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  • Martin Fondse

    VIA THE INTEGRATED GLOBAL
    CREATIVE ECONOMY

    inspired by
    THE GRAPEVINE TELEGRAPH
    of Pre-Civil War African-Americans

    promulgated by
    The Brazilian Ministry of Culture

    fomented by
    The Bahian Secretary of Culture

    fomented by
    The Palmares Foundation
    for the promotion of Afro-Brazilian Culture

    fomented by
    The National Foundation of Indigenous Peoples

    I CURATE

Network Node

  • Name: Martin Fondse
  • City/Place: Amsterdam
  • Country: Netherlands
  • Hometown: Bergen Op Zoom

CURATION

  • from this node by: Matrix

Life & Work

  • Bio: Musical omnivore Martin Fondse (February 20, 1967, Bergen Op Zoom) is a jazz and contemporary music pianist, composer and arranger who won the prestigious Dutch Boy Edgar Prize in 2017. The customarily accepted boundaries between genres like classical music, jazz, Latin and world music simply do not exist in his world.

    Fondse‘s creativity in composing and arranging is distinctive. It reveals a humorous and narrative style ranging from poetic, empathetic to delicate. He often devotes the fruits of his wide-ranging interests in large ensembles in which he can portray the full scope of his writing capacity.

    Martin Fondse has released twelve albums under his own name and appeared on many more as a composer, arranger or sideman. He has composed film scores for several animation and feature films, and has received both national and international awards for these as well as for his orchestral work, including the Prémio da Música Brasileira (2018), Zilveren Notenkraker (2016, NJJO), the Edison National Jazz Award (2012) his score for the Dutch entry for the Oscars (2009), Phantom of the Cinema, Animated Shorts category). In 2018 he wrote the score for the highly acclaimed documentary film WAD.

    As a composer/arranger Martin collaborated with artists like Pat Metheny, Terry Bozzio, Lenine, Peter Erskine, Doudou N’Diaye Rose, Vernon Reid, George Duke, Christina Branco, Claudio Puntin, Eric Vloeimans, Ernst Reijseger, Mariza, Sezen Aksu, Nils Wogram, Basement Jaxx, Matthew Herbert.

    Furthermore, Martin received composition commission from orchestras like Royal Concertgebouw Orchestra, Holland Symfonia, Limburgs Symfonisch Orkest, hr-Bigband Frankfurt, Jazz Orchestra of the Concertgebouw, The Meridian Arts Ensemble, Metropole Orchestra.

    His music has been featured on North Sea Jazz Festival, Holland Festival, Nederlandse Muziekdagen, November Music, Dutch Jazz Meeting.

    He has been awarded several international prizes, ranging from orchestral work to film music.

Contact Information

  • Email: [email protected]
  • Contact by Webpage: http://www.martinfondse.com/contact/
  • Telephone: +31 (0)6 24735557

Media | Markets

  • ▶ Buy My Music: (downloads/CDs/DVDs) http://www.martinfondse.com/webshop/
  • ▶ Twitter: martinfondse
  • ▶ Instagram: martinfondse
  • ▶ Website: http://www.martinfondse.com
  • ▶ YouTube Channel: http://www.youtube.com/user/MattFuzzVideo
  • ▶ YouTube Music: http://music.youtube.com/channel/UCQmWTGrSQOwcko50dhRaFDA
  • ▶ Spotify: http://open.spotify.com/album/0vROdu5ciHcDnsqjGpprvn
  • ▶ Spotify 2: http://open.spotify.com/album/7e4eIrJhrySIpjEzU6HF20
  • ▶ Spotify 3: http://open.spotify.com/album/2Yy8HuNi0z9CuHfrWfiCyO
  • ▶ Spotify 4: http://open.spotify.com/album/2MD1RuCDiVMwudSJibYtfq
  • ▶ Spotify 5: http://open.spotify.com/album/7gnW0kqz2c8QwJq4ynrx6h
  • ▶ Spotify 6: http://open.spotify.com/album/1I3npEBHoYOvlKrH46XSyK

My Recordings

  • Discography: As main artist...

