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  • Itamar Borochov

    THE INTEGRATED GLOBAL
    CREATIVE ECONOMY

    promulgated by
    The Brazilian Ministry of Culture

    fomented by
    The Bahian Secretary of Culture

    fomented by
    The Palmares Foundation
    for the promotion of Afro-Brazilian Culture

    fomented by
    The National Foundation of Indigenous Peoples

    I CURATE

Network Node

  • Name: Itamar Borochov
  • City/Place: New York City
  • Country: United States
  • Hometown: Tel Aviv / Jaffa

CURATION

  • from this node by: Criador acima/Creator above

Life & Work

  • Bio: Raised in the cosmopolitan port city of Jaffa, now a significant presence on the international jazz scene, Borochov is creating a new musical hybrid - bringing the sacred sounds of his upbringing to a jazz quartet setting.

    His latest release Blue Nights (Laborie Jazz 2019) is a nine-track multi-cultural joyride of enchanting lyricism, exotic motifs, anthemic builds and virtuosic expression.

    Borochov first heard Sephardic music in his local synagogue and absorbed these ‘maqams’ (modes) of the greater Middle East and North Africa alongside a range of other musical influences, including the Mizrahi and Ashkenazi musical flavors that are his birthright. He began playing trumpet at the age of eleven and immersed himself in the discovery of jazz, inspired by the jazz trumpet lineage of Louis Armstrong, Clark Terry, Miles Davis, Kenny Dorham, Lee Morgan, and Booker Little through to Wynton Marsalis, and citing the influence of Ben Webster for his assured yet wistful warm airy tone. In 2007 Borochov relocated to New York to study at the New School and attend Barry Harris’s weekly workshops.

    His deep knowledge of these various musical disciplines is incorporated organically into his original jazz writing, building a bridge between the near-East and the modal styles of Miles Davis, John Coltrane and others.

    “This synergetic quest is accomplished with great integrity, demonstrating in-depth knowledge only possible from one who has experienced these traditions firsthand.” – Jazz Magazine

    In addition to recording three albums as a leader, Borochov also appears on three albums with Yemen Blues, of which he was a founding member, arranger and co-producer. He has toured across four continents and performed at prestigious venues such as Lincoln Center, The Kennedy Center, SummerStage at Central Park, Blue Note NY, Ronnie Scott’s Jazz Club, Bimhuis, Flagey and international festivals including Roskilde, Vitoria, Lviv, Montreal & Ottawa Jazz Festivals, London Jazz Festival, Moscow Jazz Festival, Tel Aviv & Red Sea Jazz Festivals, Jazz à Liège & Shanghai World Music Festival. The Itamar Borochov Quartet was chosen to showcase at WOMEX 2019 in Tampere, Finland.

    In 2021 Borochov was commissioned by Brazos Valley Symphony, Texas to compose a suite for jazz quartet and string orchestra - 'Emergence', which he first performed with the orchestra in June 2021. He also recorded a new work composed especially for him by Shanan Estreicher - ‘All You Shining Stars’ for improvised trumpet and string septet, which premiered online in February.​

    Borochov won the prestigious 2020 LetterOne 'Rising Stars' Jazz Award European edition, which was presented to him in February 2021 by vocalist Dee Dee Bridgewater.

Contact Information

  • Management/Booking: Management
    Sue Edwards | Sue Edwards Management
    sueedwardsjazz(at)gmail.com

    Booking (Germany, Austria, Switzerland)
    Catarina Pauli Caldas | Handshake Booking
    Catarina(at)handshake-booking.com

    Booking (France/Switzerland)
    Boris Jourdain | In Vivo
    boris(at)invivo.agency

    Booking (Belgium/Netherlands/Luxembourg)
    Kati Van de Velde | Redcat Artists
    kati.vandevelde(at)redcatartists.com

    Booking (Czech Republic)
    Borek Holecek | Rachot Production
    borek(at)rachot.cz

    Booking (Scandinavia/Eastern Europe)
    Dennis Meentz | Air Artist Agency
    [email protected]

