Salvador Bahia Brazil Matrix

The Matrix Online Network is a platform conceived & built in Salvador da Bahia, Brazil and upon which people & entities across the creative economic universe can 1) present in variegated detail what it is they do, 2) recommend others, and 3) be recommended by others. Integrated by recommendations and governed by the metamathematical magic of the small world phenomenon (popularly called "6 degrees of separation"), matrix pages tend to discoverable proximity to all other matrix pages, no matter how widely separated in location, society, and degree of fame. From Quincy Jones to celestial samba in the favelas of Rio de Janeiro to you, all is closer than we imagine.

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  • (Bahia)
  • Questions?
  • From Brazil with love →
  • @ Ground Zero
  • El Aleph
  • If You Can't Stand the Heat
  • Harlem to Bahia to the Planet
  • Why a "Matrix"?

From Brazil with love →

@ Ground Zero

 

Have you, dear friend, ever noticed how different places scattered across the face of the globe seem almost to exist in different universes? As if they were permeated throughout with something akin to 19th century luminiferous aether, unique, determined by that place's history? It's like a trick of the mind's light (I suppose), but standing on beach or escarpment in Salvador and looking out across the Baía de Todos os Santos to the great Recôncavo, and mindful of what happened there, one must be led to the inevitable conclusion that one is in a place unique to history, and to the present*.

 

 

"Chegou a hora dessa gente bronzeada mostrar seu valor / The time has come for these bronzed people to show their value..."Música: Assis Valente of Santo Amaro, Bahia. Vídeo: Betão Aguiar.

 

*More enslaved human beings entered the Bay of All Saints and the Recôncavo than any other final port-of-call throughout all of mankind's history.

 

These people and their descendants created some of the most uplifting music ever made, the foundation of Brazil's national art. We wanted their music to be accessible to the world (it's not even accessible here in Brazil) so we created a platform by which everybody's creativity is mutually accessible, including theirs.

 

El Aleph

 

The network was built in an obscure record shop (Kareem Abdul-Jabbar found it) in a shimmering Brazilian port city...

 

...inspired in (the kabbalah-inspired fiction of) Borges' (short story) El Aleph, that in the pillar in Cairo's Mosque of Amr, where the universe in its entirety throughout all time is perceivable as an infinite hum from deep within the stone.

 

It "works" by virtue of the "small-world" phenomenon...the same responsible for the fact that most of us 7 billion or so beings are within 6 or fewer degrees of each other.

 

It was described (to some degree) and can be accessed via this article in British journal The Guardian (which named our radio of matrixed artists as one of ten best in the world):

 

www.theguardian.com/travel/2020/apr/17/10-best-music-radio-station-around-world

 

With David Dye for U.S. National Public Radio: www.npr.org/2013/07/16/202634814/roots-of-samba-exploring-historic-pelourinho-in-salvador-brazil

 

All is more connected than we know.

 

Per the "spirit" above, our logo is a cortador de cana, a cane-cutter. It was designed by Walter Mariano, professor of design at the Federal University of Bahia to reflect the origins of the music the shop specialized in. The Brazilian "aleph" doesn't hum... it dances and sings.

 

If You Can't Stand the Heat

 

Image above is from the base of the cross in front of the church of São Francisco do Paraguaçu in the Bahian Recôncavo

 

Sprawled across broad equatorial latitudes, stoked and steamed and sensual in the widest sense of the word, limned in cadenced song, Brazil is a conundrum wrapped in a smile inside an irony...

 

This is not a European nation. It is not a North American nation. It is not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn. Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin. It was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people). Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David. Three cultures — from three continents — running for their lives, their confluence forming an unprecedented fourth. Pandeirista on the roof. Nowhere else but here.

 

Oligarchy, plutocracy, dictatorships and massive corruption — elements of these are still strongly entrenched — have defined, delineated, and limited Brazil.