    1995 8 x g! – Martin Fondse Oktemble (Rollercoaster Records)
    1998 Upperground – Martin Fondse Oktemble (BV Haast)
    2001 Ere Ibeji – Martin Fondse Oktemble (BV Haast)
    2003 Two Suites – HR Big Band (HR)
    2003 Zoom Zoo – Groove Troopers (JJ-Tracks)
    2008 Fragrant Moondrops – Martin Fondse & Starvinsky Orkestar (Basta Music)
    2009 Martian Art – XLJAZZ (BK Disk)
    2010 Key Figures – Martin Fondse & Wolfert Brederode (Orgelpark)
    2010 Martian Club – XLJAZZ (BK Disk)
    2011 Martian World – XLJAZZ (BK Disk)
    2012 Testimoni – Martin Fondse, with Eric Vloeimans & Matangi Quartet (Basta Music)
    2013 Talismã – Morais & Martin Fondse Project (BK Disk)
    2013 Sensitive Material – BEAM feat. Markus Stockhausen – producer, pianist

    As a composer/arranger/side man...

    2014 Memento – Remy van Kesteren (Kes Think Big Music) – composer, arranger
    2014 Beatrix met hart en ziel (DVD) – Nederlands Blazers Ensemble (NBECD) – composer
    2014 De Waan van de Dag – Nederlands Blazers Ensemble (NBECD) – composer
    2013 Evensong – Eric Vloeimans (Challenge Classics) – composer, arranger
    2013 Kross Over – Tania Kross (Challenge Classics) – composer
    2013 Still Listening – Phaedra Kwant – vibrandoneonist
    2013 Zonde – Freek de Jonge – pianist
    2012 Impulse – Clint Allen – composer, pianist, producer
    2012 Gunder – Daniel Lohues – arranger
    2011 Basement Jaxx vs Metropole Orkest – arranger
    2011 Oud? – Nederlands Blazers Ensemble (NBECD) – composer
    2011 Radio Berlijn – Bløf (EMI Music) – arranger
    2011 Amstel Raga – Amstel Quartet – composer
    2010 The Midge – Andy Bruce & the Rigidly Righteous – piano, flute, melodica
    2010 On The Other Hand – Ties Mellema – composer
    2008 Eraze Una Vez – Tango Extremo – composer
    2006 The Bauer Melody of 2006 – arranger, composer
    2005 Chamber Works – Terry Bozzio – arranger
    2000 Me, Myself and I – Eric van der Westen (EWM Music) – composer, producer
    2000 I Eye Myself – Mete Erker/Blink (EWM Music) – producer
    1994 First Floor – Eric Vloeimans (Challenge Records) – composer

    Filmography

    2004 Vent – Erik van Schaaik (Music: Martin Fondse)
    2007 Soufiane – Natasja André de la Porte (Music: Martin Fondse)
    2007 Dennis P. – Pieter Kuijpers (arrangement title song: Martin Fondse)
    2008 The Phantom of the Cinema- Erik van Schaaik (Music: Martin Fondse)
    2010 Witte Hond – Natasja André de la Porte (Music: Martin Fondse)
    2010 Pecker – Erik van Schaaik (Music: Martin Fondse)
    2010 Overmorgen – Natasja André de la Porte (Music: Martin Fondse)
    2011 My Long Distance Friend – Carina Molier (additional music: Martin Fondse)
    2011 Audition – Udo Prinsen (Music: Eric Vloeimans & Martin Fondse)
    2013 Fallin’ Floyd – Albert ‘t Hooft & Paco Vink (Music: Martin Fondse)

