→ ARTISTS CURATE ARTISTS in a small world network → Logical Result: Within the Matrix, ARTISTS ANYWHERE on earth are now reachable from EVERYWHERE on the planet! Viva!!!
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Who I Am & Where I Live:
- Name: Wouter Kellerman
- City: Johannesburg
- Country: South Africa
My Life
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Biographical:
Globe-trotting flutist and composer Wouter Kellerman received a 2015 Grammy® Award at the 57th Annual Grammy® Awards for his album Winds of Samsara, a collaboration with Indian composer and producer Ricky Kej. Winds Of Samsara reached #1 on the US Billboard New Age Albums Chart and also peaked at #1 on the Zone Music Reporter Top 100 International Radio Airplay Chart in the month of July 2014, winning both the ZMR ‘Album of the Year’ and ‘Best World Album’ awards.
Kellerman’s newest album LOVE LANGUAGE was released in August 2015 and debuted at number 1 on the World Music Billboard charts in its first week. Love Language draws influence from Senegal and Spain, Cuba and India, Greece and the United States. The album encapsulates the myriad ways that people connect on the topics of life and love — and the countless languages with which people speak of the universal connection that binds them one to another. In the spirit of Love Language, all proceeds from album sales go to the SOS Children’s Villages in South Africa.
Kellerman has also been recognised at home, most recently winning three SAMA’s (South African Music Award, equivalent to the American Grammy®) in 2015 to add to his previous wins in 2010 and 2011, reinforcing his status as one of South Africa’s foremost musicians. A true crossover artist, Kellerman thrives on experimenting with the shades, textures and colours that his magic flute is capable of painting, and creatively blending them with other instrumentation and vocal sounds.
Wouter has travelled extensively over the last few years, performing around the globe in places like Berlin, Shanghai, New York and Sydney, including sold-out concerts at Carnegie Hall in New York City and the Grammy Museum in LA in 2014. His 2012 U.S. tour included appearances at the prestigious Kennedy Centre in Washington DC, at Summerstage and Joe’s Pub in New York City, and at Caesars Palace in Las Vegas.
Kellerman performed his composition 'The Long Road' - a flute solo for Nelson Mandela, - on Nelson Mandela Day in South Africa for a stadium of 80,000 people and a television audience in August 2013. He has also performed at the opening of MIDEM in Cannes, France; MIDEM is the world’s largest music conference and festival and Kellerman was part of a Department of Arts and Culture delegation, representing South Africa. Kellerman's 2013 album Mzansi spent 6 months in the Top 40 of the international ZMR charts, (peaking at number 4) as well as 18 weeks in the Top 40 of the CMJ New World charts. It won the 2014 IMA (Independent Music Award) Vox Pop award in the USA for 'Best World Beat Album'. Kellerman's debut album, Colour, enjoyed rave reviews, topped the charts and was nominated for a 2008 South African Music Award for ‘Best Instrumental Album’. Three of his albums - Colour, Two Voices and Mzansi - were mixed in Los Angeles by Grammy-winning engineer Husky Hoskulds. In 2010 his show ‘Kellerman Colour Live’ won the 2010 SAMA for ‘Best Jazz/Instrumental/Popular Classical DVD’. He followed his performance at the FIFA Soccer World Cup Closing Ceremony with concerts at the Standard Bank Joy of Jazz festival in Johannesburg and two performances at the Shanghai World Expo in China.
Passionate about teaching and empowering young people, Kellerman has sponsored the living expenses of ten children in the SOS Children’s Village in Ennerdale, South Africa for the past 14 years. He has also financed the building of a house in the SOS Children’s Village in Rustenburg, South Africa. For his continued efforts in helping give these children a better life, Kellerman was nominated by the SOS Children’s Villages for the Inyathelo Special Recognition Award for Philanthropy. He continues to also facilitate the teaching of young dance and music students in his country.
Wouter Kellerman started playing the flute at the age of ten, and in 1981 appeared as a soloist with the Johannesburg Symphony Orchestra. He went on to feature in several South African orchestras, garnering numerous musical accolades along the way. Among these was winning the Perrenoud Foundation Prize during the 1997 Vienna International Music Competition.
Using his classical training as a foundation, Kellerman focused his attention on world music, exploring the versatility of the flute and fusing classical and contemporary sounds, resulting in a potent and thrilling musical encounter. He is taking his crossover world music to a global audience, having gained a solid following in his native South Africa.
His albums have been released in Germany, Austria, Switzerland, North America and in Australia, where he combined his release with a nationwide tour, including an opening slot on Johnny Clegg’s Down Under tour. Kellerman’s strikingly original flute-playing can be heard on the soundtrack of the Emmy Award-winning film, Eye of the Leopard.