    Booking (Turkey)
    Sinan Nergis | Pasion Turca S.L
    sun(at)pasionturca.net

    Press (North America)
    Matt Merewitz | Fully Altered Media
    matt(at)fullyaltered.com
    ​
    Press (Belgium/Netherlands/Luxembourg)
    Inge De Pauw | Stilletto
    inge(at)stilletto.be
  • Record Company: Jean Michel Leygonie | Laborie Jazz
    jm.leygonie(at)wanadoo.fr

Media | Markets

  • ▶ Buy My Music: (downloads/CDs/DVDs) http://www.itamarborochov.com/shop
  • ▶ Buy My Music 2: (downloads/CDs/DVDs) http://www.itamarborochov.com/music
  • ▶ Charts/Scores: http://www.itamarborochov.com/shop
  • ▶ Twitter: itamarborochov
  • ▶ Instagram: itamarborochov
  • ▶ Website: http://www.itamarborochov.com
  • ▶ YouTube Channel: http://www.youtube.com/c/ItamarBorochov
  • ▶ YouTube Music: http://music.youtube.com/channel/UCLZPB7NZzs1ynKvL_Nd5uEw
  • ▶ Spotify: http://open.spotify.com/album/3lPFTHNrKWZ3Tu7dHynAFw
  • ▶ Spotify 2: http://open.spotify.com/album/2IfNorTXQnAmoyggRItAif
  • ▶ Spotify 3: http://open.spotify.com/album/31hzNfMpOZIu17fsFaDB8a

More

  • Quotes, Notes & Etc. "His melodies are direct and often plangent, his harmonies and rhythms sturdy and repetitious. His latest album, “Blue Nights,” draws together influences from the Middle East and North Africa with jazz-academy thinking." -Giovanni Russonello, THE NEW YORK TIMES (USA)

    "Blue Nights draws from an array of elements including bebop, rock, pop, Arabic maqam scales, the Gnawa patterns of North Africa’s Hausa people, and sounds that Borochov encountered in a local Yemenite-Jewish synagogue in his native Jaffa, Israel. What is surprising is the way the band manages to introduce changes without disturbing the silken flow of the music."-Saby Reyes-Kulkarni, BANDCAMP DAILY (USA)

    "Trumpeter Itamar Borochov has spent years exploring creative convergences of jazz and music connected to his upbringing in the multicultural Israeli city of Jaffa. Within those contexts, he's become adept at using quarter tones and other elements of Sephardic spiritual music, along with the North African and Bukharian sounds he heard growing up, in various jazz constructs. Those influences, along with echoes of the Arabic and African-laced world grooves Borochov worked with in Ravid Kahalnai's Yemen Blues outfit, all filter through the trumpeter's stunning third album as a leader." -Jennifer Odell, DOWNBEAT MAGAZINE (USA)

    "I was dazzled by the trumpet sound, incredibly full, fleshy, this way of playing on the air that gives all the features of an astonishing fluidity, even in the high register. What comes out of his trumpet is never struck, you never feel the effort: It's velvet.” -JF Mondot, JAZZ MAGAZINE (France) 2018

    “Itamar Borochov once again exposes what he knows best: invoking his talents as an assertive melodist and a musician inhabited by a superior mind.” -Alex Dutilh, FRANCE MUSIQUE (France) 2018

    “an introspective album with mixed scents of the shores of the Mediterranean.” -Jean-Pierre Goffin, JAZZ AROUND MAGAZINE (France)

    “It’s an almost mystical universe.” -Philippe Desmond, ACTION JAZZ (France) 2018

    “Trumpeter Itamar Borochov produces a feast of musical exploration on this, his third album, combining influences from across the Middle East and North Africa with a jazz quartet line-up. The result is rich, detailed and engrossing music with an individual sound. I was struck” -Mark McKergow, LONDON JAZZ NEWS (UK)

    "The album is simply divine, in the spiritual sense. It touches all our senses with its lyricism, leaving the listeners with a lasting impression. 5 Stars” -Nathalie Freson, UK VIBE (UK) 2018