 

But strictured & bound as it has been and is, Brazil has buzz...not the shallow buzz of a fashionable moment...but the deep buzz of a population which in spite of — or perhaps because of — the tough slog through life they've been allotted by humanity's dregs-in-fine-linen, have chosen not to simply pull themselves along but to lift their voices in song and their bodies in dance...to eat well and converse well and much and to wring the joy out of the day-to-day happenings and small pleasures of life which are so often set aside or ignored in the European, North American, and East Asian nations.

 

For this Brazil has a genius perhaps unparalleled in all other countries and societies, a genius which thrives alongside peeling paint and holes in the streets and roads, under bad organization by the powers-that-be, both civil and governmental, under a constant rain of societal indignities...

 

Which is all to say that if you don't know Brazil and you're expecting any semblance of order, progress and light, you will certainly find the light! And the buzz of a people who for generations have responded to privation at many different levels by somehow rising above it all.

 

"Onde tem miséria, tem música!"* - Raymundo Sodré

 

And it's not just music. And it's not just Brazil.

 

Welcome to the kitchen!

 

* "Where there is misery, there is music!" Remarked during a conversation arcing from Bahia to Haiti and Cuba to New Orleans and the south side of Chicago and Harlem to the villages of Ireland and the gypsy camps and shtetls of Eastern Europe...

 

Harlem to Bahia to the Planet



Why a "Matrix"?

 

I was explaining the ideas behind this nascent network to (João) Teoria (trumpet player above) over cervejas at Xique Xique (a bar named for a town in Bahia) in the Salvador neighborhood of Barris...

 

Like this (but in Portuguese): "It's kind of like Facebook if it didn't spy on you, but reversed... more about who you don't know than who you do know. And who doesn't know you but would be glad if they did. It's kind of like old Myspace Music but instead of having "friends" it has a list on your page of people you recommend. Not just musicians but writers, painters, filmmakers, dancers, chefs... anybody in the creative economy. It has a list of people who recommend you, or through whom you are recommended. It deals with arts which aren't recommendable by algorithm but need human intelligence behind recommendations. And the people who are recommended can recommend, creating a network of recommendations wherein by the small world phenomenon most people in the creative economy are within several steps of everybody else in the creative economy, no matter where they are in the world. Like a chessboard which could have millions of squares, but you can get from any given square to any other in no more than six steps..."

 

And João said (in Portuguese): "A matrix where you can move from one artist to another..."

 

A matrix! That was it! The ORIGINAL meaning of matrix is "source", from "mater", Latin for "mother". So the term would help congeal the concept in the minds of people the network was being introduced to, while giving us a motto: "We're a real mother for ya!" (you know, Johnny "Guitar" Watson?)

 

The original idea was that musicians would recommend musicians, the network thus formed being "small world" (commonly called "six degrees of separation"). In the real world, the number of degrees of separation in such a network can vary, but while a given network might have billions of nodes (people, for example), the average number of steps between any two nodes will usually be minuscule.

 

Thus somebody unaware of the magnificent music of Bahia, Brazil will be able to conceivably move from almost any musician in this matrix to Bahia in just a few steps...

 

By the same logic that might move one from Bahia or anywhere else to any musician anywhere.

 

And there's no reason to limit this system to musicians. To the contrary, while there are algorithms written to recommend music (which, although they are limited, can be useful), there are no algorithms capable of recommending journalism, novels & short stories, painting, dance, film, chefery...

 

...a vast chasm that this network — or as Teoria put it, "matrix" — is capable of filling.

 

  • Amilton Godoy
    I RECOMMEND

CURATION

  • from this node by: Matrix+

This is the Universe of

  • Name: Amilton Godoy
  • City/Place: São Paulo
  • Country: Brazil
  • Hometown: Bauru, São Paulo

Life & Work

  • Bio: Amilton Godoy nasceu em Bauru (São Paulo), onde iniciou seus estudos musicais com os professores Nida Marquione e Efísio Aneda. Completou sua formação em São Paulo com Nellie Braga, na Escola Magda Tagliaferro e a partir daí participou e venceu importantes concursos, tais como: 3° Prêmio no Concurso Nacional da Bahia em 1962; 3° Prêmio no Concurso Nacional do Rio de Janeiro em 1963; vencedordo IV Concurso Nacional Eldorado em 1964; medalha de ouro no Prêmio Governador do Estado de São Paulo também em 1964; vencedor do Concurso Nacional Hora de Arte como “Melhor Intérprete de Villa- Lobos” no mesmo ano.