    Awards

    2014 Best Short Film Adult Jury & Young Jury Young About International Film festival, Bologna. Fallin’ Floyd – (Albert ‘t Hooft & Paco Vink Music: Martin Fondse)
    2013 VNAP Vakprijs Holland Animation FIlm Festival Fallin’ Floyd – (Albert ‘t Hooft & Paco Vink Music: Martin Fondse)
    2013 Audience Award Holland Animation Film Festival, Fallin’ Floyd – (Albert ‘t Hooft & Paco Vink Music: Martin Fondse)
    2013 Best 2D Animation Neum Animated Film Festival, Fallin’ Floyd – (Albert ‘t Hooft & Paco Vink Music: Martin Fondse)
    2012 Edison Award Jazz National
    2011 Best International Film Black Rock Animation Film Festival, Dublin, Ireland – Audition (Director: Udo Prinsen Music: Eric Vloeimans & Martin Fondse)
    2011 Best Animation Award Leids Film Festival – Audition (Director: Udo Prinsen Music: Eric Vloeimans & Martin Fondse)
    2009 Dutch entry for the Oscars, Animated Shorts (USA) – Phantom of the Cinema (Direction: Erik van Schaaik Music: Martin Fondse)
    2009 Grand Prize and Trophy at Anim’est international film festival Romania – Phantom of the Cinema (Direction: Erik van Schaaik Music: Martin Fondse)
    2009 Winner of the Grand Prize and Trophy at Anim’est international film festival Romania – Phantom of the Cinema (Direction: Erik van Schaaik Music: Martin Fondse)
    2007 Award Francisco Garcia De Paso, Huesca International Short Film Festival (ES) – Soufiane (director: Natasja André de la Porte Music: Martin Fondse)
    2006 International Working Animated Film Festival RFAF 2006 (Bosnia- Herzegovina) – Best music (Vent)
    2005 Cinanima Espinho 2005 (Portugal) – Best music (Vent)
    2004 Fipresci award, Annecy, France – Vent (Direction: Erik van Schaaik Music: Martin Fondse)
    2004 1st prize at the International Festival of animationfilms Bimini in Latvia Vent (Direction: Erik van Schaaik Music: Martin Fondse)
    2004 Nominated best short film and best sound design at the Holland Film Meeting 2004 – Vent (Direction: Erik van Schaaik Music: Martin Fondse)
    2004 Grand Prix for best short film at The Kyoto Kinder Film Fest – Vent (Direction: Erik van Schaaik Music: Martin Fondse)
    2002 Nominated for Bird Award, artist deserving wider recognition, North Sea Jazz festival
    1998 2nd Prize Euror’ Jazz Big Band Association, Paris, France
    1996 1st Prize Julius Hemphill Award (Jazz Composers Alliance), Boston, USA
    1993 3rd Prize Euro Jazz Contest, Hoeilaart, Belgium

    Composition commissions

    2014 ‘Rosefire’: new songs for mezzo soprano, trumpet, piano & string quartet
    2014 Zomer Orkest Nederland – new work
    2014 World Trombone Quartet – new work
    2014 Matangi Quartet – new work
    2013 ‘The Bridge’ for Martin Fondse Orchestra & Lenine: new instrumental music and arrangements of Lenine’s favourites
    2011 ‘Far, East, South’ for Doelenensemble Rotterdam & Steffen Schorn
    2010 New Composition for Clazz Ensemble, in collaboration with Jacob TV
    2009 ‘Uncle M.’ for Royal Concertgebouw Orchestra & Eric Vloeimans
    2009 ‘4 Seasons in 1 Day’, composition for Doudou N’Diaye Rose, Saxophone Quartet (Artvark), Drums (Peter Erskine), Bass (Eric van der Westen), Percussion Ensemble (Anumadutchi)
    2009 Half/Half for Gelders Fanfare Orkest & eric Vloeimans
    2009 Bollywood Medley for Amstel Saxophone Quartet & [Niti Ranjan Biswas]
    2009 Theatre Music for Boogaerdt/vanderSchoot: Martha Loves George
    2008 Composition for ‘Sintonize’, project of modern dance company Cisne Negro, São Paulo and Silent Disco (NL)
    2006 ‘Primer Dark’ for Symphonic Orchestra & Clarinet Solo for Holland Symfonia (NL) & Claudio Puntin
    2006 ‘Swinging Old Lady’ for Nederlandse Muziekdagen – Work for Tania kross, Izaline Callister & Metropole Orchestra
    2005 ‘Fester’ for Doelenensemble Rotterdam & Eric Vloeimans
    2004 ‘City Lights’, Suite for Jazz Orchestra & Trumpet Solofor HR Big Band, Frankfurt (De) & Eric Vloeimans
    2003 ‘All in the Family’, composition commission from Jazz international Rotterdam (NL)
    2003 ‘Cottacatya!’, Suite for Jazz Orchestra for HR Big Band, Frankfurt (De)
    2002 ‘Cactus’, The Annual Composition Commission from North Sea Jazz Festival (NL)

