Salvador Bahia Brazil Matrix

The Matrix Online Network is a platform conceived & built in Salvador da Bahia, Brazil and upon which people & entities across the creative economic universe can 1) present in variegated detail what it is they do, 2) recommend others, and 3) be recommended by others. Integrated by recommendations and governed by the metamathematical magic of the small world phenomenon (popularly called "6 degrees of separation"), matrix pages tend to discoverable proximity to all other matrix pages, no matter how widely separated in location, society, and degree of fame. From Quincy Jones to celestial samba in the favelas of Rio de Janeiro to you, all is closer than we imagine.

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  • (Bahia)
  • Questions?
  • From Brazil with love →
  • @ Ground Zero
  • El Aleph
  • If You Can't Stand the Heat
  • Harlem to Bahia to the Planet
  • Why a "Matrix"?

From Brazil with love →

@ Ground Zero

 

Have you, dear friend, ever noticed how different places scattered across the face of the globe seem almost to exist in different universes? As if they were permeated throughout with something akin to 19th century luminiferous aether, unique, determined by that place's history? It's like a trick of the mind's light (I suppose), but standing on beach or escarpment in Salvador and looking out across the Baía de Todos os Santos to the great Recôncavo, and mindful of what happened there, one must be led to the inevitable conclusion that one is in a place unique to history, and to the present*.

 

 

"Chegou a hora dessa gente bronzeada mostrar seu valor / The time has come for these bronzed people to show their value..."Música: Assis Valente of Santo Amaro, Bahia. Vídeo: Betão Aguiar.

 

*More enslaved human beings entered the Bay of All Saints and the Recôncavo than any other final port-of-call throughout all of mankind's history.

 

These people and their descendants created some of the most uplifting music ever made, the foundation of Brazil's national art. We wanted their music to be accessible to the world (it's not even accessible here in Brazil) so we created a platform by which everybody's creativity is mutually accessible, including theirs.

 

El Aleph

 

The network was built in an obscure record shop (Kareem Abdul-Jabbar found it) in a shimmering Brazilian port city...

 

...inspired in (the kabbalah-inspired fiction of) Borges' (short story) El Aleph, that in the pillar in Cairo's Mosque of Amr, where the universe in its entirety throughout all time is perceivable as an infinite hum from deep within the stone.

 

It "works" by virtue of the "small-world" phenomenon...the same responsible for the fact that most of us 7 billion or so beings are within 6 or fewer degrees of each other.

 

It was described (to some degree) and can be accessed via this article in British journal The Guardian (which named our radio of matrixed artists as one of ten best in the world):

 

www.theguardian.com/travel/2020/apr/17/10-best-music-radio-station-around-world

 

With David Dye for U.S. National Public Radio: www.npr.org/2013/07/16/202634814/roots-of-samba-exploring-historic-pelourinho-in-salvador-brazil

 

All is more connected than we know.

 

Per the "spirit" above, our logo is a cortador de cana, a cane-cutter. It was designed by Walter Mariano, professor of design at the Federal University of Bahia to reflect the origins of the music the shop specialized in. The Brazilian "aleph" doesn't hum... it dances and sings.

 

If You Can't Stand the Heat

 

Image above is from the base of the cross in front of the church of São Francisco do Paraguaçu in the Bahian Recôncavo

 

Sprawled across broad equatorial latitudes, stoked and steamed and sensual in the widest sense of the word, limned in cadenced song, Brazil is a conundrum wrapped in a smile inside an irony...

 

This is not a European nation. It is not a North American nation. It is not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn. Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin. It was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people). Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David. Three cultures — from three continents — running for their lives, their confluence forming an unprecedented fourth. Pandeirista on the roof. Nowhere else but here.

 

Oligarchy, plutocracy, dictatorships and massive corruption — elements of these are still strongly entrenched — have defined, delineated, and limited Brazil.