    Em 1964, a convite de Rubens Barsotti e Luiz Chaves, formaram o grupo instrumental Zimbo Trio desenvolvendo importante trabalho no cenário artístico brasileiro, tendo 51 discos gravados e editados em mais de vinte e dois países. Apresentaram-se em quase todo o Brasil, América Latina, Europa, Japão e China em 2010. Ganharam todos os prêmio nacionais como o melhor grupo instrumental, inclusive o Prêmio de Melhor Grupo Instrumental no 23* Prêmio da Música Brasileia como o CD ZIMBO TRIO AUTORAL que possui apenas músicas de autoria de Amilton Godoy.

    Já como maestro e arranjador, produziu dois álbuns da coleção “Piano Solo Compositores Brasileiros”. A convite do primeiro flautista da Orquestra Filamornie de Berlim, Michel Hased, Amilton transcreveu algumas mísicas desta coleção para flauta.

    Em 2012 arranjou e gravou juntamente com Gabriel Grossi um CD de DUO intitulado “Villa Lobos Popular”. Trabalho esse que vem se apresentando por todo país e se preparando para entrar em turne internacional em 2013.

    Foi membro da Comissão de Música da Secretaria de Estado da Cultura e do Conselho Estadual de Cultura por oito anos.

    Como solista, é considerado um dos maiores pianistas do mundo e atuou como convidado de orquestras regidas por grandes maestros, tais como: Cyro Pereira, Julio Medaglia, Chico de Moraes, Amilson Godoy, Simon Bleche e Roberto Sion. Sendo que em 2011 Amilton foi o solista da Orquestra Jazz Sinfonica sob a regencia do maestro italiano Nino Lepore, em uma homenagem a Nino Rota.

    Em 1973 , juntamente com Rubens Barsotti ,Luiz Chaves e João Ariza, fundou uma das mais importantes escolas de música do Brasil, CLAM – Centro Livre de Aprendizagem Musical – onde foram responsáveis na formação de vários músicos no âmbito nacional e internacional.

    Coordenou o departamento de piano em Campos do Jordão no Festival de inverno.

    É frequentemente convidado a ministrar Workshops em todo o Brasil e Exterior.

Contact Information

  • Contact by Webpage: http://amiltongodoy.com/contato
  • Telephone: (11) 9 9616-6632

Media | Markets

  • ▶ Buy My Music: (downloads/CDs/DVDs) http://amiltongodoy.com/cds-e-vinis
  • ▶ Buy My Vinyl: http://amiltongodoy.com/cds-e-vinis
  • ▶ Charts/Scores: http://amiltongodoy.com/partituras
  • ▶ Instagram: amiltongodoy
  • ▶ Website: http://amiltongodoy.com
  • ▶ YouTube Channel: http://www.youtube.com/channel/UCz6oHbNaA8anzYHTvCZqPHQ
  • ▶ YouTube Music: http://music.youtube.com/channel/UCB55tsWKG2dpojFTinF7Y3Q
  • ▶ Spotify: http://open.spotify.com/album/1m1aMJJOousBaGcR92NrCx
  • ▶ Spotify 2: http://open.spotify.com/album/7GtmMV8ekbQxHbyfM5HeSf
  • ▶ Spotify 3: http://open.spotify.com/album/5JbSO0e6Yi3SanrbV7XSHJ
  • ▶ Spotify 4: http://open.spotify.com/album/5ZEsiHxf6XtpI95u9qtsNG
  • ▶ Spotify 5: http://open.spotify.com/album/5AZNt7t9CJHUNnbqXR01dz
  • ▶ Spotify 6: http://open.spotify.com/album/0qwbKKoWWB9KXUwS6Zqkof