    “An air of hushed reverence had fallen over the audience as the sense of spirituality that informs all of Borochov’s music was at its most palpable. With the tension now released the audience clapped loudly and cheered for more...” -Ian Mann, THE JAZZ MANN (UK) 2018 [Live Review]

    "A fascinating, multi faceted album. There’s a profound air of spirituality about the music, which is played by the Borochov quartet with an understated virtuosity and a simmering, low key intensity." -Ian Mann, THE JAZZ MANN (UK) 2018 [Album Review]

    “The Israeli trumpeter takes us to a more peaceful world on his new album ‘Blue Nights’ and miraculously gives us comfort. With his new quarter-tone trumpet, he is immersing himself more intensively than before in the world of maqams - the scales that are played in Arabic music.” -Sarah Seidel, NDR (Germany)

    "Breaking down traditions and merging them into something new is one of the central ideas of jazz - one that Itamar Borochov cultivates with a remarkable virtuosity and a fantastic feeling for melodies and moods." -Olaf Maikopf, JAZZ THETIK (Germany) 2018

Clips (more may be added)

  • 0:07:16
    Itamar Borochov - DIRGE - Live at Leopolis Jazz Festival - Lviv, Ukraine
    By Itamar Borochov
    68 views
  • 0:10:05
    Itamar Borochov Live at WOMEX 2019 - Daasa!
    By Itamar Borochov
    104 views
  • 0:10:57
    ITAMAR BOROCHOV "Blue Nights" - Live
    By Itamar Borochov
    100 views
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Itamar Borochov Curated

  • 3 Composer
  • 3 Israel
  • 3 Jaffa
  • 3 Jazz
  • 3 Multi-Cultural
  • 3 New York City
  • 3 Trumpet

What's Been Happening?

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  • Itamar Borochov
    Zisl Slepovitch → Yiddish Culture has been recommended via Itamar Borochov.
    • December 5, 2022
  • Itamar Borochov
    Zisl Slepovitch → Singer has been recommended via Itamar Borochov.
    • December 5, 2022
  • Itamar Borochov
    Zisl Slepovitch → New York City has been recommended via Itamar Borochov.
    • December 5, 2022
  • Itamar Borochov
    Zisl Slepovitch → Multi-Instrumentalist has been recommended via Itamar Borochov.
    • December 5, 2022
  • Itamar Borochov
    Zisl Slepovitch → Klezmer has been recommended via Itamar Borochov.
    • December 5, 2022
  • Itamar Borochov
    Zisl Slepovitch → Jewish Music has been recommended via Itamar Borochov.
    • December 5, 2022
  • Itamar Borochov
    Zisl Slepovitch → Ethnomusicologist has been recommended via Itamar Borochov.
    • December 5, 2022
  • Itamar Borochov
    Zisl Slepovitch → Composer has been recommended via Itamar Borochov.
    • December 5, 2022
  • Itamar Borochov
    Zisl Slepovitch → Clarinet has been recommended via Itamar Borochov.
    • December 5, 2022
  • Itamar Borochov
    Zisl Slepovitch → Belarus has been recommended via Itamar Borochov.
    • December 5, 2022
  • Itamar Borochov
    A category was added to Itamar Borochov:
    New York City
    • June 30, 2022
  • Itamar Borochov
    A category was added to Itamar Borochov:
    Israel
    • June 30, 2022
  • Itamar Borochov
    A category was added to Itamar Borochov:
    Composer
    • June 30, 2022
  • Itamar Borochov
    A category was added to Itamar Borochov:
    Jaffa
    • June 30, 2022
  • Itamar Borochov
    A category was added to Itamar Borochov:
    Multi-Cultural
    • June 30, 2022
  • Itamar Borochov
    A category was added to Itamar Borochov:
    Jazz
    • June 30, 2022
  • Itamar Borochov
    A category was added to Itamar Borochov:
    Trumpet
    • June 30, 2022
  • Itamar Borochov
    A video was posted re Itamar Borochov:
    Itamar Borochov - DIRGE - Live at Leopolis Jazz Festival - Lviv, Ukraine
    Itamar Borochov live at Leopolis Jazz Festival - Lviv, Ukraine June 2021 Dirge - Composer: Itamar Borochov Itamar Borochov, trumpet; Rob Clearfield, piano; Sam Weber, bass; Jay Sawyer, drums.
    • June 30, 2022
  • Itamar Borochov
    A video was posted re Itamar Borochov:
    Itamar Borochov Live at WOMEX 2019 - Daasa!
    Itamar Borochov Live at WOMEX 2019 - Daasa! (I.Borochov) Intro: Psalms 84 (Traditional Bukhari) Itamar Borochov - trumpet, vocals, effects Rob Clearfield - piano, Fender Rhodes, effects Cedric Raymond - bass Jay Sawyer - drums, percussion
    • June 30, 2022
  • Itamar Borochov
    A video was posted re Itamar Borochov:
    ITAMAR BOROCHOV "Blue Nights" - Live
    Réalisation : Loïc LÉGLISE - Studio de l'Ermitage Lumières : Maxime BARON Son : François RENAULT Filmé au Studio de l’Ermitage le 25.09.19 (Paris 20 - FR) Sortie de l'album "Blue Nights"
    • June 30, 2022
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  • English (Portuguese →)
  • (← Inglês) Português

