumpet, was written by GRAMMY winning composer Bill Cunliffe, former Boyer College faculty member. It was recorded on the university’s music label, BCM&D, and subsequently nominated for a GRAMMY in 2010 for Best Instrumental Composition. He is a member of the GRAMMY nominated Clayton Brothers Quintet for Best Instrumental Composition, Brother to Brother 2010 and New Song and Dance 2011. Another Temple University commissioned piece, Overture; Waltz & Rondo was nominated for a GRAMMY in 2013.
Stafford is the Director of Jazz Studies and Chair of Instrumental Studies at Temple University, founder and band leader of the Terell Stafford Quintet, and Managing and Artistic Director of the Jazz Orchestra of Philadelphia (JOP). Stafford is renowned in the jazz world as an educator, performer and leader and has received countless award nominations and accolades.
Terell Stafford was born in Miami and raised in Chicago, Illinois and Silver Spring, Maryland. He received a Bachelor of Science in Music Education from the University of Maryland in 1988 and a Masters of Music from Rutgers University in 1993.
More
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Quotes, Notes & Etc.
Terell Stafford Quintet: Founded by Terell Stafford, the members of the quintet are highly accomplished educators, composers, arrangers and band leaders. The Terell Stafford Quintet albums include: Time To Let Go, Centripetal Force, New Beginnings, Taking Chances, Fields of Gold and This Side of Strayhorn.
Temple University: Stafford is the Director of Jazz Studies and Chair of Instrumental Studies in the Boyer College of Music at Temple University.
Workshops and Clinics: Stafford conducts many all-state jazz bands, some of which include; Texas, Utah, New York, Pennsylvania, New Jersey and Missouri. He has also conducted workshops and clinics with the Vail Jazz Foundation, Centrum, Stanford Jazz Workshop, Swing Central, Monk Institute, Amsterdam Conservatory, Tritone Jazz Workshop, Litchfield, Julliard Jazz Seminar and Jazz at Lincoln Center. Stafford travels the world as a freelance music educator, working and performing with high school, university and professional bands.
Jazz Orchestra of Philadelphia: Formed in 2013, the Jazz Orchestra of Philadelphia (JOP) is dedicated to presenting the highest quality jazz to the greatest number of people and designed to preserve, represent and continue Philadelphia’s unique, rich jazz sound and tradition. Terell Stafford, Managing and Artistic Director of JOP and Director of Jazz Studies in the Boyer College of Music offers a synergy with Temple University that will branch out to younger Philadelphia students. JOP aims to become the face of Philadelphia jazz, establishing the city as a nationally and internationally recognized destination for jazz performance. In addition to embodying Philadelphia’s vital jazz legacy with energetic jazz performances, both locally and outside of its home city, the Jazz Orchestra of Philadelphia will provide an essential educational component as part of its mission.
The inaugural gala event was held January 7th, 2014 in Verizon Hall at the Kimmel Center in Philadelphia. Bill Cosby emceed the sold out event with special guests that included jazz greats, Wynton Marsalis, Jimmy Heath, Kenny Baron, Larry MacKenna, Bootsie Barnes, Tony Williams and Randy Brecker.
Associated Groups:
Terell Stafford Quintet
Clayton Brothers
Vanguard Jazz Orchestra
Bobby Watson and Horizon
Dizzy Gillespie All Stars
Arts & Crafts
Tim Warfield Group
Dana Hall Group
Jon Faddis Jazz Orchestra
Trumpet Summit featuring Jon Faddis and Sean Jones
Jimmy Heath Big Band
Awards and Accolades:
Grammy Awards:
Vanguard Jazz Orchestra, Monday Night Live at the Village Vanguard 2009
Grammy Nominations:
Temple University, Overture, Waltz and Rondo 2013
Clayton Brothers, New Song and Dance 2011
Clayton Brothers, Brother to Brother 2010
Temple University, Fourth Stream, La Banda 2010
Diana Krall, From This Moment On 2007
Bobby Watson, Tailor Made
Other Notable Accolades:
Philadelphia Clef Club, Trumpeter of the Year 2013
Downbeat August 2012 Established talents # 6 with 110 pts.
