CURATION
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from this page:
by Matrix
Network Node
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Name:
Wayne Escoffery
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City/Place:
New York City
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Country:
United States
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Hometown:
London, England
Life
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Bio:
2014 Downbeat Critics Poll Winner and Grammy Award winning tenor saxophonist Wayne Escoffery is one of the Jazz world’s most talented rising stars and in-demand sidemen. In 2006 he secured one of the most coveted gigs in jazz: a frontline position in Tom Harrell’s working quintet. For over a decade Escoffery was mostly associated with trumpet master having toured the globe with the trumpeter, recorded seven CDs with The Tom Harrell Quintet and co-produced four of those releases. He has also been a member of The Mingus Dynasty, Big Band and Orchestra since 2000 and has made several recordings with the group. Over the years he has recorded and performed internationally with the who’s who in Jazz including Ron Carter, Ben Riley, Abdulah Ibrahim, Eric Reed, Carl Allen, Al Foster, Billy Hart, Eddie Henderson, Rufus Reid, Wallace Roney and Herbie Hancock just to name a few. Escoffery leads his own groups which tour internationally and has made several highly acclaimed studio recordings with said groups. His current working quartet features pianist David Kikoski, bassist Ugonna Okegwo and drummer Ralph Peterson and has a released three albums, the latest of which is The Humble Warrior on the Smoke Sessions Records label. Escoffery is also a founding member of a collaborative group called Black Art Jazz Collective which is comprised of fellow rising star musicians of his generation and is dedicated to celebrating the origins of Jazz and African American Icons through originally composed music.
In addition to performing, Escoffery is dedicated to music education and presents lectures and masterclasses on Jazz music. He is currently the saxophone instructor for The New Jersey Performing Arts Wells fargo Jazz for Teens program, and currently teaches private online and in person lessons for all instruments. In the fall of 2016 Wayne Escoffery was appointed Lecturer of Jazz Improvisation and ensemble coach at the Yale School of Music as a part of Yale Universitiy’s Jazz Initiative, the first of its kind for the University. The vast array of contributions Wayne Escoffery has made to the Jazz world in such a short time leads seasoned industry professionals like Niel Tesser to write “ Pay special attention to tenor man Wayne Escoffery whose rapid development - from album to album (and seemingly solo to solo) - has given us a jazz hero for the coming decade.
My Instruction
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Lessons/Workshops:
Wayne Escoffery is dedicated to music education
and presents lectures and masterclasses on Jazz music. He is currently the saxophone instructor for The New Jersey Performing Arts Wells Fargo Jazz for Teens program and in the Fall of 2016 was appointed Lecturer of Jazz Improvisation and ensemble coach at the Yale School of Music as a part of Yale University’s new Jazz Initiative, the first of its kind for the University.
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Instruction:
http://www.wayneescoffery.com/teaching
Clips (more may be added)
The Integrated Global Creative Economy
Wolfram Mathematics
This technological matrix originating in Bahia, Brazil and positioning creators around the world within reach of each other and the entire planet is able to do so because it is small-world (see Wolfram above). Bahia itself, final port-of-call for more enslaved human beings than any other place on earth throughout all of human history, refuge for Lusitanian Sephardim fleeing the Inquisition, Indigenous both apart and subsumed into a sociocultural matrix comprised of these three peoples and more, is small-world. Human society, the billions of us, is small-world. Neural structures for human memory are small-world...
In small worlds great things are possible.
Alicia Svigals
"Thanks, this is a brilliant idea!!"
—Alicia Svigals (NEW YORK CITY): Apotheosis of klezmer violinists
"I'm truly thankful ... Sohlangana ngokuzayo :)"
—Nduduzo Makhathini (JOHANNESBURG): piano, Blue Note recording artist
"Dear Sparrow: I am thrilled to receive your email! Thank you for including me in this wonderful matrix."
—Susan Rogers (BOSTON): Director of the Berklee Music Perception and Cognition Laboratory ... Former personal recording engineer for Prince; "Purple Rain", "Sign o' the Times", "Around the World in a Day"
"Dear Sparrow, Many thanks for this – I am touched!"
—Julian Lloyd Webber (LONDON): Premier cellist in UK; brother of Andrew (Evita, Jesus Christ Superstar, Cats, Phantom of the Opera...)
