Salvador Bahia Brazil Matrix

The Matrix Online Network is a platform conceived & built in Salvador da Bahia, Brazil and upon which people & entities across the creative economic universe can 1) present in variegated detail what it is they do, 2) recommend others, and 3) be recommended by others. Integrated by recommendations and governed by the metamathematical magic of the small world phenomenon (popularly called "6 degrees of separation"), matrix pages tend to discoverable proximity to all other matrix pages, no matter how widely separated in location, society, and degree of fame. From Quincy Jones to celestial samba in the favelas of Rio de Janeiro to you, all is closer than we imagine.

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  • (Bahia)
  • Questions?
  • From Brazil with love →
  • @ Ground Zero
  • El Aleph
  • If You Can't Stand the Heat
  • Harlem to Bahia to the Planet
  • Why a "Matrix"?

From Brazil with love →

@ Ground Zero

 

Have you, dear friend, ever noticed how different places scattered across the face of the globe seem almost to exist in different universes? As if they were permeated throughout with something akin to 19th century luminiferous aether, unique, determined by that place's history? It's like a trick of the mind's light (I suppose), but standing on beach or escarpment in Salvador and looking out across the Baía de Todos os Santos to the great Recôncavo, and mindful of what happened there, one must be led to the inevitable conclusion that one is in a place unique to history, and to the present*.

 

 

"Chegou a hora dessa gente bronzeada mostrar seu valor / The time has come for these bronzed people to show their value..."Música: Assis Valente of Santo Amaro, Bahia. Vídeo: Betão Aguiar.

 

*More enslaved human beings entered the Bay of All Saints and the Recôncavo than any other final port-of-call throughout all of mankind's history.

 

These people and their descendants created some of the most uplifting music ever made, the foundation of Brazil's national art. We wanted their music to be accessible to the world (it's not even accessible here in Brazil) so we created a platform by which everybody's creativity is mutually accessible, including theirs.

 

El Aleph

 

The network was built in an obscure record shop (Kareem Abdul-Jabbar found it) in a shimmering Brazilian port city...

 

...inspired in (the kabbalah-inspired fiction of) Borges' (short story) El Aleph, that in the pillar in Cairo's Mosque of Amr, where the universe in its entirety throughout all time is perceivable as an infinite hum from deep within the stone.

 

It "works" by virtue of the "small-world" phenomenon...the same responsible for the fact that most of us 7 billion or so beings are within 6 or fewer degrees of each other.

 

It was described (to some degree) and can be accessed via this article in British journal The Guardian (which named our radio of matrixed artists as one of ten best in the world):

 

www.theguardian.com/travel/2020/apr/17/10-best-music-radio-station-around-world

 

With David Dye for U.S. National Public Radio: www.npr.org/2013/07/16/202634814/roots-of-samba-exploring-historic-pelourinho-in-salvador-brazil

 

All is more connected than we know.

 

Per the "spirit" above, our logo is a cortador de cana, a cane-cutter. It was designed by Walter Mariano, professor of design at the Federal University of Bahia to reflect the origins of the music the shop specialized in. The Brazilian "aleph" doesn't hum... it dances and sings.

 

If You Can't Stand the Heat

 

Image above is from the base of the cross in front of the church of São Francisco do Paraguaçu in the Bahian Recôncavo

 

Sprawled across broad equatorial latitudes, stoked and steamed and sensual in the widest sense of the word, limned in cadenced song, Brazil is a conundrum wrapped in a smile inside an irony...

 

This is not a European nation. It is not a North American nation. It is not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn. Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin. It was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people). Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David. Three cultures — from three continents — running for their lives, their confluence forming an unprecedented fourth. Pandeirista on the roof. Nowhere else but here.

 

Oligarchy, plutocracy, dictatorships and massive corruption — elements of these are still strongly entrenched — have defined, delineated, and limited Brazil.

 

But strictured & bound as it has been and is, Brazil has buzz...not the shallow buzz of a fashionable moment...but the deep buzz of a population which in spite of — or perhaps because of — the tough slog through life they've been allotted by humanity's dregs-in-fine-linen, have chosen not to simply pull themselves along but to lift their voices in song and their bodies in dance...to eat well and converse well and much and to wring the joy out of the day-to-day happenings and small pleasures of life which are so often set aside or ignored in the European, North American, and East Asian nations.

