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  • No princípio...
  • In the beginning...
  • Carpe diem

The Birth of the Matrix →

No princípio...

Imagine uma rede em que, por alguma mágica fantástica, todos dentro tenderiam a poucos passos detectáveis ​​de todos os outros... na rede e no planeta...

 

Imagine uma rede que seria mais sobre pessoas que você não conhece do que sobre pessoas que você conhece. E ainda mais importante: sobre pessoas que não o conhecem, mas cujas vidas seriam enriquecidas se o conhecessem...

 

Imagine uma rede que incluiria todos na economia criativa global da humanidade...

 

Você está imaginando O Matrix (Rede Online)!

 

 

Esse Matrix baiano foi fundado (com afeto!) numa questão fundamental: Como é possível fazer com que os músicos mais importantes historicamente do Brasil sejam descobertos por pessoas que vivem em qualquer lugar da Terra?

 

A resposta foi incluí-los num matrix no sentido original da palavra: “fonte”, de “mater”, latim para “mãe”...

 

...um matrix que também incluiria membros da economia criativa de todo o mundo: escritores e jornalistas, pintores, cineastas, coreógrafos, programadores de computador, designers de som e cenografia, designers de moda, matemáticos…

 

Por este meio, podemos pessoalmente alcançar profundamente a realidade da economia criativa global que está realmente lá fora: Roberto Mendes de Santo Amaro pode recomendar João do Boi de São Braz. Munir Hossn de Salvador, mas agora morando em Paris, pode recomendar Roberto Mendes. Alfredo Rodriguez de Havana, mas agora morando em Nova York, pode recomendar Munir Hossn. E Quincy Jones de Los Angeles pode recomendar Alfredo Rodriguez. Quem conhece Quincy Jones agora pode descobrir João do Boi (entre os músicos absolutamente mais fundamentais do Brasil) em apenas quatro passos.

 

Este não é um exemplo isolado. Caminhos curtos de apenas alguns passos entre pessoas criativas amplamente díspares são universais em todo o Matrix. Tal é o fantástico poder matemático do fenômeno do pequeno mundo, o fenômeno responsável pelos "seis graus de separação", unindo a maioria dos seres humanos à maioria dos outros em cerca de seis passos. Essa é a superpotência do Matrix baiano.

 

O Matrix baiano está aberta a todos da economia criativa global. Foi construído numa loja de discos no Centro Histórico de Salvador por um americano que trabalhou anteriormente em Nova York recuperando royalties não pagos para artistas como Aretha Franklin, Barbra Streisand, Led Zeppelin, Cat Stevens (Yusef Islam), Astrud Gilberto, Airto Moreira, Mongo Santamaria, Ray Barretto, o primeiro produtor de Bob Marley, Clement Dodd, o mestre de jazz Jim Hall e outros.

 

Agora o projeto é mostrar ao mundo o que é que a Bahia tem. Ao permitir que todos na economia criativa global também podem estender a mão ao redor do mundo e mostram ao mundo o que é que eles têm.

 

O Matrix é capaz de atingir profundamente... esta é a vila de São Braz, no Recôncavo baiano, criada por escravizados que escaparam para uma liberdade marginal...

 

In the beginning...

Imagine a network wherein by some fantastic magic everybody within would tend to within scant, discoverable steps of everybody else... in the network, and on the planet...

 

Imagine a network that would be more about people you don't know than people you do know. And even more importantly: about people who don't know you but whose lives would be enriched if they did...

 

Imagine a network which would include all in humanity's global creative economy...

 

You are imagining The Matrix (Online Network)!

 

 

This Bahian Matrix was founded (with love!) on a fundamental question: How is it possible to make Brazil’s most historically important musicians discoverable by people living anywhere around the Earth?

 

The answer was to include them in a matrix in the original sense of the word: “source”, from “mater”, Latin for “mother”...

 

...a matrix which would also include members of the creative economy from everywhere else: writers and journalists, painters, filmmakers, choreographers, computer programmers, sound and set designers, fashion designers, mathematicians…

 

By this means we can personally reach deeply into the reality of the global creative economy that is really out there: Roberto Mendes of Santo Amaro can recommend João do Boi of São Braz. Munir Hossn of Salvador but now living in Paris can recommend Roberto Mendes. Alfredo Rodriguez of Havana but now living in New York City can recommend Munir Hossn. And Quincy Jones of Los Angeles can recommend Alfredo Rodriguez. Anybody who knows Quincy Jones can now discover João do Boi (top photo; "John of the Ox" in English, the vastly important Son House of Brazil) in just four steps.

 

This is not an isolated example. Short pathways of just a few steps between widely disparate creative people are universal throughout the Matrix. Such is the fantastic mathematical power of the small world phenomenon, the phenomenon responsible for “six degrees of separation”, joining most human beings to most others within some six or so steps. This is the Bahian Matrix’s superpower.