"This is super impressive work ! Congratulations ! Thanks for including me :)))"
—Clarice Assad (RIO DE JANEIRO/CHICAGO): Pianist and composer with works performed by Yo Yo Ma and orchestras around the world
"We appreciate you including Kamasi in the matrix, Sparrow."
—Banch Abegaze (LOS ANGELES): manager, Kamasi Washington
"Thanks! It looks great!....I didn't write 'Cantaloupe Island' though...Herbie Hancock did! Great Page though, well done! best, Randy"
"Very nice! Thank you for this. Warmest regards and wishing much success for the project! Matt"
—Son of Jimmy Garrison (bass for John Coltrane, Bill Evans...); plays with Herbie Hancock and other greats...
Dear friends & colleagues,
Having arrived in Salvador 13 years earlier, I opened a record shop in 2005 in order to create an outlet to the wider world for Bahian musicians, many of them magisterial but unknown.
David Dye & Kim Junod for NPR found us (above), and Kareem Abdul-Jabbar (he's a huge jazz fan), David Byrne, Oscar Castro-Neves... Spike Lee walked past the place while I was sitting on the stoop across the street drinking beer and listening to samba from the speaker in the window...
But we weren't exactly easy for the world-at-large to get to. So in order to extend the place's ethos I transformed the site associated with it into a network wherein Brazilian musicians I knew would recommend other Brazilian musicians, who would recommend others...
And as I anticipated, the chalky hand of God-as-mathematician intervened: In human society — per the small-world phenomenon — most of the billions of us on earth are within some 6 or fewer degrees of each other. Likewise, within a network of interlinked artists as I've described above, most of these artists will in the same manner be at most a handful of steps away from each other.
So then, all that's necessary to put the Bahians and other Brazilians within possible purview of the wide wide world is to include them among a wide wide range of artists around that world.
If, for example, Quincy Jones is inside the matrix (people who have passed are not removed), then anybody on his page — whether they be accessing from a campus in L.A., a pub in Dublin, a shebeen in Cape Town, a tent in Mongolia — will be close, transitable steps away from Raymundo Sodré, even if they know nothing of Brazil and are unaware that Sodré sings/dances upon this planet. Sodré, having been knocked from the perch of fame and ground into anonymity by Brazil's dictatorship, has now the alternative of access to the world-at-large via recourse to the vast potential of network theory.
...to the degree that other artists et al — writers, researchers, filmmakers, painters, choreographers...everywhere — do also. Artificial intelligence not required. Real intelligence, yes.
Years ago in NYC I "rescued" unpaid royalties (performance & mechanical) for artists/composers including Barbra Streisand, Aretha Franklin, Mongo Santamaria, Jim Hall, Clement "Coxsone" Dodd (for his rights in Bob Marley compositions; Clement was Bob's first producer), Led Zeppelin, Ray Barretto, Philip Glass and many others. Aretha called me out of the blue vis-à-vis money owed by Atlantic Records. Allen Klein (managed The Beatles, The Rolling Stones, Ray Charles) called about money due the estate of Sam Cooke. Jerry Ragovoy (Time Is On My Side, Piece of My Heart) called just to see if he had any unpaid money floating around out there (the royalty world was a shark-filled jungle, to mangle metaphors, and I doubt it's changed).
But the pertinent client (and friend) in the present context is Earl "Speedo" Carroll, of The Cadillacs. Earl went from doo-wopping on Harlem streetcorners to chart-topping success to working as a custodian at PS 87 elementary school on the west side of Manhattan. Through all of this he never lost what made him great.
Greatness and fame are too often conflated. The former should be accessible independently of the latter.
Matrix founding creators are behind "one of 10 of the best (radios) around the world", per The Guardian.
Recent access to this matrix and Bahia are from these places (a single marker can denote multiple accesses).
Across the creative universe... For another list, reload page.
This list is random, and incomplete. Reload the page for another list.
For a complete list of everybody inside, tap TOTAL below:
TOTAL
Nduduzo Makhathini
Susan Rogers
Julian Lloyd Webber
Clarice Assad
Kamasi Washington
Randy Brecker
Matt Garrison
RÁDIO MATRIX