 

For this Brazil has a genius perhaps unparalleled in all other countries and societies, a genius which thrives alongside peeling paint and holes in the streets and roads, under bad organization by the powers-that-be, both civil and governmental, under a constant rain of societal indignities...

 

Which is all to say that if you don't know Brazil and you're expecting any semblance of order, progress and light, you will certainly find the light! And the buzz of a people who for generations have responded to privation at many different levels by somehow rising above it all.

 

"Onde tem miséria, tem música!"* - Raymundo Sodré

 

And it's not just music. And it's not just Brazil.

 

Welcome to the kitchen!

 

* "Where there is misery, there is music!" Remarked during a conversation arcing from Bahia to Haiti and Cuba to New Orleans and the south side of Chicago and Harlem to the villages of Ireland and the gypsy camps and shtetls of Eastern Europe...

 

Harlem to Bahia to the Planet



Why a "Matrix"?

 

I was explaining the ideas behind this nascent network to (João) Teoria (trumpet player above) over cervejas at Xique Xique (a bar named for a town in Bahia) in the Salvador neighborhood of Barris...

 

Like this (but in Portuguese): "It's kind of like Facebook if it didn't spy on you, but reversed... more about who you don't know than who you do know. And who doesn't know you but would be glad if they did. It's kind of like old Myspace Music but instead of having "friends" it has a list on your page of people you recommend. Not just musicians but writers, painters, filmmakers, dancers, chefs... anybody in the creative economy. It has a list of people who recommend you, or through whom you are recommended. It deals with arts which aren't recommendable by algorithm but need human intelligence behind recommendations. And the people who are recommended can recommend, creating a network of recommendations wherein by the small world phenomenon most people in the creative economy are within several steps of everybody else in the creative economy, no matter where they are in the world. Like a chessboard which could have millions of squares, but you can get from any given square to any other in no more than six steps..."

 

And João said (in Portuguese): "A matrix where you can move from one artist to another..."

 

A matrix! That was it! The ORIGINAL meaning of matrix is "source", from "mater", Latin for "mother". So the term would help congeal the concept in the minds of people the network was being introduced to, while giving us a motto: "We're a real mother for ya!" (you know, Johnny "Guitar" Watson?)

 

The original idea was that musicians would recommend musicians, the network thus formed being "small world" (commonly called "six degrees of separation"). In the real world, the number of degrees of separation in such a network can vary, but while a given network might have billions of nodes (people, for example), the average number of steps between any two nodes will usually be minuscule.

 

Thus somebody unaware of the magnificent music of Bahia, Brazil will be able to conceivably move from almost any musician in this matrix to Bahia in just a few steps...

 

By the same logic that might move one from Bahia or anywhere else to any musician anywhere.

 

And there's no reason to limit this system to musicians. To the contrary, while there are algorithms written to recommend music (which, although they are limited, can be useful), there are no algorithms capable of recommending journalism, novels & short stories, painting, dance, film, chefery...

 

...a vast chasm that this network — or as Teoria put it, "matrix" — is capable of filling.

 

  • Marcel Camargo
    I RECOMMEND

CURATION

  • from this node by: Matrix+

This is the Universe of

  • Name: Marcel Camargo
  • City/Place: Los Angeles, California
  • Country: United States

Life & Work

  • Bio: Hello! Thanks for checking out my site! My name is Marcel and I make music that has a clear connection with the past. I like to "play with history" in my writing, arranging and producing so that what you hear should sound
    both familiar and new to you.

    Some of my music leans more toward jazz, some is more Brazilian (I was born and raised in Brazil), other times it gets closer to classical music or it might even be more rock-and-roll. My music almost always has a sense of humor though - to balance out its serious side.

    Some of you might know me as a sideman; for the past 10 years or so I’ve toured as a guitarist with Michael Bublé and, more recently, as musical director for Gretchen Parlato’s new group, Flor. I’ve also worked with a number of other artists, some of the more renowned being Herb Alpert, Sérgio Mendes, Bebel Gilberto, Tom Harrell, Arthur Verocai, Macy Gray, Inara George, Miguel Atwood-Ferguson, and I’ve played guitar on feature films like Rio 2, Pitch Perfect 3, TV shows like Dexter (on Showtime) and Supernatural (the WB). When I’m not playing guitar I write arrangements and orchestrations and produce for other artists.