English (Portuguese →)

 

PATHWAYS
from Brazil, with love

"I am thrilled to receive your email! Thank you for including me in this wonderful matrix."
✅—Susan Rogers
Personal recording engineer: Prince, Paisley Park
Director: Music Perception & Cognition Laboratory, Berklee College of Music
Author: This Is What It Sounds Like: What the Music You Love Says About You

 

 

The Matrix was Born in Brazil, but It Embraces the Entire World

Why Brazil?

 

Brazil is not a European nation. It's not a North American nation. It's not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn.

 

Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin (Bahia's Bay of All Saints received more enslaved human beings than any other final port-of-call throughout all of human history).

 

Brazil was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people).

 

Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David.

 

Three cultures — from three continents — running for their lives, their confluence forming a scintillatingly unprecedented fourth. Pandeirista on the roof.

 

Brazil itself is a matrix. Nowhere else but here.


Music & lyrics (Brasil Pandeiro) by Assis Valente of Santo Amaro, Bahia, Brazil. Video by Betão Aguiar of Salvador.

The matrix was created in Salvador's Centro Histórico, where Bule Bule above, among magisterial colleagues for whom this matrix was originally built (it's now open to all in the Global Creative Economy) sings, "Chegou a hora dessa gente bronzeada mostrar seu valor... The time has come for these bronzed people to show their worth..."

...the endeavor motivated in the first instance by the fact that in common with most cultures around our planet, the preponderance of Brazil's vast cultural treasure has been impossible to find from outside of circumscribed regions, including Brazil itself...

Thus something new under the tropical sun: A means by which those above, those below, and EVERYBODY ELSE in the creative economy can be divulged EVERYWHERE.

For by the seemingly magical mathematics of the small world phenomenon, all in the matrix will tend to proximity to all others, in the same way that most human beings are within some six or so steps of most others.

The difference being that in the matrix, these steps are along pathways that can be travelled. The creative world becomes a neighborhood. Quincy Jones is right up the street and Branford Marsalis around the corner. And the most far-flung genius you've never heard of is just a few doors down. Maybe even in Brazil. Laroyê!

 

"Matrixado!"
✅—Founding Member Darius Mans
Economist, PhD, Massachusetts Institute of Technology
✅—Luiz Inácio Lula da Silva
President of Brazil

"Many thanks for this - I am  touched!"

