Salvador Bahia Brazil Matrix

The Matrix Online Network is a platform conceived & built in Salvador da Bahia, Brazil and upon which people & entities across the creative economic universe can 1) present in variegated detail what it is they do, 2) recommend others, and 3) be recommended by others. Integrated by recommendations and governed by the metamathematical magic of the small world phenomenon (popularly called "6 degrees of separation"), matrix pages tend to discoverable proximity to all other matrix pages, no matter how widely separated in location, society, and degree of fame. From Quincy Jones to celestial samba in the favelas of Rio de Janeiro to you, all is closer than we imagine.

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  • (Bahia)
  • Questions?
  • From Brazil with love →
  • @ Ground Zero
  • El Aleph
  • If You Can't Stand the Heat
  • Harlem to Bahia to the Planet
  • Why a "Matrix"?

From Brazil with love →

@ Ground Zero

 

Have you, dear friend, ever noticed how different places scattered across the face of the globe seem almost to exist in different universes? As if they were permeated throughout with something akin to 19th century luminiferous aether, unique, determined by that place's history? It's like a trick of the mind's light (I suppose), but standing on beach or escarpment in Salvador and looking out across the Baía de Todos os Santos to the great Recôncavo, and mindful of what happened there, one must be led to the inevitable conclusion that one is in a place unique to history, and to the present*.

 

 

"Chegou a hora dessa gente bronzeada mostrar seu valor / The time has come for these bronzed people to show their value..."Música: Assis Valente of Santo Amaro, Bahia. Vídeo: Betão Aguiar.

 

*More enslaved human beings entered the Bay of All Saints and the Recôncavo than any other final port-of-call throughout all of mankind's history.

 

These people and their descendants created some of the most uplifting music ever made, the foundation of Brazil's national art. We wanted their music to be accessible to the world (it's not even accessible here in Brazil) so we created a platform by which everybody's creativity is mutually accessible, including theirs.

 

El Aleph

 

The network was built in an obscure record shop (Kareem Abdul-Jabbar found it) in a shimmering Brazilian port city...

 

...inspired in (the kabbalah-inspired fiction of) Borges' (short story) El Aleph, that in the pillar in Cairo's Mosque of Amr, where the universe in its entirety throughout all time is perceivable as an infinite hum from deep within the stone.

 

It "works" by virtue of the "small-world" phenomenon...the same responsible for the fact that most of us 7 billion or so beings are within 6 or fewer degrees of each other.

 

It was described (to some degree) and can be accessed via this article in British journal The Guardian (which named our radio of matrixed artists as one of ten best in the world):

 

www.theguardian.com/travel/2020/apr/17/10-best-music-radio-station-around-world

 

With David Dye for U.S. National Public Radio: www.npr.org/2013/07/16/202634814/roots-of-samba-exploring-historic-pelourinho-in-salvador-brazil

 

All is more connected than we know.

 

Per the "spirit" above, our logo is a cortador de cana, a cane-cutter. It was designed by Walter Mariano, professor of design at the Federal University of Bahia to reflect the origins of the music the shop specialized in. The Brazilian "aleph" doesn't hum... it dances and sings.

 

If You Can't Stand the Heat

 

Image above is from the base of the cross in front of the church of São Francisco do Paraguaçu in the Bahian Recôncavo

 

Sprawled across broad equatorial latitudes, stoked and steamed and sensual in the widest sense of the word, limned in cadenced song, Brazil is a conundrum wrapped in a smile inside an irony...

 

This is not a European nation. It is not a North American nation. It is not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn. Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin. It was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people). Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David. Three cultures — from three continents — running for their lives, their confluence forming an unprecedented fourth. Pandeirista on the roof. Nowhere else but here.

 

Oligarchy, plutocracy, dictatorships and massive corruption — elements of these are still strongly entrenched — have defined, delineated, and limited Brazil.

 

But strictured & bound as it has been and is, Brazil has buzz...not the shallow buzz of a fashionable moment...but the deep buzz of a population which in spite of — or perhaps because of — the tough slog through life they've been allotted by humanity's dregs-in-fine-linen, have chosen not to simply pull themselves along but to lift their voices in song and their bodies in dance...to eat well and converse well and much and to wring the joy out of the day-to-day happenings and small pleasures of life which are so often set aside or ignored in the European, North American, and East Asian nations.

