Salvador Bahia Brazil Matrix

The Matrix Online Network is a platform conceived & built in Salvador da Bahia, Brazil and upon which people & entities across the creative economic universe can 1) present in variegated detail what it is they do, 2) recommend others, and 3) be recommended by others. Integrated by recommendations and governed by the metamathematical magic of the small world phenomenon (popularly called "6 degrees of separation"), matrix pages tend to discoverable proximity to all other matrix pages, no matter how widely separated in location, society, and degree of fame. From Quincy Jones to celestial samba in the favelas of Rio de Janeiro to you, all is closer than we imagine.

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  • (Bahia)
  • Questions?
  • From Brazil with love →
  • @ Ground Zero
  • El Aleph
  • If You Can't Stand the Heat
  • Harlem to Bahia to the Planet
  • Why a "Matrix"?

From Brazil with love →

@ Ground Zero

 

Have you, dear friend, ever noticed how different places scattered across the face of the globe seem almost to exist in different universes? As if they were permeated throughout with something akin to 19th century luminiferous aether, unique, determined by that place's history? It's like a trick of the mind's light (I suppose), but standing on beach or escarpment in Salvador and looking out across the Baía de Todos os Santos to the great Recôncavo, and mindful of what happened there, one must be led to the inevitable conclusion that one is in a place unique to history, and to the present*.

 

 

"Chegou a hora dessa gente bronzeada mostrar seu valor / The time has come for these bronzed people to show their value..."Música: Assis Valente of Santo Amaro, Bahia. Vídeo: Betão Aguiar.

 

*More enslaved human beings entered the Bay of All Saints and the Recôncavo than any other final port-of-call throughout all of mankind's history.

 

These people and their descendants created some of the most uplifting music ever made, the foundation of Brazil's national art. We wanted their music to be accessible to the world (it's not even accessible here in Brazil) so we created a platform by which everybody's creativity is mutually accessible, including theirs.

 

El Aleph

 

The network was built in an obscure record shop (Kareem Abdul-Jabbar found it) in a shimmering Brazilian port city...

 

...inspired in (the kabbalah-inspired fiction of) Borges' (short story) El Aleph, that in the pillar in Cairo's Mosque of Amr, where the universe in its entirety throughout all time is perceivable as an infinite hum from deep within the stone.

 

It "works" by virtue of the "small-world" phenomenon...the same responsible for the fact that most of us 7 billion or so beings are within 6 or fewer degrees of each other.

 

It was described (to some degree) and can be accessed via this article in British journal The Guardian (which named our radio of matrixed artists as one of ten best in the world):

 

www.theguardian.com/travel/2020/apr/17/10-best-music-radio-station-around-world

 

With David Dye for U.S. National Public Radio: www.npr.org/2013/07/16/202634814/roots-of-samba-exploring-historic-pelourinho-in-salvador-brazil

 

All is more connected than we know.

 

Per the "spirit" above, our logo is a cortador de cana, a cane-cutter. It was designed by Walter Mariano, professor of design at the Federal University of Bahia to reflect the origins of the music the shop specialized in. The Brazilian "aleph" doesn't hum... it dances and sings.

 

If You Can't Stand the Heat

 

Image above is from the base of the cross in front of the church of São Francisco do Paraguaçu in the Bahian Recôncavo

 

Sprawled across broad equatorial latitudes, stoked and steamed and sensual in the widest sense of the word, limned in cadenced song, Brazil is a conundrum wrapped in a smile inside an irony...

 

This is not a European nation. It is not a North American nation. It is not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn. Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin. It was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people). Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David. Three cultures — from three continents — running for their lives, their confluence forming an unprecedented fourth. Pandeirista on the roof. Nowhere else but here.

 

Oligarchy, plutocracy, dictatorships and massive corruption — elements of these are still strongly entrenched — have defined, delineated, and limited Brazil.

 

But strictured & bound as it has been and is, Brazil has buzz...not the shallow buzz of a fashionable moment...but the deep buzz of a population which in spite of — or perhaps because of — the tough slog through life they've been allotted by humanity's dregs-in-fine-linen, have chosen not to simply pull themselves along but to lift their voices in song and their bodies in dance...to eat well and converse well and much and to wring the joy out of the day-to-day happenings and small pleasures of life which are so often set aside or ignored in the European, North American, and East Asian nations.

