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  • Luciano Matos

    THE INTEGRATED GLOBAL
    CREATIVE ECONOMY

    promulgated by
    The Brazilian Ministry of Culture

    fomented by
    The Bahian Secretary of Culture

    fomented by
    The Palmares Foundation
    for the promotion of Afro-Brazilian Culture

    fomented by
    The National Foundation of Indigenous Peoples

    I CURATE

Network Node

  • Name: Luciano Matos
  • City/Place: Salvador, Bahia
  • Country: Brazil

CURATION

  • from this node by: Matrix

Life & Work

  • Bio: Jornalista, blogueiro e DJ. Nascido em Salvador em 1974, há mais de vinte anos atua na cobertura do cenário musical da cidade, da Bahia e do Brasil, especialmente o chamado mercado independente. Tem longo histórico na cobertura de festivais e eventos pelo país. Há mais de 15 anos mantém o site el Cabong, onde centralizava parte de seus textos voltados a área de música e passou a produzir exclusivamente para ele.

    Já foi colunista por 4 anos e colaborador do jornal A Tarde e do site brasileiro da MTV. Colabora com publicações e sites diversos. Apresentou e produziu programas de rádio, como o Rock Loco, voltado ao rock numa rádio comunitária de Salvador, além de produzir e roteirizar quatro programas Jam Sessions (Rock, Jazz e Blues, Cinema e Lançamentos) na A Tarde FM.

    Atualmente é um dos produtores e apresentadores do Radioca, programa voltado a música brasileira contemporânea e discussões sobre o mercado musical. É também um dos curadores e produtores do Festival Radioca, que acontece desde 2015 em Salvador.

    Tem também realizado consultorias, participado de comissões e curadorias sobre música em diversas instituições e premiações. Entre elas, o Super Júri Prêmio Multishow, Bolsa Estúdio Skol, Natura Musical (2012, 2013, 2015 e 2017), Prêmio Caymmi (2014/15-2015/16), Circuito Música Bahia (2014, 2015 e 2016), Festival Radioca, Festival Feira da Cidade, Festival Coreto Hype, Conexão Vivo, Secretaria de Cultura/ editais, Fundo de Cultura e Fazcultura e Mapa Musical.

    Atua também como produtor e DJ (el Cabong) no Baile Esquema Novo (focado em música brasileira diversa) e na festa A Bolha (focada em rock), além de ter sido criador, produtor e DJ por cinco anos da festa Nave (focada em rock, música pop e afins). Foi ainda editor do site iBahia.

    https://elcabong.com.br/quem-faz-o-el-cabong/

Contact Information

  • Email: [email protected]

Media | Markets

  • ▶ Twitter: lubmatos
  • ▶ Instagram: el.cabong
  • ▶ Website: http://elcabong.com.br

Clips (more may be added)

  • 0:10:35
    COMO SURGIU O EL CABONG | Luciano Matos
    By Luciano Matos
    95 views
Previous
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Luciano Matos Curated

  • 3 Apresentador de Rádio, Radio Presenter
  • 3 Bahia
  • 3 Brasil, Brazil
  • 3 DJ
  • 3 Dono de Site de Cultura, Cultural Website Owner
  • 3 Jornalista, Journalist
  • 3 Produtor Musical, Music Producer
  • 3 Salvador

What's Been Happening?

