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Who I Am & Where I Live:
- Name: Adanya Dunn
- City: Toronto
- Country: Canada
My Life
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Biographical:
Canadian-Bulgarian soprano Adanya Dunn, critically acclaimed for her performance as Musetta in Against the Grain Theatre’s English “transladaptation” of Puccini’s La bohème, was noted by Definitely The Opera as the “revelation of the evening”, while Opera Going Toronto marked her as a “sultry soprano red hot and alluring.” For the 2016/2017, Adanya joined the Rebanks Family Fellowship & International Performance Residency Program at Glenn Gould School where she studied with Monica Whicher.
In June and July 2017, Adanya appeared as the title role in CHARLOTTE: A Tri-Coloured Play with Music, a new genre-bending chamber musical based on the life and artwork of the German-Jewish painter Charlotte Salomon (1917-1943). The show premiered as part of Toronto’s Luminato Festival and again in Taipei, Taiwan at the World Stage Design Scenofest, where Adanya made her Asian debut.
An exciting collaboration between Against the Grain Theatre and the Toronto International Film Festival led to her performing with pianist Topher Mokrzewski in excerpts of Schoenberg’s Pierrot lunaire as part the pre-concert to the first ever Toronto retrospective of one of the most important and influential filmmaking teams in cinema history, “Not Reconciled: The Films of Jean-Marie Straub and Danièle Huillet” (Moses und Aron), of which their performance was a noted as “a qualified success” (Barcza Blog).
An alumna of the University of Toronto (UofT), Adanya studied with Professor Lorna MacDonald for both her Master of Music in Opera Performance and Bachelor of Music in Voice Performance degrees. Within her studies, she had the opportunity to work with artists such as Sandra Horst, Nathalie Paulin, Russell Braun, Michael Albano, and Che Anne Loewen. While at the Opera School, she sang roles such as Mlle Silberklang (Der Schauspieldirekor), The Governess (The Turn of the Screw), and Miss Wordsworth (Albert Herring), and premiered three different contemporary operas by composition students.
In May 2016, Adanya graduated from Bard College Conservatory’s Graduate Vocal Arts Program, led by Artistic Directors Dawn Upshaw and Kayo Iwama, and studying with Patricia Misslin and Edith Bers. Through Bard, she performed at the Morgan Library in NYC, the Longy School of Music in Boston, the Fisher Center for the Performing Arts, Sosnoff Theater in the Hudson Valley, and a debut with the Albany Symphony Orchestra conducted by David Allen Miller singing First Lady in Mozart’s The Magic Flute. Adanya sang the soprano solo in Handel’s Messiah under the baton of Leon Botstein with The Orchestra Now; performed in an operatic double bill as Papagena in Mozart’s Die Zauberflöte and the New York State Premiere of Oliver Knussen’s Higglety Pigglety Pop! in the soprano lead, Rhoda.
In January 2015, Adanya made her Carnegie Hall debut as part of Marilyn Horne’s The Song Continues, where she “took the stage with a wonderful relaxed stage presence and delighted the audience with her engaging personality” (Vocedimeche). Adanya was a Voice Fellow for two years at the Music Academy of the West (MAW) helmed by iconic mezzo-soprano Marilyn Horne. At MAW she Adanya performed the role of Clorinda in Rossini’s La Cenerentola directed by David Paul and conducted by Jayce Ogren. There, she also performed in opera scenes directed by Bruce Donnell: Frantik (The Cunning Little Vixen) and Valencienne (Die lustige Witwe). The previous year, she covered the role of Frasquita in Bizet’s Carmen and performed in opera scene excerpts directed by Gregory Fortner, as Marzelline (Fidelio by Beethoven) and Elvira (L’italiana in Algeri) conducted by John Fisher and Warren Jones, respectively. Adanya also premiered the chamber song cycle we do it to one another by cellist-composer Joshua Roman, and had the opportunity to work with Marilyn Horne, Fred Carama, Martin Katz, John Churchwell, Anthony Dean Griffey, Nino Sanikidze, and Denise Massé.
Adanya has won an Encouragement Award from the Metropolitan Opera National Council Auditions (Buffalo-Toronto District) and was a finalist at the Eckhardt Gramatté Competition in May 2017. Adanya won a Top Graduate Award from the University of Toronto’s Faculty of Music and is a two-time long-term grant recipient for Professional Musicians from the Canada Council for the Arts.
With support of the Canadian Aldeburgh Foundation, she attended the Britten-Pears Young Artist Programme, Aldeburgh Music Festival in June 2012, studying with soprano Dawn Upshaw and pianist Kayo Iwama in England. Past development programs include Highlands Opera Studio, Banff Centre’s Opera in the 21st Century Program, Opera NUOVA, Toronto Summer Music Festival, Tapestry Opera 101, Vancouver International Song Institute, Orford Arts Centre and Academy, and Opera Atelier Professional Training Program. Adanya has had the pleasure of coaching with Richard Margison, Renate Rohlfing, Lucy Shelton, John Fisher, Marilyn Horne, Cameron Stowe, Warren Jones, and Philip Morehead.
The fall was full of ground-breaking music by Canadian composers. With the Highlands Opera Studio, Adanya performed in the semi-staged workshop performance of Mishaabooz’s Realm, an important new work combining opera and First Nations singers and instrumentalists, by Cree composer Andrew Balfour. With Soundstreams, Adanya was the soprano soloist in the 70-minute theatrical realization of the music by Quebecois composer Claude Vivier (1948-1983) including Musik für das Ende (The Music of the End) and Do you Believe in the Immortality of the Soul? at Crow’s Theatre in Toronto. These were the world premiere of the first staged production of these pieces comprised of 10 intercultural singers bringing together diverse styles and heritages in a ritual journey through life, through death, and beyond.