My Instruction

  • Lessons/Workshops: AMILTON GODOY – CURSOS ON LINE

    Princípio de Harmonia Moderna 1:
    Nesse curso, composto de 7 aulas , Amilton Godoy fala sobre o Princípio de Harmonia Moderna 1 – Parte 1, seu primeiro livro baseado na formação de escalas e tríades.
    Assuntos:
    0-Apresentação
    1- Postura
    2- Escala por Sustenidos
    3- Tonalidade menor (#)
    4-Escalas por bemol
    5- Tonalidade menor (b)
    6- Construção de Tríades
    7- Inversão de Acordes

    Improvisação para Iniciantes :
    Nesse curso, composto de 5 partes, 9 aulas + 1 Partitura , Amilton Godoy fala sobre o Improvisação para Iniciantes.
    Assuntos:
    Parte 1
    1- Escala Modo Jônico e Lídio
    2- Escala Mixolídia
    3- Escala Dórica
    4- Escala Meio Diminuta
    5- Escala Diminuta
    Parte 2
    6 – Retrospectiva
    Parte 3
    7 - Progressões de acorde
    Parte 4
    8 - Aplicações
    Parte 5
    9 Samba de Verão + Partitura

    Improvisação Avançada :
    Nesse curso, composto de 7 partes, 7 aulas + 1 Partitura , Amilton Godoy fala sobre o Improvisação Avançada.
    Assuntos:
    Parte 1
    Escala dos Harmônicos
    Música Juntos
    Parte 2
    Escala Lócre 2º aumentado
    Parte 3
    Retrospectiva parte 1 e 2
    Parte 4
    Escala Diminuta
    Parte 5
    Escala Dominante/Diminuta
    Parte 6
    Escalas Pentatônica
    Parte 7
    Retrospectiva
  • Instruction: http://www.clamescolademusica.com.br/cursos-online/

Clips (more may be added)

  • 0:39:47
    Amilton Godoy 80 anos - Programa 5
    By Amilton Godoy
    301 views
  • 0:45:23
    Amilton Godoy 80 anos - Programa 4
    By Amilton Godoy
    268 views
  • 0:57:16
    Homenageados Carlos Lyra, Chico Buarque e Edu Lobo | Amilton Godoy 80 anos
    By Amilton Godoy
    195 views
  • 1:00:33
    Homenageados Antônio Carlos Jobim, Vinícius de Moraes e Baden Powell | Amilton Godoy 80 anos
    By Amilton Godoy
    402 views
  • 0:52:56
    Amilton Godoy 80 anos 3 programa
    By Amilton Godoy
    260 views
  • 1:06:09
    Homenageadas Elizeth Cardoso e Elis Regina | Amilton Godoy 80 anos
    By Amilton Godoy
    352 views
  • 0:59:55
    Homenageados Heitor Villa-Lobos e Ary Barroso | Amilton Godoy 80 anos
    By Amilton Godoy
    186 views
  • 0:40:31
    Amilton Godoy 80 anos 2 programa
    By Amilton Godoy
    260 views
  • 0:39:41
    Amilton Godoy 80 ano 1 programa
    By Amilton Godoy
    294 views
  • 1:03:31
    Live de Abertura Autoral | Amilton Godoy 80 anos
    By Amilton Godoy
    397 views
Previous
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YOU RECOMMEND

Imagine the world's creative economy at your fingertips. Imagine 10 doors side-by-side. Beyond each, 10 more, each opening to a "creative" somewhere around the planet. After passing through 8 such doorways you will have followed 1 pathway out of 100 million possible (2 sets of doorways yield 10 x 10 = 100 pathways). This is a simplified version of the metamathematics that makes it possible to reach everybody in the global creative economy in just a few steps It doesn't mean that everybody will be reached by everybody. It does mean that everybody can  be reached by everybody.


Appear below by recommending Amilton Godoy:

  • 2 Brazil
  • 2 Brazilian Jazz
  • 2 Classical Music
  • 2 Composer
  • 2 MPB
  • 2 Piano
  • 2 Piano Course Online
  • 2 São Paulo

Nodes below are randomly generated. Reload for a different stack.