    Collaborations

    2013 Martin Fondse Orchestra & Lenine: ‘The Bridge’
    2012 Martin Fondse Orchestra & Roberto Sion: ‘Homelands’
    2012 Gregory Porter & Metropole Orchestra – arrangements
    2011 Martin Fondse Orchestra & Matthew Herbert, November Music (NL)
    2004 Vernon Reid & Metropole Orchestra – Holland Festival (NL), compositions, arrangements
    2004 Manu Dibango & Metropole Orchestra – Dunya Festival (NL), compositions
    2003 Pat Metheny & Metropole Orchestra – arrangements
    1999 Carleen Anderson & Metropole Orchestra – arrangements

Clips (more may be added)

  • 5:22
    O Mar
    By Martin Fondse
    293 views
  • 0:06:54
    Martin Fondse Orchestra - Tomorrow Eyes(live @TivoliVredenburg Utrecht)
    By Martin Fondse
    99 views
  • 0:49:58
    The Bridge - Lenine and Martin Fondse Orchestra Live at MOERS 2013
    By Martin Fondse
    99 views
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Martin Fondse Curated

  • 2 Amsterdam
  • 2 Arranger
  • 2 Composer
  • 2 Contemporary Music
  • 2 Film Scores
  • 2 Jazz
  • 2 Multi-Cultural
  • 2 Piano
  • 2 Vibrandeon

What's Been Happening?

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  • Martin Fondse
    Pat Metheny → Jazz has been recommended via Martin Fondse.
    • October 5, 2021
  • Martin Fondse
    Pat Metheny → Guitar has been recommended via Martin Fondse.
    • October 5, 2021
  • Martin Fondse
    Pat Metheny → Composer has been recommended via Martin Fondse.
    • October 5, 2021
  • Martin Fondse
    A video was posted re Martin Fondse:
    O Mar
    Music: Martin Fondse Lyrics: Neusa Raphael de Toledo Matuoka Tania Kross: Vocals Eric Vloeimans: Trumpet Matangi Quartet: Strings Martin Fondse: Piano From the program Rosefire
    • October 5, 2021
  • Martin Fondse
    A video was posted re Martin Fondse:
    Martin Fondse Orchestra - Tomorrow Eyes(live @TivoliVredenburg Utrecht)
    Martin Fondse Orchestra performs Tomorrow Eyes composed by Martin Fondse and written by Remy van Kesteren (Dutch harpplayer). Martin Fondse - keys/ compositions, Anna Serierse - vocals, Mete Erker - tenor- and sopranosax, Jörg Brinkmann - cello, Eric van...
    • October 5, 2021
  • Martin Fondse
    A video was posted re Martin Fondse:
    The Bridge - Lenine and Martin Fondse Orchestra Live at MOERS 2013
    The Bridge - Lenine and Martin Fondse Orchestra Live
    • October 5, 2021
  • Martin Fondse
    A category was added to Martin Fondse:
    Film Scores
    • October 5, 2021
  • Martin Fondse
    A category was added to Martin Fondse:
    Multi-Cultural
    • October 5, 2021
  • Martin Fondse
    A category was added to Martin Fondse:
    Amsterdam
    • October 5, 2021
  • Martin Fondse
    A category was added to Martin Fondse:
    Contemporary Music
    • October 5, 2021
  • Martin Fondse
    A category was added to Martin Fondse:
    Jazz
    • October 5, 2021
  • Martin Fondse
    A category was added to Martin Fondse:
    Arranger
    • October 5, 2021
  • Martin Fondse
    A category was added to Martin Fondse:
    Vibrandeon
    • October 5, 2021
  • Martin Fondse
    A category was added to Martin Fondse:
    Composer
    • October 5, 2021
  • Martin Fondse
    A category was added to Martin Fondse:
    Piano
    • October 5, 2021
  • Martin Fondse
    Martin Fondse is matrixed!
    • October 5, 2021
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  • English (Portuguese →)
  • (← Inglês) Português

English (Portuguese →)

 

DISCOVERY BY MATRIX

Quincy Jones can curate Gilberto Gil. Gil can curate, writers, dancers, filmmakers, painters, record producers, set designers... He can curate Luê Soares of Belém do Pará, behind the mic below. Quincy doesn't have to know Luê exists to help make her discoverable, or anybody else ... it's in the matrix DNA.