 

For this Brazil has a genius perhaps unparalleled in all other countries and societies, a genius which thrives alongside peeling paint and holes in the streets and roads, under bad organization by the powers-that-be, both civil and governmental, under a constant rain of societal indignities...

 

Which is all to say that if you don't know Brazil and you're expecting any semblance of order, progress and light, you will certainly find the light! And the buzz of a people who for generations have responded to privation at many different levels by somehow rising above it all.

 

"Onde tem miséria, tem música!"* - Raymundo Sodré

 

And it's not just music. And it's not just Brazil.

 

Welcome to the kitchen!

 

* "Where there is misery, there is music!" Remarked during a conversation arcing from Bahia to Haiti and Cuba to New Orleans and the south side of Chicago and Harlem to the villages of Ireland and the gypsy camps and shtetls of Eastern Europe...

 

Harlem to Bahia to the Planet



Why a "Matrix"?

 

I was explaining the ideas behind this nascent network to (João) Teoria (trumpet player above) over cervejas at Xique Xique (a bar named for a town in Bahia) in the Salvador neighborhood of Barris...

 

Like this (but in Portuguese): "It's kind of like Facebook if it didn't spy on you, but reversed... more about who you don't know than who you do know. And who doesn't know you but would be glad if they did. It's kind of like old Myspace Music but instead of having "friends" it has a list on your page of people you recommend. Not just musicians but writers, painters, filmmakers, dancers, chefs... anybody in the creative economy. It has a list of people who recommend you, or through whom you are recommended. It deals with arts which aren't recommendable by algorithm but need human intelligence behind recommendations. And the people who are recommended can recommend, creating a network of recommendations wherein by the small world phenomenon most people in the creative economy are within several steps of everybody else in the creative economy, no matter where they are in the world. Like a chessboard which could have millions of squares, but you can get from any given square to any other in no more than six steps..."

 

And João said (in Portuguese): "A matrix where you can move from one artist to another..."

 

A matrix! That was it! The ORIGINAL meaning of matrix is "source", from "mater", Latin for "mother". So the term would help congeal the concept in the minds of people the network was being introduced to, while giving us a motto: "We're a real mother for ya!" (you know, Johnny "Guitar" Watson?)

 

The original idea was that musicians would recommend musicians, the network thus formed being "small world" (commonly called "six degrees of separation"). In the real world, the number of degrees of separation in such a network can vary, but while a given network might have billions of nodes (people, for example), the average number of steps between any two nodes will usually be minuscule.

 

Thus somebody unaware of the magnificent music of Bahia, Brazil will be able to conceivably move from almost any musician in this matrix to Bahia in just a few steps...

 

By the same logic that might move one from Bahia or anywhere else to any musician anywhere.

 

And there's no reason to limit this system to musicians. To the contrary, while there are algorithms written to recommend music (which, although they are limited, can be useful), there are no algorithms capable of recommending journalism, novels & short stories, painting, dance, film, chefery...

 

...a vast chasm that this network — or as Teoria put it, "matrix" — is capable of filling.

 

  • Gabrielzinho do Irajá
    I RECOMMEND

CURATION

  • from this node by: Matrix+

This is the Universe of

  • Name: Gabrielzinho do Irajá
  • City/Place: Rio de Janeiro
  • Country: Brazil

Life & Work

  • Bio: Gabriel Gitahy da Cunha is Gabrielzinho do Irajá, sambista and partideiro.

    Gabriel was born (1997) premature, losing his vision.

Media | Markets

  • ▶ Instagram: gabrielzinhodeiraja
  • ▶ YouTube Channel: http://www.youtube.com/channel/UCZIhKvvBpKeG62fYSRdoQkg
  • ▶ YouTube Music: http://music.youtube.com/channel/UC0XhZauLfxGye8WnRGvguUQ
  • ▶ Spotify: http://open.spotify.com/album/7Cn5y8zsOIufGIxuDuKPdm
  • ▶ Spotify 2: http://open.spotify.com/album/3BDMtn9IccagKgno7QxFQp
  • ▶ Spotify 3: http://open.spotify.com/album/4Vl4trNYdb4i2WuMBoKhIU

Clips (more may be added)

  • 5:01
    Xande de Pilares e Gabrielzinho do Irajá versando no DVD do pagode da tia Gessy
    By Gabrielzinho do Irajá
    127 views
  • 0:16:15
    CULTNE - Renatinho Partideiro & Gabrielzinho do Irajá - Partido Alto Pt1
    By Gabrielzinho do Irajá
    2007 views
  • 3:05
    RENATINHO GABRIELZINHO BIRA
    By Gabrielzinho do Irajá
    107 views
Previous
Next