 

But strictured & bound as it has been and is, Brazil has buzz...not the shallow buzz of a fashionable moment...but the deep buzz of a population which in spite of — or perhaps because of — the tough slog through life they've been allotted by humanity's dregs-in-fine-linen, have chosen not to simply pull themselves along but to lift their voices in song and their bodies in dance...to eat well and converse well and much and to wring the joy out of the day-to-day happenings and small pleasures of life which are so often set aside or ignored in the European, North American, and East Asian nations.

 

For this Brazil has a genius perhaps unparalleled in all other countries and societies, a genius which thrives alongside peeling paint and holes in the streets and roads, under bad organization by the powers-that-be, both civil and governmental, under a constant rain of societal indignities...

 

Which is all to say that if you don't know Brazil and you're expecting any semblance of order, progress and light, you will certainly find the light! And the buzz of a people who for generations have responded to privation at many different levels by somehow rising above it all.

 

"Onde tem miséria, tem música!"* - Raymundo Sodré

 

And it's not just music. And it's not just Brazil.

 

Welcome to the kitchen!

 

* "Where there is misery, there is music!" Remarked during a conversation arcing from Bahia to Haiti and Cuba to New Orleans and the south side of Chicago and Harlem to the villages of Ireland and the gypsy camps and shtetls of Eastern Europe...

 

Harlem to Bahia to the Planet



Why a "Matrix"?

 

I was explaining the ideas behind this nascent network to (João) Teoria (trumpet player above) over cervejas at Xique Xique (a bar named for a town in Bahia) in the Salvador neighborhood of Barris...

 

Like this (but in Portuguese): "It's kind of like Facebook if it didn't spy on you, but reversed... more about who you don't know than who you do know. And who doesn't know you but would be glad if they did. It's kind of like old Myspace Music but instead of having "friends" it has a list on your page of people you recommend. Not just musicians but writers, painters, filmmakers, dancers, chefs... anybody in the creative economy. It has a list of people who recommend you, or through whom you are recommended. It deals with arts which aren't recommendable by algorithm but need human intelligence behind recommendations. And the people who are recommended can recommend, creating a network of recommendations wherein by the small world phenomenon most people in the creative economy are within several steps of everybody else in the creative economy, no matter where they are in the world. Like a chessboard which could have millions of squares, but you can get from any given square to any other in no more than six steps..."

 

And João said (in Portuguese): "A matrix where you can move from one artist to another..."

 

A matrix! That was it! The ORIGINAL meaning of matrix is "source", from "mater", Latin for "mother". So the term would help congeal the concept in the minds of people the network was being introduced to, while giving us a motto: "We're a real mother for ya!" (you know, Johnny "Guitar" Watson?)

 

The original idea was that musicians would recommend musicians, the network thus formed being "small world" (commonly called "six degrees of separation"). In the real world, the number of degrees of separation in such a network can vary, but while a given network might have billions of nodes (people, for example), the average number of steps between any two nodes will usually be minuscule.

 

Thus somebody unaware of the magnificent music of Bahia, Brazil will be able to conceivably move from almost any musician in this matrix to Bahia in just a few steps...

 

By the same logic that might move one from Bahia or anywhere else to any musician anywhere.

 

And there's no reason to limit this system to musicians. To the contrary, while there are algorithms written to recommend music (which, although they are limited, can be useful), there are no algorithms capable of recommending journalism, novels & short stories, painting, dance, film, chefery...

 

...a vast chasm that this network — or as Teoria put it, "matrix" — is capable of filling.

 

  • Vincent Herring
    I RECOMMEND

CURATION

  • from this node by: Matrix

This is the Universe of

  • Name: Vincent Herring
  • City/Place: New York City
  • Country: United States
  • Hometown: Hopkinsville, Kentucky

Life & Work

  • Bio: Saxophonist Vincent Herring's intense, soulful, multi-noted style and ebullient swing have excited audiences worldwide. On stage, Herring and his band often make an incendiary sound over fine and controlled rhythms of modern times.

