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Imagine the world's creative economy at your fingertips. Imagine 10 doors side-by-side. Beyond each, 10 more, each opening to a "creative" somewhere around the planet. After passing through 8 such doorways you will have followed 1 pathway out of 100 million possible (2 sets of doorways yield 10 x 10 = 100 pathways). This is a simplified version of the metamathematics that makes it possible to reach everybody in the global creative economy in just a few steps It doesn't mean that everybody will be reached by everybody. It does mean that everybody can  be reached by everybody.


Appear below by recommending Matt Glaser:

  • 1 Author
  • 1 Berklee College of Music Faculty
  • 1 Bluegrass
  • 1 Composer
  • 1 Fiddle
  • 1 Folk & Traditional
  • 1 Jazz
  • 1 Violin

What's Up

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  • Matt Glaser
    A video was posted re Matt Glaser:
    Matt Glaser on String Playing, Music Education, Improvisation, & Mindfulness
    Matt Glaser of Berklee College of Music discusses music education, the diversity of creative string players in the newest generation and how classical string/music can adapt to a changing musical world.
    • June 26, 2020
  • Matt Glaser
    A video was posted re Matt Glaser:
    Deep River Blues - Sarah Jarosz, Matt Glaser & Casey Driessen
    Mark O'Connor / Berklee College of Music String Camp Sarah Jarosz - Vocals / Mandolin Matt Glaser - Fiddle Casey Driessen - Fiddle Nat Smith - Cello Geoff Saunders - Bass
    • June 26, 2020
  • Matt Glaser
    A category was added to Matt Glaser:
    Author
    • June 24, 2020
  • Matt Glaser
    A category was added to Matt Glaser:
    Folk & Traditional
    • June 24, 2020
  • Matt Glaser
    A category was added to Matt Glaser:
    Composer
    • June 24, 2020
  • Matt Glaser
    Darol Anger → Record Producer has been recommended via Matt Glaser.
    • June 24, 2020
  • Matt Glaser
    Darol Anger → Folk & Traditional has been recommended via Matt Glaser.
    • June 24, 2020
  • Matt Glaser
    Darol Anger → Fiddle has been recommended via Matt Glaser.
    • June 24, 2020
  • Matt Glaser
    Darol Anger → Composer has been recommended via Matt Glaser.
    • June 24, 2020
  • Matt Glaser
    Darol Anger → Bluegrass has been recommended via Matt Glaser.
    • June 24, 2020
  • Matt Glaser
    Darol Anger → Americana has been recommended via Matt Glaser.
    • June 24, 2020
  • Matt Glaser
    A category was added to Matt Glaser:
    Berklee College of Music Faculty
    Chaired the string department at the Berklee College of Music for more than twenty-five years...founder and artistic director of Berklee's American Roots Music Program
    • June 24, 2020
  • Matt Glaser
    A category was added to Matt Glaser:
    Bluegrass
    • June 24, 2020
  • Matt Glaser
    A category was added to Matt Glaser:
    Jazz
    • June 24, 2020
  • Matt Glaser
    A category was added to Matt Glaser:
    Fiddle
    • June 24, 2020
  • Matt Glaser
    A category was added to Matt Glaser:
    Violin
    • June 24, 2020
  • Matt Glaser
    Matt Glaser is matrixed!
    • June 24, 2020
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Why a "Matrix"?

 

I was explaining the ideas behind this nascent network to (João) Teoria (trumpet player above) over cervejas at Xique Xique (a bar named for a town in Bahia) in the Salvador neighborhood of Barris...

 

And João said (in Portuguese), repeating what I'd just told him, with one addition: "A matrix where musicians can recommend other musicians, and you can move from one to another..."

 

A matrix! That was it! The ORIGINAL meaning of matrix is "source", from "mater", Latin for "mother". So the term would help congeal the concept in the minds of people the network was being introduced to, while giving us a motto: "We're a real mother for ya!" (you know, Johnny "Guitar" Watson?)

 

The original idea was that musicians would recommend musicians, the network thus formed being "small world" (commonly called "six degrees of separation"). In the real world, the number of degrees of separation in such a network can vary, but while a given network might have billions of nodes (people, for example), the average number of steps between any two nodes will usually be minuscule.