Downbeat Magazine Editors Pick April 2011, This Side Of Strayhorn
Downbeat Magazine Editors Pick October 2010, Clayton Brothers, The New Song And Dance
Downbeat, Best Small Group for Matt Wilson’s Arts & Crafts 2007
Rising Star Trumpeter, Downbeat Magazine 2006
Carmine Caruso International Trumpet Competition, Adjudicator 2005
Wake Up, Matt Wilson featuring Terell Stafford
Honorable Mention, Village Voice
MSN Top Ten of 2004
All About Jazz Editors Pick 2004
Critic’s Choice, Jazziz 2004
Top Ten, Providence Phoenix 2004
Top Ten, EJAZZ.com 2004
Named #54 of top 100 Trumpeters
Ranker list of Famous Jazz Trumpeters
New Beginnings voted #20, Jazz Week 2003
New Beginnings voted #1 CD in the Nation, Jazz Week 2003
New Beginnings selected #1 Jazz Pick, Vibe Magazine 2003
Rising Star Trumpeter, Downbeat Magazine 2003
#1 Trumpet Deserving Wider Recognition, Downbeat Magazine 2002
Four Star Review in Jazz Times Magazine for Fields of Gold 2001
Trumpeter Deserving Wider Recognition, Downbeat Magazine 1999
Hopper Management Rising Star 1999
Four Star Review, Downbeat Magazine for Centripetal Force 1998
Four Star Review, Downbeat Magazine for Time To Let Go 1996
Deane Sherman Performing Arts Award, The Arts Council of Montgomery County, MD 1996
Television and Film:
Performed on the documentary, Treme: Untold Story of Black New Orleans
Mercedes Commercial with Stefon Harris 2000
Rosie O’Donnell Show, appearance with Aretha Franklin
Jay Leno Show, appearance with Branford Marsalis
Robert DeNiro’s A Bronx Tale with Bobby Watson 1996
You Bet Your Life, Bill Cosby – performed with the house band, Shirley Scott was Musical Director
Clips (more may be added)
For all roads here lead to Black Rome, and everywhere, but all pathways lead to Bahia.
I created this matrix so the world might discover elemental cultural genius here in Bahia, Brazil: João do Boi (rest in power) and magisterial others... But following the dictates of logic, in order to make these artists discoverable worldwide, the matrix must, to the greatest extent possible, do likewise for all creators across the planet.
Pardal/Sparrow
The Integrated Global Creative Economy: uncoiling from this sprawling Indigenous, African, Sephardic and then Ashkenazic, Arabic, European, Asian cultural matrix...
The mathematics of the small world phenomenon transforming the creative universe into a creative village wherein all are connected by short pathways to all.
Tap the grey crosses on somebody's Matrix Page to recommend that person for the categories next to those crosses.
(Crosses visible when you are logged in)
The crosses will turn green.
That person/category will appear in your My Curation & Recommendations.
You will appear in that person's Incoming Curation and Recommendations.
You and the person you are recommending will be pulled by mathematical gravity to within discoverable distance of all other creators inside the Matrix.
In a small world great things are possible.
"Thanks, this is a brilliant idea!!"
—Alicia Svigals (NEW YORK CITY): Apotheosis of klezmer violinists
"Dear Sparrow: I am thrilled to receive your email! Thank you for including me in this wonderful matrix."
—Susan Rogers (BOSTON): Director of the Berklee Music Perception and Cognition Laboratory ... Former personal recording engineer for Prince; "Purple Rain", "Sign o' the Times", "Around the World in a Day"
"Dear Sparrow, Many thanks for this – I am touched!"
—Julian Lloyd Webber (LONDON): Premier cellist in UK; brother of Andrew (Evita, Jesus Christ Superstar, Cats, Phantom of the Opera...)
"This is super impressive work ! Congratulations ! Thanks for including me :)))"
—Clarice Assad (RIO DE JANEIRO/CHICAGO): Pianist and composer with works performed by Yo Yo Ma and orchestras around the world
"We appreciate you including Kamasi in the matrix, Sparrow."
—Banch Abegaze (LOS ANGELES): manager, Kamasi Washington
"Thanks! It looks great!....I didn't write 'Cantaloupe Island' though...Herbie Hancock did! Great Page though, well done! best, Randy"
This Matrix was conceived under a Spiritus Mundi ranging from the quilombos and senzalas of Cachoeira and Santo Amaro to Havana and the provinces of Cuba to the wards of New Orleans to the South Side of Chicago to the sidewalks of Harlem to the townships of South Africa to the villages of Ireland to the Roma camps of France and Belgium to the Vienna of Beethoven to the shtetls of Eastern Europe...*
Sodré
*...in conversation with Raymundo Sodré, who summed up the irony in this sequence by opining for the ages: "Where there's misery, there's music!" Hence A Massa, anthem for the trod-upon folk of Brazil, which blasted from every radio between the Amazon and Brazil's industrial south until...
And hence a platform whereupon all creators tend to accessible proximity to all other creators, irrespective of degree of fame, location, or the censor.
