Simon Singh ← THE MATRIX of FABULOUS DISCOVERY

Simon Singh's creative world can be reached by matrix vectors IN via the following artists ⇊ and explorable categories:

THE MATRIX is a concatenated system of vectored pathways in which artists can curate other artists in multiple aspects. It was developed in Brazil in order to provide worldwide access to Brazilian musicians by including them in a small world (~6 degrees) network in which ALL artists are in close reach of artists (and others) everywhere.

VECTORS OUT to RECOMMENDED OTHERS ⇶ 0

☀ VECTORS OUT are by THE MATRIX

Who I Am & Where I Live:

Name: Simon Singh
City: London
Country: United Kingdom

My Life

Biographical: My family have been farmers for generations in Punjab, India. In 1938, my grandfather left his village of Thakarki and settled in Somerset in the southwest of England, and in 1950 my parents emigrated to Taunton. A few years later they moved to Wellington, and that is where I was born.

Although I did not know it at the time, Somerset is a fertile ground for budding scientists. Just 5 miles from where I was born is the town of Milverton, the birthplace of Thomas Young, the polymath who made breakthroughs in a wide range of subjects. Most important of all, he advocated the wave theory of light. He studied at Emmanuel College Cambridge, and in due I course I attended the same college, but I failed to make any significant contributions to the foundations of physics.

My mum always emphasised the importance of education, my dad got me interested in how things work and my big sister made sure I did my homework. It was not long before I was doing well at St John’s Primary School and at the age of nine I declared that I wanted to be a nuclear physicist. Bizarrely, I actually remember this moment with clarity.

Although I considered being a glam rocker and a footballer, I stuck to my scientific ambitions, largely inspired by TV boffins. I have always loved watching TV, and the early 1970s was great for scientists on the box. This was post-Apollo era, so Patrick Moore and James Burke had become prime time TV stars. Alongside them, Carl Sagan, Magnus Pyke and Heinz Wolff became my role models.

I think that it is great to have some idea of what you want to do with your life. I was lucky that I realised that my future lay in science, so I knew where to concentrate my efforts. I studied A levels in mathematics, physics and chemistry, and thanks to my great teachers I managed to get the grades I needed to study physics at Imperial College, part of the University of London. I had originally applied to Cambridge University, but they rejected me. In hindsight, it was probably one of the best things that ever happened to me.

Before starting my physics degree at Imperial College, London, I spent a year at GEC Hirst Research Centre, Wembley, working on gallium arsenide monolithic microwave integrated circuits. GEC were sponsoring me during my studies. It was an interesting year and I grew up a bit, but the main lesson I learned was that my future did not rest in industrial research and development.

Instead, I knuckled down, studied hard and aimed for a career in academia. However, while working for my degree, I did a few things that in hindsight helped to set me on the course that I am currently on. My first adventures in writing involved occasional articles for student newspapers and helping to edit a couple of newsletters, namely Schrodinger’s Cat for the physics department and Otto for my hall of residence. I did not write for college newspapers with the intention of being a journalist, but it turned out to be my stepping stone to journalism when my career path took a dog leg.

It is often strange how an experience at one point in your life unintentionally turns out to be exactly what you need a few years down the line. Another example of this occurred after my second year of studying physics. I spent the summer at the University of Delaware on the American East Coast, as part of a student exchange programme. This was one my happiest summers and it would not have happened if I had not previously worked at GEC. My year at GEC gave me the perfect qualification for the position at Delaware, because they both involved gallium arsenide. However, I had not gone to GEC in order to get a job in Delaware.

Between leaving Imperial College and starting my PhD, I spent a couple of months teaching at Doon School in Dehra Dun, one of the best schools in India. Once again, this is an illustration of how an experience paid off in an unexpected way. I taught in order to travel and live in India for a while, but the teaching experience that I picked up would become invaluable when I became a journalist, as I learned how to explain scientific concepts in a vivid and clear way.

My PhD in experimental particle physics was based at Cambridge University, but I spent most of my three years working at the European Centre for Particle Physics (CERN) in Geneva. I worked as part of the UA2 collaboration, which had previously won the Nobel Prize for discovering the W and Z bosons. It was a wonderful three years.

CERN has a network of so-called accelerators. These accelerators smash particles together, often matter and antimatter travelling almost at the speed of light. In the case of my experiment, we were colliding protons and antiprotons, in the hope that the intense energy of the impact would create other particles.

Theory suggests that there is a particle called the top quark, and we hoped that the collisions would create some of these hitherto unseen particles. We ran our experiment for a couple of years, smashing billions of particles in the accelerator, but there was no sign of the top quark. Nevertheless, by its absence, I could deduce something about the top quark, so I was still able to complete my thesis.