 

For this Brazil has a genius perhaps unparalleled in all other countries and societies, a genius which thrives alongside peeling paint and holes in the streets and roads, under bad organization by the powers-that-be, both civil and governmental, under a constant rain of societal indignities...

 

Which is all to say that if you don't know Brazil and you're expecting any semblance of order, progress and light, you will certainly find the light! And the buzz of a people who for generations have responded to privation at many different levels by somehow rising above it all.

 

"Onde tem miséria, tem música!"* - Raymundo Sodré

 

And it's not just music. And it's not just Brazil.

 

Welcome to the kitchen!

 

* "Where there is misery, there is music!" Remarked during a conversation arcing from Bahia to Haiti and Cuba to New Orleans and the south side of Chicago and Harlem to the villages of Ireland and the gypsy camps and shtetls of Eastern Europe...

 

Harlem to Bahia to the Planet



Why a "Matrix"?

 

I was explaining the ideas behind this nascent network to (João) Teoria (trumpet player above) over cervejas at Xique Xique (a bar named for a town in Bahia) in the Salvador neighborhood of Barris...

 

Like this (but in Portuguese): "It's kind of like Facebook if it didn't spy on you, but reversed... more about who you don't know than who you do know. And who doesn't know you but would be glad if they did. It's kind of like old Myspace Music but instead of having "friends" it has a list on your page of people you recommend. Not just musicians but writers, painters, filmmakers, dancers, chefs... anybody in the creative economy. It has a list of people who recommend you, or through whom you are recommended. It deals with arts which aren't recommendable by algorithm but need human intelligence behind recommendations. And the people who are recommended can recommend, creating a network of recommendations wherein by the small world phenomenon most people in the creative economy are within several steps of everybody else in the creative economy, no matter where they are in the world. Like a chessboard which could have millions of squares, but you can get from any given square to any other in no more than six steps..."

 

And João said (in Portuguese): "A matrix where you can move from one artist to another..."

 

A matrix! That was it! The ORIGINAL meaning of matrix is "source", from "mater", Latin for "mother". So the term would help congeal the concept in the minds of people the network was being introduced to, while giving us a motto: "We're a real mother for ya!" (you know, Johnny "Guitar" Watson?)

 

The original idea was that musicians would recommend musicians, the network thus formed being "small world" (commonly called "six degrees of separation"). In the real world, the number of degrees of separation in such a network can vary, but while a given network might have billions of nodes (people, for example), the average number of steps between any two nodes will usually be minuscule.

 

Thus somebody unaware of the magnificent music of Bahia, Brazil will be able to conceivably move from almost any musician in this matrix to Bahia in just a few steps...

 

By the same logic that might move one from Bahia or anywhere else to any musician anywhere.

 

And there's no reason to limit this system to musicians. To the contrary, while there are algorithms written to recommend music (which, although they are limited, can be useful), there are no algorithms capable of recommending journalism, novels & short stories, painting, dance, film, chefery...

 

...a vast chasm that this network — or as Teoria put it, "matrix" — is capable of filling.

 

  • Yotam Silberstein
    I RECOMMEND

CURATION

  • from this node by: Matrix+

This is the Universe of

  • Name: Yotam Silberstein
  • City/Place: New York City
  • Country: United States
  • Hometown: Tel Aviv, Israel

Life & Work

  • Bio: As a young musician in Tel Aviv, Yotam Silberstein was quickly recognized as a prodigy and was invited to perform with many of the nation’s top musicians. At 21, he performed at Italy’s renowned Umbria Jazz Festival, released a critically acclaimed debut album and set out on an extensive tour of Europe.

    Upon receiving a scholarship to the prestigious New School, Yotam Silberstein moved to New York in 2005. He was a finalist in the Thelonious MonkInternational Jazz Guitar Competition in 2005 with one critic noting: “Yotam’s tones are exquisitely old school but his playing fresh, fiery and bursting with joyful exuberance, and musically he is one heavy cat.” Jazz Times noted that Yotam has “made an impact on the scene with his precision bebop lines and fleet fingered improvisation”. All About Jazz saw a resemblance between his 2009 release, “Next Page” and “the heyday of Blue Note Records”, adding that Yotam is “forging his own path with skills and style.”

