Bio:
Mischa Maisky has the distinction of being the only cellist in the world to have studied with both Mstislav Rostropovich and Gregor Piatigorsky.
Born in Latvia, educated in Russia, after his repatriation to Israel, Mischa Maisky has been enthusiastically received in London, Paris, Berlin, Vienna, New York and Tokyo, along with the rest of the major music centers.
As an exclusive Deutsche Grammophon artist during the last 30 years he made well over 30 recordings with such orchestras as Vienna and Berlin Philharmonic, London Symphony, Israel Philharmonic, Orchestre de Paris, Orpheus und Chamber Orchestra of Europe and others.
Truly a world-class musician and regular guest in most major International Festivals he collaborated with such conductors as Leonard Bernstein, Charles Dutoit, Carlo Maria Giulini, Valery Gergiev, Lorin Maazel, Zubin Mehta, Riccardo Muti, James Levine, Vladimir Ashkenazy, Giuseppe Sinopoli and Daniel Barenboim and his partnerships have included artists as Martha Argerich, Nelson Freire, Evgeny Kissin, Itzhak Perlman, Lang Lang, Radu Lupu, Peter Serkin, Yuri Bashmet, Joshua Bell, Janine Jansen, Gidon Kremer, Julian Rachlin, Vadim Repin and Maxim Vengerov, to name just a few.
Contact Information
Management/Booking:
Intermusica represents Mischa Maisky UK and Ireland
Quotes, Notes & Etc.
Mischa's recordings have enjoyed world-wide critical acclaim and have been awarded five times the prestigious Record Academy Prize in Tokyo, three times Echo Deutscher Schallplattenpreis, Grand Prix du Disque in Paris and Diapason d’Or of the Year as well as the coveted Grammy nominations.
The Recôncavo is an almost invisible center-of-gravity. Circumscribing the Bay of All Saints, this region was landing for more enslaved human beings than any other such throughout all of human history. Not unrelated, it is also birthplace of some of the most physically & spiritually uplifting music ever made. —Sparrow
"Dear Sparrow: I am thrilled to receive your email! Thank you for including me in this wonderful matrix."
—Susan Rogers: Personal recording engineer for Prince, inc. "Purple Rain", "Sign o' the Times", "Around the World in a Day"... Director of the Berklee Music Perception and Cognition Laboratory
I'm Pardal here in Brazil (that's "Sparrow" in English). The deep roots of this project are in Manhattan, where Allen Klein (managed the Beatles and The Rolling Stones) called me about royalties for the estate of Sam Cooke... where Jerry Ragovoy (co-wrote Time is On My Side, sung by the Stones; Piece of My Heart, Janis Joplin of course; and Pata Pata, sung by the great Miriam Makeba) called me looking for unpaid royalties... where I did contract and licensing for Carlinhos Brown's participation on Bahia Black with Wayne Shorter and Herbie Hancock...
...where I rescued unpaid royalties for Aretha Franklin (from Atlantic Records), Barbra Streisand (from CBS Records), Led Zeppelin, Mongo Santamaria, Gilberto Gil, Astrud Gilberto, Airto Moreira, Jim Hall, Wah Wah Watson (Melvin Ragin), Ray Barretto, Philip Glass, Clement "Sir Coxsone" Dodd for his interest in Bob Marley compositions, Cat Stevens/Yusuf Islam and others...
...where I worked with Earl "Speedo" Carroll of the Cadillacs (who went from doo-wopping as a kid on Harlem streetcorners to top of the charts to working as a janitor at P.S. 87 in Manhattan without ever losing what it was that made him special in the first place), and with Jake and Zeke Carey of The Flamingos (I Only Have Eyes for You)... stuff like that.
Yeah this is Bob's first record contract, made with Clement "Sir Coxsone" Dodd of Studio One and co-signed by his aunt because he was under 21. I took it to Black Rock to argue with CBS' lawyers about the royalties they didn't want to pay. They paid.
MATRIX MUSICAL
The Matrix was built below among some of the world's most powerfully moving music, some of it made by people barely known beyond village borders. Or in the case of Sodré, his anthem A MASSA — a paean to Brazil's poor ("our pain is the pain of a timid boy, a calf stepped on...") — having blasted from every radio between the Amazon and Brazil's industrial south, before he was silenced. (that's me left, with David Dye & Kim Junod for U.S. National Public Radio) ... The Matrix started with Sodré, with João do Boi, with Roberto Mendes, with Bule Bule, with Roque Ferreira... music rooted in the sugarcane plantations of Bahia. Hence our logo (a cane cutter).