Salvador Bahia Brazil Matrix

The Matrix Online Network is a platform conceived & built in Salvador da Bahia, Brazil and upon which people & entities across the creative economic universe can 1) present in variegated detail what it is they do, 2) recommend others, and 3) be recommended by others. Integrated by recommendations and governed by the metamathematical magic of the small world phenomenon (popularly called "6 degrees of separation"), matrix pages tend to discoverable proximity to all other matrix pages, no matter how widely separated in location, society, and degree of fame. From Quincy Jones to celestial samba in the favelas of Rio de Janeiro to you, all is closer than we imagine.

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  • (Bahia)
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  • From Brazil with love →
  • @ Ground Zero
  • El Aleph
  • If You Can't Stand the Heat
  • Harlem to Bahia to the Planet
  • Why a "Matrix"?

From Brazil with love →

@ Ground Zero

 

Have you, dear friend, ever noticed how different places scattered across the face of the globe seem almost to exist in different universes? As if they were permeated throughout with something akin to 19th century luminiferous aether, unique, determined by that place's history? It's like a trick of the mind's light (I suppose), but standing on beach or escarpment in Salvador and looking out across the Baía de Todos os Santos to the great Recôncavo, and mindful of what happened there, one must be led to the inevitable conclusion that one is in a place unique to history, and to the present*.

 

 

"Chegou a hora dessa gente bronzeada mostrar seu valor / The time has come for these bronzed people to show their value..."Música: Assis Valente of Santo Amaro, Bahia. Vídeo: Betão Aguiar.

 

*More enslaved human beings entered the Bay of All Saints and the Recôncavo than any other final port-of-call throughout all of mankind's history.

 

These people and their descendants created some of the most uplifting music ever made, the foundation of Brazil's national art. We wanted their music to be accessible to the world (it's not even accessible here in Brazil) so we created a platform by which everybody's creativity is mutually accessible, including theirs.

 

El Aleph

 

The network was built in an obscure record shop (Kareem Abdul-Jabbar found it) in a shimmering Brazilian port city...

 

...inspired in (the kabbalah-inspired fiction of) Borges' (short story) El Aleph, that in the pillar in Cairo's Mosque of Amr, where the universe in its entirety throughout all time is perceivable as an infinite hum from deep within the stone.

 

It "works" by virtue of the "small-world" phenomenon...the same responsible for the fact that most of us 7 billion or so beings are within 6 or fewer degrees of each other.

 

It was described (to some degree) and can be accessed via this article in British journal The Guardian (which named our radio of matrixed artists as one of ten best in the world):

 

www.theguardian.com/travel/2020/apr/17/10-best-music-radio-station-around-world

 

With David Dye for U.S. National Public Radio: www.npr.org/2013/07/16/202634814/roots-of-samba-exploring-historic-pelourinho-in-salvador-brazil

 

All is more connected than we know.

 

Per the "spirit" above, our logo is a cortador de cana, a cane-cutter. It was designed by Walter Mariano, professor of design at the Federal University of Bahia to reflect the origins of the music the shop specialized in. The Brazilian "aleph" doesn't hum... it dances and sings.

 

If You Can't Stand the Heat

 

Image above is from the base of the cross in front of the church of São Francisco do Paraguaçu in the Bahian Recôncavo

 

Sprawled across broad equatorial latitudes, stoked and steamed and sensual in the widest sense of the word, limned in cadenced song, Brazil is a conundrum wrapped in a smile inside an irony...

 

This is not a European nation. It is not a North American nation. It is not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn. Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin. It was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people). Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David. Three cultures — from three continents — running for their lives, their confluence forming an unprecedented fourth. Pandeirista on the roof. Nowhere else but here.

 

Oligarchy, plutocracy, dictatorships and massive corruption — elements of these are still strongly entrenched — have defined, delineated, and limited Brazil.

 

But strictured & bound as it has been and is, Brazil has buzz...not the shallow buzz of a fashionable moment...but the deep buzz of a population which in spite of — or perhaps because of — the tough slog through life they've been allotted by humanity's dregs-in-fine-linen, have chosen not to simply pull themselves along but to lift their voices in song and their bodies in dance...to eat well and converse well and much and to wring the joy out of the day-to-day happenings and small pleasures of life which are so often set aside or ignored in the European, North American, and East Asian nations.