    As artistically gifted as he is technically proficient, Silberstein is featured on a wide variety of critically acclaimed releases including “Resonance” and “Brasil” on the Jazz Legacy Productions label, John Patitucci‘s new trio album “Irmaos De Fe” and Monty Alexander’s Grammy-nominated “Harlem-Kingston Express Live!” among countless others.

    Yotam has earned his place among the jazz elite by collaborating with such luminaries as James Moody, The Heath Brothers, Roy Hargrove, George Coleman, David Sanborn, Marcus Miller, Paquito D’rivera, Christian McBride, John Patitucci, and many others.

    This versatile guitarist’s wheelhouse runs the sonic spectrum, including Brazilian, world music, blues and bebop. Silberstein’s showmanship wowed the Kennedy Center’s 2011 production, “Ella!” which featured Dee Dee Bridgewater, Al Jarreau, Dr. Billy Taylor and Janis Siegel. His performance earned him a return invitation for a special appearance at the KC Jazz Club. In Addition Yotam has applied his talent to composing music for film and in 2015 he received the Sundance Time Warner award for film scoring.

    Yotam Silberstein has toured as a leader in major clubs and jazz festivals in Europe, Japan, South America, Asia and the US and has received high praise for his performances. Having performed with the world’s premier talent, Yotam has honed his craft with precision, finesse and the innate artistic touch. Both the critics and his fans await the release of his new album “The Village” on Jazz & People in January . DownBeat magazine calls this “his most fully realized recording to date,” and says that Yotam “burns brightly alongside colleagues Goldberg, Rogers and Hutchinson.”

Contact Information

  • Email: [email protected]
  • Management/Booking: Management and Booking: Live Jazz Booking
    www.livejazzbooking.com
    [email protected]
    DE: +49 152 04368960
    DK: +45 2685 9682

    Media Inquiries
    Jason Paul Harman Byrne
    [email protected]
    Tel: (646) 259 2105
    www.redcatpublicity.com

    Media Inquiries France
    Marc Sénéchal
    Tel : +33 (0)6 80 21 96 47
    [email protected]
    Twitter : @marcsenechal5
    Facebook : marc.senechal.16
    Skype : marc.senechal5
  • Record Company: Jazz & People
    http://www.jazzandpeople.com

Media | Markets

  • ▶ Twitter: yotamguitar
  • ▶ Instagram: yotamsilberstein
  • ▶ Website: http://yotammusic.com
  • ▶ YouTube Channel: http://www.youtube.com/channel/UCMK9BG4Jz9aHCvCTe1fUH6A
  • ▶ YouTube Music: http://music.youtube.com/channel/UCNIXsHVLslQco7dKoEivmlQ
  • ▶ Spotify: http://open.spotify.com/album/0yXEOB1UFeaAlBx794lspj
  • ▶ Spotify 2: http://open.spotify.com/album/0mgKf70HUT1Vtd33ySEGsg
  • ▶ Spotify 3: http://open.spotify.com/album/2DX6puTvNhAfCr21oZUso4
  • ▶ Spotify 4: http://open.spotify.com/album/5DtdyRoTu5oKe5q2StNLyq
  • ▶ Spotify 5: http://open.spotify.com/album/3Ll6ePApjzVAZ3OgDwSCN7

My Instruction

  • Lessons/Workshops: Crafting Your Perfect Practice Routine
    by Yotam Silberstein

    In this new course, learn how to build your practice routine in 5 key areas to maximize your limited practice time, consistently improve your playing, and eliminate lack of motivation and focus.
  • Instruction: http://www.jazzmemes.org/crafting-your-perfect-practice-routine

Clips (more may be added)