 

The Bahian Matrix is open to all in the global creative economy. It was built in a record shop in Salvador’s Centro Histórico by an American who formerly worked in New York city retrieving unpaid royalties for artists including Aretha Franklin, Barbra Streisand, Led Zeppelin, Cat Stevens (Yusef Islam), Astrud Gilberto, Airto Moreira, Mongo Santamaria, Ray Barretto, Bob Marley’s first producer Clement Dodd, jazz great Jim Hall and others.

 

Now the project is to show the world o que é que a Bahia tem (what it is that Bahia has). By letting everybody in the global creative economy likewise reach out across the planet to connect as they wish and show the world what it is that they have too.

 

The Matrix is capable of reaching deeply...this is João's village of São Braz, in the Bahian Recôncavo, created by enslaved who'd escaped to a marginal freedom...

 

Carpe diem

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  • Tia Fuller
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    Sean Jones → Composer has been recommended via Tia Fuller.
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  • ALL IS CLOSER THAN WE IMAGINE
    (Imagine Tia Fuller)
    I RECOMMEND
    You can recommend Tia Fuller from below when logged in ←

CURATION

  • from this node by: Matrix+

This is the Universe of

  • Name: Tia Fuller
  • City/Place: Waltham, Massachussets
  • Country: United States
  • Hometown: Aurora, Colorado

Life & Work

  • Bio: When Grammy-nominated Mack Avenue recording artist, composer, and bandleader Tia Fuller picks up her saxophone, something amazing happens. Blending technical brilliance, melodic creativity, and the performing precision drawn from both her academic and stage experience, Fuller is a force to be reckoned with in the worlds of jazz, pop, R&B, and more. Currently, Fuller balances the worlds of performance and education, fulfilling a demanding schedule as both a busy touring and recording artist and a full-time professor at the Berklee College of Music in Boston.

    Fuller’s resume makes her uniquely qualified for these roles. The Denver, Colorado native graduated magna cum laude with a Bachelor of Arts degree in Music from Spelman College in Atlanta, GA, and summa cum laude with a Master’s degree in Jazz Pedagogy and Performance from the University of Colorado at Boulder. Already established as a leading jazz musician, Fuller was selected to be a member of the all-female band touring with Grammy-winning pop star Beyoncé. Performing as part of the I AM … Sasha Fierce and Beyoncé Experience World Tour on stages across the globe, Fuller also became a featured soloist on the Beyoncé Experience DVD (Me, Myself and I), I AM Yours I DVD (Wynn Theatre) and also appeared on number of major television shows, including Today Show, Good Morning America, The Oprah Winfrey Show, BET Awards, American Music Awards, Grammy Awards and as a featured soloist with Beyoncé for President Obama at the White House.

    An accomplished solo artist in her own right, Fuller has recorded five full-length projects with her quartet. Her most recent album, Diamond Cut, received a Grammy nomination in the Best Instrumental Jazz category; produced by three-time Grammy Award winner Terri Lyne Carrington, the album also features two superb rhythm sections, both of which contain some of jazz world’s brightest luminaries – bassist Dave Holland and Jack DeJohnette, then bassist James Genus and drummer Bill Stewart. Adding texture and harmonic support of several compositions are guitarist Adam Rogers and organist Sam Yahel. Additionally, Carrington contributes to two tracks with percussion.

    Fuller debuted in 2005 with her self-produced set, Pillar of Strength (Wambui); her sophomore release, Healing Space (2007/Mack Avenue), is an offering of “melodic medicine” and healing agents. Her third CD, Decisive Steps, also for the Mack Avenue label, received the number one JazzWeek rating for two weeks straight, landed at number three in JET magazine’s top jazz CDs listing, and was nominated for Best Jazz album by JazzWeek. And in 2012, she released her fourth album, Angelic Warrior, which received praise from The Wall Street Journal, The New York Times, and numerous jazz publications. The saxophonist’s quartet has performed in countries and jazz fests around the world, including Angola, Croatia, South Africa, The Netherlands, Italy, Scotland, and the United States, just to name a few.

    Fuller can also be seen touring regularly with several bands. She has appeared with Terri Lyne Carrington to perform her Grammy-winning Mosaic Project and Money Jungle: Provocative in Blue; served as assistant musical director for Esperanza Spalding’s Radio Music Society tour; and recorded and toured with Dianne Reeves for her Grammy-winning Beautiful Life album. She has also performed with such luminaries as the Ralph Peterson Septet, Rufus Reid Quintet, Wycliff Gordan Septet, T.S. Monk Sextet, the Duke Ellington Orchestra, the Nancy Wilson Jazz Orchestra, the Jon Faddis Jazz Orchestra, Chaka Khan, Ledisi, Kelly Rowland, Jay-Z, Jill Scott, Patti LaBelle, Sheila E, Valerie Simpson, Dionne Warwick, Janelle Monáe, Patrice Rushen, Erykah Badu, and the late Aretha Franklin, Nancy Wilson, and Geri Allen.