The Matrix Mission was Born in Brazil, but It Embraces the Entire World

Brazil is not a European nation. It's not a North American nation. It's not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn.

 

Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin (Bahia's Bay of All Saints received more enslaved human beings than any other final port-of-call throughout all of human history).

 

Brazil was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people).

 

Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David.

 

Three cultures — from three continents — running for their lives, their confluence forming a scintillatingly unprecedented fourth. Pandeirista on the roof. Nowhere else but here.

 


The matrix is the ultimate evolution of a pathway which began in New York City decades ago per the "rescue" of unpaid royalties, performance & mechanicals, for artists burned by major labels: Aretha Franklin, Barbra Streisand, Mongo Santamaria, Gilberto Gil, Astrud Gilberto, Airto Moreira, Jim Hall, Led Zeppelin, Philip Glass, Clement "Coxsone" Dodd of Kingston's Studio One (Bob Marley's producer; I made a copy of his original contract with Bob to take to CBS Records to argue; Bob was 17 when he signed and his aunt co-signed)...
...Funk Brother Wah Wah Watson (Melvin Ragin) and others. A long and winding road that led inexorably to the necessity of a truly open arts universe, for there is more in Heaven and Earth...

 

"I am thrilled to receive your email! Thank you for including me in this wonderful matrix."
✅—Susan Rogers
Personal recording engineer: Prince, Paisley Park
Director: Music Perception & Cognition Laboratory, Berklee College of Music
Author: This Is What It Sounds Like: What the Music You Love Says About You

 


If you're arriving from the Guardian article 10 best music radio stations around the world, →Matrix Radio is here←

The matrix was created above in Salvador's Centro Histórico (interview is with David Dye for U.S. National Public Radio), where Bule Bule around the corner in the clip below, among magisterial colleagues for whom this matrix was originally built (it's now open to all in the Global Creative Economy) sings, "Chegou a hora dessa gente bronzeada mostrar seu valor... The time has come for these bronzed people to show their worth..."

...the endeavor motivated in the first instance by the fact that in common with most cultures around our planet, the preponderance of Brazil's vast cultural treasure has been impossible to find from outside of circumscribed regions, including Brazil itself...

Music & lyrics (Brasil Pandeiro) by Assis Valente of Santo Amaro, Bahia, Brazil. Video by Betão Aguiar of Salvador.

Thus something new under the tropical sun: A means by which those above, those below, and EVERYBODY ELSE in the creative economy can be divulged EVERYWHERE.

Quincy Jones can curate Gilberto Gil, for example. Gil can curate, writers, dancers, filmmakers, painters, record producers, set designers... He can curate Luê Soares of Belém do Pará, behind the mic above. Quincy doesn't have to know Luê exists to help make her discoverable, or anybody else ... it's in the matrix DNA.

For by the seemingly magical mathematics of the small world phenomenon, all in the matrix will tend to proximity to all others, in the same way that most human beings are within some six or so steps of most others.

The difference being that in the matrix, these steps are along pathways that can be travelled. The creative world becomes a neighborhood. Quincy Jones is right up the street and Branford Marsalis around the corner. And the most far-flung genius you've never heard of is just a few doors down. Maybe even in Brazil. Laroyê!
"Matrixado!"