 

For this Brazil has a genius perhaps unparalleled in all other countries and societies, a genius which thrives alongside peeling paint and holes in the streets and roads, under bad organization by the powers-that-be, both civil and governmental, under a constant rain of societal indignities...

 

Which is all to say that if you don't know Brazil and you're expecting any semblance of order, progress and light, you will certainly find the light! And the buzz of a people who for generations have responded to privation at many different levels by somehow rising above it all.

 

"Onde tem miséria, tem música!"* - Raymundo Sodré

 

And it's not just music. And it's not just Brazil.

 

Welcome to the kitchen!

 

* "Where there is misery, there is music!" Remarked during a conversation arcing from Bahia to Haiti and Cuba to New Orleans and the south side of Chicago and Harlem to the villages of Ireland and the gypsy camps and shtetls of Eastern Europe...

 

Harlem to Bahia to the Planet



Why a "Matrix"?

 

I was explaining the ideas behind this nascent network to (João) Teoria (trumpet player above) over cervejas at Xique Xique (a bar named for a town in Bahia) in the Salvador neighborhood of Barris...

 

Like this (but in Portuguese): "It's kind of like Facebook if it didn't spy on you, but reversed... more about who you don't know than who you do know. And who doesn't know you but would be glad if they did. It's kind of like old Myspace Music but instead of having "friends" it has a list on your page of people you recommend. Not just musicians but writers, painters, filmmakers, dancers, chefs... anybody in the creative economy. It has a list of people who recommend you, or through whom you are recommended. It deals with arts which aren't recommendable by algorithm but need human intelligence behind recommendations. And the people who are recommended can recommend, creating a network of recommendations wherein by the small world phenomenon most people in the creative economy are within several steps of everybody else in the creative economy, no matter where they are in the world. Like a chessboard which could have millions of squares, but you can get from any given square to any other in no more than six steps..."

 

And João said (in Portuguese): "A matrix where you can move from one artist to another..."

 

A matrix! That was it! The ORIGINAL meaning of matrix is "source", from "mater", Latin for "mother". So the term would help congeal the concept in the minds of people the network was being introduced to, while giving us a motto: "We're a real mother for ya!" (you know, Johnny "Guitar" Watson?)

 

The original idea was that musicians would recommend musicians, the network thus formed being "small world" (commonly called "six degrees of separation"). In the real world, the number of degrees of separation in such a network can vary, but while a given network might have billions of nodes (people, for example), the average number of steps between any two nodes will usually be minuscule.

 

Thus somebody unaware of the magnificent music of Bahia, Brazil will be able to conceivably move from almost any musician in this matrix to Bahia in just a few steps...

 

By the same logic that might move one from Bahia or anywhere else to any musician anywhere.

 

And there's no reason to limit this system to musicians. To the contrary, while there are algorithms written to recommend music (which, although they are limited, can be useful), there are no algorithms capable of recommending journalism, novels & short stories, painting, dance, film, chefery...

 

...a vast chasm that this network — or as Teoria put it, "matrix" — is capable of filling.

 

  • Corey Harris
    I RECOMMEND

CURATION

  • from this node by: Matrix

This is the Universe of

  • Name: Corey Harris
  • City/Place: Virginia Beach, Virginia
  • Country: United States

Life & Work

  • Bio: Where the blues come from, where it's all going...

Contact Information

  • Email: [email protected]
  • Management/Booking: USA Booking information:
    Matt Greenhill
    Folklore Productions International
    Post Office Box 7003

    Canadian Booking Agent:
    Paquin Entertainment Group
    Agent: Stu Anderson
    468 Stradbrook Avenue

    European/Scandinavian Booking Agent
    Southside Music -Booking Agency
    Attn:Gianni di Carlo-Artist/Relations

    Other Bookings:
    Fast Lane International – Attn.George
    4856 Haygood Road Suite 203
    Virginia Beach, Virginia 23455

    All bookings are only available by email , we will get to you as fast as we can. Contact [email protected]

