CURATION
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from this page:
by Matrix
Network Node
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Name:
Vincent Herring
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City/Place:
New York City
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Country:
United States
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Hometown:
Hopkinsville, Kentucky
Life
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Bio:
Saxophonist Vincent Herring's intense, soulful, multi-noted style and ebullient swing have excited audiences worldwide. On stage, Herring and his band often make an incendiary sound over fine and controlled rhythms of modern times.
Vincent started playing saxophone at the age of 11 in school bands and studying privately at Dean Frederick’s School of Music in Vallejo, CA. At the age of 16, Herring was studying at California State University at Chico on a music scholarship. A year later he had won a berth in the United States Military Academy Band at West Point.
Vincent moved to New York City in early 1980's attending Long Island University. He first toured in the United States and Europe as part of the Lionel Hampton Big Band. With his sound strongly influenced by Julian “Cannonball” Adderley, Vincent’s virtuosity and promise came to the attention of Nat Adderley. The two forged a nine-year musical relationship, producing nine albums and touring around the world year after year. After Nat’s death, Louis Hayes collaborated with Vincent to form the Cannonball Adderley Legacy Band. Vincent worked and recorded with Cedar Walton for more than 20 years.
He has also appeared on stage and or recordings with Freddie Hubbard, Dizzy Gillespie, Louis Hayes, Art Blakey and The Jazz Messengers, Horace Silver Quintet, Jack DeJohnette’s Special Edition, Larry Coryell, Steve Turre, The Mingus Big Band (Won a Grammy in 2010), Kenny Barron, Nancy Wilson, Dr. Billy Taylor, Carla Bley, Mike LeDonne, Carl Allen, Ron McClure, and John Hicks among others. His extensive guest soloist appearances include performances with Wynton Marsalis at Lincoln Center and Jon Faddis and The Carnegie Hall Big Band.
Vincent's discography reveals over 20 titles as a leader and over 250 as a sideman. His current and past projects speak to the wide range of his musical interest and versatility: The Vincent Herring-Joris Dudli’s Soul Jazz Alliance, Earth Jazz Agents, Friendly Fire with Vincent Herring and Eric Alexander. Vincent leads a band called Jazz The Story with Jon Faddis, Jeremy Pelt, Steve Turre, James Carter, Eric Alexander, Mike LeDonne, Kenny Davis, Carl Allen and Nicolas Bearde.
Vincent tours frequently with his projects around the in the United States, Europe, Japan, China and around the world. Vincent continues to share his distinct voice and musical knowledge, as a performer and jazz educator. He is currently on staff at William Paterson University and at Manhattan School of Music.
Clips (more may be added)
The Integrated Global Creative Economy
Wolfram Mathematics
This technological matrix originating in Bahia, Brazil and positioning creators around the world within reach of each other and the entire planet is able to do so because it is small-world (see Wolfram).
Bahia itself, final port-of-call for more enslaved human beings than any other place on earth throughout all of human history, refuge for Lusitanian Sephardim fleeing the Inquisition, Indigenous both apart and subsumed into a sociocultural matrix comprised of these three peoples and more, is small-world.
Human society, the billions of us, is small-world. Neural structures for human memory are small-world...
In small worlds great things are possible.
Alicia Svigals
"Thanks, this is a brilliant idea!!"
—Alicia Svigals (NEW YORK CITY): Apotheosis of klezmer violinists
"I'm truly thankful ... Sohlangana ngokuzayo :)"
—Nduduzo Makhathini (JOHANNESBURG): piano, Blue Note recording artist
"Dear Sparrow: I am thrilled to receive your email! Thank you for including me in this wonderful matrix."
—Susan Rogers (BOSTON): Director of the Berklee Music Perception and Cognition Laboratory ... Former personal recording engineer for Prince; "Purple Rain", "Sign o' the Times", "Around the World in a Day"
"Dear Sparrow, Many thanks for this – I am touched!"
—Julian Lloyd Webber (LONDON): Premier cellist in UK; brother of Andrew (Evita, Jesus Christ Superstar, Cats, Phantom of the Opera...)
