Salvador Bahia Brazil Matrix

The Matrix Online Network is a platform conceived & built in Salvador da Bahia, Brazil and upon which people & entities across the creative economic universe can 1) present in variegated detail what it is they do, 2) recommend others, and 3) be recommended by others. Integrated by recommendations and governed by the metamathematical magic of the small world phenomenon (popularly called "6 degrees of separation"), matrix pages tend to discoverable proximity to all other matrix pages, no matter how widely separated in location, society, and degree of fame. From Quincy Jones to celestial samba in the favelas of Rio de Janeiro to you, all is closer than we imagine.

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  • (Bahia)
  • Questions?
  • From Brazil with love →
  • @ Ground Zero
  • El Aleph
  • If You Can't Stand the Heat
  • Harlem to Bahia to the Planet
  • Why a "Matrix"?

From Brazil with love →

@ Ground Zero

 

Have you, dear friend, ever noticed how different places scattered across the face of the globe seem almost to exist in different universes? As if they were permeated throughout with something akin to 19th century luminiferous aether, unique, determined by that place's history? It's like a trick of the mind's light (I suppose), but standing on beach or escarpment in Salvador and looking out across the Baía de Todos os Santos to the great Recôncavo, and mindful of what happened there, one must be led to the inevitable conclusion that one is in a place unique to history, and to the present*.

 

 

"Chegou a hora dessa gente bronzeada mostrar seu valor / The time has come for these bronzed people to show their value..."Música: Assis Valente of Santo Amaro, Bahia. Vídeo: Betão Aguiar.

 

*More enslaved human beings entered the Bay of All Saints and the Recôncavo than any other final port-of-call throughout all of mankind's history.

 

These people and their descendants created some of the most uplifting music ever made, the foundation of Brazil's national art. We wanted their music to be accessible to the world (it's not even accessible here in Brazil) so we created a platform by which everybody's creativity is mutually accessible, including theirs.

 

El Aleph

 

The network was built in an obscure record shop (Kareem Abdul-Jabbar found it) in a shimmering Brazilian port city...

 

...inspired in (the kabbalah-inspired fiction of) Borges' (short story) El Aleph, that in the pillar in Cairo's Mosque of Amr, where the universe in its entirety throughout all time is perceivable as an infinite hum from deep within the stone.

 

It "works" by virtue of the "small-world" phenomenon...the same responsible for the fact that most of us 7 billion or so beings are within 6 or fewer degrees of each other.

 

It was described (to some degree) and can be accessed via this article in British journal The Guardian (which named our radio of matrixed artists as one of ten best in the world):

 

www.theguardian.com/travel/2020/apr/17/10-best-music-radio-station-around-world

 

With David Dye for U.S. National Public Radio: www.npr.org/2013/07/16/202634814/roots-of-samba-exploring-historic-pelourinho-in-salvador-brazil

 

All is more connected than we know.

 

Per the "spirit" above, our logo is a cortador de cana, a cane-cutter. It was designed by Walter Mariano, professor of design at the Federal University of Bahia to reflect the origins of the music the shop specialized in. The Brazilian "aleph" doesn't hum... it dances and sings.

 

If You Can't Stand the Heat

 

Image above is from the base of the cross in front of the church of São Francisco do Paraguaçu in the Bahian Recôncavo

 

Sprawled across broad equatorial latitudes, stoked and steamed and sensual in the widest sense of the word, limned in cadenced song, Brazil is a conundrum wrapped in a smile inside an irony...

 

This is not a European nation. It is not a North American nation. It is not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn. Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin. It was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people). Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David. Three cultures — from three continents — running for their lives, their confluence forming an unprecedented fourth. Pandeirista on the roof. Nowhere else but here.

 

Oligarchy, plutocracy, dictatorships and massive corruption — elements of these are still strongly entrenched — have defined, delineated, and limited Brazil.

 

But strictured & bound as it has been and is, Brazil has buzz...not the shallow buzz of a fashionable moment...but the deep buzz of a population which in spite of — or perhaps because of — the tough slog through life they've been allotted by humanity's dregs-in-fine-linen, have chosen not to simply pull themselves along but to lift their voices in song and their bodies in dance...to eat well and converse well and much and to wring the joy out of the day-to-day happenings and small pleasures of life which are so often set aside or ignored in the European, North American, and East Asian nations.