Media | Markets

  • ▶ Twitter: nattyworks
  • ▶ Instagram: coreyharrisband
  • ▶ Website: http://www.corey-harris.com
  • ▶ YouTube Channel: http://www.youtube.com/channel/UCrnNfLhi06QMkpLMkljfC7w
  • ▶ YouTube Music: http://music.youtube.com/channel/UCrnNfLhi06QMkpLMkljfC7w
  • ▶ Spotify: http://open.spotify.com/album/6fuRNpnOE7QgyT1IcdvpED
  • ▶ Spotify 2: http://open.spotify.com/album/3CHZPjgRHJG3GyNjoky0n9
  • ▶ Spotify 3: http://open.spotify.com/album/4YmdrI09y7oYOnw1LtnQuU
  • ▶ Spotify 4: http://open.spotify.com/album/3Fo3tM1NMoPKIuXvxNf0sh
  • ▶ Spotify 5: http://open.spotify.com/album/1FrrCvBvQCmmqM4FY4XkX8
  • ▶ Spotify 6: http://open.spotify.com/album/29Ff4qxZJAM19ZRyJKHKzO

Clips (more may be added)

  • MAMOU BLUES
    By Corey Harris
    300 views
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YOU RECOMMEND

Imagine the world's creative economy at your fingertips. Imagine 10 doors side-by-side. Beyond each, 10 more, each opening to a "creative" somewhere around the planet. After passing through 8 such doorways you will have followed 1 pathway out of 100 million possible (2 sets of doorways yield 10 x 10 = 100 pathways). This is a simplified version of the metamathematics that makes it possible to reach everybody in the global creative economy in just a few steps It doesn't mean that everybody will be reached by everybody. It does mean that everybody can  be reached by everybody.


Appear below by recommending Corey Harris:

  • 2 Blues
  • 2 Folk & Traditional
  • 2 Guitar
  • 2 Reggae
  • 2 Singer-Songwriter

Nodes below are randomly generated. Reload for a different stack.