  • 3:46
    Yotam Silberstein Ft. Daniel Santiago - Ate Quando durar
    By Yotam Silberstein
    111 views
  • 3:35
    Yotam Silberstein Ft. Gabriel Grossi - Migalhas De Amor
    By Yotam Silberstein
    119 views
  • 4:19
    Yotam Silberstein Ft. Benny Benack III - I Wish You Love
    By Yotam Silberstein
    118 views
  • 2:51
    Yotam Silberstein Ft. Fernando Cesar - Paulista
    By Yotam Silberstein
    114 views
  • 4:35
    Yotam Silberstein Ft. Vanessa Moreno - Ligia (Jobim-Buarque)
    By Yotam Silberstein
    130 views
  • 4:40
    Yotam Silberstein Ft. Special Guest Toninho Horta -From Ton To Tom (Horta)
    By Yotam Silberstein
    90 views
  • 2:39
    Yotam Silberstein Ft. Andres Beeuwsaert - Cruces
    By Yotam Silberstein
    105 views
  • 4:16
    Yotam Silberstein Ft. Gilad Hekselman - Yareach (moon)
    By Yotam Silberstein
    111 views
  • 3:40
    Yotam Silberstein Ft. Michael Pipoquinha - Te Cuida Jacare
    By Yotam Silberstein
    120 views
  • 3:45
    Yotam Silberstein Ft. Dani De Moron - Sevillia
    By Yotam Silberstein
    115 views
Previous
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YOU RECOMMEND

Imagine the world's creative economy at your fingertips. Imagine 10 doors side-by-side. Beyond each, 10 more, each opening to a "creative" somewhere around the planet. After passing through 8 such doorways you will have followed 1 pathway out of 100 million possible (2 sets of doorways yield 10 x 10 = 100 pathways). This is a simplified version of the metamathematics that makes it possible to reach everybody in the global creative economy in just a few steps It doesn't mean that everybody will be reached by everybody. It does mean that everybody can  be reached by everybody.


Appear below by recommending Yotam Silberstein:

  • 1 Composer
  • 1 Guitar
  • 1 Guitar Instruction
  • 1 Israel
  • 1 Jazz
  • 1 Multi-Cultural
  • 1 New School for Jazz and Contemporary Music Faculty
  • 1 New York City

Nodes below are randomly generated. Reload for a different stack.

