Bio:
Trained in film scoring, arranging and music production at Berklee, Greek-born singer, film scorer, and composer Magda Giannikou has collaborated with everyone from Kronos Quartet (she was commissioned by and performed with the quartet at Lincoln Center 2013) to Louis CK (she worte and sang a duet with CK for the comedian’s TV show) and Snarky Puppy (participated in their Grammy Award Winning Family Dinner Vol.1).
In almost every facet of the music industry, Giannikou may be best known through her world music ensemble/collective, Banda Magda, founded in 2011.
Banda Magda moves from samba to French chanson, from Greek folk tunes to Colombian cumbia and Afro-Peruvian lando. Their songs capture the best of mid-century pop ballads and cinematic arranging, drawing on the band’s global background and unchained musicality.
Brainstorming games, body percussion and rhythm singing are some of the techniques that Banda Magda employs in order to help create, internalize and perform music. The band’s international background and deep knowledge of diverse music styles and languages, inspire students of any practice to cultivate a curiosity for what’s beyond, leading to sense of belonging in the world as a whole.
CONNECTING YOUR SONIC & VISUAL WORLDS
Find the appropriate visual representation of your music through posters, pictures, videos, web design and on-stage visual stories.
BAND LEADING, BRANDING & BOOKING
A discussion on how to successfully lead and self-manage your band.
The Recôncavo is an almost invisible center-of-gravity. Circumscribing the Bay of All Saints, this region was landing for more enslaved human beings than any other such throughout all of human history. Not unrelated, it is also birthplace of some of the most physically & spiritually uplifting music ever made. —Sparrow
"Dear Sparrow: I am thrilled to receive your email! Thank you for including me in this wonderful matrix."
—Susan Rogers: Personal recording engineer for Prince, inc. "Purple Rain", "Sign o' the Times", "Around the World in a Day"... Director of the Berklee Music Perception and Cognition Laboratory
I'm Pardal here in Brazil (that's "Sparrow" in English). The deep roots of this project are in Manhattan, where Allen Klein (managed the Beatles and The Rolling Stones) called me about royalties for the estate of Sam Cooke... where Jerry Ragovoy (co-wrote Time is On My Side, sung by the Stones; Piece of My Heart, Janis Joplin of course; and Pata Pata, sung by the great Miriam Makeba) called me looking for unpaid royalties... where I did contract and licensing for Carlinhos Brown's participation on Bahia Black with Wayne Shorter and Herbie Hancock...
...where I rescued unpaid royalties for Aretha Franklin (from Atlantic Records), Barbra Streisand (from CBS Records), Led Zeppelin, Mongo Santamaria, Gilberto Gil, Astrud Gilberto, Airto Moreira, Jim Hall, Wah Wah Watson (Melvin Ragin), Ray Barretto, Philip Glass, Clement "Sir Coxsone" Dodd for his interest in Bob Marley compositions, Cat Stevens/Yusuf Islam and others...
...where I worked with Earl "Speedo" Carroll of the Cadillacs (who went from doo-wopping as a kid on Harlem streetcorners to top of the charts to working as a janitor at P.S. 87 in Manhattan without ever losing what it was that made him special in the first place), and with Jake and Zeke Carey of The Flamingos (I Only Have Eyes for You)... stuff like that.
Yeah this is Bob's first record contract, made with Clement "Sir Coxsone" Dodd of Studio One and co-signed by his aunt because he was under 21. I took it to Black Rock to argue with CBS' lawyers about the royalties they didn't want to pay. They paid.
MATRIX MUSICAL
The Matrix was built below among some of the world's most powerfully moving music, some of it made by people barely known beyond village borders. Or in the case of Sodré, his anthem A MASSA — a paean to Brazil's poor ("our pain is the pain of a timid boy, a calf stepped on...") — having blasted from every radio between the Amazon and Brazil's industrial south, before he was silenced. (that's me left, with David Dye & Kim Junod for U.S. National Public Radio) ... The Matrix started with Sodré, with João do Boi, with Roberto Mendes, with Bule Bule, with Roque Ferreira... music rooted in the sugarcane plantations of Bahia. Hence our logo (a cane cutter).