CURATION
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from this page:
by Matrix
Network Node
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Name:
Alegre Corrêa
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City/Place:
Florianópolis, Santa Catarina
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Country:
Brazil
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Hometown:
Passo Fundo, Rio Grande do Sul
Life & Work
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Bio:
Músico autodidata, Alegre deu início à sua carreira em 1973, aos 13 anos, quando começou a tocar guitarra em bandas de bailes. Na década de 1980, mudou-se para Florianópolis, onde integrou a Banda de Neutrons ao lado do saxofonista e flautista Letieres Leite. Posteriormente, em Porto Alegre (RS), fundou o Circuito Emocional e colaborou em shows e gravações com artistas locais após a dissolução do grupo. Sua jornada musical o levou a Santa Rosa (RS), onde colaborou com o acordeonista Luiz Carlos Borges.
Em 1987, conquistou o primeiro lugar no festival FAMPOP, em Avaré (SP), com a música "Terça-feira". No ano seguinte, participou do Mato Grosso Group em Viena, gravando o CD "Brasileiro". Em 1992, criou o Grupo Alma, gravando o álbum "Gaúcho Rider" na Suíça com Luiz Carlos Borges. Ao longo dos anos, apresentou-se com diversos artistas europeus e recebeu reconhecimento em festivais no Brasil e no exterior.
Seu álbum de estreia como artista solo, "Infância", foi lançado em 1993, patrocinado pela Thomastik-Infeld. Em 1995, com o Alegre Corrêa Sextett, gravou "Negro Coração", com participação de Hermeto Pascoal. Em 1997, lançou "Terra Mágica" com o Alegre Corrêa Sextett, seguido por "Handmade" em 1999, em parceria com Guinha Ramires. Em 2000, tornou-se o primeiro músico brasileiro a integrar a Vienna Art Orchestra, participando do Concerto de Ano Novo em Viena.
Ao longo dos anos 2000, continuou a expandir sua carreira, colaborando com renomados músicos e lançando álbuns como "Mauve" (2001), vencedor do prêmio Hans Koller Preis, e "Por Causa do Samba" (2006), com a cantora Ana Paula da Silva. Sua contribuição para a música brasileira foi reconhecida com prêmios e homenagens, incluindo o Grammy Awards em 2009 com Joe Zawinul and the Zawinul Syndicate.
Em 2013, Alegre retornou ao Brasil e lançou "Leme", inspirado na obra de Darius Millor. Em 2015, colaborou com Gerald Preinfalk no álbum "Gêmeos". Nos anos seguintes, participou de diversos festivais e projetos, consolidando sua posição como um dos músicos mais versáteis e respeitados no cenário musical brasileiro e internacional.
English:
Self-taught musician, Alegre began his career in 1973 at the age of 13, playing the guitar in dance bands. In the early 1980s, he moved to Florianópolis, where he joined the Neutrons Band with saxophonist and flutist Letieres Leite. Later, in Porto Alegre (RS), he founded the Emotional Circuit group and collaborated on shows and recordings with local artists after the group dissolved. His musical journey took him to Santa Rosa (RS), where he worked with accordionist Luiz Carlos Borges.
In 1987, he won first place at the FAMPOP festival in Avaré (SP) with the theme "Terça-feira." The following year, he traveled to Vienna as part of the Mato Grosso Group, with which he recorded the CD "Brasileiro" in 1989. In 1992, he formed the Alma Group, recording the "Gaúcho Rider" CD in Switzerland with Luiz Carlos Borges. Over the years, he performed with various European artists and gained recognition at festivals in Brazil and abroad.
His debut solo album, "Infância," was released in 1993, sponsored by Thomastik-Infeld. In 1995, with the Alegre Corrêa Sextet, he recorded "Negro Coração," featuring Hermeto Pascoal. In 1997, he released "Terra Mágica" with the Alegre Corrêa Sextet, followed by "Handmade" in 1999 in collaboration with Guinha Ramires. In 2000, he became the first Brazilian musician to join the Vienna Art Orchestra, participating in the New Year's Concert in Vienna.