    Fuller has also expanded her media presence as a model and essayist. In early 2019, she appeared in a cutting-edge “Rhythm in Blues” advertising campaign for national women’s retailer J.Jill. Her life-size image has been featured in more than 270 J.Jill display windows nationwide. In addition, Fuller will be featured in an exclusive Vanity Fair magazine shoot, celebrating women in jazz. Furthermore, Fuller has shared her experiences as a performer, educator, and first-time Grammy nominee as a female jazz musician via a timely opinion piece, on sexism in jazz for NBCNews.com, a feature story in the Associated Press and live interviews on such outlets as TV One’s Sister Circle. The dynamic saxophonist has also graced the cover of Downbeat Magazine, JazzTimes Magazine, Saxophone Today, Jazzed, and Jazz Education Journal.

    In addition, she has received numerous awards and marks of distinction including, winning JazzTimes Jazz Critics Poll for best alto saxophonist (2018), and Downbeat Critic’s Poll-Rising Star two years in a row in the categories of Soprano Sax in 2014 and Alto Sax and Flute in 2013. In 2018, Fuller was honored with the Benny Golson Award from Howard University; received the Distinguished Alumnae Award as the commencement speaker at the University of Colorado at Boulder; and was appointed as the 2018 Artist-in-Residence at the Monterey Jazz Festival in Monterey, CA.

    As a Professor at Berklee College of Music, Fuller shares her expertise with more than 70 students per week. She leads the college’s Rainbow Big Band and All-Stars, the Esperanza Ensemble, repertoire class, jazz improvisation, two jazz combos, and the Christian McBride Ensemble. In addition, she produces and directs groundbreaking large production ensembles focusing on the works of major pop innovators Beyoncé, Bruno Mars, Ariana Grande, and Micki Miller. Innovated by Fuller to provide more contemporary, real-world experiences for students, these ensembles are cross-collaborations with other college departments and duplicate an “A-list” tour production incorporating musicians, choreography, strings, dancers, video, and lighting.

    As an artist, performer, and teacher, Fuller feels that she is fulfilling her purpose here on this earth, which is to “serve as a light for others.”

Contact Information

  • Management/Booking: Management and Inquires
    Elthopia Productions, LLC
    [email protected]

    Branding and Creative Director
    Margo Davis
    The Lilly Pearl Group, LLC
    ph: 770-596-8501
    [email protected]

    Jazz Publicist
    Maureen McFadden, Senior Account Publicist & Director of Operations
    DL Media Inc.
    124 N. Highland Ave,
    Bala Cynwyd, PA 19004
    ph: 610-667-0501 Ext 100
    fax: 610-667-0502
    [email protected]

    Photographer
    Jerris Madison
    www.jerrismadison.com

    Booking Agents:
    Eric Hanson
    Head Booking LLC
    [email protected]
    ph: 415-308-7864
    www.headbooking.org

    Europe:
    Isabelle Pfeifer
    Bella Concerts
    [email protected]

    Elisabeth Morth
    Bella Concerts
    [email protected]

Media | Markets

  • ▶ Twitter: tiafuller
  • ▶ Instagram: tiafuller1
  • ▶ Website: http://www.tiafuller.com
  • ▶ YouTube Channel: http://www.youtube.com/channel/UCgr3Cn5MWztaoTMOnQTfBJQ
  • ▶ YouTube Music: http://music.youtube.com/channel/UCgr3Cn5MWztaoTMOnQTfBJQ
  • ▶ Spotify: http://open.spotify.com/album/5GyjleB65HnQ5H8MSpX6ni
  • ▶ Spotify 2: http://open.spotify.com/album/2pHgeu62w5jwu21baYk3YF
  • ▶ Spotify 3: http://open.spotify.com/album/5rbnHhPMYrfRY9UnRFVJox
  • ▶ Spotify 4: http://open.spotify.com/album/11fUA9j6NGo6BdpYDEIo2D
  • ▶ Spotify 5: http://open.spotify.com/album/3kpMfZyJqVv8kQ67X3jcwl

Clips (more may be added)

  • Tia Fuller, "The Coming" (Live Performance)
    By Tia Fuller
    273 views
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Imagine the world's creative economy at your fingertips. Imagine 10 doors side-by-side. Beyond each, 10 more, each opening to a "creative" somewhere around the planet. After passing through 8 such doorways you will have followed 1 pathway out of 100 million possible (2 sets of doorways yield 10 x 10 = 100 pathways). This is a simplified version of the metamathematics that makes it possible to reach anybody in the global creative economy in just a few steps. It doesn't mean that everybody will be reached by everybody. It does mean that everybody can  be reached by everybody.



  • 3 Berklee College of Music Faculty
  • 3 Composer
  • 3 Jazz
  • 3 Saxophone

From Harlem to Bahia to the World, the Why & How of this Matrix: Window below in Portuguese here!
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 'mātriks / "source" / from "mater", Latin for "mother"
We're a real mother for ya!

 

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