✅—Julian Lloyd Webber
That most fabled cellist in the United Kingdom (and Brazilian music fan)

"I'm truly thankful... Sohlangana ngokuzayo :)"
✅—Nduduzo Makhathini
Blue Note recording artist)

"Thanks, this is a brilliant idea!!"
✅—Alicia Svigals
Founder of The Klezmatics

"This is super impressive work ! Congratulations ! Thanks for including me :)))"
✅—Clarice Assad
Compositions recorded by Yo Yo Ma and played by orchestras around the world

"Thank you"
(Banch Abegaze, manager)
✅—Kamasi Washington

 


The matrix is the ultimate evolution of a pathway which began in New York City decades ago per the "rescue" of unpaid royalties, performance & mechanicals, for artists burned by major labels: Aretha Franklin, Barbra Streisand, Mongo Santamaria, Gilberto Gil, Astrud Gilberto, Airto Moreira, Jim Hall, Led Zeppelin, Philip Glass, Clement "Coxsone" Dodd of Kingston's Studio One (Bob Marley's producer; I made a copy of his original contract with Bob to take to CBS Records to argue; Bob was 17 when he signed and his aunt co-signed)...
...Funk Brother Wah Wah Watson (Melvin Ragin) and others. A long and winding road that led inexorably to the necessity of a truly open arts universe, for there is more in Heaven and Earth...

Tap people, tap categories, tap curations... The matrix is a maze of tunnels within King Solomon's creative mines.

(← Inglês) Português

 

CAMINHOS
do Brasil, com amor

"Fico muitíssimo feliz em receber seu e-mail! Obrigada por me incluir neste matrix maravilhoso."
✅—Susan Rogers
Engenheiro de gravação pessoal para Prince: Paisley Park
Diretora: Laboratório de Percepção e Cognição Musical, Berklee College of Music
Autora: This Is What It Sounds Like: What the Music You Love Says About You

 

 

O Matrix Nasceu no Brasil, mas Abraça o Mundo Inteiro

Por que construir o matrix no Brasil?

 

O Brasil não é uma nação européia. Não é uma nação norte-americana. Não é uma nação do leste asiático. Compreende — selva e deserto e centros urbanos densos — tanto o equador quanto o Trópico de Capricórnio.

 

O Brasil absorveu mais de dez vezes o número de africanos escravizados levados para os Estados Unidos da América, e é um repositório de divindades africanas (e sua música) agora em grande parte esquecido em suas terras de origem (a Baía de Todos os Santos recebeu mais seres humanos escravizados do que qualquer outro porto de escala final ao longo de toda a história humana).

 

O Brasil era um refúgio (de certa forma) para os sefarditas que fugiam de uma Inquisição que os seguia através do Atlântico (aquele símbolo não oficial da música nacional brasileira — o pandeiro — foi quase certamente trazido ao Brasil por esse povo).

 

Através das savanas ressequidas do interior do culturalmente fecundo nordeste, onde o mago Hermeto Pascoal nasceu na Lagoa da Canoa e cresceu em Olho d'Águia, uma grande parte da população aborígine do Brasil foi absorvida por uma cultura caboclo/quilombola pontuada pela Estrela de Davi.

 
Três culturas - de três continentes - correndo por suas vidas, sua confluência formando uma quarta cintilante e sem precedentes. Pandeirista no telhado.

 

Brasil é um matrix mesmo. Em nenhum outro lugar a não ser aqui.


Música & letras (Brasil Pandeiro) por Assis Valente de Santo Amaro, Bahia. Vídeo por Betão Aguiar de Salvador.

O matrix foi criado no Centro Histórico de Salvador, onde Bule Bule acima, entre colegas magisteriais para quem este matrix foi originalmente construído (está aberto agora a todos na Economia Criativa Global) canta, "Chegou a hora dessa gente bronzeada mostrar seu valor..."

...o empreendimento motivado na primeira instância pelo fato de que em comum com a maioria das culturas ao redor do nosso planeta, a preponderância do vasto tesouro cultural do Brasil tem sido impossível de encontrar fora de regiões circunscritas, incluindo o próprio Brasil.

Assim algo novo sob o sol tropical: Um meio pelo qual os acima, os abaixo e TODOS OS OUTROS na economia criativa podem ser divulgados em TODOS OS LUGARES.