Contact Information

  • Contact by Webpage: http://www.marcelcamargo.com/contact

Media | Markets

  • ▶ Buy My Music: (downloads/CDs/DVDs) http://www.marcelcamargo.com/store
  • ▶ Website: http://www.marcelcamargo.com
  • ▶ YouTube Channel: http://www.youtube.com/channel/UCZiBGzZ424yiD-6pzhpqU_w
  • ▶ YouTube Music: http://music.youtube.com/channel/UChsivFoSqHbBh75umpiFA3w
  • ▶ Spotify: http://open.spotify.com/album/0HjDd0JhYslupThi8r9bMg
  • ▶ Spotify 2: http://open.spotify.com/album/4HRgBHbpdwQ2RVmOJsdfHV

Clips (more may be added)

  • 4:11
    Send One Your Love (feat. #JoeyDosik & #Maiya Sykes) - Lyric video
    By Marcel Camargo
    119 views
  • 3:25
    Diana
    By Marcel Camargo
    180 views
  • 3:43
    Don't Know Why (with lyrics) // Marcel Camargo
    By Marcel Camargo
    214 views
  • 0:15:21
    Don't Know Why Arrangement Tutorial // Marcel Camargo
    By Marcel Camargo
    306 views
  • 4:16
    Romantissíssimo
    By Marcel Camargo
    152 views
  • 0:07:01
    The Making Of A Child
    By Marcel Camargo
    134 views
  • 0:07:32
    Insensatez - by Jobim, played by the Brazil You Never Heard feat. Gretchen Parlato
    By Marcel Camargo
    123 views
  • 3:21
    Pra Machucar Meu Coração - Ary Barroso
    By Marcel Camargo
    141 views
  • 2:04
    J.S. Bach - Sarabande Double from the B minor violin Partita
    By Marcel Camargo
    145 views
  • 3:31
    What A Wonderful World (?) - Bob Thiele / George David Weiss
    By Marcel Camargo
    111 views
Previous
Next

YOU RECOMMEND

Imagine the world's creative economy at your fingertips. Imagine 10 doors side-by-side. Beyond each, 10 more, each opening to a "creative" somewhere around the planet. After passing through 8 such doorways you will have followed 1 pathway out of 100 million possible (2 sets of doorways yield 10 x 10 = 100 pathways). This is a simplified version of the metamathematics that makes it possible to reach everybody in the global creative economy in just a few steps It doesn't mean that everybody will be reached by everybody. It does mean that everybody can  be reached by everybody.


Appear below by recommending Marcel Camargo:

  • 1 Arranger, Orchestrator
  • 1 Brazil
  • 1 Cavaquinho
  • 1 Choro
  • 1 Composer
  • 1 Guitar
  • 1 Jazz
  • 1 Los Angeles
  • 1 MPB
  • 1 Record Producer

Nodes below are randomly generated. Reload for a different stack.