    Vincent started playing saxophone at the age of 11 in school bands and studying privately at Dean Frederick’s School of Music in Vallejo, CA. At the age of 16, Herring was studying at California State University at Chico on a music scholarship. A year later he had won a berth in the United States Military Academy Band at West Point.

    Vincent moved to New York City in early 1980's attending Long Island University. He first toured in the United States and Europe as part of the Lionel Hampton Big Band. With his sound strongly influenced by Julian “Cannonball” Adderley, Vincent’s virtuosity and promise came to the attention of Nat Adderley. The two forged a nine-year musical relationship, producing nine albums and touring around the world year after year. After Nat’s death, Louis Hayes collaborated with Vincent to form the Cannonball Adderley Legacy Band. Vincent worked and recorded with Cedar Walton for more than 20 years.

    He has also appeared on stage and or recordings with Freddie Hubbard, Dizzy Gillespie, Louis Hayes, Art Blakey and The Jazz Messengers, Horace Silver Quintet, Jack DeJohnette’s Special Edition, Larry Coryell, Steve Turre, The Mingus Big Band (Won a Grammy in 2010), Kenny Barron, Nancy Wilson, Dr. Billy Taylor, Carla Bley, Mike LeDonne, Carl Allen, Ron McClure, and John Hicks among others. His extensive guest soloist appearances include performances with Wynton Marsalis at Lincoln Center and Jon Faddis and The Carnegie Hall Big Band.

    Vincent's discography reveals over 20 titles as a leader and over 250 as a sideman. His current and past projects speak to the wide range of his musical interest and versatility: The Vincent Herring-Joris Dudli’s Soul Jazz Alliance, Earth Jazz Agents, Friendly Fire with Vincent Herring and Eric Alexander. Vincent leads a band called Jazz The Story with Jon Faddis, Jeremy Pelt, Steve Turre, James Carter, Eric Alexander, Mike LeDonne, Kenny Davis, Carl Allen and Nicolas Bearde.

    Vincent tours frequently with his projects around the in the United States, Europe, Japan, China and around the world. Vincent continues to share his distinct voice and musical knowledge, as a performer and jazz educator. He is currently on staff at William Paterson University and at Manhattan School of Music.

Contact Information

  • Contact by Webpage: http://www.vincentherring.com/copy-of-contact
  • Management/Booking: Management: Ina Dittke
    Ina Dittke & Associates
    [email protected]

Media | Markets

  • ▶ Buy My Music: (downloads/CDs/DVDs) http://www.vincentherring.com/shop
  • ▶ Buy My Merch: http://www.vincentherring.com/shop
  • ▶ Instagram: vincent.herring
  • ▶ Website: http://www.vincentherring.com
  • ▶ YouTube Music: http://music.youtube.com/channel/UCd6Ra4Mgk26i3WUZhYkDC-Q
  • ▶ Spotify: http://open.spotify.com/album/4vC9hAFFswlA2MeIq7DF7A
  • ▶ Spotify 2: http://open.spotify.com/album/3Lc55JT9sZ0c4nTVu2xKWD
  • ▶ Spotify 3: http://open.spotify.com/album/2jHGLHbKI7G2CwvlikmTAz
  • ▶ Spotify 4: http://open.spotify.com/album/7FjtDwFwT0PDGBkTdXkTVL
  • ▶ Spotify 5: http://open.spotify.com/album/0kUw2pSY0BFbtZFQlD7s8B

My Instruction

  • Instruction: http://www.vincentherring.com/product-page/skype-lesson-with-vincent

Clips (more may be added)

  • 0:10:03
    Vincent Herring "I Can’t Get Started" (Vernon Duke)
    By Vincent Herring
    81 views
  • 1:02:08
    Vincent Herring | Bird at 100 | Talks at Google
    By Vincent Herring
    85 views
  • 3:08
    Count Basie Orchestra with Vincent Herring
    By Vincent Herring
    74 views
  • 1:17:17
    Marshall McDonald Talks with Vincent Herring
    By Vincent Herring
    88 views
Previous
Next