✅—Founding Member Darius Mans
Economist, PhD, Massachusetts Institute of Technology
✅—Luiz Inácio Lula da Silva
President of Brazil

"Many thanks for this - I am  touched!"
✅—Julian Lloyd Webber

That most fabled cellist in the United Kingdom (and Brazilian music fan)

"I'm truly thankful... Sohlangana ngokuzayo :)"
✅—Nduduzo Makhathini
Blue Note recording artist)

"Thanks, this is a brilliant idea!!"
✅—Alicia Svigals
Founder of The Klezmatics

"This is super impressive work ! Congratulations ! Thanks for including me :)))"
✅—Clarice Assad
Compositions recorded by Yo Yo Ma and played by orchestras around the world

"Thank you"
(Banch Abegaze, manager)
✅—Kamasi Washington

Tap people, tap categories, tap curations... The matrix is a maze of tunnels within King Solomon's creative mines.

(← Inglês) Português

 

DESCOBERTA POR MATRIX
A Missão Matrix Nasceu no Brasil, mas Abraça o Mundo Inteiro

O Brasil não é uma nação européia. Não é uma nação norte-americana. Não é uma nação do leste asiático. Compreende — selva e deserto e centros urbanos densos — tanto o equador quanto o Trópico de Capricórnio.

 

O Brasil absorveu mais de dez vezes o número de africanos escravizados levados para os Estados Unidos da América, e é um repositório de divindades africanas (e sua música) agora em grande parte esquecido em suas terras de origem (a Baía de Todos os Santos recebeu mais seres humanos escravizados do que qualquer outro porto de escala final ao longo de toda a história humana).

 

O Brasil era um refúgio (de certa forma) para os sefarditas que fugiam de uma Inquisição que os seguia através do Atlântico (aquele símbolo não oficial da música nacional brasileira — o pandeiro — foi quase certamente trazido ao Brasil por esse povo).

 

Através das savanas ressequidas do interior do culturalmente fecundo nordeste, onde o mago Hermeto Pascoal nasceu na Lagoa da Canoa e cresceu em Olho d'Águia, uma grande parte da população aborígine do Brasil foi absorvida por uma cultura caboclo/quilombola pontuada pela Estrela de Davi.

 
Três culturas - de três continentes - correndo por suas vidas, sua confluência formando uma quarta cintilante e sem precedentes. Pandeirista no telhado. Em nenhum outro lugar a não ser aqui.

 


O matrix é a evolução definitiva de um caminho que começou em Nova York há décadas atrás pelo "resgate" dos direitos autorais não pagos para Aretha Franklin, Barbra Streisand, Mongo Santamaria, Gilberto Gil, Astrud Gilberto, Airto Moreira, Jim Hall, Led Zeppelin, Philip Glass, Clement "Coxsone" Dodd do Studio One de Kingston (o produtor de Bob Marley; Eu fiz uma cópia de seu contrato original com Bob para levar à CBS Records para discutir; Bob tinha 17 anos quando assinou e sua tia co-assinou)...
...Funk Brother Wah Wah Watson (Melvin Ragin) e outros. Um longo e sinuoso caminho que levou inexoravelmente à necessidade de um universo de artes verdadeiramente aberto, pois há mais no Céu e na Terra...

"Fico muitíssimo feliz em receber seu e-mail! Obrigada por me incluir neste matrix maravilhoso."
✅—Susan Rogers
Engenheiro de gravação pessoal para Prince: Paisley Park
Diretora: Laboratório de Percepção e Cognição Musical, Berklee College of Music
Autora: This Is What It Sounds Like: What the Music You Love Says About You

 


Se você está chegando do artigo do jornal britânico The Guardian "10 best music radio stations around the world", →a Rádio Matrix está aqui←

O matrix foi criado no Centro Histórico de Salvador (entrevista é com David Dye para a Rádio Público Nacional dos EUA), onde Bule Bule no clipe abaixo, entre colegas magisteriais para quem este matrix foi originalmente construído (está aberto agora a todos na Economia Criativa Global) canta, "Chegou a hora dessa gente bronzeada mostrar seu valor..."

...o empreendimento motivado na primeira instância pelo fato de que em comum com a maioria das culturas ao redor do nosso planeta, a preponderância do vasto tesouro cultural do Brasil tem sido impossível de encontrar fora de regiões circunscritas, incluindo o próprio Brasil.

Música & letras (Brasil Pandeiro) por Assis Valente de Santo Amaro, Bahia. Vídeo por Betão Aguiar de Salvador.

