• Artists by Category
  • Categories are Here!
  • Matrix Rádio
  • Matrix Home
  • Showcase Music
  • Add Videos/SC
  • Add Photos
  • Questions?
  • Sign up
  • Sign in
    Loading ...
View All Updates Mark All Read
  • Teresa Cristina

    THE INTEGRATED GLOBAL
    CREATIVE ECONOMY

    promulgated by
    The Brazilian Ministry of Culture

    fomented by
    The Bahian Secretary of Culture

    fomented by
    The Palmares Foundation
    for the promotion of Afro-Brazilian Culture

    fomented by
    The National Foundation of Indigenous Peoples

    I CURATE/pathways out

Network Node

  • Name: Teresa Cristina
  • City/Place: Rio de Janeiro
  • Country: Brazil

CURATION

  • from this node by: Criador acima/Creator above

Current News

  • What's Up? “Comecei a cantar por causa de Candeia. Achava que meu primeiro disco seria em homenagem a ele, mas segui outro caminho. Minha vida se divide em a.C. e d.C. Antes de Candeia e depois de Candeia'.”

Life & Work

  • Bio: Teresa Cristina is a samba singer from Rio de Janeiro.

Contact Information

  • Email: [email protected]
  • Telephone: +55 (21) 4040-4994

Media | Markets

  • ▶ Twitter: teresacristina
  • ▶ Instagram: teresacristinaoficial
  • ▶ YouTube Channel: http://www.youtube.com/channel/UCrs_t3HCEvhynFElI2fY1Fw
  • ▶ YouTube Music: http://music.youtube.com/channel/UCixrQAzsxM2fh-fIvLEZEwA
  • ▶ Spotify: http://open.spotify.com/album/26Jc7aEiLIIevJY70TtDJW
  • ▶ Spotify 2: http://open.spotify.com/album/34rqL2ZliLvTHoZ8AzVbi8
  • ▶ Spotify 3: http://open.spotify.com/album/4mQwmzfdNHbNNtvHeS6H6D
  • ▶ Spotify 4: http://open.spotify.com/album/65eRoM1vXgIGR36gKpwkii
  • ▶ Spotify 5: http://open.spotify.com/album/0JIxB1aEXbAaYKWfwNDgzg
  • ▶ Spotify 6: http://open.spotify.com/album/3JetnGaI0LSpY0HtoM2Ci5

Clips (more may be added)

  • Preciso me Encontrar
    By Teresa Cristina
    643 views
Previous
Next

Teresa Cristina Curated
pathways in

  • 6 Brasil, Brazil
  • 6 Rio de Janeiro
  • 6 Samba
  • 6 Singer
  • 6 Songwriter

What's Been Happening?

The post was not added to the feed. Please check your privacy settings.
  • Teresa Cristina
    Maria Calú → Violão, Guitar has been recommended via Teresa Cristina.
    • Mar 20
  • Teresa Cristina
    Maria Calú → Samba de Roda has been recommended via Teresa Cristina.
    • Mar 20
  • Teresa Cristina
    Maria Calú → MTB (Música Tradicional Brasileira) has been recommended via Teresa Cristina.
    • Mar 20
  • Teresa Cristina
    Maria Calú → Igatu has been recommended via Teresa Cristina.
    • Mar 20
  • Teresa Cristina
    Maria Calú → Chapada Diamantina has been recommended via Teresa Cristina.
    • Mar 20
  • Teresa Cristina
    Maria Calú → Capoeira has been recommended via Teresa Cristina.
    • Mar 20
  • Teresa Cristina
    Maria Calú → Brasil, Brazil has been recommended via Teresa Cristina.
    • Mar 20
  • Teresa Cristina
    Maria Calú → Cantora-Compositora, Singer-Songwriter has been recommended via Teresa Cristina.
    • Mar 20
  • Teresa Cristina
    Maria Calú → Bahia has been recommended via Teresa Cristina.
    • Mar 20
  • Teresa Cristina
    Maria Calú → Atriz, Actor has been recommended via Teresa Cristina.
    • Mar 20
  • Teresa Cristina
    Estação Primeira de Mangueira → Rio de Janeiro has been recommended via Teresa Cristina.
    • December 14, 2022
  • Teresa Cristina
    Estação Primeira de Mangueira → Escola de Samba, Samba School has been recommended via Teresa Cristina.
    • December 14, 2022
  • Teresa Cristina
    Estação Primeira de Mangueira → Brasil, Brazil has been recommended via Teresa Cristina.
    • December 14, 2022
  • Teresa Cristina
    Luiz Inácio Lula da Silva → Sindicalista, Union Leader has been recommended via Teresa Cristina.
    • November 29, 2022
  • Teresa Cristina
    Luiz Inácio Lula da Silva → Servidor Público, Public Servant has been recommended via Teresa Cristina.
    • November 29, 2022
  • Teresa Cristina
    Luiz Inácio Lula da Silva → Presidente do Brasil, President of Brazil has been recommended via Teresa Cristina.
    • November 29, 2022
  • Teresa Cristina
    Luiz Inácio Lula da Silva → Metalúrgico, Metal Worker has been recommended via Teresa Cristina.
    • November 29, 2022
  • Teresa Cristina
    Luiz Inácio Lula da Silva → Brasil, Brazil has been recommended via Teresa Cristina.
    • November 29, 2022
  • Teresa Cristina
    Casa PretaHub Cachoeira → Estúdio de Gravação, Recording Studio has been recommended via Teresa Cristina.
    • June 18, 2022
  • Teresa Cristina
    Casa PretaHub Cachoeira → Estúdio de Fotografía, Photography Studio has been recommended via Teresa Cristina.
    • June 18, 2022
View More
Loading ...
  • ENGLISH (pra Portuguese →)
  • PORTUGUÊS (to English →)