 

For this Brazil has a genius perhaps unparalleled in all other countries and societies, a genius which thrives alongside peeling paint and holes in the streets and roads, under bad organization by the powers-that-be, both civil and governmental, under a constant rain of societal indignities...

 

Which is all to say that if you don't know Brazil and you're expecting any semblance of order, progress and light, you will certainly find the light! And the buzz of a people who for generations have responded to privation at many different levels by somehow rising above it all.

 

"Onde tem miséria, tem música!"* - Raymundo Sodré

 

And it's not just music. And it's not just Brazil.

 

Welcome to the kitchen!

 

* "Where there is misery, there is music!" Remarked during a conversation arcing from Bahia to Haiti and Cuba to New Orleans and the south side of Chicago and Harlem to the villages of Ireland and the gypsy camps and shtetls of Eastern Europe...

 

Harlem to Bahia to the Planet



Why a "Matrix"?

 

I was explaining the ideas behind this nascent network to (João) Teoria (trumpet player above) over cervejas at Xique Xique (a bar named for a town in Bahia) in the Salvador neighborhood of Barris...

 

Like this (but in Portuguese): "It's kind of like Facebook if it didn't spy on you, but reversed... more about who you don't know than who you do know. And who doesn't know you but would be glad if they did. It's kind of like old Myspace Music but instead of having "friends" it has a list on your page of people you recommend. Not just musicians but writers, painters, filmmakers, dancers, chefs... anybody in the creative economy. It has a list of people who recommend you, or through whom you are recommended. It deals with arts which aren't recommendable by algorithm but need human intelligence behind recommendations. And the people who are recommended can recommend, creating a network of recommendations wherein by the small world phenomenon most people in the creative economy are within several steps of everybody else in the creative economy, no matter where they are in the world. Like a chessboard which could have millions of squares, but you can get from any given square to any other in no more than six steps..."

 

And João said (in Portuguese): "A matrix where you can move from one artist to another..."

 

A matrix! That was it! The ORIGINAL meaning of matrix is "source", from "mater", Latin for "mother". So the term would help congeal the concept in the minds of people the network was being introduced to, while giving us a motto: "We're a real mother for ya!" (you know, Johnny "Guitar" Watson?)

 

The original idea was that musicians would recommend musicians, the network thus formed being "small world" (commonly called "six degrees of separation"). In the real world, the number of degrees of separation in such a network can vary, but while a given network might have billions of nodes (people, for example), the average number of steps between any two nodes will usually be minuscule.

 

Thus somebody unaware of the magnificent music of Bahia, Brazil will be able to conceivably move from almost any musician in this matrix to Bahia in just a few steps...

 

By the same logic that might move one from Bahia or anywhere else to any musician anywhere.

 

And there's no reason to limit this system to musicians. To the contrary, while there are algorithms written to recommend music (which, although they are limited, can be useful), there are no algorithms capable of recommending journalism, novels & short stories, painting, dance, film, chefery...

 

...a vast chasm that this network — or as Teoria put it, "matrix" — is capable of filling.

 

  • Darren Barrett
    I RECOMMEND

CURATION

  • from this node by: Criador acima/Creator above

This is the Universe of

  • Name: Darren Barrett
  • City/Place: New York City
  • Country: United States

Life & Work

  • Bio: "The first time I heard Miles Davis was on the record 'Round About Midnight, and when I heard Miles's sound and his approach, I knew that the instrument I wanted to play was the trumpet."

    "My time [as a student] at Berklee was extremely nurturing. The atmosphere was so inspiring, everyone working so hard to really be able to play at the highest level possible. Antonio Hart and I were roommates for a period, and did a lot of playing together, and grew together. In 1988, my curiosity was piqued by electronic music, programming, and synthesis. I dedicated time learning how to program drum machines and synthesizers, and started learning how to produce popular music."