  • Adonis Rose Drums
  • Laércio de Freitas Brazil
  • Guga Stroeter Brazilian Jazz
  • Ajurinã Zwarg Universal Music
  • Larissa Fulana de Tal Brasil, Brazil
  • Oswaldo Amorim Escola de Música de Brasília Faculty
  • Ajeum da Diáspora Bahia
  • Cassie Kinoshi London
  • Samuel Organ Experimental Rock
  • Quincy Jones Composer
  • David Kirby Writer
  • Nath Rodrigues Multi-Instrumentalist
  • Rumaan Alam Essayist
  • Ron Carter Author
  • Muri Assunção New York City
  • Michelle Mercer Music Critic
  • Vinson Cunningham New York City
  • Shez Raja Composer
  • Kiko Horta Accordion
  • Tito Jackson Singer-Songwriter
  • Fapy Lafertin Manouche
  • Del McCoury Guitar
  • Nguyên Lê Guitar
  • Edmar Colón Puerto Rico
  • Grégoire Maret Harmonica
  • Banning Eyre Writer
  • João Rabello Brazil
  • Giovanni Russonello New York City
  • Yelaine Rodriguez African Diaspora Culture
  • Joshua Abrams Theater Scores
  • David Chesky Record Label Owner
  • Paulo Dáfilin Brazil
  • Mariana Zwarg Brazil
  • Joanna Majoko Zimbabwe
  • Parker Ighile NIgeria
  • James Martin Funk
  • Hilton Schilder South Africa
  • Kevin Hays Jazz
  • David Ritz Novelist
  • Rodrigo Caçapa São Paulo
  • Muri Assunção LGBTQ
  • Stuart Duncan Fiddle
  • Nels Cline Guitar
  • Scotty Apex Record Producer
  • Gearóid Ó hAllmhuráin Author
  • Moacyr Luz Singer
  • Rumaan Alam Novelist
  • Philip Glass Piano
  • Filhos de Nagô Brazil
  • Adenor Gondim Bahia
  • Milford Graves New York City
  • Gabriel Geszti Multi-Cultural
  • Gregory Tardy Jazz
  • Gilson Peranzzetta Record Producer
  • Negra Jhô Brazil
  • Merima Ključo Sephardic Music
  • Manassés de Souza Ceará
  • Júlio Lemos Brazil
  • Tal Wilkenfeld Bass
  • Anat Cohen Israel
  • Arthur Verocai Arranger
  • Philip Watson Cork
  • Nicholas Gill Writer
  • Oscar Bolão Choro
  • Dermot Hussey Jamaica
  • Mart'nália Samba
  • Cristovão Bastos Brazil
  • Walter Ribeiro, Jr. Forró
  • Sarah Hanahan Saxophone
  • J. Pierre Artist
  • George Cables Composer
  • Samuca do Acordeon Composer
  • Evgeny Kissin Classical Music
  • Ana Luisa Barral Mandolin
  • Jill Scott Hip-Hop
  • Bruce Molsky Old-Time Music
  • Márcio Valverde Guitar
  • James Carter Clarinet
  • Kurt Andersen Playwright
  • Carlos Aguirre Singer
  • Adriano Souza Brazil
  • Jonathon Grasse Gamelan
  • Scott Devine Bass
  • Fábio Zanon Author
  • Mykia Jovan Jazz
  • Chief Xian aTunde Adjuah New Orleans
  • Wayne Escoffery Saxophone Instruction / Online Classes
  • Chris McQueen Austin, Texas
  • Danilo Brito Choro
  • Cathal McNaughton Ireland
  • Lenny Kravitz Actor
  • Thiago Trad Brasil, Brazil
  • Sunna Gunnlaugs Iceland
  • Corey Henry New Orleans
  • Gustavo Caribé Produtor Musical, Music Producer
  • Amaro Freitas Pernambuco
  • Armen Donelian Author
  • Reuben Rogers Jazz
  • Itamar Vieira Júnior Writer
  • Meddy Gerville Singer
  • George Porter Jr. Funk
  • Melvin Gibbs Brooklyn, NY
  • Jonathan Scales Jazz
  • Georgia Anne Muldrow Record Producer
  • Victor Gama Contemporary Musical Instrument Design
  • Nancy Viégas MPB
  • Béla Fleck Songwriter
  • Carl Joe Williams New Orleans
  • Jane Ira Bloom Contemporary Classical Music
  • Jeremy Pelt Trumpet Instruction
  • Aurino de Jesus Viola Machete
  • Matt Dievendorf Washington, D.C.
  • Yamandu Costa Violão de Sete
  • James Gadson Drums
  • Mário Santana Percussion
  • Herbie Hancock Composer
  • Archie Shepp Singer
  • Jay Blakesberg Photographer
  • Christopher James New York City