ENGLISH (pra Portuguese →)

 

WHO IS INSIDE THIS GLOBAL MATRIX?

Explore above for a complete list of artists and other members of the creative economy.


WHY BRAZIL?

Brazil is not a European nation. It's not a North American nation. It's not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn.

 

Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin.

 

Brazil was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — the hand drum in the opening scene above — was almost certainly brought to Brazil by these people).

 

Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David.

 

Three cultures — from three continents — running for their lives, their confluence forming a scintillatingly unprecedented fourth. Pandeirista on the roof.

 

Nowhere else but here. Brazil itself is a matrix.

 


✅—João do Boi
João had something priceless to offer the world.
But he was impossible for the world to find...
✅—Pardal/Sparrow
PATHWAYS
from Brazil, with love
THE MISSION: Beginning with the atavistic genius of the Recôncavo (per "RESPLENDENT BAHIA..." below) & the great sertão (the backlands of Brazil's nordeste) — make artists across Brazil — and around the world — discoverable as they never were before.

HOW: Integrate them into a vast matrixed ecosystem together with musicians, writers, filmmakers, painters, choreographers, fashion designers, educators, chefs et al from all over the planet (are you in this ecosystem?) such that these artists all tend to be connected to each other via short, discoverable, accessible pathways. Q.E.D.

"Matrixado! Laroyê!"
✅—Founding Member Darius Mans
Economist, PhD, Massachusetts Institute of Technology
✅—Luiz Inácio Lula da Silva
President of Brazil


The matrix was created in Salvador's Centro Histórico, where Bule Bule below, among first-generation matrixed colleagues, sings "Chegou a hora dessa gente bronzeada mostrar seu valor... The time has come for these bronzed people to show their worth..."

Music & lyrics (Brasil Pandeiro) by Assis Valente of Santo Amaro, Bahia, Brazil. Video by Betão Aguiar of Salvador.

...the endeavor motivated in the first instance by the fact that in common with most cultures around our planet, the preponderance of Brazil's vast cultural treasure has been impossible to find from outside of circumscribed regions, including Brazil itself...

Thus something new under the tropical sun: Open curation beginning with Brazilian musicians recommending other Brazilian musicians and moving on around the globe...

Where by the seemingly magical mathematics of the small world phenomenon, and in the same way that most human beings are within some six or so steps of most others, all in the matrix tend to proximity to all others...

The difference being that in the matrix, these steps are along pathways that can be travelled. The creative world becomes a neighborhood. Quincy Jones is right up the street and Branford Marsalis around the corner. And the most far-flung genius you've never heard of is just a few doors down. Maybe even in Brazil.

"I am thrilled to receive your email! Thank you for including me in this wonderful matrix."
✅—Susan Rogers
Personal recording engineer: Prince, Paisley Park Recording Studio
Director: Music Perception & Cognition Laboratory, Berklee College of Music
Author: This Is What It Sounds Like: What the Music You Love Says About You

"Many thanks for this - I am  touched!"
✅—Julian Lloyd Webber
That most fabled cellist in the United Kingdom (and Brazilian music fan)

"I'm truly thankful... Sohlangana ngokuzayo :)"
✅—Nduduzo Makhathini
Blue Note recording artist

"Thanks, this is a brilliant idea!!"
✅—Alicia Svigals
Founder of The Klezmatics

"This is super impressive work ! Congratulations ! Thanks for including me :)))"
✅—Clarice Assad
Compositions recorded by Yo Yo Ma and played by orchestras around the world

"Thank you"
(Banch Abegaze, manager)
✅—Kamasi Washington


RESPLENDENT BAHIA...