YOU RECOMMEND

Imagine the world's creative economy at your fingertips. Imagine 10 doors side-by-side. Beyond each, 10 more, each opening to a "creative" somewhere around the planet. After passing through 8 such doorways you will have followed 1 pathway out of 100 million possible (2 sets of doorways yield 10 x 10 = 100 pathways). This is a simplified version of the metamathematics that makes it possible to reach everybody in the global creative economy in just a few steps It doesn't mean that everybody will be reached by everybody. It does mean that everybody can  be reached by everybody.


Appear below by recommending Vincent Herring:

  • 1 Composer
  • 1 Flute
  • 1 Jazz
  • 1 Manhattan School of Music Faculty
  • 1 Saxophone
  • 1 William Paterson University Faculty

Nodes below are randomly generated. Reload for a different stack.

  • McCoy Mrubata Composer
  • David Sánchez Puerto Rico
  • Ken Avis Music Writer
  • Kris Davis Composer
  • Mick Goodrick Berklee College of Music Faculty
  • Wadada Leo Smith Trumpet
  • Toninho Nascimento Brazil
  • André Becker Flauta, Flute
  • The Rheingans Sisters England
  • John Santos Cape Verde
  • Olga Mieleszczuk Accordion
  • Liron Meyuhas Multi-Cultural
  • Mou Brasil Música Afro-Baiana, Afro-Bahian Music
  • Amaro Freitas Recife
  • Ana Luisa Barral Bahia
  • Mariana Zwarg Composer
  • Ivan Bastos Bahia
  • Kimmo Pohjonen Film Scores
  • Kirk Whalum Gospel
  • Mikki Kunttu Lighting Designer
  • Renata Flores Singer-Songwriter
  • Carwyn Ellis Singer-Songwriter
  • Garth Cartwright Music Promoter
  • Eli Teplin Los Angeles
  • Ariane Astrid Atodji Filmmaker
  • Leigh Alexander Public Speaker
  • Alexandre Gismonti Belo Horizonte
  • Allen Morrison Press Releases
  • Tab Benoit Music Venue Owner
  • Donald Harrison Berklee College of Music Faculty
  • Michelle Mercer Radio Producer
  • Marcus J. Moore Brooklyn, NY
  • Brenda Navarrete Singer
  • Leci Brandão Surdo
  • Johnny Vidacovich Jazz
  • Eamonn Flynn Keyboards
  • Jeff Preiss Director
  • Gian Correa Choro
  • Orlando 'Maraca' Valle Afro-Cuban Jazz
  • Yilian Cañizares Afro-Cuban Music
  • David Braid England
  • Onisajé Brasil, Brazil
  • Kenny Barron New York City
  • Paulinho da Viola Brazil
  • Ronell Johnson Funk
  • Mono/Poly Experimental Music
  • Nomcebo Zikode South Africa
  • Robi Botos Jazz
  • Curtis Hasselbring Brooklyn, NY
  • Buck Jones Bahia
  • Ari Rosenschein Indie Pop
  • Gabriel Geszti Piano
  • Airto Moreira Jazz
  • Paddy Groenland Ireland
  • Dwayne Dopsie New Orleans
  • Omar Sosa Composer
  • Paulo Martelli São Paulo
  • Aneesa Strings R&B
  • China Moses R&B
  • Marcus Printup Composer
  • Babau Santana Brasil, Brazil
  • Aaron Parks Brooklyn, NY
  • Jerry Douglas Bluegrass
  • Michel Camilo Piano
  • Joshue Ashby Timba
  • Fernando Brandão Composer
  • Luciano Salvador Bahia Bahia
  • Alessandro Penezzi Choro
  • Ricardo Bacelar MPB