  • Ivo Perelman Jazz
  • Chris Thile Mandolin
  • Hilton Schilder Piano
  • Paddy Groenland World Music
  • Echezonachukwu Nduka Nigeria
  • Evgeny Kissin Piano
  • Lucía Fumero Spain
  • Thomas Àdes Contemporary Classical Music
  • Gregory Porter Singer
  • Guto Wirtti Choro
  • Sarz Contemporary R&B
  • John Edward Hasse Jazz
  • Ari Rosenschein Journalist
  • Meddy Gerville Jazz
  • Guto Wirtti Composer
  • Brentano String Quartet String Quartet
  • Mauro Diniz Singer-Songwriter
  • Nic Hard DJ
  • Andrew Huang Songwriter
  • Keith Jarrett Composer
  • Wayne Krantz Composer
  • Scott Yanow Writer
  • Isaak Bransah Choreographer
  • Rosa Cedrón Cello
  • Lô Borges Cantor-Compositor, Singer-Songwriter
  • Marcus Teixeira Guitar
  • Márcia Short Cantora, Singer
  • Jaleel Shaw Saxophone
  • Zara McFarlane London
  • Diana Fuentes Singer-Songwriter
  • Bill Hinchberger Brazil Expert
  • José Antonio Escobar Classical Guitar
  • Martyn Techno
  • Jerry Douglas Guitar
  • Neo Muyanga Piano
  • Stacy Dillard Saxophone
  • Mateus Aleluia Filho Candomblé
  • Zara McFarlane Guitar
  • Sarah Hanahan Juilliard Student
  • Isaak Bransah Dancer
  • Nic Hard Record Producer
  • Astrig Akseralian Cambridge, England
  • Dan Tepfer Piano
  • Zé Luíz Nascimento Multi-Cultural
  • Wouter Kellerman Johannesburg
  • Júlio Caldas Viola Caipira
  • David Bragger Fiddle Instruction
  • Giorgi Mikadze გიორგი მიქაძე Microtonal
  • Marcus Miller Jazz
  • Yazz Ahmed Composer
  • Richie Pena Writer
  • Barney McAll Piano
  • Ta-Nehisi Coates Black American Culture & History
  • Steve McKeever Entertainment Lawyer
  • Woz Kaly Singer-Songwriter
  • Jared Sims Clarinet
  • Richie Stearns Ithaca, New York
  • Diosmar Filho Bahia
  • Aubrey Johnson Jazz
  • Russell Malone Guitar
  • Keita Ogawa Multi-Cultural
  • Béco Dranoff Record Producer
  • Will Holshouser Brooklyn College Conservatory of Music Faculty
  • Mono/Poly Glitch
  • Serginho Meriti Samba
  • Nath Rodrigues Multi-Instrumentalist
  • César Orozco Piano
  • Djuena Tikuna Brazil
  • Magda Giannikou New York City
  • Simon Singh Television Producer
  • James Elkington Singer-Songwriter
  • Felipe Guedes Multi-Instrumentalist
  • Paulão 7 Cordas Rio de Janeiro
  • Jaques Morelenbaum Songwriter
  • Hanif Abdurraqib Poet
  • Nic Hard Record Producer
  • Shannon Ali New York City
  • Keyon Harrold Trumpet
  • Sarah Jarosz Banjo
  • Alex Conde Jazz
  • Magary Lord Singer-Songwriter
  • Arturo Sandoval Jazz
  • Gabriel Policarpo Percussion
  • Teodor Currentzis Classical Music
  • David Kirby Journalist
  • Serginho Meriti Rio de Janeiro
  • Chief Xian aTunde Adjuah Ropeadope
  • Nicolas Krassik Jazz
  • Ethan Iverson Composer
  • Celsinho Silva Pandeiro
  • Anoushka Shankar Author
  • Lucinda Williams Americana
  • Toninho Nascimento Samba
  • Nelson Latif Brazilian Jazz
  • Tatiana Campêlo Choreographer
  • Caroline Shaw Composer
  • Mônica Salmaso Singer
  • Mário Pam Bloco Afro
  • Onisajé Candomblé
  • Aneesa Strings Los Angeles
  • Negrizu Afoxé
  • Raul Midón Guitar
  • Avishai Cohen אבישי כה Razdaz Recordz
  • Matt Dievendorf Guitar
  • Ronaldo do Bandolim Brazil
  • Mariana Zwarg Brazil
  • Toninho Nascimento Brazil
  • Parker Ighile Singer-Songwriter
  • Moses Boyd Drums
  • Jau Singer-Songwriter
  • Irmandade da Boa Morte Cachoeira
  • Ayrson Heráclito Set Designer
  • Greg Kot Chicago
  • Pedrito Martinez Congas
  • Ken Coleman Detroit, Michigan
  • Leigh Alexander Short Stories
  • Nilze Carvalho Brazil
  • Run the Jewels Hip-Hop