    "This position has helped me to realize my ideas pertaining to live performance—using computers, multi-processor effects, and groove-oriented music with improvisational content. It has also afforded me the opportunity to write a great deal of music and experiment using the students through the whole process from rehearsals to performance."

    from www.berklee.edu/people/darren-barrett

Contact Information

  • Email: [email protected]

Media | Markets

  • ▶ Twitter: darren__barrett
  • ▶ Instagram: darrendbee
  • ▶ Website: http://www.berklee.edu/people/darren-barrett
  • ▶ YouTube Channel: http://www.youtube.com/user/DarrenBarrettMusic
  • ▶ YouTube Music: http://music.youtube.com/channel/UCMEOphvHneIv-evcP2Gp0WA
  • ▶ Spotify: http://open.spotify.com/album/5WPspUZaBG8c8byYZElDz3
  • ▶ Spotify 2: http://open.spotify.com/album/052QYI4Q5gqCmYZ29UsCax
  • ▶ Spotify 3: http://open.spotify.com/album/0SmVhxK84FdDUvx940Lr3K
  • ▶ Spotify 4: http://open.spotify.com/album/0qHlIRFiInUzkf6KKr37SC
  • ▶ Spotify 5: http://open.spotify.com/album/2ebSSs7H6zsyEiX1ERKtmp
  • ▶ Spotify 6: http://open.spotify.com/album/662rAVVOsL7Q3dOe1kxmTE

Clips (more may be added)

  • 3:33
    Darren Barrett - Trumpet Vibes - To Sir With Love
    By Darren Barrett
    191 views
  • 0:13:10
    Darren Barrett - Trumpet Vibes EPK
    By Darren Barrett
    225 views
Previous
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YOU RECOMMEND

Imagine the world's creative economy at your fingertips. Imagine 10 doors side-by-side. Beyond each, 10 more, each opening to a "creative" somewhere around the planet. After passing through 8 such doorways you will have followed 1 pathway out of 100 million possible (2 sets of doorways yield 10 x 10 = 100 pathways). This is a simplified version of the metamathematics that makes it possible to reach everybody in the global creative economy in just a few steps It doesn't mean that everybody will be reached by everybody. It does mean that everybody can  be reached by everybody.


Appear below by recommending Darren Barrett:

  • 2 Berklee College of Music Faculty
  • 2 Composer
  • 2 Flugelhorn
  • 2 Jazz
  • 2 R&B
  • 2 Record Producer
  • 2 Reggae
  • 2 Trumpet

Nodes below are randomly generated. Reload for a different stack.