  • Restaurante Axego Pelourinho
  • Jovino Santos Neto Brazil
  • Lula Galvão Bossa Nova
  • Tommaso Zillio Guitar Instruction
  • Papa Mali Funk
  • Jason Treuting Princeton University Faculty
  • Ronaldo do Bandolim Bandolim
  • Kiko Freitas Rio de Janeiro
  • Marcos Portinari Brasil, Brazil
  • Vânia Oliveira Bahia
  • Ana Moura Lisbon
  • VJ Gabiru Salvador
  • Jimmy Dludlu Guitar
  • Sabine Hossenfelder YouTuber
  • Melvin Gibbs Composer
  • Jim Lauderdale Country
  • BIGYUKI Keyboards
  • Ian Hubert Filmmaker
  • Ned Sublette Cuba
  • Mika Mutti Multi-Instrumentalist
  • Yunior Terry Cuba
  • Ethan Iverson Composer
  • Nubya Garcia London
  • Olivia Trummer Berlin
  • Melanie Charles Jazz
  • Catherine Bent Berklee College of Music Faculty
  • Cara Stacey Johannesburg
  • Buck Jones Música Afro-Baiana, Afro-Bahian Music
  • John Harle Guildhall School of Music & Drama Faculty
  • Ariane Astrid Atodji Screenwriter
  • Jess Gillam Contemporary Classical Music
  • Melanie Charles Flute
  • Natan Drubi Violão de Sete, Seven-string Guitar
  • Thundercat Multi-Instrumentalist
  • Amitava Kumar India
  • Ofer Mizrahi Multi-Cultural
  • Adam Rogers Classical Guitar
  • Timothy Duffy New Orleans
  • John Waters Playwright
  • Keith Jarrett Piano
  • David Kirby Non-Fiction
  • Yilian Cañizares Violin
  • Elif Şafak Essayist
  • Gilberto Gil Bahia
  • Sergio Krakowski Pandeiro
  • Marcus Miller Film Scores
  • Bobby Sanabria New School for Jazz and Contemporary Music Faculty
  • Eduardo Kobra Ativista da Paz, Peace Activist
  • Siba Veloso Composer
  • Ajeum da Diáspora Brazil
  • John Morrison Writer
  • Thundercat Multi-Instrumentalist
  • Jean Rondeau Composer
  • Afrocidade Rap
  • Oscar Bolão Choro
  • Onisajé Educadora, Educator
  • G. Thomas Allen Singer-Songwriter
  • Nic Hard Record Producer
  • Jill Scott Jazz
  • Chau do Pife Pífano
  • Maria Drell Higher Education Professional
  • Henry Cole Puerto Rico
  • Alicia Keys New York City
  • Msaki South Africa
  • Pedro Aznar Guitar
  • Thiago Espírito Santo Guitarra, Guitar
  • Oded Lev-Ari Arranger
  • Rita Batista Salvador
  • Bruce Molsky Old-Time Music
  • Kim André Arnesen Composer
  • Taylor McFerrin Multi-Instrumentalist
  • Brigit Katz Journalist
  • Gui Duvignau Contemporary Classical Music
  • Pedro Aznar Film Scores
  • Caroline Keane County Kerry
  • Mauro Diniz Violão de Sete
  • Plínio Fernandes Brazilian Classical Guitar
  • Aditya Prakash Ropeadope
  • Peter Dasent Piano
  • Gary Clark Jr. Guitar
  • Glória Bomfim Samba de Roda
  • David Hoffman YouTuber
  • John Schaefer Writer
  • Chico Buarque Author
  • Lakecia Benjamin R&B
  • Maia Sharp Americana
  • Robert Randolph Steel Guitar
  • Riley Baugus Folk & Traditional
  • Maia Sharp Singer-Songwriter
  • James Martin Funk
  • Veronica Swift Singer
  • Wayne Escoffery Saxophone Instruction / Online Classes
  • Menelaw Sete Artista Plástico, Artist
  • Avner Dorman Contemporary Classical Music
  • Morgan Page EDM
  • Dadá do Trombone Brasil, Brazil
  • Pharoah Sanders Jazz
  • Márcio Bahia Drums
  • Ricardo Herz Rabeca
  • Miguel Zenón Puerto Rico
  • Kris Davis New York City
  • J. Period Brooklyn, NY
  • Sebastian Notini Salvador
  • David Binney Los Angeles
  • Yoruba Andabo Havana
  • Nana Nkweti Cameroon
  • Bule Bule Forró
  • Joe Lovano Composer
  • Mauro Diniz Rio de Janeiro
  • Bob Reynolds Jazz
  • Carlos Blanco Bahia
  • Jeremy Danneman Jazz
  • John Patrick Murphy Ethnomusicologist
  • Cainã Cavalcante Choro
  • Nicholas Barber London