My Media
- Website: http://www.wouterkellerman.net
- Twitter: wouterkellerman
- Buy My Music: http://www.wouterkellerman.net/store/
- Instagram: wouterkellerman
- YouTube Channel: http://www.youtube.com/wkellerman
Listen on Spotify
- Spotify: http://open.spotify.com/album/24uEWbIkkKQZwwld2s5crb
- Spotify 2: http://open.spotify.com/album/3bTjzitaB8C6riE6VrLFMr
- Spotify 3: http://open.spotify.com/album/0GGh40b4RJMZVpyZdbryLU
- Spotify 4: http://open.spotify.com/album/4P4rR06zS6ejDVhdmV5KRh
- Spotify 5: http://open.spotify.com/album/3thD8ds72ZUuiAxeJiEVtd
- Spotify 6: https://open.spotify.com/album/0YQWhJAoLIs6MMNDKJyQ2d
Contact Information
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Management/Booking:
Manager: Tholsi Pillay
+27 (0)78 458 9090
tholsipillay@gmail.com
THE MATRIX IS MUSICIAN / ARTIST RECOMMENDATIONS BY THE MOST POWERFUL, SOPHISTICATED & SUBTLE SOFTWARE YET DEVISED:
⇒ the minds of other artists
IT'S BASED IN BAHIA, GROUND ZERO FOR BRAZIL'S SUN-CARONA VIBRANT AFRO-BRAZILIAN CULTURE
⇒ ...rooted in a region called the Recôncavo, analogous in Brazil to the Mississippi Delta in the United States.
THE MATRIX REACHES FROM BRAZIL TO CUBA TO BROOKLYN TO BERLIN TO TOKYO TO TIMBUKTU
⇒ To wherever people want to take it...
IT IS THE NEXT-STEP EVOLUTION OF A SPECIALTY RECORD SHOP
⇒ ...opened in Salvador to showcase magisterial musicians almost completely unknown to the world...many of them living in poverty or close to it and unable to avail themselves of traditional (and costly) means of publicizing.
PRE-BRAZIL — IN NEW YORK CITY — WE "RESCUED" UNPAID ROYALTIES FOR PERFORMERS & COMPOSERS INCLUDING:
⇒ Aretha Franklin, Barbra Streisand, Led Zeppelin, Philip Glass, Mongo Santamaria, Airto Moreira, Gilberto Gil, Astrud Gilberto, Jim Hall, Taj Mahal, Robb Royer of Bread, Speedo & the Cadillacs, and many more! With Speedo's (Earl Carroll) amazing story (kid singing on the streetcorners of Harlem to doo-wop fame to working as a beloved school janitor) I learned (as Quincy Jones had figured out decades before) that greatness and fame are completely independent. The wave repeated here in Brazil with Raimundo Sodré, who went from zero to national fame and back to zero.
HENCE A (and so far the world's only) SMALL WORLD CURATION NETWORK...
⇒ A wave of Exu's cyberwand opening pathways allowing ANY ARTIST — FAMOUS OR NOT — in ANY FIELD — in ANY PLACE in the world — to potentially be reached by ANYBODY from ANYWHERE. (Exu -- eh-SHOO -- is the Afro-Brazilian deity responsible for opening pathways.)
BY WHAT WIZARDRY?
⇒ We've all heard of six degrees of separation, more properly called a small world network. Within six or so steps we can move through a chain of people knowing other people to just about anybody on the planet.
SIMPLY CHANGE "KNOW" TO "RECOMMEND"
⇒ In exactly the same way, step by step we can move through chains of ARTISTS CURATING ARTISTS to to just about any artist on the planet.
LIKE THIS...
⇒ From Quincy Jones we access one of his protégés, stellar young Cuban pianist Alfredo Rodriguez. From Alfredo Rodriguez we access a fabulous multinstrumentalist Alfredo plays with, Munir Hossn. Two more steps and we've reached the above-mentioned Raimundo Sodré, formerly virtually unreachable in Bahia...
Raimundo Sodré Now
Dengo
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DICTATED SILENCE
⇒ Sodré's meteoric major-label career was crushed by the Brazilian dictatorship years ago and he was forced to flee Brazil under threat of death...into a 19 year exile. He became almost impossible to find and hear, even after returning to Brazil.
MUSIC FALLS LIKE RAIN
⇒ But now lines of everbranching interlinked recommendations rise from Bahia to form a (small world) network rounding the planet like the arboreal canopy of a vast Amazonian rainforest. When the dictatorship ground Sodré into the dust, they unwittingly planted a seed.
FROM SODRÉ, A WORLDLINE TO SPLENDID BULE BULE (LEATHER HAT) ABOVE... AND TO OTHERS IN THE CLIP...
⇒ "The time has arrived for these people of color to show their worth ... I want to see Uncle Sam play tambourine so the whole world can samba!"
AND FROM BULE ON...
⇒ ...tendrils twining through urban centers and beautiful backwaters... through New York boroughs, Burkina Faso... County Clare... Cape Town...
THROUGH ARTISTS ACROSS THE BOARD
⇒ ...writers, journalists, photographers, painters, illustrators, architects, choreographers, filmmakers...
IS THE MATRIX AN ALTERNATE REALITY?
⇒ Only if your reality has been defined by corporate mass media. The original meaning of "matrix" is "source", from "mater", Latin for "mother". We're real mothers for ya!
DOES THE MATRIX WATCH YOU?
⇒ Zero surreptitious tracking, data mining and data brokerage per Cambridge Analytica, Facebook, et al.
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