  • Perumal Murugan Novelist
  • Shemekia Copeland Chicago
  • Musa Okwonga Football Journalist
  • Africania Brazil
  • Huey Morgan Songwriter
  • Sahba Aminikia San Francisco
  • Fred P Berlin
  • Cara Stacey Mbabane
  • Gevorg Dabaghyan Armenia
  • Ênio Bernardes Brasil, Brazil
  • Marcelinho Oliveira Brazil
  • Fred Dantas Ethnomusicologist
  • Towa Tei テイ・トウワ DJ
  • Dadá do Trombone Bahia
  • Nubya Garcia Flute
  • Tab Benoit Singer-Songwriter
  • Adanya Dunn Toronto
  • Grégoire Maret Harmonica
  • Zé Katimba Cavaquinho
  • Ron Carter Jazz
  • Léo Rodrigues Samba
  • Buck Jones Bahia
  • The Bayou Mosquitos Netherlands
  • Jau Samba Reggae
  • Weedie Braimah Ropeadope
  • Gilmar Gomes Singer-Songwriter
  • Andrew Finn Magill Irish Traditional Music
  • Afel Bocoum Singer-Songwriter
  • Cedric Watson Singer-Songwriter
  • Mike Marshall Mandocello
  • Joel Ross Jazz
  • Clint Smith Black American Culture & History
  • Kiko Souza R&B
  • Chucho Valdés Cuba
  • Nana Nkweti University of Alabama Faculty
  • Tomo Fujita Berklee College of Music Faculty
  • Michael Garnice Reggae
  • Azadeh Moussavi Iran
  • Robert Glasper Jazz
  • Wynton Marsalis Classical Music
  • Camille Thurman Jazz
  • Stacy Dillard New York City
  • Julia Alvarez Middlebury College Faculty
  • Stacy Dillard Saxophone
  • Gord Sheard Multi-Cultural
  • Buck Jones Salvador
  • Edmar Colón Saxophone
  • Geraldo Azevedo Singer-Songwriter
  • Rebeca Omordia Nigeria
  • David Bragger Record Label Owner
  • Restaurante Axego Bahia
  • Benoit Fader Keita Afrohouse
  • Beats Antique World Fusion
  • António Zambujo Portugal
  • Omari Jazz Composer
  • Delfeayo Marsalis Record Producer
  • Carl Allen Jazz Workshops
  • Manassés de Souza Brazil
  • John Morrison Writer
  • Dhafer Youssef ظافر يوسف Tunis
  • Patty Kiss Compositora, Songwriter
  • Paulo Costa Lima Escritor, Writer
  • Jean Rondeau Piano
  • Huey Morgan Songwriter
  • The Assad Brothers Brazil
  • Henry Cole Puerto Rico
  • Jas Kayser Panama
  • Taylor Ashton Banjo
  • Laércio de Freitas Choro
  • Simon Shaheen Composer
  • Mestre Barachinha Pernambuco
  • Luciano Salvador Bahia Theater Composer
  • Run the Jewels Hip-Hop
  • Brett Kern Ceramic Artist
  • Seth Rogovoy Jewish Music
  • Daniel Owoseni Ajala Nigeria
  • Fábio Luna Samba
  • Imani Winds Contemporary Classical Music
  • Camille Thurman Piccolo
  • Bertram Writer
  • Dan Nimmer Jazz
  • Andrew Dickson Radio Presenter
  • Joe Chambers Vibraphone
  • Dezron Douglas Double Bass
  • Ry Cooder Writer
  • Joe Lovano Berklee College of Music Faculty
  • Will Holshouser Musette
  • Mou Brasil Música Afro-Baiana, Afro-Bahian Music
  • Lô Borges Brasil, Brazil
  • Chano Domínguez Composer
  • Zé Katimba Rio de Janeiro
  • Richard Bona Bass
  • Musa Okwonga Writer
  • Margareth Menezes Samba-Reggae
  • Renato Braz Guitar
  • Antonio García Composer
  • Carla Visi Bahia
  • Ricardo Bacelar Brasil, Brazil
  • Bruce Williams Saxophone
  • Evgeny Kissin Classical Music
  • Mateus Asato Songwriter
  • Veronica Swift Singer
  • Quincy Jones Trumpet
  • Marc Cary Keyboards
  • Seckou Keita Percussion
  • Aruán Ortiz Afro-Cuban Jazz
  • Chubby Carrier Louisiana
  • Henry Cole Drumming Instruction
  • Milton Primo Singer-Songwriter
  • Zakir Hussain Multi-Cultural
  • Fabian Almazan Film Scores
  • Gail Ann Dorsey Bass
  • Nação Zumbi Pernambuco
  • Manassés de Souza 12 String Guitar
  • Yunior Terry Jazz
  • Di Freitas Ceará
  • Melissa Aldana Jazz
  • Bill T. Jones Theater Director
