CURATION
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from this page:
by Augmented Matrix
Network Node
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Name:
David Castillo
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City/Place:
Los Angeles, California
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Country:
United States
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Hometown:
New Orleans, Lousiana
Life & Work
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Bio:
David A. Castillo is a versatile performer, producer, and educator. His upbringing in the beautiful city of New Orleans heavily influences his eclectic style. Since childhood, David always gravitated toward music. His studies began with his Aunt Brenda, who introduced him to the trumpet and to Dreux Montegut, who led the newly formed St. Louis Cathedral Boychoir. As his voice developed, his Aunt B also encouraged him to audition for musicals and eventually was cast in his first, The King and I, as Prince Chululongkorn. While at Loyola University New Orleans, David pursued Pre-Dentistry, which continued until the college cast him in his first operatic role in The Elixir of Love. He completed his Bachelor of Music in Vocal Performance and moved to Los Angeles to attend the University of Southern California Thornton School of Music with a Master of Music in Vocal Arts. He graduated with honors from both institutions.
Singing has been a major part of his life, with his first public performance as an infant rumored to be “Baby Beluga” after stealing the microphone on the Stanford Basketball Court. Since then, David’s solo career brought him to Paris, The Vatican, Lincoln Center, Walt Disney Concert Hall, Severance Hall, Off-Broadway on 42nd Street, Dorothy Chandler Pavilion, and the Hollywood Bowl. He performed many world premieres for the LA Philharmonic (War of the Worlds with Sigourney Weaver), LA Master Chorale, The Industry, and the LA Opera and with several dance companies, such as American Contemporary Ballet, Luminario Ballet, Mojacar Flamenco, and in residency with choreographer Jay Carlon as co-producer and narrator at LA Dance Project.
Music also became his gateway to the screen competing on two episodes of America’s Got Talent. After the show he began a career in print and commercial. His years as an instrumentalist came back into play, when he was cast as the Trumpet Player in Camila Cabello’s short film/music video “Liar.” It was on set where he met Anthony Meindl and later began his studies in acting at his Los Angeles school. David sang on several soundtracks and movies, including Star Wars: Episode IX The Rise of Skywalker and Call of the Wild.
As a producer, David created the multi-sensory experience Seven Deadly Sins in New Orleans. With writer William Nedved and Project Runway winner Kentaro Kameyama, David produced and performed the role of Lee “Alexander” McQueen in their show The Passion of McQueen and performed the role of Perseus in their show Medusa with Deaf West Theatre at the Getty Villa. With Kentaro, David also produced and directed the fashion and art exhibition “for anna.”
In education and in the community, David discovers and understands arts’ purpose beyond entertainment with humans of all ages and backgrounds. He traveled all over LA County on tour with LA Opera Connects working with elementary school students, worked and performed with the Skid Row Community through the Street Symphony, and frequently builds programs with the Foothill Service Club for the Blind. He is on the voice faculties of Moorpark College and Pierce College.
Clips (more may be added)
I created this matrix so the world could discover elemental cultural genius here in Bahia: João do Boi (rest in power), Roberto Mendes, Raymundo Sodré and magisterial others. To make these artists discoverable worldwide though, there's a catch: The matrix must encompass so far as possible ALL CREATORS EVERYWHERE.
The Integrated Global Creative Economy, uncoiling from this sprawling Indigenous, African, Sephardic and then Ashkenazic, Arabic, European, Asian cultural matrix.
The mathematics of the small world phenomenon transforming the creative universe into a creative village wherein all are connected by short pathways to all.
Tap the crosses on somebody's Matrix Page to recommend that person for that category.
(Crosses visible when you are logged in)
The crosses will turn green.
That person/category will appear in your My Curation & Recommendations.
You will appear in that person's Incoming Curation and Recommendations.
You and the person you are recommending will be pulled by mathematical gravity to within DISCOVERABLE distance of EVERYBODY ELSE INSIDE the Matrix.
In a small world great things are possible.
"Thanks, this is a brilliant idea!!"
—Alicia Svigals (NEW YORK CITY): Apotheosis of klezmer violinists
"Dear Sparrow: I am thrilled to receive your email! Thank you for including me in this wonderful matrix."
—Susan Rogers (BOSTON): Director of the Berklee Music Perception and Cognition Laboratory ... Former personal recording engineer for Prince; "Purple Rain", "Sign o' the Times", "Around the World in a Day"
"Dear Sparrow, Many thanks for this – I am touched!"
—Julian Lloyd Webber (LONDON): Premier cellist in UK; brother of Andrew (Evita, Jesus Christ Superstar, Cats, Phantom of the Opera...)