YOU RECOMMEND

Imagine the world's creative economy at your fingertips. Imagine 10 doors side-by-side. Beyond each, 10 more, each opening to a "creative" somewhere around the planet. After passing through 8 such doorways you will have followed 1 pathway out of 100 million possible (2 sets of doorways yield 10 x 10 = 100 pathways). This is a simplified version of the metamathematics that makes it possible to reach everybody in the global creative economy in just a few steps It doesn't mean that everybody will be reached by everybody. It does mean that everybody can  be reached by everybody.


Appear below by recommending Gabrielzinho do Irajá:

  • 3 Brazil
  • 3 Cavaquinho
  • 3 Composer
  • 3 Partideiro
  • 3 Rio de Janeiro
  • 3 Samba
  • 3 Singer
  • 3 Versador

Nodes below are randomly generated. Reload for a different stack.

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  • Aaron Parks Piano
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  • Tony Allen Africa
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  • Carwyn Ellis Samba
  • Fred P Composer
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  • 9Bach Multi-Cultural
  • Victor Gama Multimedia Opera
  • Avishai Cohen Jazz
  • Paulo Costa Lima Salvador
  • Anthony Coleman Composer
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  • Stan Douglas Photographer
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  • Fábio Zanon São Paulo
  • Alegre Corrêa Composer
  • Simon Singh Author
  • Francisco Mela Percussion
  • Meddy Gerville Jazz
  • Nicholas Barber Film Critic
  • John Boutté New Orleans
  • Bebel Gilberto Samba
  • Maria Rita Rio de Janeiro
  • Awadagin Pratt Classical Music
  • Django Bates Composer
  • Jaimie Branch Brooklyn, NY
  • Yoron Israel Drums
  • Nancy Viégas Country
  • Gearóid Ó hAllmhuráin Irish Traditional Music
  • Curtis Hasselbring Brooklyn, NY
  • Hot Dougie's Bar Restaurante
  • David Chesky New York City
  • Beth Bahia Cohen Berklee College of Music Faculty
  • James Strauss Flute
  • Damion Reid R&B
  • João Bosco Guitar
  • Helado Negro Singer-Songwriter
  • Anna Webber Contemporary Classical Music
  • Toninho Horta Brazil
  • Moreno Veloso Cello
  • Alana Gabriela Bahia
  • Eli Degibri אלי דג'יברי Tel Aviv
  • Arifan Junior Brasil, Brazil
  • Siba Veloso Singer
  • Luke Daniels Melodeon
  • Steve Earle Poet
  • Matt Parker YouTuber
  • Nação Zumbi Funk
  • Patricia Janečková Soprano
  • Danilo Brito Brazil
  • Weedie Braimah Drums
  • Paulo Aragão Rio de Janeiro
  • Peter Evans Experimental Music
  • Carl Allen Record Producer
  • Alexandre Gismonti Guitar
  • Samuel Organ Synthesizers
  • Branford Marsalis Classical Music
  • Bruce Williams Saxophone
  • Rosa Passos Bahia
  • Riley Baugus North Carolina
  • ANNA Techno
  • OVANA Homemade Instruments
  • Alexandre Leão MPB
  • Jorge Washington AFROBIZ Salvador
  • Cristiano Nogueira Brazil
  • Eliane Elias Piano
  • Tedy Santana Bahia
  • Victor Gama Luanda
  • Bob Reynolds Saxophone Instruction
  • Paquito D'Rivera Saxophone
  • Alfredo Rodriguez Jazz
  • Dave Douglas Jazz
  • John Patrick Murphy Author
  • Moacyr Luz Singer
  • Shannon Sims Journalist
  • Tommy Peoples Donegal Fiddle
  • Ricardo Bacelar Jazz Brasileiro, Brazilian Jazz
  • Terrace Martin Record Producer
  • João Rabello Samba
  • Daniil Trifonov New York City
  • Luizinho Assis Piano
  • Paulinho da Viola Samba
  • Richard Bona New York City
  • Third Coast Percussion Contemporary Classical Music
  • Magda Giannikou Composer
  • Cainã Cavalcante MPB
  • Asa Branca Federal University of Bahia Faculty
  • Doug Wamble Composer
  • Ronell Johnson Jazz
  • Will Holshouser Musette
  • Don Byron Blue Note Records
  • Rogério Caetano Guitar