Throughout the 2000s, he continued to expand his career, collaborating with renowned musicians and releasing albums such as "Mauve" (2001), winner of the Hans Koller Preis award, and "Por Causa do Samba" (2006) with singer Ana Paula da Silva. His contribution to Brazilian music was recognized with awards and honors, including the Grammy Awards in 2009 with Joe Zawinul and the Zawinul Syndicate.
In 2013, Alegre returned to Brazil and released "Leme," inspired by the work of Darius Millor. In 2015, he collaborated with Gerald Preinfalk on the album "Gêmeos." In the following years, he participated in various festivals and projects, solidifying his position as one of the most versatile and respected musicians in the Brazilian and international music scene.
Clips (more may be added)
We use the mathematics of the small world phenomenon to transform the creative universe into a creative village wherein all are connected by short pathways to all... (Wolfram explains how above)
This Integrated Global Creative Economy uncoils from a sprawling Indigenous, African, Sephardic and then Ashkenazic, Arabic, European, Asian cultural matrix...
Great culture is great power. From Brazil.
"Thanks, this is a brilliant idea!!"
—Alicia Svigals (NEW YORK CITY): Apotheosis of klezmer violinists
"Dear Sparrow: I am thrilled to receive your email! Thank you for including me in this wonderful matrix."
—Susan Rogers (BOSTON): Director of the Berklee Music Perception and Cognition Laboratory ... Former personal recording engineer for Prince; "Purple Rain", "Sign o' the Times", "Around the World in a Day"
"Dear Sparrow, Many thanks for this – I am touched!"
—Julian Lloyd Webber (LONDON): Premier cellist in UK; brother of Andrew (Evita, Jesus Christ Superstar, Cats, Phantom of the Opera...)
"This is super impressive work ! Congratulations ! Thanks for including me :)))"
—Clarice Assad (RIO DE JANEIRO/CHICAGO): Pianist and composer with works performed by Yo Yo Ma and orchestras around the world
"We appreciate you including Kamasi in the matrix, Sparrow."
—Banch Abegaze (LOS ANGELES): manager, Kamasi Washington
"Thanks! It looks great!....I didn't write 'Cantaloupe Island' though...Herbie Hancock did! Great Page though, well done! best, Randy"
Our Matrix was conceived under a Spiritus Mundi ranging from the quilombos and senzalas of Cachoeira and Santo Amaro to Havana and the provinces of Cuba to the wards of New Orleans to the South Side of Chicago to the sidewalks of Harlem to the townships of South Africa to the villages of Ireland to the Roma camps of France and Belgium to the Vienna of Beethoven to the shtetls of Eastern Europe...*
Sodré
*...in conversation with Raymundo Sodré, who summed up the irony in this sequence by opining for the ages: "Where there's misery, there's music!" Hence A Massa, anthem for the trod-upon folk of Brazil, which blasted from every radio between the Amazon and Brazil's industrial south until...
And hence a platform whereupon all creators tend to accessible proximity to all other creators, irrespective of degree of fame, location, or the censor.
Matrix Ground Zero is the Recôncavo, bewitching and bewitched, contouring the resplendent Bay of All Saints (end of clip below, before credits), absolute center of terrestrial gravity for the disembarkation of enslaved human beings (and for the sublimity these people created), the bay presided over by Brazil's ineffable Black Rome (where Bule Bule is seated below, around the corner from where we built this matrix as an extension of our record shop).
Assis Valente's (of Santo Amaro, Bahia) "Brasil Pandeiro" filmed by Betão Aguiar
Betão Aguiar
("Black Rome" is an appellation per Caetano, via Mãe Aninha of Ilê Axé Opô Afonjá.)
Replete with Brazilian greatness, but we listened to Miles Davis and Jimmy Cliff in there too; visitors are David Dye & Kim Junod for NPR/WXPN
I opened the shop in Salvador, Bahia in 2005 in order to create an outlet to the wider world for magnificent Brazilian musicians.