  • Walter Ribeiro, Jr. Bahia
  • Mike Compton Folk & Traditional
  • Menelaw Sete Salvador
  • Harish Raghavan Brooklyn, NY
  • Eric Harland Composer
  • Dale Bernstein Photographer
  • Emicida Hip-Hop
  • Chau do Pife Forró
  • Darryl Hall Composer
  • Billy O'Shea Steampunk
  • Gonzalo Rubalcaba Composer
  • Paul McKenna Singer-Songwriter
  • Alex Conde Piano Instruction
  • Brady Haran Video Journalist
  • Jerry Douglas Dobro
  • Julian Lage Guitar
  • Eric Harland Drums
  • Fernando César Composer
  • Pat Metheny Jazz
  • Horácio Reis Compositor, Composer
  • Daniel Owoseni Ajala Dance Instructor
  • Bill Frisell Jazz
  • Marvin Dunn Miami, Florida
  • Alexia Arthurs Iowa Writers' Workshop Faculty
  • Swami Jr. Guitar
  • Yasmin Williams Alexandria, Virginia
  • Reuben Rogers Jazz
  • Tarus Mateen Record Producer
  • Andrew Finn Magill Samba
  • João Luiz Choro
  • Maria Rita Rio de Janeiro
  • Mike Moreno New York City
  • Marc Cary Composer
  • Hugo Rivas Guitar
  • Orlando 'Maraca' Valle Flute
  • Jean-Paul Bourelly Record Producer
  • Larry Grenadier Bass Instruction
  • Clint Smith Writer
  • Alicia Svigals Jewish Music
  • Carwyn Ellis Rio de Janeiro
  • Calida Rawles Writer
  • Lianne La Havas Singer-Songwriter
  • THE ROOM Shibuya Soul
  • João Parahyba Songwriter
  • Carl Allen Jazz Workshops
  • Christian McBride Jazz
  • Darol Anger Bluegrass
  • Roberto Fonseca Piano
  • James Martins Crítico Cultural, Cultural Critic
  • Ben Williams Jazz
  • Peter Dasent Composer
  • John Patitucci Bass Instruction
  • Diedrich Diederichsen Cultural Critic
  • Roberto Mendes Brazil
  • Courtney Pine Radio Presenter
  • Chano Domínguez Flamenco
  • Mestre Nelito Samba de Roda
  • Jack Talty University College Cork Faculty
  • Al Kooper Singer-Songwriter
  • Gui Duvignau Composer
  • Rick Beato Author
  • Bob Bernotas Rutgers Faculty
  • Germán Garmendia Chile
  • Bodek Janke Contemporary Classical Music
  • Edward P. Jones Novelist
  • Sarz Multi-Instrumentalist
  • Jason Reynolds Writer
  • Di Freitas Composer
  • Fabian Almazan Havana
  • Joan Chamorro Saxophone
  • Trilok Gurtu Jazz
  • Philipp Meyer Writer
  • Ivan Lins Singer-Songwriter
  • Ellie Kurttz London
  • Jane Ira Bloom New York City
  • Michael Janisch Record Producer
  • Karim Ziad Percussion
  • Stanton Moore Funk
  • Turíbio Santos Guitar
  • Isaias Rabelo Jazz
  • Tal Wilkenfeld Bass
  • Carlinhos 7 Cordas Guitar
  • Ajurinã Zwarg Drums
  • Ricardo Bacelar Direitos Autorais, Royalties
  • Mateus Aleluia Filho Bahia
  • Karsh Kale कर्ष काळे Multi-Cultural
  • Garvia Bailey Jamaica
  • Giovanni Russonello Washington, D.C.
  • Jeff Preiss Cinematographer
  • Bule Bule Repente
  • Gregory Hutchinson R&B
  • Lula Moreira Samba de Coco
  • Brandee Younger Composer
  • Eliane Elias New York City
  • Nicholas Daniel Classical Music
  • Lilli Lewis New Orleans
  • Ênio Bernardes Percussão, Percussion
  • Larnell Lewis Drums
