CURATION
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from this page:
by Augmented Matrix
Network Node
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Name:
Amilton Godoy
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City/Place:
São Paulo
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Country:
Brazil
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Hometown:
Bauru, São Paulo
Life
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Bio:
Amilton Godoy nasceu em Bauru (São Paulo), onde iniciou seus estudos musicais com os professores Nida Marquione e Efísio Aneda. Completou sua formação em São Paulo com Nellie Braga, na Escola Magda Tagliaferro e a partir daí participou e venceu importantes concursos, tais como: 3° Prêmio no Concurso Nacional da Bahia em 1962; 3° Prêmio no Concurso Nacional do Rio de Janeiro em 1963; vencedordo IV Concurso Nacional Eldorado em 1964; medalha de ouro no Prêmio Governador do Estado de São Paulo também em 1964; vencedor do Concurso Nacional Hora de Arte como “Melhor Intérprete de Villa- Lobos” no mesmo ano.
Em 1964, a convite de Rubens Barsotti e Luiz Chaves, formaram o grupo instrumental Zimbo Trio desenvolvendo importante trabalho no cenário artístico brasileiro, tendo 51 discos gravados e editados em mais de vinte e dois países. Apresentaram-se em quase todo o Brasil, América Latina, Europa, Japão e China em 2010. Ganharam todos os prêmio nacionais como o melhor grupo instrumental, inclusive o Prêmio de Melhor Grupo Instrumental no 23* Prêmio da Música Brasileia como o CD ZIMBO TRIO AUTORAL que possui apenas músicas de autoria de Amilton Godoy.
Já como maestro e arranjador, produziu dois álbuns da coleção “Piano Solo Compositores Brasileiros”. A convite do primeiro flautista da Orquestra Filamornie de Berlim, Michel Hased, Amilton transcreveu algumas mísicas desta coleção para flauta.
Em 2012 arranjou e gravou juntamente com Gabriel Grossi um CD de DUO intitulado “Villa Lobos Popular”. Trabalho esse que vem se apresentando por todo país e se preparando para entrar em turne internacional em 2013.
Foi membro da Comissão de Música da Secretaria de Estado da Cultura e do Conselho Estadual de Cultura por oito anos.
Como solista, é considerado um dos maiores pianistas do mundo e atuou como convidado de orquestras regidas por grandes maestros, tais como: Cyro Pereira, Julio Medaglia, Chico de Moraes, Amilson Godoy, Simon Bleche e Roberto Sion. Sendo que em 2011 Amilton foi o solista da Orquestra Jazz Sinfonica sob a regencia do maestro italiano Nino Lepore, em uma homenagem a Nino Rota.
Em 1973 , juntamente com Rubens Barsotti ,Luiz Chaves e João Ariza, fundou uma das mais importantes escolas de música do Brasil, CLAM – Centro Livre de Aprendizagem Musical – onde foram responsáveis na formação de vários músicos no âmbito nacional e internacional.
Coordenou o departamento de piano em Campos do Jordão no Festival de inverno.
É frequentemente convidado a ministrar Workshops em todo o Brasil e Exterior.
My Instruction
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Lessons/Workshops:
AMILTON GODOY – CURSOS ON LINE
Princípio de Harmonia Moderna 1:
Nesse curso, composto de 7 aulas , Amilton Godoy fala sobre o Princípio de Harmonia Moderna 1 – Parte 1, seu primeiro livro baseado na formação de escalas e tríades.
Assuntos:
0-Apresentação
1- Postura
2- Escala por Sustenidos
3- Tonalidade menor (#)
4-Escalas por bemol
5- Tonalidade menor (b)
6- Construção de Tríades
7- Inversão de Acordes
Improvisação para Iniciantes :
Nesse curso, composto de 5 partes, 9 aulas + 1 Partitura , Amilton Godoy fala sobre o Improvisação para Iniciantes.
Assuntos:
Parte 1
1- Escala Modo Jônico e Lídio
2- Escala Mixolídia
3- Escala Dórica
4- Escala Meio Diminuta
5- Escala Diminuta
Parte 2
6 – Retrospectiva
Parte 3
7 - Progressões de acorde
Parte 4
8 - Aplicações
Parte 5
9 Samba de Verão + Partitura
Improvisação Avançada :
Nesse curso, composto de 7 partes, 7 aulas + 1 Partitura , Amilton Godoy fala sobre o Improvisação Avançada.
Assuntos:
Parte 1
Escala dos Harmônicos
Música Juntos
Parte 2
Escala Lócre 2º aumentado
Parte 3
Retrospectiva parte 1 e 2
Parte 4
Escala Diminuta
Parte 5
Escala Dominante/Diminuta
Parte 6
Escalas Pentatônica
Parte 7
Retrospectiva
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Instruction:
http://www.clamescolademusica.com.br/cursos-online/
Clips (more may be added)
The Integrated Global Creative Economy
Wolfram Mathematics
This technological matrix originating in Bahia, Brazil and positioning creators around the world within reach of each other and the entire planet is able to do so because it is small-world (see Wolfram above). Bahia itself, final port-of-call for more enslaved human beings than any other place on earth throughout all of human history, refuge for Lusitanian Sephardim fleeing the Inquisition, Indigenous both apart and subsumed into a sociocultural matrix comprised of these three peoples and more, is small-world. Human society, the billions of us, is small-world. Neural structures for human memory are small-world...