  • Donald Vega Piano Instruction
  • Marcelo Caldi Forró
  • Cláudio Badega Salvador
  • Joel Best 3D Artist
  • Sunna Gunnlaugs Iceland
  • Elizabeth LaPrelle Appalachian Music
  • Luiz Santos Contemporary Classical Music
  • Gel Barbosa Acordeon, Accordion
  • Academia de Música do Sertão Bahia
  • Mike Compton Old-Time Music
  • Marta Sánchez Piano
  • Carl Allen New York City
  • Bertram Hand Percussion Performance
  • Neo Muyanga Composer
  • Weedie Braimah Ghana
  • Charlie Bolden New Orleans
  • Gustavo Caribé Chula
  • Gregory Hutchinson Drum Clinics
  • William Parker Composer
  • Jam no MAM Salvador
  • Hercules Gomes Brazil
  • Caridad De La Luz New York City
  • Anthony Hamilton Soul
  • Peter Evans Composer
  • Martyn Record Label Owner
  • Mandla Buthelezi South Africa
  • Lenine Record Producer
  • Lionel Loueke Jazz
  • Alicia Hall Moran Theater
  • Chris Acquavella Germany
  • Igor Osypov Germany
  • Daniel Owoseni Ajala Dance Instructor
  • Eric R. Danton Reporter
  • Alma Deutscher Violin
  • Nei Lopes Writer
  • Ruven Afanador New York City
  • Jas Kayser Jazz
  • Regina Carter Violin
  • Joel Guzmán Accordion
  • Jam no MAM Brasil, Brazil
  • Alê Siqueira Record Producer
  • Andra Day Actor
  • Abel Selaocoe Contemporary African Classical Music
  • Keith Jarrett Composer
  • Rotem Sivan Jazz
  • Carrtoons Brooklyn, NY
  • Sharay Reed Bass
  • Jess Gillam Concert Promoter
  • Joe Newberry Banjo Instruction
  • Kathy Chiavola Country
  • José Antonio Escobar Classical Guitar
  • Mark Bingham Guitar
  • John Doyle Ireland
  • Cyro Baptista Brazil
  • Stephan Crump Bass
  • Greg Ruby Jazz
  • James Martin R&B
  • Tom Schnabel Music Salon
  • Léo Rugero Composer
  • Jon Batiste Multi-Instrumentalist
  • João Camarero Violão de Sete
  • David Greely Author
  • Etan Thomas Poet
  • Nduduzo Makhathini Composer
  • June Yamagishi Jazz
  • Issac Delgado Composer
  • Alegre Corrêa Guitar
  • Jim Hoke Saxophone
  • Juliana Ribeiro Salvador
  • Bodek Janke Contemporary Classical Music
  • Arturo Sandoval Piano
  • Alex Conde Composer
  • Luizinho Assis Produtor Musical, Music Producer
  • Ali Jackson Drums
  • John Schaefer Writer
  • Flora Purim Jazz
  • Amaro Freitas Maracatu
  • Dan Moretti Berklee College of Music Faculty
  • John Edward Hasse Music Historian
  • Rogê Samba
  • Jon Batiste New Orleans
  • Ben Wolfe New York City
  • VJ Gabiru VJ
  • Luciano Salvador Bahia Bahia
  • Cory Wong Funk
  • Neymar Dias Brazil
  • Perumal Murugan Short Stories
  • Christian Sands Piano
  • Thiago Trad Música Experimental, Experimental Music
  • Eduardo Kobra São Paulo
  • Terreon Gully Drums
  • Ronald Bruner Jr. Composer
  • Melanie Charles Flute
  • Asa Branca Folk & Traditional
  • Martin Koenig Folk & Traditional
  • Lula Galvão MPB
  • Julia Alvarez Latin American Literature
  • Danilo Brito Bandolim
  • Richard Galliano Tango
  • Orrin Evans Composer
  • Stefon Harris Jazz
  • Goran Krivokapić Classical Guitar
  • Jeff Ballard New York City
  • Júlio Caldas Bahia
  • Rodrigo Amarante Multi-Instrumentalist
  • Bob Bernotas Writer
  • Papa Mali Funk
  • Darol Anger Composer
  • Devin Naar University of Washington Faculty
  • Cassandra Osei Brazilianist
  • Brenda Navarrete Composer
  • Brigit Katz Toronto
  • Jam no MAM Local de Música ao Vivo, Live Music Venue
  • Greg Ruby Guitar
  • Jay Mazza Journalist
  • James Carter Flute
  • Michael Formanek Jazz
  • Alyn Shipton Bass
  • John Donohue Artist
  • Arifan Junior Diretor Musical, Music Director
  • Nikki Yeoh Piano