The top quark was eventually discovered at America’s Fermi Laboratory in the early 1990s, just a couple years after I finished my PhD. It turned out that the top quark was surprisingly massive, and our accelerator at CERN had simply not been powerful enough.

Particle physics was great fun. My three years at Cambridge and CERN were challenging and stimulating. However, I could see that there were people around me who were on a different planet when it came to understanding and researching physics, and it would be they who would go on to make their names as pioneers. As for me, it was time to change career. I had always enjoyed talking about and explaining science, so I took the decision to move towards a career in journalism and science communication. In particular, I have always loved television and felt that this was the most influential medium, so I started applying for a job at the BBC.

In 1990 I joined the BBC’s Science Department, where I was a producer and director in programmes such as Tomorrow’s World and Horizon. In 1996 I directed Fermat’s Last Theorem, a BAFTA award winning documentary about the world’s most notorious mathematical problem. The documentary was also aired in America as part of the NOVA series. The Proof, as it was re-titled, was nominated for an Emmy.

The story of this notorious mathematical problem was also the subject of my first book, imaginatively entitled Fermat’s Last Theorem. This was the first book about mathematics to become a No.1 bestseller in the UK. In America the book was called “Fermat’s Enigma”.

In 1997 I began working on my second book, The Code Book, a history of codes and codebreaking. As well as explaining the science of codes and describing the impact of codebreaking on history, the book also shows that cryptography is more important today than ever before. After all, we live in the Information Age, and one of the best ways to protect information is to encrypt it.

The Code Book has resulted in a return to television for me. I presented The Science of Secrecy, a 5-part series for Channel 4. The stories in the series range from the cipher that sealed the fate of Mary Queen of Scots to the coded Zimmermann Telegram that changed the course of the First World War. Other programmes discuss how two great nineteenth century geniuses raced to decipher Egyptian hieroglyphs and how modern encryption can guarantee privacy on the Internet.

My other books include “Big Bang” and “Trick or Treatment?“. After publishing an article about chiropractic in April 2008, I was sued by the British Chiropractic Association in a libel case that last two years, which I eventually won. Along the way, I became closely involved with the Libel Reform Campaign, and I continue to lobby for a fairer libel law.

My latest book (2013) is The Simpsons and Their Mathematical Secrets, which explores the vast amount of mathematics smuggled into the world’s most successful sitcom by its highly numerate writing team.

As well as solo lectures, which I enjoy, I have taken part in several bigger shows, including Theatre of Science with Professor Richard Wiseman, Nine Lessons… with Robin Ince and the 2011 Uncaged Monkey Tour with Brian Cox, Ben Goldacre and Robin Ince.

The skeptic movement has taken up more of my time in recent years, and I have been delighted to talk at various Skeptics in the Pub events, take part in James Randi’s international TAM events and support efforts such at the 10:23 homeopathic overdose challenge.

I have also helped to start education projects. UAS encourages university science departments to work more closely with schools, while the Enigma project conducts maths/cryptography workshops in schools with a genuine Enigma cipher machine.

CASE, Sense About Science and the Science Media Centre are three excellent organizations, and I have been working closely with all of them over the last few years. In particular, Sense About Science has been at the forefront of the Libel Reform Campaign.

My Media

Website: http://simonsingh.net
Blog: http://simonsingh.net/category/blog/
Book Purchases: http://simonsingh.net/books/simons-bookstore/

Clips

The Math Storyteller
By Simon Singh

112 views

The Matrix is 100% algorithm free. It is built on H.I. (human intelligence) rather than A.I. Absolutely zero FB/Cambridge Analytical-style espionage.

You can link from your webpage to your matrixpage using this downloadable image (an explanation of what our logo means is here):

If You Can't Stand the Heat

Brazil is not a European nation. It's not a North American nation. It's not an East Asian nation. It straddles -- jungle and desert and dense urban centers -- both the equator and the Tropic of Capricorn. It absorbed over ten times the number of African slaves taken to the United States of America, and much of its aboriginal population was absorbed into the general population-at-large. Its people have lived under oligarchy, plutocracy, dictatorships and massive corruption, with elements of these still strongly entrenched today.

But!

Brazil has buzz...not the shallow buzz of a fashionable moment...but the deep buzz of a population which in spite of -- or perhaps because of -- the tough slog through life they've been allotted by humanity's dregs-in-fine-linen, have chosen not to simply pull themselves along but to lift their voices in song and their bodies in dance...to eat well and converse well and much and to wring the joy out of the day-to-day happenings and small pleasures of life which are so often set aside or ignored in the European, North American, and East Asian nations.

For this Brazil has a genius perhaps unparalleled in all other countries and societies, a genius which thrives alongside peeling paint and holes in the streets and roads, under bad organization by the powers-that-be, both civil and governmental, under a constant rain of societal indignities...