  • Luíz Paixão Fiddle
  • Saileog Ní Cheannabháin Irish Traditional Music
  • Paquito D'Rivera Cuba
  • Manu Chao Record Producer
  • Michael Pipoquinha Brazil
  • Ayrson Heráclito Bahia
  • Nabih Bulos Violin
  • Amit Chatterjee Composer
  • Joe Chambers Piano
  • Lalah Hathaway Record Producer
  • Toumani Diabaté Africa
  • André Becker Saxophone
  • Safy-Hallan Farah Magazine Publisher
  • Luedji Luna Singer-Songwriter
  • Melanie Charles Beatmaker
  • Marília Sodré MPB
  • Arturo O'Farrill New York City
  • Avishai Cohen אבישי כה Record Label Owner
  • Yilian Cañizares Jazz
  • Gary Lutz Writer
  • Imani Winds Chamber Music
  • Moacyr Luz Songwriter
  • Ron Carter Educator
  • Niwel Tsumbu Africa
  • Shuya Okino Kyoto
  • Gustavo Caribé Santo Amaro
  • Gustavo Caribé Baixo, Bass
  • Carlos Henriquez Latin Jazz
  • Quatuor Ebène France
  • Ben Hazleton Tabla
  • Fred Dantas Ethnomusicologist
  • Frank London Jewish Music
  • Benoit Fader Keita Bedik
  • Chief Xian aTunde Adjuah Trumpet
  • Cláudio Jorge Arranger
  • Luizinho Assis Jazz
  • Atlantic Brass Quintet Jazz
  • Ethan Iverson Composer
  • Fantastic Negrito Singer-Songwriter
  • Paul McKenna Irish Traditional Music
  • Natan Drubi Violão, Guitar
  • Jonathan Scales Composer
  • Sam Reider Accordion
  • Vijay Iyer Composer
  • Leonardo Mendes Santo Amaro
  • Cinho Damatta Guitarra, Guitar
  • Ryuichi Sakamoto Japan
  • João Teoria Compositor, Composer
  • Rez Abbasi Jazz
  • Simon Shaheen Arabic Music
  • Kurt Andersen Novelist
  • Miroslav Tadić Contemporary Classical Music
  • Dudu Reis Brasil, Brazil
  • Courtney Pine London
  • Dr. Lonnie Smith Composer
  • Donald Harrison Jazz
  • Mario Caldato Jr. Record Producer
  • Sergio Krakowski MPB
  • Ken Coleman Writer
  • Caoimhín Ó Raghallaigh Composer
  • Lorna Simpson Sculptor
  • Amilton Godoy Piano
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  • Avishai Cohen אבישי כה Multi-Cultural
  • Dan Nimmer Composer
  • Kirk Whalum Jazz
  • Paddy Groenland Composer
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  • Jorge Aragão Singer-Songwriter
  • Renato Braz Guitar
  • Michael Formanek Composer
  • Shabaka Hutchings Saxophone
  • Greg Ruby Composer
  • Hercules Gomes Samba
  • Sean Jones Trumpet
  • Mick Goodrick Guitar
  • Fábio Zanon Royal Academy of Music Visiting Professor
  • Ofer Mizrahi Trumpet
  • Larnell Lewis Drums
  • Delfeayo Marsalis New Orleans
  • Frank Negrão Jazz
  • John Santos Puerto Rico
  • Nêgah Santos Percussion
  • Avishai Cohen אבישי כה Composer
  • Diana Fuentes Singer-Songwriter
  • Tom Bergeron Saxophone
  • Dan Moretti Berklee College of Music Faculty
  • Carrtoons Multi-Instrumentalist
  • Hopkinson Smith Baroque Guitar
  • Marcos Suzano Rio de Janeiro
  • Leo Nocentelli New Orleans
  • David Sánchez Georgia State University School of Music Faculty
  • Brandee Younger Jazz
  • Owen Williams Writer
  • Kiko Souza Samba
  • Shoshana Zuboff Harvard Business School Faculty
  • Noam Pikelny Bluegrass
  • Louis Marks Apparel & Fashion
  • Russell Malone Jazz
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  • Bob Lanzetti Brooklyn, NY
  • Armandinho Macêdo Brazil
  • Muireann Nic Amhlaoibh Ireland
  • Rudy Royston Drums
  • Edsel Gomez Latin Jazz
  • Greg Kot Chicago
  • Edil Pacheco Singer
  • Hilary Hahn Classical Music
  • Hélio Delmiro Jazz
  • Wayne Shorter Saxophone
  • Jon Batiste Classical Music
  • Marcello Gonçalves Choro
  • Marcos Portinari Diretor Artístico, Artistic Director
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  • Jack Talty Ireland
  • Teddy Swims Georgia
  • Jared Sims Ropeadope
  • Gary Clark Jr. R&B
  • Cristovão Bastos Composer
  • Ben Okri Short Stories