Pela matemática aparentemente mágica do fenômeno do mundo pequeno, todos no matrix tenderão a se aproximar de todos, da mesma forma que a maioria dos seres humanos estão dentro de cerca de seis passos da maioria dos outros.

Com a diferença que no matrix, estes passos estão ao longo de caminhos que podem ser percorridos. O mundo criativo se torna uma vizinhança. Quincy Jones está lá em cima e Branford Marsalis está ao virar da esquina. E o gênio distante que você nunca ouviu falar tá lá embaixo. Talvez até no Brasil. Laroyê!

 

"Matrixado!"
✅—Membro Fundador Darius Mans
Economista, doutorado, Massachusetts Institute of Technology
✅—Luiz Inácio Lula da Silva
Presidente do Brasil

"Muito obrigado por isso - estou tocado!"

✅—Julian Lloyd Webber
Estamos tocados também Sr. Webber!
Merecidamente o violoncelista mais lendário do Reino Unido (e fã da música brasileira)

"Estou realmente agradecido... Sohlangana ngokuzayo :)"
✅—Nduduzo Makhathini
Artista da Blue Note)

"Obrigada, esta é uma ideia brilhante!!"
✅—Alicia Svigals
Fundadora do The Klezmatics

"Este é um trabalho super impressionante! Parabéns! Obrigada por me incluir :)))"
✅—Clarice Assad
Composições gravadas por Yo Yo Ma e tocadas por orquestras ao redor do mundo

"Thank you"
(Banch Abegaze, empresário)
✅—Kamasi Washington


O matrix é a evolução definitiva de um caminho que começou em Nova York há décadas atrás pelo "resgate" dos direitos autorais não pagos para Aretha Franklin, Barbra Streisand, Mongo Santamaria, Gilberto Gil, Astrud Gilberto, Airto Moreira, Jim Hall, Led Zeppelin, Philip Glass, Clement "Coxsone" Dodd do Studio One de Kingston (o produtor de Bob Marley; Eu fiz uma cópia de seu contrato original com Bob para levar à CBS Records para discutir; Bob tinha 17 anos quando assinou e sua tia co-assinou)...
...Funk Brother Wah Wah Watson (Melvin Ragin) e outros. Um longo e sinuoso caminho que levou inexoravelmente à necessidade de um universo de artes verdadeiramente aberto, pois há mais no Céu e na Terra...

Toque em pessoas, toque em categorias, toque em curadoria... O matrix é um labirinto de túneis dentro das minas criativas do Rei Salomão.