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  • Luciano Matos
    Luiz Antônio Simas → Samba has been recommended via Luciano Matos.
    • July 29, 2022
  • Luciano Matos
    Luiz Antônio Simas → Rio de Janeiro has been recommended via Luciano Matos.
    • July 29, 2022
  • Luciano Matos
    Luiz Antônio Simas → Professor has been recommended via Luciano Matos.
    • July 29, 2022
  • Luciano Matos
    Luiz Antônio Simas → Poeta, Poet has been recommended via Luciano Matos.
    • July 29, 2022
  • Luciano Matos
    Luiz Antônio Simas → Jornalista, Journalist has been recommended via Luciano Matos.
    • July 29, 2022
  • Luciano Matos
    Luiz Antônio Simas → Ifá has been recommended via Luciano Matos.
    • July 29, 2022
  • Luciano Matos
    Luiz Antônio Simas → Historiador, Historian has been recommended via Luciano Matos.
    • July 29, 2022
  • Luciano Matos
    Luiz Antônio Simas → Escritor, Writer has been recommended via Luciano Matos.
    • July 29, 2022
  • Luciano Matos
    Luiz Antônio Simas → Compositor, Composer has been recommended via Luciano Matos.
    • July 29, 2022
  • Luciano Matos
    Luiz Antônio Simas → Brasil, Brazil has been recommended via Luciano Matos.
    • July 29, 2022
  • Luciano Matos
    A category was added to Luciano Matos:
    Brasil, Brazil
    • July 9, 2022
  • Luciano Matos
    A category was added to Luciano Matos:
    Bahia
    • July 9, 2022
  • Luciano Matos
    A category was added to Luciano Matos:
    Salvador
    • July 9, 2022
  • Luciano Matos
    A category was added to Luciano Matos:
    Dono de Site de Cultura, Cultural Website Owner
    • July 9, 2022
  • Luciano Matos
    A category was added to Luciano Matos:
    Produtor Musical, Music Producer
    • July 9, 2022
  • Luciano Matos
    A category was added to Luciano Matos:
    Apresentador de Rádio, Radio Presenter
    • July 9, 2022
  • Luciano Matos
    A category was added to Luciano Matos:
    DJ
    • July 9, 2022
  • Luciano Matos
    A category was added to Luciano Matos:
    Jornalista, Journalist
    • July 9, 2022
  • Luciano Matos
    A video was posted re Luciano Matos:
    COMO SURGIU O EL CABONG | Luciano Matos
    Luciano Matos conta um pouco da sua trajetória na música, início da carreira jornalistica, fundação do site El Cabong, do Festival Radioca e muito mais.
    • July 9, 2022
  • Luciano Matos
    Luciano Matos is matrixed!
    • July 9, 2022
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  • English (Portuguese →)
  • (← Inglês) Português

English (Portuguese →)

 

PATHWAYS
from Brazil, with love

"I am thrilled to receive your email! Thank you for including me in this wonderful matrix."
✅—Susan Rogers
Personal recording engineer: Prince, Paisley Park
Director: Music Perception & Cognition Laboratory, Berklee College of Music
Author: This Is What It Sounds Like: What the Music You Love Says About You

 

 

The Matrix was Born in Brazil, but It Embraces the Entire World

Why Brazil?

 

Brazil is not a European nation. It's not a North American nation. It's not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn.

 

Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin (Bahia's Bay of All Saints received more enslaved human beings than any other final port-of-call throughout all of human history).

 

Brazil was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people).

 

Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David.

 

Three cultures — from three continents — running for their lives, their confluence forming a scintillatingly unprecedented fourth. Pandeirista on the roof.

 

Brazil itself is a matrix. Nowhere else but here.


Music & lyrics (Brasil Pandeiro) by Assis Valente of Santo Amaro, Bahia, Brazil. Video by Betão Aguiar of Salvador.

The matrix was created in Salvador's Centro Histórico, where Bule Bule above, among magisterial colleagues for whom this matrix was originally built (it's now open to all in the Global Creative Economy) sings, "Chegou a hora dessa gente bronzeada mostrar seu valor... The time has come for these bronzed people to show their worth..."

...the endeavor motivated in the first instance by the fact that in common with most cultures around our planet, the preponderance of Brazil's vast cultural treasure has been impossible to find from outside of circumscribed regions, including Brazil itself...

Thus something new under the tropical sun: A means by which those above, those below, and EVERYBODY ELSE in the creative economy can be divulged EVERYWHERE.

For by the seemingly magical mathematics of the small world phenomenon, all in the matrix will tend to proximity to all others, in the same way that most human beings are within some six or so steps of most others.