  • Arifan Junior Produtor Cultural, Cultural Producer
  • David Braid Guitar
  • Tray Chaney Songwriter
  • Paul Cebar R&B
  • Abel Selaocoe South Africa
  • Malin Fezehai Eritria
  • Roque Ferreira Samba de Roda
  • Jack Talty Concertina
  • Moses Boyd Drums
  • Larry Grenadier Bass
  • Simon Shaheen Arabic Music
  • Elizabeth LaPrelle Educator
  • Devin Naar Sephardic Studies
  • Luques Curtis Afro-Latin Dance Music
  • Tony Trischka Banjo
  • Jorge Alfredo Roteirista, Screenwriter
  • Jan Ramsey Cajun Music
  • Nicole Mitchell Composer
  • William Parker Multi-Instrumentalist
  • Carlinhos Brown Record Producer
  • Mateus Asato Songwriter
  • Alexandre Vieira Salvador
  • Capitão Corisco Pífano
  • João Bosco MPB
  • António Zambujo Fado
  • Şener Özmen Writer
  • Rudresh Mahanthappa New York City
  • Andy Kershaw England
  • Dave Smith England
  • Custódio Castelo Castelo Branco
  • Booker T. Jones Soul
  • Gord Sheard Toronto
  • Ryan Keberle Piano
  • Chief Xian aTunde Adjuah Ropeadope
  • Stacy Dillard Jazz
  • Mauro Refosco Compositor de Shows da Moda, Fashion Show Music
  • Steve Lehman Jazz
  • Paulinho da Viola Singer-Songwriter
  • Carlos Aguirre Piano
  • Aaron Parks Composer
  • Diedrich Diederichsen Music Journalist
  • Melissa Aldana Chile
  • Keyon Harrold Hip-Hop
  • The Weeknd Actor
  • Nancy Viégas Designer Gráfico, Graphic Designer
  • Jorge Glem Cuatro
  • Lionel Loueke Composer
  • Orlando Costa Percussion
  • André Becker Salvador
  • Fatoumata Diawara Paris
  • Dezron Douglas NYU Steinhardt Faculty
  • Yamandu Costa Composer
  • Sarah Jarosz Americana
  • Miguel Atwood-Ferguson Composer
  • Vincent Herring Flute
  • Jorge Washington Salvador
  • Eduardo Kobra Grafiteiro, Graffiti Artist
  • Babau Santana Chula
  • Stephen Guerra Composer
  • Bruce Williams Saxophone
  • Tony Austin Drums
  • Dave Holland Bass
  • Dan Trueman Violin
  • Keyon Harrold Trumpet
  • Marisa Monte Brazil
  • Ferenc Nemeth Composer
  • Yelaine Rodriguez Multimedia Art
  • Arto Tunçboyacıyan Singer-Songwriter
  • Mischa Maisky Classical Music
  • Jussara Silveira Samba
  • Paulo César Pinheiro Lyricist
  • Neymar Dias Multi-Instrumentalist
  • James Elkington Guitar
  • H.L. Thompson Hip-Hop
  • Paulinho do Reco Brazil
  • Marcel Camargo Arranger, Orchestrator
  • Ênio Bernardes Salvador
  • Yoruba Andabo Rumba
  • Lokua Kanza Congo
  • Flora Purim Percussion
  • Alê Siqueira Classical Guitar
  • Forrest Hylton Salvador
  • Alê Siqueira Brazil
  • João Bosco Singer-Songwriter
  • Cale Glendening Cinematographer
  • João Luiz Guitar
  • Derrick Hodge Film Scores
  • Stormzy Rapper
  • Astrig Akseralian Cambridge, England
  • Byron Thomas Keyboards
  • Mulatu Astatke Ethiopia
  • Orlando 'Maraca' Valle Flute
  • Aurino de Jesus Chula
  • Beeple NFTs
  • Léo Rodrigues Samba
  • Rissi Palmer Americana
  • Arto Lindsay MPB
  • Osvaldo Golijov Composer
  • Hugo Linns Pernambuco
  • Dave Douglas Trumpet
  • John McLaughlin Composer
  • Ryuichi Sakamoto Experimental Music
  • Ron Blake Jazz
  • Oswaldinho do Acordeon São Paulo
  • David Kirby Non-Fiction
  • Kaveh Rastegar Bass
  • Melanie Charles Actress
  • Saul Williams Rapper
  • Dan Tepfer Classical Music
  • Warren Wolf Baltimore, Maryland
  • Awadagin Pratt University of Cincinnati College-Conservatory of Music Faculty
  • Larnell Lewis Toronto
  • A-KILL Building Art
  • Negra Jhô Tranças, Braids
  • Munir Hossn Record Producer
  • Saileog Ní Cheannabháin Raelach Records