  • Aurino de Jesus Samba
  • Júlio Caldas Salvador
  • Nathan Amaral Brazil
  • Thomas Àdes Piano
  • Jeff Tweedy Multi-Instrumentalist
  • Garvia Bailey Toronto
  • Jimmy Cliff Reggae
  • Duane Benjamin Orchestrator
  • Nabihah Iqbal London
  • Echezonachukwu Nduka Nigeria
  • Andrew Huang Guitar
  • Quincy Jones Record Producer
  • Yelaine Rodriguez African Diaspora Culture
  • Merima Ključo Balkan Music
  • Ben Paris New York City
  • Marvin Dunn Writer
  • Cássio Nobre Samba de Roda
  • Brad Ogbonna Photographer
  • Johnny Lorenz Writer
  • John Harle Guildhall School of Music & Drama Faculty
  • Itamar Vieira Júnior Writer
  • Ari Rosenschein Singer-Songwriter
  • Cleber Augusto Samba
  • Makaya McCraven Record Producer
  • Margareth Menezes Afropop
  • Ben Wendel Jazz
  • Edmar Colón Piano
  • Danilo Caymmi Singer-Songwriter
  • Robert Glasper R&B
  • Rolando Herts Delta State University Faculty
  • Les Filles de Illighadad Tuareg Music
  • Bebel Gilberto MPB
  • Carrtoons Multi-Instrumentalist
  • Walter Pinheiro Saxophone
  • Leo Genovese Jazz
  • Carlinhos Pandeiro de Ouro Brazil
  • Cristovão Bastos Rio de Janeiro
  • André Becker MPB
  • Giveton Gelin Trumpet
  • Teddy Swims Singer-Songwriter
  • Rosângela Silvestre Brazil
  • Martyn Record Producer
  • Celso Fonseca Singer
  • Francisco Mela Composer
  • David Castillo Moorpark College Faculty
  • Nettrice R. Gaskins Ford Global Fellow
  • Concha Buika Spain
  • Jaimie Branch Composer
  • Jim Lauderdale Country
  • Elif Şafak Essayist
  • Shaun Martin Keyboards
  • Bob Bernotas Rutgers Faculty
  • Hugo Linns Recife
  • Run the Jewels Rap
  • Dadá do Trombone Bahia
  • Regina Carter Violin
  • Luizinho Assis Brasil, Brazil
  • Bob Telson New York City
  • Rowney Scott Bahia
  • Daru Jones Nashville, TN
  • Anthony Coleman Piano
  • Johnathan Blake Drums
  • Matt Ulery Bass
  • Anna Webber Brooklyn, NY
  • Lina Lapelytė Installation Artist
  • Robert Glasper Composer
  • Arto Tunçboyacıyan Percussion
  • João Luiz Choro
  • Jared Sims Jazz
  • Tom Piazza Novelist
  • Nana Nkweti Fiction
  • Brandon Coleman Composer
  • Joatan Nascimento Bahia
  • Khruangbin Houston, Texas
  • Tom Schnabel Music Salon
  • Shez Raja Bass
  • Robertinho Silva Drums
  • Catherine Bent Berklee College of Music Faculty
  • Marcelinho Oliveira Record Producer
  • Roque Ferreira Samba
  • Ivo Perelman Brazilian Jazz
  • Gel Barbosa Luthier
  • Willy Schwarz Multi-Cultural
  • Adonis Rose Drum Instruction
  • Geovanna Costa Violão, Guitar
  • Arismar do Espírito Santo Brazilian Jazz
  • Keola Beamer Singer-Songwriter
  • Congahead Video Producer
  • Dan Weiss Composer
  • João Teoria Ska
  • Laércio de Freitas Brazil
  • Lianne La Havas Singer-Songwriter
  • Walter Ribeiro, Jr. Bahia
  • Robi Botos Jazz
  • Babau Santana Chula
  • Yuja Wang New York City
  • Jubu Smith Blues
  • Ryan Keberle Piano
  • Béla Fleck Banjo
  • Rachael Price Singer-Songwriter
  • Celso de Almeida Brazil