The difference being that in the matrix, these steps are along pathways that can be travelled. The creative world becomes a neighborhood. Quincy Jones is right up the street and Branford Marsalis around the corner. And the most far-flung genius you've never heard of is just a few doors down. Maybe even in Brazil. Laroyê!

 

"Matrixado!"
✅—Founding Member Darius Mans
Economist, PhD, Massachusetts Institute of Technology
✅—Luiz Inácio Lula da Silva
President of Brazil

"Many thanks for this - I am  touched!"

✅—Julian Lloyd Webber
That most fabled cellist in the United Kingdom (and Brazilian music fan)

"I'm truly thankful... Sohlangana ngokuzayo :)"
✅—Nduduzo Makhathini
Blue Note recording artist)

"Thanks, this is a brilliant idea!!"
✅—Alicia Svigals
Founder of The Klezmatics

"This is super impressive work ! Congratulations ! Thanks for including me :)))"
✅—Clarice Assad
Compositions recorded by Yo Yo Ma and played by orchestras around the world

"Thank you"
(Banch Abegaze, manager)
✅—Kamasi Washington

 


The matrix is the ultimate evolution of a pathway which began in New York City decades ago per the "rescue" of unpaid royalties, performance & mechanicals, for artists burned by major labels: Aretha Franklin, Barbra Streisand, Mongo Santamaria, Gilberto Gil, Astrud Gilberto, Airto Moreira, Jim Hall, Led Zeppelin, Philip Glass, Clement "Coxsone" Dodd of Kingston's Studio One (Bob Marley's producer; I made a copy of his original contract with Bob to take to CBS Records to argue; Bob was 17 when he signed and his aunt co-signed)...
...Funk Brother Wah Wah Watson (Melvin Ragin) and others. A long and winding road that led inexorably to the necessity of a truly open arts universe, for there is more in Heaven and Earth...

Tap people, tap categories, tap curations... The matrix is a maze of tunnels within King Solomon's creative mines.

(← Inglês) Português

 

CAMINHOS
do Brasil, com amor

"Fico muitíssimo feliz em receber seu e-mail! Obrigada por me incluir neste matrix maravilhoso."
✅—Susan Rogers
Engenheiro de gravação pessoal para Prince: Paisley Park
Diretora: Laboratório de Percepção e Cognição Musical, Berklee College of Music
Autora: This Is What It Sounds Like: What the Music You Love Says About You

 

 

O Matrix Nasceu no Brasil, mas Abraça o Mundo Inteiro

Por que construir o matrix no Brasil?

 

O Brasil não é uma nação européia. Não é uma nação norte-americana. Não é uma nação do leste asiático. Compreende — selva e deserto e centros urbanos densos — tanto o equador quanto o Trópico de Capricórnio.

 

O Brasil absorveu mais de dez vezes o número de africanos escravizados levados para os Estados Unidos da América, e é um repositório de divindades africanas (e sua música) agora em grande parte esquecido em suas terras de origem (a Baía de Todos os Santos recebeu mais seres humanos escravizados do que qualquer outro porto de escala final ao longo de toda a história humana).

 

O Brasil era um refúgio (de certa forma) para os sefarditas que fugiam de uma Inquisição que os seguia através do Atlântico (aquele símbolo não oficial da música nacional brasileira — o pandeiro — foi quase certamente trazido ao Brasil por esse povo).

 

Através das savanas ressequidas do interior do culturalmente fecundo nordeste, onde o mago Hermeto Pascoal nasceu na Lagoa da Canoa e cresceu em Olho d'Águia, uma grande parte da população aborígine do Brasil foi absorvida por uma cultura caboclo/quilombola pontuada pela Estrela de Davi.

 
Três culturas - de três continentes - correndo por suas vidas, sua confluência formando uma quarta cintilante e sem precedentes. Pandeirista no telhado.

 

Brasil é um matrix mesmo. Em nenhum outro lugar a não ser aqui.


Música & letras (Brasil Pandeiro) por Assis Valente de Santo Amaro, Bahia. Vídeo por Betão Aguiar de Salvador.