  • Bodek Janke Multi-Cultural
  • Marc Johnson Jazz
  • Olivia Trummer Singer
  • Sombrinha Guitar
  • Melanie Charles Singer-Songwriter
  • Toninho Ferragutti Brazil
  • David Sánchez Jazz
  • Maia Sharp Record Producer
  • Ivan Huol Bahia
  • Wayne Shorter Jazz
  • Steve Lehman Saxophone
  • Jared Sims Saxophone
  • Fábio Luna Bateria, Drums
  • Brenda Navarrete Cuba
  • Collins Omondi Okello Pencil Artist
  • Art Rosenbaum Folk & Traditional
  • Cara Stacey Musicologist
  • Mário Pam Bahia
  • Chris Dingman Composer
  • Hua Hsu Vassar College Faculty
  • Flora Purim Brazilian Jazz
  • Brandon Seabrook New York City
  • Casey Driessen Live Looping
  • Nação Zumbi Maracatu
  • JD Allen Composer
  • David Hoffman YouTuber
  • Asali Solomon Writer
  • John Zorn Film Scores
  • Siphiwe Mhlambi Visual Story Teller
  • María Grand Saxophone
  • Serwah Attafuah Singer
  • Cassie Kinoshi Bandleader
  • Tomo Fujita Berklee College of Music Faculty
  • Michael Janisch Avant-Garde Jazz
  • Sunna Gunnlaugs Piano
  • Marc Ribot Free Jazz
  • Yvette Holzwarth Theater Sound Design
  • James Poyser New York City
  • Cara Stacey Umrhubhe, Uhadi, Makhoyane
  • Paulo Dáfilin São Paulo
  • Omari Jazz Brainfeeder
  • Tom Schnabel Radio Presenter
  • Scotty Apex Rapper
  • Patty Kiss Frevo
  • João do Boi Brazil
  • Frank London Klezmer
  • Renato Braz MPB
  • Ryuichi Sakamoto Electronic Music
  • Peter Mulvey Milwaukee, Wisconsin
  • Conrad Herwig Jazz
  • Marcos Sacramento Rio de Janeiro
  • Theo Bleckmann Jazz
  • Marco Pereira Rio de Janeiro
  • Capinam Salvador
  • Geovanna Costa Cantora-Compositora, Singer-Songwriter
  • Darrell Green Jazz
  • Karsh Kale कर्ष काळे Composer
  • Olga Mieleszczuk Singer
  • Aperio Texas
  • Alex de Mora Director
  • Howard Levy Harmonica
  • Oscar Bolão Drums
  • Neymar Dias Viola Caipira
  • Priscila Castro Santarém
  • João Bosco Brazil
  • Missy Mazolli Piano
  • Leyla McCalla Cello
  • Ron McCurdy USC Thornton School of Music Faculty
  • Morgan Page DJ
  • Sombrinha Singer-Songwriter
  • Mestre Nenel Brazil
  • Brandon J. Acker Theorbo
  • Yazz Ahmed Arabic Jazz
  • Marília Sodré Samba
  • Jau Samba Reggae
  • Tshepiso Ledwaba Classical Music
  • Julia Alvarez Middlebury College Faculty
  • Tierra Whack Hip-Hop
  • Donald Vega Jazz
  • Seth Swingle Multi-Cultural
  • Stephan Crump Jazz
  • Mark Stryker Arts Critic
  • Ricardo Herz Jazz
  • Caetano Veloso Singer-Songwriter
  • Aubrey Johnson Composer
  • Casa Preta Teatro, Theater
  • Richard Galliano Tango
  • Henry Cole Jazz
  • Guinga Rio de Janeiro
  • Daphne A. Brooks Liner Notes
  • Michael Formanek Bandleader
  • David Sánchez Afro-Caribbean Music
  • Lalah Hathaway Singer-Songwriter
  • Miguel Zenón Saxophone
  • Ari Hoenig Drums
  • Tom Zé Bahia
  • Don Byron Dance Performance Scores
  • Kenyon Dixon R&B
  • Julien Libeer Piano
  • Mario Ulloa Bahia
  • Jamael Dean Piano
  • Yelaine Rodriguez African Diaspora Culture
  • Yotam Silberstein Multi-Cultural
  • Steve Coleman Jazz
  • Flavio Sala Classical Guitar
  • Ron Mader Professional Speaker
  • Alessandro Penezzi Choro
  • Michael Pipoquinha Bass
  • Maria Drell Chicago, Illinois
  • Arismar do Espírito Santo Choro
  • Melissa Aldana Jazz
  • Estrela Brilhante do Recife Brazil
  • David Sacks Vocals
  • Lenna Bahule Mozambique
  • Mauro Refosco Marimba

 'mātriks / "source" / from "mater", Latin for "mother"
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