"This is super impressive work ! Congratulations ! Thanks for including me :)))"
—Clarice Assad (RIO DE JANEIRO/CHICAGO): Pianist and composer with works performed by Yo Yo Ma and orchestras around the world
"We appreciate you including Kamasi in the matrix, Sparrow."
—Banch Abegaze (LOS ANGELES): manager, Kamasi Washington
"Thanks! It looks great!....I didn't write 'Cantaloupe Island' though...Herbie Hancock did! Great Page though, well done! best, Randy"
"Very nice! Thank you for this. Warmest regards and wishing much success for the project! Matt"
—Son of Jimmy Garrison (bass for John Coltrane, Bill Evans...); plays with Herbie Hancock and other greats...
Dear friends & colleagues,

Having arrived in Salvador 13 years earlier, I opened a record shop in 2005 in order to create an outlet to the wider world for Bahian musicians, many of them magisterial but unknown.
David Dye & Kim Junod for NPR found us (above), and Kareem Abdul-Jabbar (he's a huge jazz fan), David Byrne, Oscar Castro-Neves... Spike Lee walked past the place while I was sitting on the stoop across the street drinking beer and listening to samba from the speaker in the window...
But we weren't exactly easy for the world-at-large to get to. So in order to extend the place's ethos I transformed the site associated with it into a network wherein Brazilian musicians I knew would recommend other Brazilian musicians, who would recommend others...
And as I anticipated, the chalky hand of God-as-mathematician intervened: In human society — per the small-world phenomenon — most of the billions of us on earth are within some 6 or fewer degrees of each other. Likewise, within a network of interlinked artists as I've described above, most of these artists will in the same manner be at most a handful of steps away from each other.
So then, all that's necessary to put the Bahians and other Brazilians within possible purview of the wide wide world is to include them among a wide wide range of artists around that world.
If, for example, Quincy Jones is inside the matrix (people who have passed are not removed), then anybody on his page — whether they be accessing from a campus in L.A., a pub in Dublin, a shebeen in Cape Town, a tent in Mongolia — will be close, transitable steps away from Raymundo Sodré, even if they know nothing of Brazil and are unaware that Sodré sings/dances upon this planet. Sodré, having been knocked from the perch of fame and ground into anonymity by Brazil's dictatorship, has now the alternative of access to the world-at-large via recourse to the vast potential of network theory.
...to the degree that other artists et al — writers, researchers, filmmakers, painters, choreographers...everywhere — do also. Artificial intelligence not required. Real intelligence, yes.
Years ago in NYC I "rescued" unpaid royalties (performance & mechanical) for artists/composers including Barbra Streisand, Aretha Franklin, Mongo Santamaria, Jim Hall, Clement "Coxsone" Dodd (for his rights in Bob Marley compositions; Clement was Bob's first producer), Led Zeppelin, Ray Barretto, Philip Glass and many others. Aretha called me out of the blue vis-à-vis money owed by Atlantic Records. Allen Klein (managed The Beatles, The Rolling Stones, Ray Charles) called about money due the estate of Sam Cooke. Jerry Ragovoy (Time Is On My Side, Piece of My Heart) called just to see if he had any unpaid money floating around out there (the royalty world was a shark-filled jungle, to mangle metaphors, and I doubt it's changed).
But the pertinent client (and friend) in the present context is Earl "Speedo" Carroll, of The Cadillacs. Earl went from doo-wopping on Harlem streetcorners to chart-topping success to working as a custodian at PS 87 elementary school on the west side of Manhattan. Through all of this he never lost what made him great.
Greatness and fame are too often conflated. The former should be accessible independently of the latter.
Matrix founding creators are behind "one of 10 of the best (radios) around the world", per The Guardian.
Recent access to this matrix and Bahia are from these places (a single marker can denote multiple accesses).
Across the creative universe... For another list, reload page.
This list is random, and incomplete. Reload the page for another list.
For a complete list of everybody inside, tap TOTAL below:
TOTAL