In small worlds great things are possible.
Alicia Svigals
"Thanks, this is a brilliant idea!!"
—Alicia Svigals (NEW YORK CITY): Apotheosis of klezmer violinists
"I'm truly thankful ... Sohlangana ngokuzayo :)"
—Nduduzo Makhathini (JOHANNESBURG): piano, Blue Note recording artist
"Dear Sparrow: I am thrilled to receive your email! Thank you for including me in this wonderful matrix."
—Susan Rogers (BOSTON): Director of the Berklee Music Perception and Cognition Laboratory ... Former personal recording engineer for Prince; "Purple Rain", "Sign o' the Times", "Around the World in a Day"
"Dear Sparrow, Many thanks for this – I am touched!"
—Julian Lloyd Webber (LONDON): Premier cellist in UK; brother of Andrew (Evita, Jesus Christ Superstar, Cats, Phantom of the Opera...)
"This is super impressive work ! Congratulations ! Thanks for including me :)))"
—Clarice Assad (RIO DE JANEIRO/CHICAGO): Pianist and composer with works performed by Yo Yo Ma and orchestras around the world
"We appreciate you including Kamasi in the matrix, Sparrow."
—Banch Abegaze (LOS ANGELES): manager, Kamasi Washington
"Thanks! It looks great!....I didn't write 'Cantaloupe Island' though...Herbie Hancock did! Great Page though, well done! best, Randy"
"Very nice! Thank you for this. Warmest regards and wishing much success for the project! Matt"
—Son of Jimmy Garrison (bass for John Coltrane, Bill Evans...); plays with Herbie Hancock and other greats...
Dear friends & colleagues,

Having arrived in Salvador 13 years earlier, I opened a record shop in 2005 in order to create an outlet to the wider world for Bahian musicians, many of them magisterial but unknown.
David Dye & Kim Junod for NPR found us (above), and Kareem Abdul-Jabbar (he's a huge jazz fan), David Byrne, Oscar Castro-Neves... Spike Lee walked past the place while I was sitting on the stoop across the street drinking beer and listening to samba from the speaker in the window...
But we weren't exactly easy for the world-at-large to get to. So in order to extend the place's ethos I transformed the site associated with it into a network wherein Brazilian musicians I knew would recommend other Brazilian musicians, who would recommend others...
And as I anticipated, the chalky hand of God-as-mathematician intervened: In human society — per the small-world phenomenon — most of the billions of us on earth are within some 6 or fewer degrees of each other. Likewise, within a network of interlinked artists as I've described above, most of these artists will in the same manner be at most a handful of steps away from each other.
So then, all that's necessary to put the Bahians and other Brazilians within possible purview of the wide wide world is to include them among a wide wide range of artists around that world.
If, for example, Quincy Jones is inside the matrix (people who have passed are not removed), then anybody on his page — whether they be accessing from a campus in L.A., a pub in Dublin, a shebeen in Cape Town, a tent in Mongolia — will be close, transitable steps away from Raymundo Sodré, even if they know nothing of Brazil and are unaware that Sodré sings/dances upon this planet. Sodré, having been knocked from the perch of fame and ground into anonymity by Brazil's dictatorship, has now the alternative of access to the world-at-large via recourse to the vast potential of network theory.
...to the degree that other artists et al — writers, researchers, filmmakers, painters, choreographers...everywhere — do also. Artificial intelligence not required. Real intelligence, yes.
Years ago in NYC I "rescued" unpaid royalties (performance & mechanical) for artists/composers including Barbra Streisand, Aretha Franklin, Mongo Santamaria, Jim Hall, Clement "Coxsone" Dodd (for his rights in Bob Marley compositions; Clement was Bob's first producer), Led Zeppelin, Ray Barretto, Philip Glass and many others. Aretha called me out of the blue vis-à-vis money owed by Atlantic Records. Allen Klein (managed The Beatles, The Rolling Stones, Ray Charles) called about money due the estate of Sam Cooke. Jerry Ragovoy (Time Is On My Side, Piece of My Heart) called just to see if he had any unpaid money floating around out there (the royalty world was a shark-filled jungle, to mangle metaphors, and I doubt it's changed).
But the pertinent client (and friend) in the present context is Earl "Speedo" Carroll, of The Cadillacs. Earl went from doo-wopping on Harlem streetcorners to chart-topping success to working as a custodian at PS 87 elementary school on the west side of Manhattan. Through all of this he never lost what made him great.
Greatness and fame are too often conflated. The former should be accessible independently of the latter.
Matrix founding creators are behind "one of 10 of the best (radios) around the world", per The Guardian.
Recent access to this matrix and Bahia are from these places (a single marker can denote multiple accesses).
Across the creative universe... For another list, reload page.
This list is random, and incomplete. Reload the page for another list.
For a complete list of everybody inside, tap TOTAL below:
TOTAL