 

Thus somebody unaware of the magnificent music of Bahia, Brazil will be able to conceivably move from almost any musician in this matrix to Bahia in just a few steps...

 

By the same logic that might move one from Bahia or anywhere else to any musician anywhere.

 

And there's no reason to limit this system to musicians. To the contrary, while there are algorithms written to recommend music (which, although they are limited, can be useful), there are no algorithms capable of recommending journalism, novels & short stories, painting, dance, film, chefery...

 

...a vast chasm that this network — or as Teoria put it, "matrix" — is capable of filling.

 

@ Ground Zero

 

Have you, dear friend, ever noticed how different places scattered across the face of the globe seem almost to exist in different universes? As if they were permeated throughout with something akin to 19th century luminiferous aether, unique, determined by that place's history? It's like a trick of the mind's light (I suppose), but standing on beach or escarpment in Salvador and looking out across the Baía de Todos os Santos to the great Recôncavo, and mindful of what happened there, one must be led to the inevitable conclusion that one is in a place unique to history, and to the present*.

 

 

"Chegou a hora dessa gente bronzeada mostrar seu valor / The time has come for these bronzed people to show their value..."Música: Assis Valente of Santo Amaro, Bahia. Vídeo: Betão Aguiar.

 

*More enslaved human beings entered the Bay of All Saints and the Recôncavo than any other final port-of-call throughout all of mankind's history.

 

These people and their descendants created some of the most uplifting music ever made, the foundation of Brazil's national art. We wanted their music to be accessible to the world (it's not even accessible here in Brazil) so we created a platform by which everybody's creativity is mutually accessible, including theirs.

 

El Aleph

 

The network was built in an obscure record shop (Kareem Abdul-Jabbar found it) in a shimmering Brazilian port city...

 

...inspired in (the kabbalah-inspired fiction of) Borges' (short story) El Aleph, that in the pillar in Cairo's Mosque of Amr, where the universe in its entirety throughout all time is perceivable as an infinite hum from deep within the stone.

 

It "works" by virtue of the "small-world" phenomenon...the same responsible for the fact that most of us 7 billion or so beings are within 6 or fewer degrees of each other.

 

It was described (to some degree) and can be accessed via this article in British journal The Guardian (which named our radio of matrixed artists as one of ten best in the world):

 

www.theguardian.com/travel/2020/apr/17/10-best-music-radio-station-around-world

 

With David Dye for U.S. National Public Radio: www.npr.org/2013/07/16/202634814/roots-of-samba-exploring-historic-pelourinho-in-salvador-brazil

 

All is more connected than we know.

 

Per the "spirit" above, our logo is a cortador de cana, a cane-cutter. It was designed by Walter Mariano, professor of design at the Federal University of Bahia to reflect the origins of the music the shop specialized in. The Brazilian "aleph" doesn't hum... it dances and sings.

 

If You Can't Stand the Heat

 

Image above is from the base of the cross in front of the church of São Francisco do Paraguaçu in the Bahian Recôncavo

 

Sprawled across broad equatorial latitudes, stoked and steamed and sensual in the widest sense of the word, limned in cadenced song, Brazil is a conundrum wrapped in a smile inside an irony...

 

It is not a European nation. It is not a North American nation. It is not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn. Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin. It was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people). Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David. Three cultures — from three continents — running for their lives, their confluence forming an unprecedented fourth. Pandeirista on the roof. Nowhere else but here.

 

Oligarchy, plutocracy, dictatorships and massive corruption — elements of these are still strongly entrenched — have defined, delineated, and limited Brazil.

 

But strictured & bound as it has been and is, Brazil has buzz...not the shallow buzz of a fashionable moment...but the deep buzz of a population which in spite of — or perhaps because of — the tough slog through life they've been allotted by humanity's dregs-in-fine-linen, have chosen not to simply pull themselves along but to lift their voices in song and their bodies in dance...to eat well and converse well and much and to wring the joy out of the day-to-day happenings and small pleasures of life which are so often set aside or ignored in the European, North American, and East Asian nations.