  • George Garzone Jazz
  • Nancy Viégas Bahia
  • George Cables Jazz
  • Nancy Ruth Piano
  • Hugo Rivas Tango
  • Jeff Tweedy Country
  • Tonynho dos Santos Jazz
  • Nara Couto Salvador
  • Woz Kaly African Music
  • Menelaw Sete Bahia
  • Jonathan Scales Multi-Cultural
  • Nubya Garcia London
  • Forrest Hylton Brazil
  • Plamen Karadonev Accordion
  • Katuka Africanidades Salvador
  • Alicia Hall Moran Singer
  • Jay Mazza Writer
  • Atlantic Brass Quintet Brass Ensemble
  • Sandro Albert Record Producer
  • James Poyser New York City
  • Jimmy Greene Gospel
  • Nigel Hall R&B
  • Gabriel Grossi Choro
  • Sombrinha Guitar
  • Aditya Prakash India
  • Bill Frisell Composer
  • Dan Trueman Hardanger Fiddle
  • Şener Özmen Turkey
  • João Camarero Composer
  • Edu Lobo MPB
  • Rob Garland Jazz, Funk
  • Issac Delgado Cuba
  • Ron Carter Composer
  • Swizz Beatz Rapper
  • Jack Talty Composer
  • Andra Day Singer-Songwriter
  • Fred Dantas Composer
  • Hilton Schilder South Africa
  • Matthew F Fisher Collaborative Artist
  • Alicia Svigals Writer
  • Alfredo Rodriguez Piano
  • OVANA Singers-Songwriters
  • Rachel Aroesti Writer
  • Alicia Keys New York City
  • Nublu East Village
  • Fernando Brandão Choro
  • Nardis Jazz Club Galata
  • Isaiah Sharkey Guitar
  • Kiko Souza Brasil, Brazil
  • Luiz Brasil Salvador
  • Yola Bristol
  • Edsel Gomez Puerto Rico
  • Ben Harper Gospel
  • Eric Galm Brazil
  • Şener Özmen Kurdistan
  • Ben Harper R&B
  • Nathan Amaral Violin
  • Nomcebo Zikode South Africa
  • Bill Callahan Austin, Texas
  • Stomu Takeishi New York City
  • Cristovão Bastos MPB
  • Mestre Barachinha Maracatu
  • Berkun Oya Director
  • Matt Garrison Composer
  • Oscar Bolão Rio de Janeiro
  • Mateus Aleluia Filho Flugelhorn
  • Andrew Gilbert Writer
  • Donna Leon Crime Novels
  • Christone 'Kingfish' Ingram Singer
  • Elif Şafak Writer
  • Fred Hersch Jazz
  • Leo Genovese Keyboards
  • Peter Serkin Classical Music
  • Harvey G. Cohen Political Historian
  • Mayra Andrade Lisbon
  • Tray Chaney Rapper
  • Mona Lisa Saloy Dillard University Faculty
  • Scotty Barnhart Florida State University College of Music Faculty
  • Sam Harris Jazz
  • Orlando Costa Rio de Janeiro
  • Keola Beamer Hawaiian Music
  • Carlos Malta Clarinet
  • Tarus Mateen Bass
  • Jimmy Duck Holmes Guitar
  • Tyler Gordon Artist
  • Alex Rawls Music Writer
  • Marilda Santanna Brasil, Brazil
  • Luis Paez-Pumar Writer
  • Jam no MAM Bahia
  • Dan Tyminski Bluegrass
  • Omar Sosa Multi-Cultural
  • Marcus Printup Arranger
  • Gonzalo Rubalcaba University of Miami Frost School of Music Faculty
  • The Brain Cloud Western Swing
  • Guto Wirtti Multi-Instrumentalist
  • Jon Batiste Multi-Instrumentalist
  • Maria Rita Bossa Nova
  • Hugo Linns Pernambuco
  • Thiago Trad Salvador
  • Ambrose Akinmusire Trumpet
  • Georgia Anne Muldrow Multi-Instrumentalist
  • Neymar Dias Multi-Instrumentalist
  • Dudu Reis Samba
  • Frank Olinsky Parson's School of Design Faculty