O matrix foi criado no Centro Histórico de Salvador, onde Bule Bule acima, entre colegas magisteriais para quem este matrix foi originalmente construído (está aberto agora a todos na Economia Criativa Global) canta, "Chegou a hora dessa gente bronzeada mostrar seu valor..."

...o empreendimento motivado na primeira instância pelo fato de que em comum com a maioria das culturas ao redor do nosso planeta, a preponderância do vasto tesouro cultural do Brasil tem sido impossível de encontrar fora de regiões circunscritas, incluindo o próprio Brasil.

Assim algo novo sob o sol tropical: Um meio pelo qual os acima, os abaixo e TODOS OS OUTROS na economia criativa podem ser divulgados em TODOS OS LUGARES.

Pela matemática aparentemente mágica do fenômeno do mundo pequeno, todos no matrix tenderão a se aproximar de todos, da mesma forma que a maioria dos seres humanos estão dentro de cerca de seis passos da maioria dos outros.

Com a diferença que no matrix, estes passos estão ao longo de caminhos que podem ser percorridos. O mundo criativo se torna uma vizinhança. Quincy Jones está lá em cima e Branford Marsalis está ao virar da esquina. E o gênio distante que você nunca ouviu falar tá lá embaixo. Talvez até no Brasil. Laroyê!

 

"Matrixado!"
✅—Membro Fundador Darius Mans
Economista, doutorado, Massachusetts Institute of Technology
✅—Luiz Inácio Lula da Silva
Presidente do Brasil

"Muito obrigado por isso - estou tocado!"

✅—Julian Lloyd Webber
Estamos tocados também Sr. Webber!
Merecidamente o violoncelista mais lendário do Reino Unido (e fã da música brasileira)

"Estou realmente agradecido... Sohlangana ngokuzayo :)"
✅—Nduduzo Makhathini
Artista da Blue Note)

"Obrigada, esta é uma ideia brilhante!!"
✅—Alicia Svigals
Fundadora do The Klezmatics

"Este é um trabalho super impressionante! Parabéns! Obrigada por me incluir :)))"
✅—Clarice Assad
Composições gravadas por Yo Yo Ma e tocadas por orquestras ao redor do mundo

"Thank you"
(Banch Abegaze, empresário)
✅—Kamasi Washington


O matrix é a evolução definitiva de um caminho que começou em Nova York há décadas atrás pelo "resgate" dos direitos autorais não pagos para Aretha Franklin, Barbra Streisand, Mongo Santamaria, Gilberto Gil, Astrud Gilberto, Airto Moreira, Jim Hall, Led Zeppelin, Philip Glass, Clement "Coxsone" Dodd do Studio One de Kingston (o produtor de Bob Marley; Eu fiz uma cópia de seu contrato original com Bob para levar à CBS Records para discutir; Bob tinha 17 anos quando assinou e sua tia co-assinou)...
...Funk Brother Wah Wah Watson (Melvin Ragin) e outros. Um longo e sinuoso caminho que levou inexoravelmente à necessidade de um universo de artes verdadeiramente aberto, pois há mais no Céu e na Terra...

Toque em pessoas, toque em categorias, toque em curadoria... O matrix é um labirinto de túneis dentro das minas criativas do Rei Salomão.