  • Oscar Bolão Samba
  • Gilson Peranzzetta Composer
  • Pururu Mão no Couro Sambalanço
  • Jay Blakesberg Photographer
  • Teresa Cristina Songwriter
  • Jonathon Grasse Capoeira
  • The Rheingans Sisters Folk & Traditional
  • Kareem Abdul-Jabbar Actor
  • Laércio de Freitas Composer
  • Johnny Lorenz Poet
  • Michael Cuscuna Writer
  • Simon Shaheen Arabic Music
  • Jan Ramsey Second Line
  • Eric Harland Jazz
  • William Parker New York City
  • Kareem Abdul-Jabbar Television Writer
  • Flying Lotus Record Label Owner
  • Marcus Miller Composer
  • Terrace Martin Jazz
  • Danilo Pérez Jazz
  • Carlinhos Brown Percussion
  • Jam no MAM Jazz
  • Bodek Janke Tabla
  • Sharita Towne Video Artist
  • Muri Assunção Journalist
  • Mika Mutti Electronic Music
  • Kareem Abdul-Jabbar Writer
  • Mateus Aleluia Filho Flugelhorn
  • David Kirby Novelist
  • Ari Hoenig Jazz
  • Marcos Suzano Pandeiro
  • Francisco Mela Drums
  • François Zalacain New York City
  • Tony Kofi Flute
  • Jacob Collier Multi-Instrumentalist
  • Omari Jazz Electronic Futurism
  • Milton Nascimento Minas Gerais
  • Dudu Reis Salvador
  • D.D. Jackson Piano
  • David Sacks Vocals
  • Laura Beaubrun Lausanne, Switzerland
  • Mika Mutti Bahia
  • Roy Ayers Jazz, Funk, R&B, Soul, Hip-Hop
  • PATRICKTOR4 DJ
  • Toumani Diabaté Malian Traditional Music
  • Giorgi Mikadze გიორგი მიქაძე New York City
  • Bill Hinchberger Writer
  • Shuya Okino Radio Presenter
  • Ballaké Sissoko Kora
  • Joel Guzmán Tex-Mex
  • Wouter Kellerman South Africa
  • Kaia Kater Singer-Songwriter
  • Brian Lynch Latin Jazz
  • Mauro Senise Brazilian Jazz
  • Diosmar Filho Cineasta Documentarista, Documentary Filmmaker
  • Luíz Paixão Fiddle
  • Varijashree Venugopal Film Scores
  • Marisa Monte Record Producer
  • Marcelinho Oliveira Songwriter
  • Tom Schnabel DJ
  • Alita Moses New York City
  • Bebê Kramer Choro
  • Simon Singh Television Producer
  • Michael Pipoquinha Composer
  • João Teoria Ska
  • Marcos Sacramento Rio de Janeiro
  • Lula Galvão Samba
  • Marcelo Caldi Brazil
  • Babau Santana Salvador
  • Asa Branca Choro
  • Frank London Jewish Music
  • Dan Weiss Avant-Garde Jazz
  • Mika Mutti Salvador
  • Arifan Junior Percussão, Percussion
  • Rez Abbasi Microtonal
  • Inaicyra Falcão Dançarina, Dancer
  • Marquis Hill Composer
  • Siobhán Peoples Fiddle
  • Fred Dantas Bahia
  • Henrique Cazes Rio de Janeiro
  • Keshav Batish Tabla
  • Asanda Mqiki Jazz
  • Scotty Apex Singer
  • Norah Jones Singer-Songwriter
  • Victor Gama Contemporary Musical Instrument Design
  • Alan Brain Filmmaker
  • Mika Mutti MPB
  • Stephanie Foden Montreal
  • Ben Wolfe Jazz
  • Benoit Fader Keita Senegal
  • Tarus Mateen Record Producer
  • Rogê Singer-Songwriter
  • Ned Sublette Writer
  • Rosângela Silvestre Bahia
  • Amy K. Bormet Piano
  • Ronaldo do Bandolim Choro
  • Mehdi Rajabian Composer
  • Rumaan Alam Writer
  • Caroline Keane Educator
  • Gabi Guedes Salvador
  • Justin Stanton Trumpet
  • Steve Lehman Saxophone
  • Gilad Hekselman Brooklyn, NY
  • Philip Watson Cork
  • Barry Harris New York City
  • Asa Branca Federal University of Bahia Faculty
  • Magary Lord AFROBIZ Salvador
  • Edu Lobo Multi-Instrumentalist
  • Fidelis Melo Brasil, Brazil
  • Dave Smith Alternative, Improv
  • Edil Pacheco Bahia
  • Hercules Gomes Samba
  • Alexa Tarantino Jazz
  • Samba de Nicinha Samba de Roda
  • Ryuichi Sakamoto Multi-Cultural
  • Alicia Svigals Writer
  • Lucinda Williams Singer-Songwriter