  • Zé Katimba Rio de Janeiro
  • Brandon J. Acker Classical Guitar
  • Jamz Supernova Record Label Owner
  • Betsayda Machado Tambor
  • Arto Lindsay Composer
  • Nilze Carvalho Bandolim
  • Kengo Kuma Japan
  • Plínio Fernandes Choro
  • Patricia Janečková Soprano
  • Pretinho da Serrinha Percussion
  • Eliane Elias Classical Music
  • Mickalene Thomas Photographer
  • Stephen Guerra Author
  • Andrés Prado Latin Jazz
  • João Teoria Ska
  • Fantastic Negrito Singer-Songwriter
  • Obed Calvaire Jazz
  • Lina Lapelytė Vilnius
  • Yazz Ahmed Trumpet
  • Irmandade da Boa Morte Samba de Roda
  • Leandro Afonso Brazil
  • Arthur Jafa Video Artist
  • King Britt Composer
  • Beats Antique Multi-Cultural
  • Cory Wong Record Producer
  • Kareem Abdul-Jabbar Journalist
  • François Zalacain Record Label Owner
  • Reena Esmail Composer
  • Arturo O'Farrill Bandleader
  • Andrew Gilbert Roots Music
  • Cimafunk Cuban Funk
  • Wolfgang Muthspiel Guitar
  • Eddie Palmieri Puerto Rico
  • Gavin Marwick Scottish Traditional Music
  • Iroko Trio Brazil
  • Bill Callahan Austin, Texas
  • Larry McCray Singer-Songwriter
  • Stephen Guerra Brazilian Classical Guitar
  • Joan Chamorro Double Bass
  • Dee Spencer Musical Director
  • Kirk Whalum Gospel
  • Laura Marling London
  • Robert Glasper Composer
  • Trombone Shorty Trumpet
  • Nego Álvaro Rio de Janeiro
  • Shalom Adonai Samba de Roda
  • Johnny Vidacovich Second Line
  • Bisa Butler Pan-African Culture
  • Geovanna Costa Brasil, Brazil
  • Yotam Silberstein Multi-Cultural
  • Eli Degibri אלי דג'יברי Saxophone
  • Pasquale Grasso Jazz
  • Mateus Asato Songwriter
  • Nicholas Barber Film Critic
  • Etienne Charles Cuatro
  • Matt Ulery Multi-Instrumentalist
  • Fred P Electronic Music
  • Giorgi Mikadze გიორგი მიქაძე Contemporary Classical Music
  • Mauro Diniz Samba
  • Philip Watson Cork
  • Nelson Cerqueira Brasil, Brazil
  • Horácio Reis MPB
  • Paulinho Fagundes Composer
  • Delfeayo Marsalis Trombone
  • Les Filles de Illighadad Tuareg Music
  • David Wax Museum Charlottesville, Virgina
  • Stan Douglas Vancouver
  • Aditya Prakash Los Angeles
  • Brandon Seabrook Guitar
  • Sarah Jarosz Singer-Songwriter
  • Casa da Mãe Samba
  • Michael Peha Keyboards
  • Luciano Salvador Bahia Record Producer
  • Itamar Vieira Júnior Short Stories
  • Benny Benack III Trumpet
  • Ben Hazleton London
  • Alex Clark Documentary Filmmaker
  • John Patrick Murphy Author
  • Albin Zak Record Producer
  • John Harle Television Scores
  • Steve Cropper Guitar
  • Emicida São Paulo
  • Anna Webber Contemporary Classical Music
  • Júlio Caldas Guitarra Baiana
  • Armandinho Macêdo Frevo
  • Banning Eyre African Music
  • Alex Clark Columbia Journalism School Faculty
  • Aloísio Menezes Candomblé
  • Yunior Terry Bass
  • Aruán Ortiz Afro-Cuban Jazz
  • Riley Baugus Old-Time Music
  • Marcel Camargo Los Angeles
  • Jaimie Branch Brooklyn, NY
  • Marc Cary New York City
  • João Camarero Guitar
  • Dudu Reis Cavaquinho
  • Léo Rugero Accordion
  • Archie Shepp Saxophone
  • Welson Tremura Singer
  • Richie Barshay Drums
  • Jeremy Danneman Composer
  • Adriene Cruz Textile Artist
  • Kaia Kater Singer-Songwriter
  • Lorna Simpson Brooklyn, NY
  • Tom Green Glasgow
  • Henrique Cazes Banjo
  • Fantastic Negrito Blues
  • Jill Scott Neo Soul
  • Tatiana Campêlo Dancer
  • Cristovão Bastos Composer
  • Maladitso Band Africa

 'mātriks / "source" / from "mater", Latin for "mother"
We're a real mother for ya!

 

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