  • Martin Koenig Ethnomusicologist
  • Logan Richardson Flute
  • Tom Oren Israel
  • Flor Jorge MPB
  • Ibram X. Kendi Historian
  • Reggie Ugwu Pop Culture Reporter
  • Renato Braz Guitar
  • Barlavento Brazil
  • Merima Ključo Sephardic Music
  • Joshua Redman Composer
  • Michael Doucet Louisiana
  • Matt Ulery Bass
  • Flor Jorge Brazil
  • Júlio Caldas Viola Machete
  • Ahmad Sarmast Lisbon
  • Bruce Williams Juilliard Faculty
  • Bai Kamara Jr. Singer-Songwriter
  • Vânia Oliveira Educadora, Educator
  • Christopher Silver McGill University Faculty
  • Russell Malone Jazz
  • ANNA Berlin
  • Mauro Refosco Compositor de Shows da Moda, Fashion Show Music
  • Aindrias de Staic Galway
  • Mateus Alves Pernambuco
  • Tobias Meinhart Saxophone
  • Eliane Elias Brazil
  • Wayne Escoffery New York City
  • Sarah Hanahan Saxophone
  • Robertinho Silva MPB
  • Jussara Silveira Brazil
  • Toninho Ferragutti Brazil
  • Arany Santana Educadora, Educator
  • Yvette Holzwarth Multi-Cultural
  • Damon Albarn Singer-Songwriter
  • Gilmar Gomes Guitar
  • Yola Country
  • Luiz Brasil Salvador
  • Yo La Tengo Film Scores
  • Ben Wolfe Composer
  • Diana Fuentes Singer-Songwriter
  • Gavin Marwick Fiddle
  • Gord Sheard Humber College Music Faculty
  • Thalma de Freitas Produtora de Vídeo, Video Producer
  • Nettrice R. Gaskins Cultural Critic
  • Stan Douglas Canada
  • Walter Mariano Brasil, Brazil
  • Ivan Neville Keyboards
  • Soweto Kinch Jazz
  • Anton Fig Session Drummer
  • Chucho Valdés Piano
  • Nicholas Daniel Oboe Master Classes
  • Vivien Schweitzer Writer
  • VJ Gabiru Videógrafo, Videographer
  • Anderson Lacerda Piano
  • Vik Sohonie Record Label Owner
  • David Ngwerume Sculptor
  • Larry McCray Guitar
  • Paulo Costa Lima Escritor, Writer
  • Catherine Russell Jazz
  • Sunn m'Cheaux Harvard Faculty
  • Michel Camilo Piano
  • Marc Maron Actor
  • Jason Parham Writer
  • Steve Abbott London
  • Tigran Hamasyan Singer
  • Lynn Nottage Screenwriter
  • David Greely University of Louisiana at Lafayette Faculty
  • Azi Schwartz החזן עזי שוורץ Cantor
  • Samba de Nicinha Brazil
  • Kiko Freitas Brazilian Jazz
  • Edmar Colón Jazz
  • Joe Chambers Drums
  • Carlinhos Brown Record Producer
  • Cécile McLorin Salvant Illustrator
  • Steve Cropper Nashville, Tennessee
  • Miles Mosley Bass
  • Gui Duvignau Multi-Cultural
  • Veronica Swift Singer
  • Jorge Pita Brazil
  • Angel Bat Dawid Piano
  • Musa Okwonga Writer
  • Ron Carter Jazz
  • Fábio Peron Samba
  • Dadá do Trombone Bahia
  • Gunter Axt Escritor, Writer
  • Jonga Lima Brasil, Brazil
  • Gal Costa Singer
  • Nooriyah نوريّة Arabic Music
  • Anat Cohen Israel
  • Patrice Quinn Actor
  • Simon Singh YouTuber
  • Cathal McNaughton Ireland
  • Jimmy Duck Holmes Mississippi
  • 小野リサ Lisa Ono Brazil
  • Ashley Pezzotti Jazz
  • Mateus Aleluia Filho Cachoeira
  • Jim Lauderdale Bluegrass
  • MicroTrio de Ivan Huol Carnaval, Carnival
  • Stacy Dillard Composer
  • Trilok Gurtu Multi-Cultural
  • Cássio Nobre Viola Brasileira
  • Milford Graves Jazz
  • Concha Buika Equatorial Guinea
  • Alexia Arthurs Writer