Kareem Abdul-Jabbar found us (he's a huge jazz fan), David Byrne, Oscar Castro-Neves... Spike Lee walked past the place while I was sitting on the stoop across the street drinking beer and listening to samba from the speaker in the window...
But we weren't exactly easy for the world-at-large to get to. So in order to extend the place's ethos I transformed the site associated with it into a network wherein Brazilian musicians I knew would recommend other Brazilian musicians, who would recommend others...
And as I anticipated, the chalky hand of God-as-mathematician intervened: In human society — per the small-world phenomenon — most of the billions of us on earth are within some 6 or fewer degrees of each other. Likewise, within a network of interlinked artists as I've described above, most of these artists will in the same manner be at most a handful of steps away from each other.
So then, all that's necessary to put the Brazilians within possible purview of the wide wide world is to include them among a wide wide range of artists around that world.
If, for example, Quincy Jones is inside the matrix, then anybody on his page — whether they be accessing from a campus in L.A., a pub in Dublin, a shebeen in Cape Town, a tent in Mongolia — will be close, transitable steps away from Raymundo Sodré, even if they know nothing of Brazil and are unaware that Sodré sings/dances upon this planet. Sodré, having been knocked from the perch of fame and ground into anonymity by Brazil's dictatorship, has now the alternative of access to the world-at-large via recourse to the vast potential of network theory.
...to the degree that other artists et al — writers, researchers, filmmakers, painters, choreographers...everywhere — do also. Artificial intelligence not required. Real intelligence, yes.
The deep roots of this project are in Manhattan, where Allen Klein (managed the Beatles and The Rolling Stones) called me about royalties for the estate of Sam Cooke... where Jerry Ragovoy (co-wrote Time is On My Side, sung by the Stones; Piece of My Heart, Janis Joplin of course; and Pata Pata, sung by the great Miriam Makeba) called me looking for unpaid royalties... where I did contract and licensing for Carlinhos Brown's participation on Bahia Black with Wayne Shorter and Herbie Hancock...
...where I rescued unpaid royalties for Aretha Franklin (from Atlantic Records), Barbra Streisand (from CBS Records), Led Zeppelin, Mongo Santamaria, Gilberto Gil, Astrud Gilberto, Airto Moreira, Jim Hall, Wah Wah Watson (Melvin Ragin), Ray Barretto, Philip Glass, Clement "Sir Coxsone" Dodd for his interest in Bob Marley compositions, Cat Stevens/Yusuf Islam and others...
...where I worked with Earl "Speedo" Carroll of the Cadillacs (who went from doo-wopping as a kid on Harlem streetcorners to top of the charts to working as a janitor at P.S. 87 in Manhattan without ever losing what it was that made him special in the first place), and with Jake and Zeke Carey of The Flamingos (I Only Have Eyes for You)... stuff like that.
Yeah this is Bob's first record contract, made with Clement "Sir Coxsone" Dodd of Studio One and co-signed by his aunt because he was under 21. I took it to Black Rock to argue with CBS' lawyers about the royalties they didn't want to pay (they paid).
Matrix founding creators are behind "one of 10 of the best (radios) around the world", per The Guardian.
Salvador is our base. If you plan to visit Bahia, there are some things you should probably know and you should first visit:
www.salvadorbahiabrazil.comAcross the creative universe... For another list, reload page.
This list is random, and incomplete. Reload the page for another list.
Wolfram MathWorld
Ex Terra Brasilis
Alicia Svigals
Susan Rogers
Julian Lloyd Webber
Clarice Assad
Kamasi Washington
Randy Brecker
Roberto Mendes
Luciano Calazans
Gustavo Caribé
J Velloso
Lázaro Ramos
Fernando Guerreiro
Maria Marighella
Russell Okung
Bule Bule
Caetano Veloso
RÁDIO MATRIX