  • Jared Jackson Writer
  • Samba de Lata Samba de Roda
  • Sophia Deboick Writer
  • Marko Djordjevic Drums
  • Magary Lord AFROBIZ Salvador
  • Michael League Bass
  • Robertinho Silva Drums
  • Rick Beato YouTuber
  • Rayendra Sunito Record Producer
  • Chick Corea Jazz
  • Francisco Mela Cuba
  • H.L. Thompson Artist Development
  • James Strauss Classical Music
  • Richie Barshay Afro-Latin Percussion
  • Meklit Hadero Multi-Cultural
  • Michael Janisch Double Bass
  • Nicholas Daniel Guildhall School of Music Staff
  • Adriano Souza Bossa Nova
  • Ayrson Heráclito Visual Artist
  • Paulinho do Reco Bahia
  • VJ Gabiru Fotógrafo, Photographer
  • Orlando Costa Brazil
  • A-KILL Chennai
  • Paulão 7 Cordas Cavaquinho
  • Nancy Ruth Composer
  • Celsinho Silva Brazil
  • Alma Deutscher Classical Music
  • Ricky (Dirty Red) Gordon Louisiana
  • Marcello Gonçalves Choro
  • Aindrias de Staic Fiddle
  • Elif Şafak Women's Rights Activist
  • Liron Meyuhas Composer
  • Casey Benjamin Saxophone
  • Georgia Anne Muldrow Neo-Soul
  • Martin Fondse Amsterdam
  • Edmar Colón Berklee College of Music Faculty
  • Aaron Goldberg Composer
  • Júlio Caldas Viola Machete
  • Fidelis Melo Assessor de Comunicação, Public Relations
  • Isaak Bransah Salvador
  • Eddie Palmieri Bandleader
  • Kronos Quartet San Francisco
  • Roberto Mendes Bahia
  • Carlos Blanco Violão Clássico, Classical Guitar
  • Gabriel Geszti Multi-Cultural
  • Bob Telson Piano
  • Duane Benjamin UCLA Herb Alpert School of Music Faculty
  • Massimo Biolcati Bass
  • Sean Jones Johns Hopkins Peabody Institute Faculty
  • Guilherme Kastrup Brazil
  • Billy O'Shea Denmark
  • Alex Hargreaves Violin
  • Lucian Ban Composer
  • Celino dos Santos Chula
  • Derrick Adams Installation Artist
  • Renell Medrano Dominican Republic
  • H.L. Thompson Brazil
  • Joe Chambers Vibraphone
  • Chris Potter New York City
  • Gabriel Geszti Brasil, Brazil
  • Shannon Alvis Chicago
  • Sarah Jarosz Folk & Traditional
  • Bobby Sanabria New School for Jazz and Contemporary Music Faculty
  • Irmandade da Boa Morte Brasil, Brazil
  • Utar Artun Microtonal
  • Oded Lev-Ari Composer
  • John Santos Writer
  • Jimmy Dludlu Jazz
  • Tele Novella Austin, Texas
  • Burhan Öçal Istanbul
  • Filhos da Pitangueira Samba
  • Imanuel Marcus Berlin
  • Ron Blake Saxophone
  • Sara Gazarek Jazz
  • Stacy Dillard Saxophone
  • Ron Miles MSU Denver Music Faculty
  • Terell Stafford Temple University Boyer College of Music & Dance Faculty
  • Donny McCaslin Jazz
  • Frank Beacham Photographer
  • Wolfgang Muthspiel Contemporary Classical Music
  • Urânia Munzanzu Cultura Afro-Baiana, Afro-Bahian Culture
  • Los Muñequitos de Matanzas Cuba
  • Patricia Janečková Opera
  • The Umoza Music Project African Music
  • Ben Street New York City
  • Luciano Salvador Bahia Guitar
  • Alisa Weilerstein Berlin
  • Melvin Gibbs Composer
  • Ryan Keberle MPB