Adanya’s passion for innovative and genre-bending projects led her to pursue roles in both the contemporary and traditional classical spheres. She is a resident performer with the interdisciplinary arts collective FAWN Chamber Creative collaborating with composers, artists, writers, and performers, in creating and producing new works. Adanya is the Co-Artistic Director of and core performer with The Happenstancers, a chamber music concert series she developed with her colleagues Brad Cherwin (clarinet) and Nahre Sol (piano). Featuring guest artists, visual media, and creative programming, the series is currently in its second season.
Upcoming projects the world premiere of Synesthesia IV – Pandora, a triple bill of Opera-Ballets by three different Canadian composers that emerged through a collective creation method and improvisation with FAWN; a workshop with Soundstreams; a residency with ICE (International Contemporary Ensemble) at the Banff Centre this summer; and some funky psychedelic-electro-improv-opera-esque creations in Europe and beyond.
My Media
- Website: http://adanyadunn.com
- Instagram: adanyad
THE MATRIX IS MUSICIAN / ARTIST RECOMMENDATIONS BY THE MOST POWERFUL, SOPHISTICATED & SUBTLE SOFTWARE YET DEVISED:
⇒ the minds of other artists
IT'S BASED IN BAHIA, GROUND ZERO FOR BRAZIL'S SUN-CARONA VIBRANT AFRO-BRAZILIAN CULTURE
⇒ ...rooted in a region called the Recôncavo, analogous in Brazil to the Mississippi Delta in the United States.
THE MATRIX REACHES FROM BRAZIL TO CUBA TO BROOKLYN TO BERLIN TO TOKYO TO TIMBUKTU
⇒ To wherever people want to take it...
IT IS THE NEXT-STEP EVOLUTION OF A SPECIALTY RECORD SHOP
⇒ ...opened in Salvador to showcase magisterial musicians almost completely unknown to the world...many of them living in poverty or close to it and unable to avail themselves of traditional (and costly) means of publicizing.
PRE-BRAZIL — IN NEW YORK CITY — WE "RESCUED" UNPAID ROYALTIES FOR PERFORMERS & COMPOSERS INCLUDING:
⇒ Aretha Franklin, Barbra Streisand, Led Zeppelin, Philip Glass, Mongo Santamaria, Airto Moreira, Gilberto Gil, Astrud Gilberto, Jim Hall, Taj Mahal, Robb Royer of Bread, Speedo & the Cadillacs, and many more! With Speedo's (Earl Carroll) amazing story (kid singing on the streetcorners of Harlem to doo-wop fame to working as a beloved school janitor) I learned (as Quincy Jones had figured out decades before) that greatness and fame are completely independent. The wave repeated here in Brazil with Raimundo Sodré, who went from zero to national fame and back to zero.
HENCE A (and so far the world's only) SMALL WORLD CURATION NETWORK...
⇒ A wave of Exu's cyberwand opening pathways allowing ANY ARTIST — FAMOUS OR NOT — in ANY FIELD — in ANY PLACE in the world — to potentially be reached by ANYBODY from ANYWHERE. (Exu -- eh-SHOO -- is the Afro-Brazilian deity responsible for opening pathways.)
BY WHAT WIZARDRY?
⇒ We've all heard of six degrees of separation, more properly called a small world network. Within six or so steps we can move through a chain of people knowing other people to just about anybody on the planet.
SIMPLY CHANGE "KNOW" TO "RECOMMEND"
⇒ In exactly the same way, step by step we can move through chains of ARTISTS CURATING ARTISTS to to just about any artist on the planet.
LIKE THIS...
⇒ From Quincy Jones we access one of his protégés, stellar young Cuban pianist Alfredo Rodriguez. From Alfredo Rodriguez we access a fabulous multinstrumentalist Alfredo plays with, Munir Hossn. Two more steps and we've reached the above-mentioned Raimundo Sodré, formerly virtually unreachable in Bahia...
Raimundo Sodré Now
Dengo
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Add to my PlaylistCasa de Trois - Raimundo Sodré (2,868 plays)
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Add to my PlaylistMulher é Laço que Prende o Coração do Va... (2,531 plays)
DICTATED SILENCE
⇒ Sodré's meteoric major-label career was crushed by the Brazilian dictatorship years ago and he was forced to flee Brazil under threat of death...into a 19 year exile. He became almost impossible to find and hear, even after returning to Brazil.
MUSIC FALLS LIKE RAIN
⇒ But now lines of everbranching interlinked recommendations rise from Bahia to form a (small world) network rounding the planet like the arboreal canopy of a vast Amazonian rainforest. When the dictatorship ground Sodré into the dust, they unwittingly planted a seed.
FROM SODRÉ, A WORLDLINE TO SPLENDID BULE BULE (LEATHER HAT) ABOVE... AND TO OTHERS IN THE CLIP...
⇒ "The time has arrived for these people of color to show their worth ... I want to see Uncle Sam play tambourine so the whole world can samba!"
AND FROM BULE ON...
⇒ ...tendrils twining through urban centers and beautiful backwaters... through New York boroughs, Burkina Faso... County Clare... Cape Town...
THROUGH ARTISTS ACROSS THE BOARD
⇒ ...writers, journalists, photographers, painters, illustrators, architects, choreographers, filmmakers...
IS THE MATRIX AN ALTERNATE REALITY?
⇒ Only if your reality has been defined by corporate mass media. The original meaning of "matrix" is "source", from "mater", Latin for "mother". We're real mothers for ya!
DOES THE MATRIX WATCH YOU?
⇒ Zero surreptitious tracking, data mining and data brokerage per Cambridge Analytica, Facebook, et al.
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