  • Sam Yahel Jazz
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  • Oswaldinho do Acordeon Brazil
  • Dan Trueman Violin
  • Cleber Augusto Songwriter
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  • Meshell Ndegeocello Multi-Instrumentalist
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  • Victoria Sur Bogotá
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  • Aloísio Menezes Samba
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  • Nduduzo Makhathini Piano
  • Carlos Malta Bass Clarinet
  • Thiago Trad Salvador
  • Keith Jarrett Classical Music
  • Yoko Miwa Piano
  • Mike Marshall Choro
  • Olga Mieleszczuk Yiddish Folk Songs
  • Gêge Nagô Brazil
  • Adam Cruz New York City
  • Jamz Supernova Record Label Owner
  • Lula Moreira Percussion
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  • Andy Kershaw Journalist
  • Jonathon Grasse Contemporary Music
  • Nduduzo Makhathini Jazz
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  • Taylor McFerrin Record Producer
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  • Nic Adler Restaurant Owner
  • Dave Eggers Publisher
  • Jill Scott Hip-Hop
  • Missy Mazolli Classical Music
  • Alain Mabanckou Africa
  • Carol Soares Bahia
  • Brigit Katz Journalist
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  • Laura Marling Singer-Songwriter
  • Nicholas Gill Food Writer
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  • Sam Wasson Author
  • Shalom Adonai Brazil
  • Alex Hargreaves New School for Jazz and Contemporary Music Faculty
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  • Xenia França São Paulo
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  • Mohamed Diab Filmmaker
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  • Zachary Richard Singer-Songwriter
  • Ethan Iverson Avant-Garde Jazz
  • Kenyon Dixon Los Angeles
  • Daphne A. Brooks Black American Culture & History
  • John Patitucci Bass
  • Carlos Henriquez Northwestern University Faculty
  • Stephen Guerra Composer
  • Nomcebo Zikode South Africa
  • Perumal Murugan Tamil Literature
  • Shemekia Copeland Singer
  • Barry Harris New York City
  • Rob Garland Guitar Instruction
  • Bobby Sanabria Percussion
  • Otis Brown III Drums
  • Jakub Józef Orliński Hip-Hop
  • Oscar Peñas Composer
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  • Keshav Batish Composer
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  • Cécile McLorin Salvant Classical, Baroque Voice
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  • Fred P Record Producer
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  • Larry McCray Blues
  • Geraldo Azevedo Singer-Songwriter
  • Gui Duvignau Contemporary Classical Music
  • Taylor Ashton Brooklyn, NY
  • Joe Newberry Guitar
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  • Andrew Gilbert Writer
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  • John Santos Afro-Latin Music
  • Nicholas Payton New Orleans
  • Steve Lehman Jazz
  • Tom Zé Bahia
  • Steve McKeever Hidden Beach Recordings
  • Michael Cleveland Fiddle
  • Léo Rodrigues São Paulo
  • Danilo Brito Bandolim
  • Kiko Freitas Drum Instruction
  • Matt Glaser Fiddle
  • Pasquale Grasso Guitar
  • Casa PretaHub Cachoeira Bahia
  • Oscar Bolão Brazil
  • Doug Wamble Jazz
  • Nubya Garcia Jazz
  • David Mattingly Artist
  • Jeremy Pelt Jazz
  • Kiko Freitas MPB
  • Muri Assunção Journalist
  • Martin Fondse Film Scores
  • Ben Azar Guitar Instruction
  • Ben Paris New York City
  • Nahre Sol Toronto
  • Ivan Sacerdote Choro
  • Leandro Afonso Brazil

 'mātriks / "source" / from "mater", Latin for "mother"
We're a real mother for ya!

 

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