  • Jan Ramsey Magazine Publisher
  • Shannon Ali Cultural Critic
  • Yola R&B
  • Abhijith P. S. Nair Indian Fusion
  • BaianaSystem Música Alternativa, Alternative Music
  • Carla Visi Brazil
  • Christian Sands New York City
  • Mauro Senise MPB
  • Nicholas Payton Composer
  • Darcy James Argue Big Band
  • Ricardo Herz MPB
  • Liam Farrell 'Dr L' Ireland
  • Ben Street Bass
  • Nate Chinen Jazz
  • Nettrice R. Gaskins Writer
  • Joe Fiedler Composer
  • Esperanza Spalding Singer
  • Brian Cross aka B+ Filmmaker
  • Greg Osby Jazz
  • Colm Tóibín Journalist
  • Giveton Gelin Bahamas
  • Dale Bernstein Photographer
  • Taj Mahal Singer-Songwriter
  • Jean-Paul Bourelly Composer
  • Joe Lovano Composer
  • Ivan Huol Salvador
  • William Parker Poet
  • Ariane Astrid Atodji Filmmaker
  • Kazemde George Jazz
  • Tito Jackson R&B
  • Kurt Andersen Television Writer
  • Munyungo Jackson Composer
  • Giba Conceição Candomblé
  • Capitão Corisco Bahia
  • Avner Dorman Conductor
  • Jonga Lima Produtor Musical, Music Producer
  • Ivan Neville R&B
  • Nora Fischer Singer
  • Jay Mazza Writer
  • Luciano Salvador Bahia Brazil
  • Hamilton de Holanda Mandolin
  • Donny McCaslin Saxophone
  • Celino dos Santos Bahia
  • Donna Leon Crime Novels
  • Carlos Blanco Salvador
  • Joe Newberry Raleigh
  • Darryl Hall Jazz
  • Fidelis Melo Produtor Cultural, Cultural Producer
  • Asa Branca Guitar
  • Badi Assad Brazil
  • Ariel Reich Singer
  • David Braid Composer
  • Bill T. Jones Choreographer
  • Courtney Pine Podcaster
  • Zé Katimba Cavaquinho
  • Julia Alvarez Dominican Republic
  • Matias Traut Jazz Brasileiro, Brazilian Jazz
  • Jill Scott Spoken Word
  • Ofer Mizrahi Multi-Cultural
  • Martin Fondse Piano
  • Casey Benjamin Keyboards
  • Jahi Sundance DJ
  • Damon Albarn Multi-Instrumentalist
  • John McEuen Film Scores
  • Deborah Colker Choreographer
  • Jeff Preiss Filmmaker
  • Dan Weiss Composer
  • Egberto Gismonti Piano
  • Anat Cohen Tel Aviv
  • Ryan Keberle Trombone
  • Carlos Henriquez Latin Jazz
  • Kenny Garrett Multi-Cultural
  • Jorge Glem Mandolin
  • James Martin Singer-Songwriter
  • Áurea Martins Cantora, Singer
  • Keyon Harrold Jazz
  • NEOJIBA Brasil, Brazil
  • Dorian Concept Composer
  • Duncan Chisholm Fiddle
  • Art Rosenbaum Muralist
  • Ta-Nehisi Coates Black American Culture & History
  • Victor Wooten Record Label Owner
  • Benny Benack III Piano
  • Jamie Dupuis Composer
  • Pedrito Martinez Composer
  • Steven Isserlis Artistic Director
  • Nguyên Lê Record Producer
  • Jonny Geller CEO
  • Andrew Gilbert Roots Music
  • Mário Pam AFROBIZ Salvador
  • Shalom Adonai Salvador
  • Ayrson Heráclito Set Designer
  • Liron Meyuhas Singer
  • Joshue Ashby Afro-Cuban Music
  • Nonesuch Records Jazz
  • Chris Speed Saxophone
  • Jess Gillam London
  • Amitava Kumar Writer
  • Shannon Sims New Orleans
  • Ravi Coltrane Record Label Owner
  • Bebel Gilberto Bossa Nova
  • Ambrose Akinmusire Composer
  • Alex Conde Piano Instruction
  • Maria Struduth Ilustradora, Illustrator
  • Jorge Washington AFROBIZ Salvador
  • Mou Brasil Jazz Brasileiro, Brazilian Jazz