Assim algo novo sob o sol tropical: Um meio pelo qual os acima, os abaixo e TODOS OS OUTROS na economia criativa podem ser divulgados em TODOS OS LUGARES.

Quincy Jones pode indicar Gilberto Gil, por exemplo. Gil pode indicar escritores, dançarinos, cineastas, pintores, produtores de discos... Ele pode indicar Luê Soares de Belém do Pará, atrás do microfone acima. Quincy não precisa saber que Luê existe para ajudá-la a ser descoberta, ou qualquer outra pessoa ... está no DNA do matrix.

Pela matemática aparentemente mágica do fenômeno do mundo pequeno, todos no matrix tenderão a se aproximar de todos, da mesma forma que a maioria dos seres humanos estão dentro de cerca de seis passos da maioria dos outros.

Com a diferença que no matrix, estes passos estão ao longo de caminhos que podem ser percorridos. O mundo criativo se torna uma vizinhança. Quincy Jones está lá em cima e Branford Marsalis está ao virar da esquina. E o gênio distante que você nunca ouviu falar tá lá embaixo. Talvez até no Brasil. Laroyê!
"Matrixado!"

✅—Membro Fundador Darius Mans
Economista, doutorado, Massachusetts Institute of Technology
✅—Luiz Inácio Lula da Silva
Presidente do Brasil

"Muito obrigado por isso - estou tocado!"
✅—Julian Lloyd Webber
Estamos tocados também Sr. Webber!
Merecidamente o violoncelista mais lendário do Reino Unido (e fã da música brasileira)

"Estou realmente agradecido... Sohlangana ngokuzayo :)"
✅—Nduduzo Makhathini
Artista da Blue Note)

"Obrigada, esta é uma ideia brilhante!!"
✅—Alicia Svigals
Fundadora do The Klezmatics

"Este é um trabalho super impressionante! Parabéns! Obrigada por me incluir :)))"
✅—Clarice Assad
Composições gravadas por Yo Yo Ma e tocadas por orquestras ao redor do mundo

"Thank you"
(Banch Abegaze, empresário)
✅—Kamasi Washington

Toque em pessoas, toque em categorias, toque em curadoria... O matrix é um labirinto de túneis dentro das minas criativas do Rei Salomão.

  • Keb' Mo' Singer-Songwriter
  • Vânia Oliveira Bahia
  • Jubu Smith Singer-Songwriter
  • Harold López-Nussa Composer
  • Gonzalo Rubalcaba Havana
  • John Harle Saxophone
  • Ricardo Herz Composer
  • Jared Sims Jazz
  • Yelaine Rodriguez Site-Specific Installations
  • Tomoko Omura Violin
  • Mark Lettieri Composer
  • Oriente Lopez Flauta, Flute
  • Leonardo Mendes Santo Amaro
  • Olga Mieleszczuk Warsaw
  • Jon Batiste New Orleans
  • Wolfgang Muthspiel Record Label Owner
  • MonoNeon Singer-Songwriter
  • Hamilton de Holanda Brazil
  • George Cables Jazz
  • Beth Bahia Cohen Kabak Kemane
  • Fred P Electronic Music
  • Jim Hoke Saxophone
  • Jim Hoke Composer
  • Steve McKeever Record Label Owner
  • André Brock Georgia Tech Faculty
  • Chris Cheek New School Faculty
  • Omar Sosa Composer
  • Yayá Massemba Bahia
  • Stephan Crump Jazz
  • Raynald Colom Barcelona
  • Luiz Antônio Simas Escritor, Writer
  • Eric Galm Percussion
  • Jamael Dean Jazz
  • Kaveh Rastegar Songwriter
  • Kareem Abdul-Jabbar Black American Culture & History
  • Michael Peha Keyboards
  • Nicole Mitchell University of Pittsburgh Faculty
  • Weedie Braimah Hip-Hop
  • Mika Mutti Electronic Music
  • Sam Dagher Syria
  • David Bragger Mandolin
  • Joshua Abrams Guimbri
  • Marcel Camargo Los Angeles
  • Jim Beard Keyboards
  • Pedrão Abib Brasil, Brazil
  • Calypso Rose Singer-Songwriter
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