  • Keshav Batish Multi-Cultural
  • Domingos Preto Brazil
  • Tobias Meinhart Saxophone
  • Anouar Brahem Jazz
  • Hercules Gomes Piano
  • Bobby Vega Funk
  • Mauro Senise Composer
  • Omer Avital Jazz
  • Joey Alexander Jazz
  • Marquis Hill African-American Music
  • Carwyn Ellis Brazil
  • Ron Miles Composer
  • Jessie Montgomery Composer
  • Cedric Watson Zydeco
  • Steve Lehman Experimental Music
  • Léo Rodrigues Pandeiro Instruction Online
  • Jill Scott Singer-Songwriter
  • Gabriel Grossi MPB
  • 9Bach Wales
  • Leandro Afonso Screenwriter
  • Magda Giannikou Composer
  • Edil Pacheco Bahia
  • André Becker Orquestra Sinfônica da Bahia
  • Asanda Mqiki Afro-Soul
  • Monty's Good Burger Southern California
  • Ari Hoenig New York City
  • Ned Sublette Writer
  • Spider Stacy Singer-Songwriter
  • Anat Cohen Tel Aviv
  • Tim Hittle Writer
  • Sean Jones Composer
  • Larissa Luz Writer
  • Raelis Vasquez Sculptor
  • Milton Nascimento MPB
  • Şener Özmen Multimedia Art
  • The Rheingans Sisters Folk & Traditional
  • Jason Reynolds Writer
  • César Orozco Venezuela
  • Clarice Assad Composer
  • Ryuichi Sakamoto Film Scores
  • Fábio Peron São Paulo
  • Lolis Eric Elie Screenwriter
  • Tia Surica Rio de Janeiro
  • Dadá do Trombone Samba
  • Cory Wong R&B
  • Susana Baca Multi-Cultural
  • Robi Botos Ropeadope
  • Tony Trischka Old-Time Music
  • Jimmy Cliff Jamaica
  • Weedie Braimah Ropeadope
  • Tero Saarinen Choreographer
  • Pedro Aznar Buenos Aires
  • Sara Gazarek Singer
  • Zé Luíz Nascimento Salvador
  • Paddy Groenland World Music
  • Fred P Deep House
  • Joe Newberry Raleigh
  • Towa Tei テイ・トウワ Record Producer
  • Brian Q. Torff Piano
  • D.D. Jackson Film Scores
  • Chief Xian aTunde Adjuah Jazz
  • Cláudio Jorge Arranger
  • Zakir Hussain Indian Classical Music
  • Larry Achiampong Composer
  • Gabriel Grossi Forró
  • Chico Buarque Singer-Songwriter
  • Kermit Ruffins Jazz
  • Bing Futch Mountain Dulcimer
  • Gel Barbosa Produtor Musical, Music Producer
  • Luciana Souza MPB
  • Christopher James Piano
  • Cristovão Bastos MPB
  • Hermeto Pascoal Brazil
  • Tero Saarinen Finland
  • Joey Baron Composer
  • Tom Schnabel Music Salon
  • Flying Lotus DJ
  • Ricky (Dirty Red) Gordon Frottoir
  • Juliana Ribeiro Musicologist
  • King Britt Composer
  • Capitão Corisco Pife
  • Jimmy Duck Holmes Mississippi
  • Hua Hsu Vassar College Faculty
  • Stefano Bollani Italy
  • Casey Benjamin Songwriter
  • John Doyle Singer-Songwriter
  • Issa Malluf Arabic Percussion
  • PATRICKTOR4 Recife
  • Cory Henry Organ
  • Ronaldo Bastos Composer
  • Taylor McFerrin Singer-Songwriter
  • Richie Stearns Composer
  • María Grand New York City
  • Beth Bahia Cohen Viola
  • Yazhi Guo 郭雅志 Chinese Traditional Music
  • Germán Garmendia Chile
  • Alan Bishop Singer-Songwriter
  • Peter Evans Composer
  • John Archibald Writer
  • Jorge Washington AFROBIZ Salvador
  • Benjamin Grosvenor Classical Music
  • Geovanna Costa Salvador
  • Rema Namakula Kampala
  • Jean-Paul Bourelly Avant-Blues-Rock
  • Azi Schwartz החזן עזי שוורץ Jewish Liturgical Music
  • Mika Mutti Brazil
  • Bill Callahan Americana
  • Little Simz Rapper
  • Paulo Paulelli MPB
  • Lina Lapelytė Vilnius
  • Iuri Passos Bahia
  • Parker Ighile Record Producer
  • María Grand Jazz
  • Dermot Hussey Jamaica
  • Casey Benjamin Vocoder
  • Bule Bule Samba Rural
  • Carlos Malta Saxophone
  • Ariane Astrid Atodji Director
  • Shemekia Copeland R&B
  • A-KILL Street Artist
  • Donald Vega Piano
  • Eric Coleman Documentary Filmmaker