  • Gilsons Salvador
  • Terreon Gully Drums
  • Sam Wasson Cultural Historian
  • Léo Rugero Sanfona de 8 Baixos
  • Virgínia Rodrigues Brazil
  • Alexandre Vieira Baixo, Bass
  • Aruán Ortiz Piano
  • Şener Özmen Writer
  • Joel Best London
  • Ronald Bruner Jr. Jazz
  • Manassés de Souza Brazil
  • Nego Álvaro Percussion
  • David Castillo Los Angeles
  • Gilad Hekselman Brooklyn, NY
  • Nicholas Daniel Conductor
  • Berkun Oya Actor
  • Woody Mann Writer
  • John Edward Hasse Piano
  • Gerald Cleaver Jazz
  • Alegre Corrêa Violin
  • David Chesky Record Label Owner
  • James Gadson Jazz
  • Joshua Abrams Film Scores
  • Eli Degibri אלי דג'יברי Saxophone
  • Jane Ira Bloom New School Faculty
  • Eric Alexander New York City
  • Hot Dougie's Porto da Barra
  • Anna Mieke Multi-Instrumentalist
  • Chris Acquavella Germany
  • Anat Cohen Jazz
  • Zeca Baleiro Música Infantil, Music for Children
  • Tedy Santana Bahia
  • Piti Canella Bahia
  • Mykia Jovan Singer-Songwriter
  • Justin Stanton Keyboards
  • Curly Strings Estonia
  • Ari Rosenschein Singer-Songwriter
  • Forrest Hylton Ethnohistorian: Latin America & the Caribbean
  • John Schaefer New York City
  • James Brandon Lewis Poet
  • Mingo Araújo Composer
  • Jaleel Shaw Manhattan School of Music Faculty
  • Brandon Wilner DJ
  • João Luiz Brazilian Classical Guitar
  • Craig Ross Songwriter
  • Juca Ferreira Bahia
  • Jason Reynolds Lesley University Faculty
  • Onisajé Candomblé
  • Nonesuch Records Folk & Traditional
  • Ben Okri London
  • Kurt Andersen Novelist
  • Les Thompson Recording Studio Owner
  • Nicolas Krassik Jazz
  • Jacám Manricks Saxophone
  • César Orozco New York City
  • Rogério Caetano Violão de Sete
  • Yosvany Terry Composer
  • Nathan Amaral Violin
  • Bill Laurance London
  • Issa Malluf Arabic Percussion
  • Nação Zumbi Rap
  • Shamarr Allen Funk
  • Woz Kaly Singer-Songwriter
  • Bertram Educator
  • Chubby Carrier Accordion
  • Brian Cross aka B+ Photographer
  • David Hoffman Documentary Filmmaker
  • Fred P Electronic Music
  • Marcelo Caldi Forró
  • Ned Sublette Writer
  • Andra Day Los Angeles
  • Joatan Nascimento Trumpet
  • Curtis Hasselbring Composer
  • Manolo Badrena Afro-Latin Music
  • Alisa Weilerstein Berlin
  • Brandon Seabrook New York City
  • Paulinha Cavalcanti Contadora de Histórias, Storyteller
  • Jeff Parker Jazz
  • Seth Swingle Folk & Traditional
  • Francisco Mela Composer
  • Joe Lovano Berklee College of Music Faculty
  • Seth Rogovoy Journalist
  • Issac Delgado Composer
  • Georgia Anne Muldrow Singer-Songwriter
  • J. Cunha Cenógrafo, Scenographer
  • Orlando Costa Brazil
  • Edivaldo Bolagi Candomblé
  • Archie Shepp Composer
  • Raelis Vasquez Chicago
  • Zeca Baleiro Cantor-Compositor, Singer-Songwriter
  • Léo Brasileiro Brasil, Brazil
  • Keyon Harrold Singer
  • Brandon Wilner Writer
  • David Chesky Composer
  • Sônia Guajajara Professora, Teacher
  • Super Chikan Blues
  • Terence Blanchard Trumpet
  • Nonesuch Records Movie Soundtracks
  • Paulão 7 Cordas Brazil
  • Osvaldo Golijov Composer
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