Which is all to say that if you don't know Brazil and you're expecting any semblance of order, progress and light, you will certainly find the light! And the buzz of a people who for generations have responded to privation at many different levels by somehow rising above it all.

THE MATRIX BEGAN IN BAHIA, GROUND ZERO FOR BRAZIL'S SUN-CARONA-VIBRANT CULTURE

⇒ ...rooted in a region called the Recôncavo, analogous in Brazil to the Mississippi Delta in the United States.

IT REACHES FROM BRAZIL TO CUBA TO BROOKLYN TO BERLIN TO TOKYO TO TIMBUKTU

⇒ To wherever people want to take it...

IT IS THE NEXT-STEP EVOLUTION OF A SPECIALTY RECORD SHOP

⇒ ...opened in Salvador to showcase magisterial musicians almost completely unknown to the world...many of them living in poverty or close to it and unable to avail themselves of traditional (and costly) means of publicizing. With David Dye of World Café below, for broadcast on U.S. National Public Radio.

PRE-BRAZIL — IN NEW YORK CITY — WE "RESCUED" UNPAID ROYALTIES FOR PERFORMERS & COMPOSERS INCLUDING:

⇒ Aretha Franklin, Barbra Streisand, Led Zeppelin, Philip Glass, Mongo Santamaria, Airto Moreira, Gilberto Gil, Astrud Gilberto, Jim Hall, Taj Mahal, Robb Royer of Bread, Speedo & the Cadillacs, and many more! With Speedo's (Earl Carroll) amazing story (kid singing on the streetcorners of Harlem to doo-wop fame to working as a beloved school janitor) I learned (as Quincy Jones had figured out decades before) that greatness and fame are completely independent. The wave repeated here in Brazil with Raimundo Sodré, who went from zero to national fame and back to zero.

HENCE THE (so far world's only) SMALL WORLD CURATION NETWORK...

⇒ A wave of Exu's cyberwand opening pathways allowing ANY ARTIST — FAMOUS OR NOT — in ANY FIELD — in ANY PLACE in the world — to potentially be reached by ANYBODY from ANYWHERE (Exu -- eh-SHOO -- is the Afro-Brazilian deity responsible for opening pathways).

BY WHAT WIZARDRY?

⇒ We've all heard of six degrees of separation, more properly called a small world network. Within six or so steps we can move through a chain of people knowing other people to just about anybody on the planet.

SIMPLY CHANGE "KNOW" TO "RECOMMEND"

⇒ In exactly the same way — although the number of steps might vary — we can move through chains of ARTISTS CURATING ARTISTS to to just about any artist on the planet.

LIKE THIS...

⇒ From Quincy Jones we access one of his protégés, stellar young Cuban pianist Alfredo Rodriguez. From Alfredo Rodriguez we access a fabulous multinstrumentalist Alfredo plays with, Munir Hossn. Two more steps and we've reached the above-mentioned Raimundo Sodré, formerly virtually unreachable in Bahia...

Raimundo Sodré & His Music from Northeastern Brazil

Dengo

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Sina de Cantador - Raimundo Sodré (6,557 plays)
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Magnetismo - Raimundo Sodré (6,236 plays)
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Sacando a Cana - Raimundo Sodré (5,881 plays)
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Mêrêrê - Raimundo Sodré (5,404 plays)
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A Massa - Raimundo Sodré (4,959 plays)
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Jardim do Amor - Raimundo Sodré (4,632 plays)
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Debaixo do Céu - Raimundo Sodré (4,113 plays)
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Desejo de Amar - Raimundo Sodré (3,824 plays)
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Oração pra Yá Oxum - Raimundo Sodré (3,703 plays)
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Yá África - Raimundo Sodré (3,474 plays)
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Meu Rio, Cadê o Papel - Raimundo Sodré (3,149 plays)
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Casa de Trois - Raimundo Sodré (2,869 plays)
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Mulher é Laço que Prende o Coração do Va... (2,532 plays)

Share | Report | 57,333 plays | 9,912 views

DICTATED SILENCE

⇒ Sodré's meteoric major-label career was crushed by the Brazilian dictatorship years ago and he was forced to flee Brazil under threat of death...into a 19 year exile. He became almost impossible to find and hear, even after returning to Brazil.

MUSIC FALLS LIKE RAIN

⇒ But now lines of everbranching interlinked recommendations rise from Bahia to form a (small world) network rounding the planet like the arboreal canopy of a vast Amazonian rainforest. When the dictatorship ground Sodré into the dust, they unwittingly planted a seed.

IS THE MATRIX AN ALTERNATE REALITY?

⇒ Only if your reality has been defined by corporate mass media. The original meaning of "matrix" is "source", from "mater", Latin for "mother". We're real mothers for ya!

DOES THE MATRIX WATCH YOU?

⇒ Zero surreptitious tracking, data mining and data brokerage per Cambridge Analytica, Facebook, et al.