  • Roberta Sá Samba
  • Jeff Tang Creative Producer
  • Gregory Tardy Clarinet
  • Elza Soares Singer
  • Michael Olatuja Jazz
  • Dwayne Dopsie Accordion
  • Alexia Arthurs Jamaica
  • Cristiano Nogueira Travel Marketer
  • Fidelis Melo Jornalista, Journalist
  • Luiz Santos Multi-Cultural
  • Miroslav Tadić Balkan Music
  • Johnny Vidacovich Drums
  • Eli Teplin Los Angeles
  • Terri Hinte Travel Writer
  • Miguel Atwood-Ferguson Music Producer
  • Thomas Àdes Composer
  • Edu Lobo Multi-Instrumentalist
  • Marcel Powell Choro
  • Eliane Elias Classical Music
  • Olga Mieleszczuk Yiddish Folk Songs
  • Martin Fondse Film Scores
  • Etienne Charles Steel Drums
  • Jamael Dean Piano
  • Robert Glasper Songwriter
  • Hugo Linns Viola Caipira
  • Hercules Gomes Choro
  • Burkard Polster Mathematics
  • Ben Harper Funk
  • Nick Douglas Comedy Writer
  • Concha Buika Spain
  • Theon Cross Composer
  • Bai Kamara Jr. Singer-Songwriter
  • Nelson Latif Samba
  • Rez Abbasi New York City
  • Edmar Colón Berklee College of Music Faculty
  • Asa Branca Salvador
  • Nancy Viégas Indie Experimental
  • Myron Walden Piccolo
  • Joshue Ashby Violin Instruction
  • Arto Lindsay MPB
  • Henrique Araújo Escola de Choro de São Paulo Faculty
  • Gustavo Caribé Baixo, Bass
  • Darol Anger Composer
  • Jimmy Dludlu South Africa
  • Stacy Dillard Saxophone
  • Paulo Costa Lima Salvador
  • Gel Barbosa Acordeon, Accordion
  • Swami Jr. Violão de Sete
  • Matt Glaser Violin
  • Saileog Ní Cheannabháin Sean-Nós Singer
  • Luciana Souza Brazilian Jazz
  • Richie Stearns Banjo
  • Katuka Africanidades Salvador
  • Daphne A. Brooks Writer
  • Saul Williams Rapper
  • Mario Ulloa Federal University of Bahia Faculty
  • Gail Ann Dorsey Singer-Songwriter
  • VJ Gabiru DJ
  • Vânia Oliveira Salvador
  • Helado Negro Multi-Instrumentalist
  • Melvin Gibbs Record Producer
  • Dave Jordan New Orleans
  • Gino Banks Drumming Instruction
  • Parker Ighile NIgeria
  • Arturo Sandoval Cuba
  • Nath Rodrigues Belo Horizonte
  • Colm Tóibín Poet
  • Chico César São Paulo
  • Jau Singer-Songwriter
  • Pururu Mão no Couro Percussão, Percussion
  • Masao Fukuda Guitar
  • Roosevelt Collier Songwriter
  • Frank Beacham Videographer
  • Camille Thurman Singer
  • Bernardo Aguiar Rio de Janeiro
  • Maria Bethânia Brazil
  • Rosa Passos Salvador
  • Nicholas Payton Multi-Instrumentalist
  • Hisham Mayet Photographer
  • Edivaldo Bolagi Bahia
  • Herlin Riley Drums
  • Christian Sands New York City
  • Ivan Neville Singer-Songwriter
  • Gilad Hekselman Guitar
  • John Donohue Journalist
  • Celino dos Santos Brazil
  • Jess Gillam London
  • Orlando 'Maraca' Valle Afro-Cuban Jazz
  • Louis Marks Ropeadope
  • Samuel Organ Synthesizers
  • Eliane Elias New York City
  • Renato Braz Brazil
  • Sombrinha Cavaquinho
  • Menelaw Sete Pelourinho
  • Paulinho Fagundes Brazil
  • Benjamin Grosvenor Piano
  • Ronaldo do Bandolim Composer
  • Luíz Paixão Brazil
  • Nara Couto Brasil, Brazil
  • Choronas Choro
  • Paul McKenna Irish Traditional Music
  • Isaak Bransah Brazil
  • Geovanna Costa Violão, Guitar
  • Ron Blake New York City
  • David Ngwerume Sculptor
  • Bongo Joe Records Café
  • Tom Piazza Music Writer
  • Elodie Bouny Venezuela
  • Hisham Mayet Record Label Owner
  • Irmandade da Boa Morte Brasil, Brazil
  • Robin Eubanks Composer
  • Mary Halvorson Guitar
  • Tutwiler Quilters Mississippi

 'mātriks / "source" / from "mater", Latin for "mother"
We're a real mother for ya!

 

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