  • Archie Shepp Jazz
  • Germán Garmendia Comedian
  • Joshue Ashby Composer
  • Donald Vega Piano
  • Keita Ogawa Percussion
  • Sameer Gupta Tabla
  • Tom Bergeron Composer
  • Ayrson Heráclito Cachoeira
  • Alê Siqueira Salvador
  • Oswaldo Amorim Escola de Música de Brasília Faculty
  • James Martins Salvador
  • Jimmy Dludlu AfroJazz
  • Jack Talty Ireland
  • John Archibald Pulitzer Prize
  • Tony Austin Composer
  • Cláudio Badega Pandeiro
  • Ken Avis World Jazz
  • Djuena Tikuna Brazil
  • Martin Fondse Piano
  • Dave Weckl Multi-Cultural
  • Stomu Takeishi Bass
  • Hélio Delmiro Guitar
  • Elza Soares Brazil
  • Fabian Almazan Jazz
  • Rosa Cedrón Cello
  • Chris Cheek Brooklyn, NY
  • Angelique Kidjo Multi-Cultural
  • Dale Farmer Old-Time Music
  • Carwyn Ellis Brazil
  • Kenny Barron Jazz
  • Max ZT Brooklyn, NY
  • Paulo Paulelli Brazil
  • Brad Ogbonna Brooklyn, NY
  • Johnny Lorenz Montclair State University Faculty
  • Chris Acquavella Mandolin Instruction
  • Manuel Alejandro Rangel Venezuela
  • Eric Bogle Folk & Traditional
  • Orlando Costa Salvador
  • Márcio Bahia Rio de Janeiro
  • Pedro Abib Brazil
  • Issa Malluf Arabic Percussion
  • Derrick Hodge R&B
  • Swizz Beatz Rapper
  • Neymar Dias Composer
  • BIGYUKI Keyboards
  • Restaurante Axego AFROBIZ Salvador
  • Abderrahmane Sissako Screenwriter
  • Issac Delgado Composer
  • Margareth Menezes Guitar
  • Nahre Sol Piano
  • Tom Bergeron Saxophone
  • Mauro Refosco Brasil, Brazil
  • Scotty Apex Singer
  • Chief Xian aTunde Adjuah New Orleans
  • Danilo Brito São Paulo
  • María Grand R&B
  • César Camargo Mariano Piano
  • George Cables Piano
  • Paquito D'Rivera Saxophone
  • Richie Pena Drums
  • Scotty Apex Los Angeles
  • Gilson Peranzzetta Brazil
  • Geraldo Azevedo Música Nordestina
  • Luiz Santos Drums
  • Restaurante Axego Brazil
  • John Luther Adams Writer
  • Ana Luisa Barral Bandolim
  • Mateus Asato Guitar
  • Bobby Fouther Educator
  • Dermot Hussey Broadcaster
  • Archie Shepp Poet
  • Oscar Bolão Samba
  • Mateus Aleluia Filho Candomblé
  • Ivan Huol Salvador
  • David Castillo Singer
  • Luciano Calazans Brazil
  • Toninho Nascimento Rio de Janeiro
  • Matt Glaser Berklee College of Music Faculty
  • Celsinho Silva Pandeiro Instruction
  • Sharay Reed Chicago
  • Berta Rojas Classical Guitar
  • Steve Cropper Recording Studio Owner
  • Marcela Valdes Latino Culture
  • Marcelinho Oliveira Songwriter
  • Matthew F Fisher Collaborative Artist
  • Katuka Africanidades Loja de Roupa, Clothing Store
  • Nahre Sol Classical Music
  • Jakub Knera Gdańsk
  • Art Rosenbaum Folk & Traditional
  • Les Filles de Illighadad Tuareg Music
  • Ken Avis Singer-Songwriter
  • 9Bach Folk-Based
  • Marc Johnson Jazz
  • Arto Tunçboyacıyan New York City

 'mātriks / "source" / from "mater", Latin for "mother"
We're a real mother for ya!

 

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