 

For this Brazil has a genius perhaps unparalleled in all other countries and societies, a genius which thrives alongside peeling paint and holes in the streets and roads, under bad organization by the powers-that-be, both civil and governmental, under a constant rain of societal indignities...

 

Which is all to say that if you don't know Brazil and you're expecting any semblance of order, progress and light, you will certainly find the light! And the buzz of a people who for generations have responded to privation at many different levels by somehow rising above it all.

 

"Onde tem miséria, tem música!"* - Raymundo Sodré

 

And it's not just music. And it's not just Brazil.

 

Welcome to the kitchen!

 

* "Where there is misery, there is music!" Remarked during a conversation arcing from Bahia to Haiti and Cuba to New Orleans and the south side of Chicago and Harlem to the villages of Ireland and the gypsy camps and shtetls of Eastern Europe...

 

From Harlem to Bahia



  • Matt Glaser
    I RECOMMEND

CURATION

  • from this node by: Sparrow/Pardal

This is the Universe of

  • Name: Matt Glaser
  • City/Place: Somerville, Massachusetts
  • Country: United States
  • Hometown: Brooklyn, NY

Life & Work

  • Bio: Jazz and bluegrass violinist Matt Glaser served as chair of the Berklee String Department for 28 years. Known as much for his versatility as his virtuosity, Glaser's vast knowledge and experience in music has fueled collaborations with a wide range of artists, from cellist Yo-Yo Ma to filmmaker Ken Burns.

    He has released two albums as leader of Wayfaring Strangers and has appeared on scores of other recordings, including discs released by his former students such as Tracy Bonham and Alex Hargreaves. His long list of other musical collaborators includes David Grisman, Bob Dylan, and Vassar Clements.

    (from www.berklee.edu/people/matt-glaser)

Contact Information

  • Email: [email protected]

Media | Markets

  • ▶ Book Purchases: http://www.homespun.com/instructors/matt-glaser/
  • ▶ Book Purchases 2: http://www.amazon.com/Jazz-Violin-Matt-Glaser/dp/0825601940
  • ▶ YouTube Music: http://music.youtube.com/channel/UCc7tgaSwZ14Fu8OmTIm-4-A
  • ▶ Spotify: http://open.spotify.com/album/75NRpMsOXQ7xFQ5H97t6d3

More

  • Quotes, Notes & Etc. "I like a lot of different styles of music. I think it's because I have a short attention span. So I become at least a dilettante in playing different things.

    With my group, the Wayfaring Strangers, I just want to play like myself regardless of the style. When I'm playing jazz there is always an element of bluegrass mixed in. And when I'm playing bluegrass, there is always an element of jazz."

    "I started out playing old-time country music. I heard that kind of music on a television commercial for corn chips, and I said, 'I want a violin.' My childhood teacher was Paul Ehrlich. I will always aspire to be as good a teacher as he is. The lesson would go on as long as it needed to go on. Afterwards we would go out for ice cream. It was a lived experience. A good teacher can really change the life of a student."

    "I'm not the world's most methodical teacher. But I think I make very strong demands on people who study with me. For instance, having people play ideas in all 12 keys. And I expect my students to learn by listening and not just reading. I think it's important for students to have a mental map of music in their mind."

    "I'm proud of the fact that I've played with a very wide range of musicians, from Yo-Yo Ma to Bob Dylan to Ralph Stanley. I enjoy finding what's valuable in all these different worlds. I'll always remember playing at Carnegie Hall for Stephane Grappelli's 80th birthday. The encore was 'Tiger Rag,' and I was standing next to Yo-Yo Ma and Mark O'Connor. As we were all bowing at the end, Yo-Yo Ma said, 'I was totally lost.'"

Clips (more may be added)

  • 1:02:25
    Matt Glaser on String Playing, Music Education, Improvisation, & Mindfulness
    By Matt Glaser
    178 views
  • 5:12
    Deep River Blues - Sarah Jarosz, Matt Glaser & Casey Driessen
    By Matt Glaser
    155 views
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 'mātriks / "source" / from "mater", Latin for "mother"
We're a real mother for ya!

 

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