Matrix Ground Zero is the Recôncavo, bewitching and bewitched, contouring the resplendent Bay of All Saints (end of clip below, before credits), absolute center of terrestrial gravity for the disembarkation of enslaved human beings (and for the sublimity these people created), the bay presided over by Brazil's ineffable Black Rome (where Bule Bule is seated below, around the corner from where we built this matrix as an extension of our record shop).
Assis Valente's (of Santo Amaro, Bahia) "Brasil Pandeiro" filmed by Betão Aguiar
Betão Aguiar
("Black Rome" is an appellation per Caetano, via Mãe Aninha of Ilê Axé Opô Afonjá.)
Replete with Brazilian greatness, but we listened to Miles Davis and Jimmy Cliff in there too; visitors are David Dye & Kim Junod for NPR/WXPN
I opened the shop in Salvador, Bahia in 2005 in order to create an outlet to the wider world for magnificent Brazilian musicians.
Kareem Abdul-Jabbar found us (he's a huge jazz fan), David Byrne, Oscar Castro-Neves... Spike Lee walked past the place while I was sitting on the stoop across the street drinking beer and listening to samba from the speaker in the window...
But we weren't exactly easy for the world-at-large to get to. So in order to extend the place's ethos I transformed the site associated with it into a network wherein Brazilian musicians I knew would recommend other Brazilian musicians, who would recommend others...
And as I anticipated, the chalky hand of God-as-mathematician intervened: In human society — per the small-world phenomenon — most of the billions of us on earth are within some 6 or fewer degrees of each other. Likewise, within a network of interlinked artists as I've described above, most of these artists will in the same manner be at most a handful of steps away from each other.
So then, all that's necessary to put the Brazilians within possible purview of the wide wide world is to include them among a wide wide range of artists around that world.
If, for example, Quincy Jones is inside the matrix, then anybody on his page — whether they be accessing from a campus in L.A., a pub in Dublin, a shebeen in Cape Town, a tent in Mongolia — will be close, transitable steps away from Raymundo Sodré, even if they know nothing of Brazil and are unaware that Sodré sings/dances upon this planet. Sodré, having been knocked from the perch of fame and ground into anonymity by Brazil's dictatorship, has now the alternative of access to the world-at-large via recourse to the vast potential of network theory.
...to the degree that other artists et al — writers, researchers, filmmakers, painters, choreographers...everywhere — do also. Artificial intelligence not required. Real intelligence, yes.
The deep roots of this project are in Manhattan, where Allen Klein (managed the Beatles and The Rolling Stones) called me about royalties for the estate of Sam Cooke... where Jerry Ragovoy (co-wrote Time is On My Side, sung by the Stones; Piece of My Heart, Janis Joplin of course; and Pata Pata, sung by the great Miriam Makeba) called me looking for unpaid royalties... where I did contract and licensing for Carlinhos Brown's participation on Bahia Black with Wayne Shorter and Herbie Hancock...
...where I rescued unpaid royalties for Aretha Franklin (from Atlantic Records), Barbra Streisand (from CBS Records), Led Zeppelin, Mongo Santamaria, Gilberto Gil, Astrud Gilberto, Airto Moreira, Jim Hall, Wah Wah Watson (Melvin Ragin), Ray Barretto, Philip Glass, Clement "Sir Coxsone" Dodd for his interest in Bob Marley compositions, Cat Stevens/Yusuf Islam and others...
...where I worked with Earl "Speedo" Carroll of the Cadillacs (who went from doo-wopping as a kid on Harlem streetcorners to top of the charts to working as a janitor at P.S. 87 in Manhattan without ever losing what it was that made him special in the first place), and with Jake and Zeke Carey of The Flamingos (I Only Have Eyes for You)... stuff like that.
Yeah this is Bob's first record contract, made with Clement "Sir Coxsone" Dodd of Studio One and co-signed by his aunt because he was under 21. I took it to Black Rock to argue with CBS' lawyers about the royalties they didn't want to pay (they paid).
Matrix founding creators are behind "one of 10 of the best (radios) around the world", per The Guardian.
Salvador is our base. If you plan to visit Bahia, there are some things you should probably know and you should first visit:
www.salvadorbahiabrazil.comAcross the creative universe... For another list, reload page.
This list is random, and incomplete. Reload the page for another list.
Ex Terra Brasilis
Wolfram MathWorld
UNIVERSAL
Alicia Svigals
Susan Rogers
Julian Lloyd Webber
Clarice Assad
Kamasi Washington
Randy Brecker
Roberto Mendes
Luciano Calazans
Gustavo Caribé
J Velloso
Lázaro Ramos
Fernando Guerreiro
Maria Marighella
Russell Okung
Bule Bule
Caetano Veloso
RÁDIO MATRIX