"This is super impressive work ! Congratulations ! Thanks for including me :)))"
—Clarice Assad (RIO DE JANEIRO/CHICAGO): Pianist and composer with works performed by Yo Yo Ma and orchestras around the world
Salvador is our base. If you plan to visit Bahia, there are some things you should probably know and you should first visit:
www.salvadorbahiabrazil.com
Conceived under a Spiritus Mundi ranging from the quilombos and senzalas of Cachoeira and Santo Amaro to Havana and the provinces of Cuba to the wards of New Orleans to the South Side of Chicago to the sidewalks of Harlem to the townships of South Africa to the villages of Ireland to the Roma camps of France and Belgium to the Vienna of Beethoven to the shtetls of Eastern Europe...*
Sodré
*...in conversation with Raymundo Sodré, who summed up the irony in this sequence by opining for the ages: "Where there's misery, there's music!" Hence A Massa, anthem for the trod-upon folk of Brazil, which blasted from every radio between the Amazon and Brazil's industrial south until Sodré was silenced, threatened with death and forced into exile...
And hence a platform whereupon all creators tend to accessible proximity to all other creators, irrespective of degree of fame, location, or the censor.
Matrix Ground Zero is the Recôncavo, bewitching and bewitched, contouring the resplendent Bay of All Saints (end of clip below, before credits), absolute center of terrestrial gravity for the disembarkation of enslaved human beings (and for the sublimity these people created), the bay presided over by Brazil's ineffable Black Rome (seat of the Integrated Global Creative Economy* and where Bule Bule is seated below, around the corner from where we built this matrix as an extension of our record shop).
Assis Valente's (of Santo Amaro, Bahia) "Brasil Pandeiro" filmed by Betão Aguiar
Betão Aguiar
("Black Rome" is an appellation per Caetano, via Mãe Aninha of Ilê Axé Opô Afonjá.)
*Darius Mans holds a Ph.D. in Economics from MIT, and lives between Washington D.C. and Salvador da Bahia.
Between 2000 and 2004 he served as the World Bank’s Country Director for Mozambique and Angola. In that capacity, Darius led a team which generated $150 million in annual lending to Mozambique, including support for public private partnerships in infrastructure which catalyzed over $1 billion in private investment.
Darius was an economist with the Board of Governors of the Federal Reserve System, where he worked closely with the U.S. Treasury and the IMF to establish a framework to avoid debt repudiation and to restructure private commercial debt in Brazil and Chile.
He taught Economics at the University of Maryland and was a consultant to KPMG on infrastructure projects in Latin America.
Replete with Brazilian greatness, but we listened to Miles Davis and Jimmy Cliff in there too; visitors are David Dye & Kim Junod for NPR/WXPN
I'm Pardal here in Brazil (that's "Sparrow" in English). The deep roots of this project are in Manhattan, where Allen Klein (managed the Beatles and The Rolling Stones) called me about royalties for the estate of Sam Cooke... where Jerry Ragovoy (co-wrote Time is On My Side, sung by the Stones; Piece of My Heart, Janis Joplin of course; and Pata Pata, sung by the great Miriam Makeba) called me looking for unpaid royalties... where I did contract and licensing for Carlinhos Brown's participation on Bahia Black with Wayne Shorter and Herbie Hancock...
...where I rescued unpaid royalties for Aretha Franklin (from Atlantic Records), Barbra Streisand (from CBS Records), Led Zeppelin, Mongo Santamaria, Gilberto Gil, Astrud Gilberto, Airto Moreira, Jim Hall, Wah Wah Watson (Melvin Ragin), Ray Barretto, Philip Glass, Clement "Sir Coxsone" Dodd for his interest in Bob Marley compositions, Cat Stevens/Yusuf Islam and others...
...where I worked with Earl "Speedo" Carroll of the Cadillacs (who went from doo-wopping as a kid on Harlem streetcorners to top of the charts to working as a janitor at P.S. 87 in Manhattan without ever losing what it was that made him special in the first place), and with Jake and Zeke Carey of The Flamingos (I Only Have Eyes for You)... stuff like that.
Yeah this is Bob's first record contract, made with Clement "Sir Coxsone" Dodd of Studio One and co-signed by his aunt because he was under 21. I took it to Black Rock to argue with CBS' lawyers about the royalties they didn't want to pay (they paid).
Matrix founding creators are behind "one of 10 of the best (radios) around the world", per The Guardian.
This list is random, and incomplete. Reload the page for another list.