  • Kiko Loureiro Guitar
  • Flavio Sala Guitar Instruction, Master Classes
  • Liz Pelly NYU Tisch School of the Arts Faculty
  • Alessandro Penezzi Samba
  • Frank London Jewish Music
  • Jim Lauderdale Nashville, Tennessee
  • Bruce Molsky Fiddle
  • Mariene de Castro Samba de Roda
  • Sebastian Notini Bateria, Drums
  • Steve Bailey Multi-Instrumentalist
  • Michael Janisch Record Label Owner
  • Márcio Bahia Brazilian Jazz
  • Taylor McFerrin Record Producer
  • Tommaso Zillio Guitar
  • Yvette Holzwarth Singer
  • André Vasconcellos Jazz Brasileiro, Brazilian Jazz
  • Gregory Hutchinson Drums
  • Myles Weinstein Drums
  • David Sacks Jazz
  • Pretinho da Serrinha Songwriter
  • Fidelis Melo Brasil, Brazil
  • Marcelinho Oliveira Bahia
  • Nelson Cerqueira Ensaísta, Essayist
  • Tomo Fujita Berklee College of Music Faculty
  • Carlos Blanco Violão Clássico, Classical Guitar
  • Liron Meyuhas Singer
  • Andra Day Los Angeles
  • Bobby Vega Funk
  • As Ganhadeiras de Itapuã Samba de Roda
  • Curtis Hasselbring Composer
  • Béla Fleck Bluegrass
  • PATRICKTOR4 Pernambuco
  • Lina Lapelytė Multi-Instrumentalist
  • Tony Allen Paris
  • Vivien Schweitzer Writer
  • Dave Smith England
  • Carlinhos Pandeiro de Ouro Rio de Janeiro
  • Robertinho Silva Rio de Janeiro
  • Paulo César Pinheiro Rio de Janeiro
  • Ricky (Dirty Red) Gordon Washboard
  • Sahba Aminikia San Francisco
  • Myron Walden Recorder
  • Ajeum da Diáspora Restaurant
  • Michael Pipoquinha Brazil
  • Benny Benack III Singer-Songwriter
  • Geraldo Azevedo Singer-Songwriter
  • Horacio Hernández Afro-Cuban Jazz
  • Luciana Souza Brazilian Jazz
  • Mateus Aleluia Salvador
  • Jonathon Grasse Minas Gerais
  • Mestre Nelito Bahia
  • Nels Cline Jazz, Rock, Country, Experimental
  • Arthur L.A. Buckner Drums
  • Ari Rosenschein Seattle
  • Nego Álvaro Samba
  • JD Allen New York City
  • Egberto Gismonti Composer
  • Nigel Hall Funk
  • Renata Flores Quechua
  • Chano Domínguez Piano
  • Bebê Kramer Rio Grande do Sul
  • Esperanza Spalding Composer
  • Ben Williams Bass
  • Betão Aguiar Bass
  • Ricardo Herz Choro
  • Sam Eastmond Multi-Cultural
  • Alex Rawls New Orleans
  • John McLaughlin Jazz Fusion
  • Roberto Fonseca Jazz
  • Eric R. Danton Reporter
  • Robb Royer Songwriter
  • Zachary Richard Guitar
  • Perumal Murugan Writer
  • Helen Shaw New York City
  • Bodek Janke Jazz
  • Abel Selaocoe South Africa
  • Beeple Concert Visuals
  • Derron Ellies Steel Pans
  • Guga Stroeter Samba
  • Jen Shyu Vocalist
  • Paulinho Fagundes Violão Gaúcho
  • Ben Hazleton Tabla
  • Tomoko Omura Brooklyn, NY
  • Luis Paez-Pumar New York City
  • Atlantic Brass Quintet Jazz
  • Julia Alvarez Novelist
  • Colm Tóibín Columbia University Faculty
  • Júlio Lemos Guitar
  • Milford Graves Drums
  • Tom Schnabel World Music
  • Meshell Ndegeocello Singer-Songwriter
  • Atlantic Brass Quintet Balkan Music
  • Mika Mutti DJ
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