  • Jared Sims Funk
  • Béco Dranoff Cultural Producer
  • Gabriel Policarpo Rio de Janeiro
  • Ramita Navai Journalist
  • Dafnis Prieto University of Miami Frost School of Music Faculty
  • Warren Wolf Vibraphone
  • Jam no MAM Jam Sessions
  • Elza Soares Samba
  • Jeff Tweedy Singer-Songwriter
  • Andrew Finn Magill Ropeadope
  • Walmir Lima Bahia
  • Danilo Brito São Paulo
  • Alana Gabriela Bahia
  • Emmet Cohen Composer
  • Renata Flores Singer-Songwriter
  • Thiago Trad Bahia
  • Riley Baugus Singer
  • Jeremy Pelt Jazz
  • Martín Sued Bandoneon
  • Jan Ramsey Creole Music
  • Samuel Organ Composer
  • Mark Bingham New Orleans
  • Peter Serkin Piano
  • Marc Ribot Writer
  • Shabaka Hutchings Clarinet
  • Tommaso Zillio YouTuber
  • Thiago Amud Rio de Janeiro
  • Corey Henry Second Line
  • Larnell Lewis Toronto
  • Edsel Gomez Latin Jazz
  • Makaya McCraven Drums
  • Chucho Valdés Composer
  • Rodrigo Caçapa Record Producer
  • Bombino Guitar
  • Cristiano Nogueira Chicago
  • Alessandro Penezzi Multi-Instrumentalist
  • Nelson Cerqueira Poeta, Poet
  • Cara Stacey South Africa
  • Kiko Souza MPB
  • Chris Dingman Jazz
  • Siba Veloso Pernambuco
  • Meklit Hadero Singer-Songwriter
  • Dadá do Trombone Jazz Afro-Baiano, Afro-Bahian Jazz
  • Paul Mahern Punk Rock
  • George Cables Composer
  • VJ Gabiru Brasil, Brazil
  • Alfredo Rodriguez Cuba
  • Michael Cleveland Indiana
  • Stephen Kurczy Writer
  • Cimafunk Cuba
  • Cory Wong Jazz
  • Issac Delgado Havana
  • Booker T. Jones Songwriter
  • João Camarero Violão de Sete
  • Capinam Brasil, Brazil
  • Alicia Keys Author
  • Alexandre Leão Brasil, Brazil
  • Nigel Hall New Orleans
  • Menelaw Sete Escultor, Sculptor
  • Alita Moses Jazz
  • Roosevelt Collier Blues, Gospel, Rock, Funk
  • Jim Hoke Session Musician
  • Julia Alvarez Poet
  • Tom Green Guitar
  • Marcus Miller Singer
  • Azi Schwartz החזן עזי שוורץ Cantor
  • Kirk Whalum Memphis, Tennessee
  • Alan Brain Film, Television Director
  • Adonis Rose Jazz
  • Lazzo Matumbi Salvador
  • David Castillo New Orleans
  • Jake Oleson Brooklyn, NY
  • Mahsa Vahdat Iran
  • Mavis Staples R&B
  • MonoNeon Bass
  • Edward P. Jones Writer
  • Antonio García Trombone
  • Perumal Murugan Novelist
  • Varijashree Venugopal Multi-Cultural
  • Yola R&B
  • Natan Drubi Brasil, Brazil
  • Yotam Silberstein New School for Jazz and Contemporary Music Faculty
  • Will Holshouser Composer
  • Jared Sims Saxophone
  • Emily Elbert Guitar
  • Mauro Diniz Rio de Janeiro
  • Chris Boardman Orchestrator
  • Ed Roth Los Angeles
  • Alicia Keys R&B
  • Tierra Whack Philadelphia
  • Nelson Ayres Music Producer
  • Leigh Alexander Video Game Story Designer
  • Brenda Navarrete Havana
  • Philip Ó Ceallaigh Bucharest
  • Varijashree Venugopal Bengaluru
  • Cristovão Bastos Choro
  • Avishai Cohen Composer
  • David Mattingly Matte Painter
  • Thundercat Bass
  • Stomu Takeishi Jazz
  • Allen Morrison Writer
  • Gregory Porter Singer
  • David Fiuczynski Guitar
  • Tigran Hamasyan Armenian Folk Music
  • Fábio Luna Percussão, Percussion
  • Willy Schwarz Songwriter
  • Jorge Aragão Singer-Songwriter
  • Simon Brook Filmmaker
  • Jon Cowherd Piano
  • Herlin Riley Jazz
  • Michael Janisch Bass
  • Marcus Gilmore New York City
  • Adriano Giffoni Rio de Janeiro
  • Sergio Krakowski Pandeiro
  • Avishai Cohen אבישי כה Jazz

 'mātriks / "source" / from "mater", Latin for "mother"
We're a real mother for ya!

 

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