  • Custódio Castelo Compositor, Composer
  • Francisco Mela Jazz
  • James Gadson Soul
  • Jon Otis Singer-Songwriter
  • Jorge Alfredo Bahia
  • Cédric Villani Paris
  • Béco Dranoff New York City
  • Negrizu Candomblé
  • Philip Glass Piano
  • Jacob Collier Songwriter
  • Marcel Powell Guitar
  • MicroTrio de Ivan Huol Bahia
  • Gabrielzinho do Irajá Partideiro
  • Siphiwe Mhlambi Photographer
  • Muhsinah R&B
  • Miroslav Tadić Guitar
  • Noam Pikelny Banjo Instruction
  • John Patrick Murphy Author
  • Cássio Nobre Chula
  • Adam Cruz Jazz
  • Herlin Riley Tambourine
  • Armen Donelian New School Faculty
  • Scotty Apex Los Angeles
  • Horácio Reis Faculdade da Ucsal, Catholic University of Salvador Faculty
  • Dan Nimmer Composer
  • Ben Harper Singer-Songwriter
  • Victor Wooten Berklee College of Music Faculty
  • Larry McCray Guitar
  • Jon Madof Development Consultant
  • Ayrson Heráclito Candomblé
  • MicroTrio de Ivan Huol Salvador
  • Reggie Ugwu Journalist
  • Yotam Silberstein Composer
  • Tommy Peoples Donegal Fiddle
  • Diedrich Diederichsen Music Journalist
  • Frank Beacham Storyteller
  • Concha Buika Equatorial Guinea
  • Steve Earle Americana
  • Quatuor Ebène Classicalized Crossover
  • Celsinho Silva Pandeiro
  • Alex Conde Composer
  • Lívia Mattos Bahia
  • Ricardo Markis Diretor Musical, Music Director
  • Craig Ross Record Producer
  • Michael Janisch Funk
  • Karsh Kale कर्ष काळे Indian Classical Music
  • Pharoah Sanders Jazz
  • John Edwin Mason African History
  • Casa PretaHub Cachoeira Estúdio de Fotografía, Photography Studio
  • Bruno Monteiro Ativista Cultural, Cultural Activist
  • Hopkinson Smith Schola Cantorum Basiliensis Faculty
  • Steve Abbott Singer-Songwriter
  • Jakub Knera Writer
  • Lorna Simpson Painter
  • Andrew Finn Magill Fiddle
  • Carl Allen New York City
  • Joe Newberry Raleigh
  • Dave Douglas Record Label Owner
  • Carrtoons Songwriter
  • Herlin Riley Jazz
  • Gustavo Caribé Bahia
  • Jonathan Scales New York City
  • Joachim Cooder Multi-Cultural
  • Negra Jhô African Hairstyles
  • Cyro Baptista New York City
  • David Byrne Record Label Owner
  • Oswaldo Amorim Composer
  • Joan Chamorro Spain
  • Terell Stafford New York City
  • Chris Thile Mandolin
  • Becca Stevens Brooklyn, NY
  • Paolo Fresu Trumpet
  • Mahsa Vahdat Multi-Cultural
  • Ramita Navai Documentary Filmmaker
  • Michelle Mercer Music Critic
  • Rumaan Alam Short Stories
  • Omar Sosa Multi-Cultural
  • Seckou Keita Kora
  • Sarah Jarosz Texas
  • Ivan Bastos Música Afro-Baiana, Afro-Bahian Music
  • Fred Hersch Rutgers University Faculty
  • Casa PretaHub Cachoeira Brasil, Brazil
  • Rodrigo Caçapa Música Nordestina
  • Steve McKeever Record Label Owner
  • Dona Dalva Bahia
  • Celino dos Santos Brazil
  • A-KILL Street Artist
  • Shalom Adonai Chula
  • Michael Pipoquinha Composer
  • Grant Rindner Journalist
  • Nicholas Daniel Classical Music
  • Greg Osby Composer
  • Mino Cinélu New York City
  • Maladitso Band Singers-Songwriters
  • Gal Costa Salvador
  • Gustavo Di Dalva Bahia
  • Andy Kershaw Journalist
  • Benny Benack III Singer-Songwriter
  • Quincy Jones Record Producer
  • Immanuel Wilkins New York City
  • Varijashree Venugopal Composer
  • Jaques Morelenbaum Bossa Nova
  • João Callado Choro
  • Jas Kayser London
  • Nicholas Payton Record Label Owner
  • Mohini Dey Indian Fusion
  • Joe Lovano Jazz
  • Oswaldo Amorim Escola de Música de Brasília Faculty
  • Cathal McNaughton Street Photography Workshops
  • Margaret Renkl Journalist
  • Adonis Rose Record Producer
  • Mateus Aleluia Samba
  • Robb Royer Screenwriter
  • Adam Shatz Literary Critic
  • Kurt Andersen Novelist
  • Cedric Watson Zydeco
  • Stephen Guerra New York City
  • Justin Brown Jazz
  • Norah Jones Singer-Songwriter
  • John Francis Flynn Ireland
  • Luiz Inácio Lula da Silva Servidor Público, Public Servant
  • Jovino Santos Neto Brazilian Jazz
  • Liam Farrell 'Dr L' African Music
  • Giba Gonçalves Brazil
  • Jon Batiste Multi-Instrumentalist
  • Arany Santana Ativista do Movimento Negro, Black Power Movement Activist
  • Ricardo Herz Brazilian Jazz
  • Marc Johnson Bossa Nova
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