...is a hot cauldron of rhythms and musical styles, but one particular style here is so utterly essential, so utterly fundamental not only to Bahian music specifically but to Brazilian music in general — occupying a place here analogous to that of the blues in the United States — that it deserves singling out. It is derived from (or some say brother to) the cabila rhythm of candomblé angola… …and it is called…

Samba Chula / Samba de Roda

Mother of Samba… daughter of destiny carried to Bahia by Bantus ensconced within the holds of negreiros entering the great Bahia de Todos os Santos (the term referring both to a dance and to the style of music which evolved to accompany that dance; the official orthography of “Bahia” — in the sense of “bay” — has since been changed to “Baía”)… evolved on the sugarcane plantations of the Recôncavo (that fertile area around the bay, the concave shape of which gave rise to the region’s name) — in the vicinity of towns like Cachoeira and Santo Amaro, Santiago do Iguape and Acupe. This proto-samba has unfortunately fallen into the wayside of hard to find and hear…

There’s a lot of spectacle in Bahia…

Carnival with its trio elétricos — sound-trucks with musicians on top — looking like interstellar semi-trailers back from the future…shows of MPB (música popular brasileira) in Salvador’s Teatro Castro Alves (biggest stage in South America!) with full production value, the audience seated (as always in modern theaters) like Easter Island statues…

…glamour, glitz, money, power and press agents…

And then there’s where it all came from…the far side of the bay, a land of subsistence farmers and fishermen, many of the older people unable to read or write…their sambas the precursor to all this, without which none of the above would exist, their melodies — when not created by themselves — the inventions of people like them but now forgotten (as most of these people will be within a couple of generations or so of their passing), their rhythms a constant state of inconstancy and flux, played in a manner unlike (most) any group of musicians north of the Tropic of Cancer…making the metronome-like sledgehammering of the Hit Parade of the past several decades almost wincefully painful to listen to after one’s ears have become accustomed to evershifting rhythms played like the aurora borealis looks…

So there’s the spectacle, and there’s the spectacular, and more often than not the latter is found far afield from the former, among the poor folk in the villages and the backlands, the humble and the honest, people who can say more (like an old delta bluesman playing a beat-up guitar on a sagging back porch) with a pandeiro (Brazilian tambourine) and a chula (a shouted/sung “folksong”) than most with whatever technology and support money can buy. The heart of this matter, is out there. If you ask me anyway.

Above, the incomparable João do Boi, chuleiro, recently deceased.

 

 

PORTUGUÊS (to English →)

 

QUEM ESTÁ DENTRO DESTE MATRIX?

Explore acima para uma lista completa de artistas e outros membros da economia criativa global.


POR QUE BRASIL?

O Brasil não é uma nação européia. Não é uma nação norte-americana. Não é uma nação do leste asiático. Compreende — selva e deserto e centros urbanos densos — tanto o equador quanto o Trópico de Capricórnio.

 

O Brasil absorveu mais de dez vezes o número de africanos escravizados levados para os Estados Unidos da América, e é um repositório de divindades africanas (e sua música) agora em grande parte esquecido em suas terras de origem.

 

O Brasil era um refúgio (de certa forma) para os sefarditas que fugiam de uma Inquisição que os seguia através do Atlântico (aquele símbolo não oficial da música nacional brasileira — o pandeiro — foi quase certamente trazido ao Brasil por esse povo).

 

Através das savanas ressequidas do interior do culturalmente fecundo nordeste, onde o mago Hermeto Pascoal nasceu na Lagoa da Canoa e cresceu em Olho d'Águia, uma grande parte da população aborígine do Brasil foi absorvida por uma cultura caboclo/quilombola pontuada pela Estrela de Davi.

 

Três culturas — de três continentes — correndo por suas vidas, sua confluência formando uma quarta cintilante e sem precedentes. Pandeirista no telhado.

 

Em nenhum outro lugar a não ser aqui. Brasil é um matrix mesmo.

 


✅—João do Boi
João tinha algo inestimável pro mundo.
Mas ele era impossível pro mundo encontrar...
✅—Pardal/Sparrow
CAMINHOS
do Brasil, com amor
A MISSÃO: Começando com a atávica genialidade do Recôncavo (conforme "RESPLANDECENTE BAHIA..." abaixo) e do grande sertão — tornar artistas através do Brasil — e ao redor do mundo — descobriveis como nunca foram antes.

COMO: Integrá-los num vasto ecosistema matrixado, juntos com músicos, escritores, cineastas, pintores, coreógrafos, designers de moda, educadores, chefs e outros de todos os lugares (você está neste ecosistema?) de modo que todos esses artistas tendem a estar ligados entre si por caminhos curtos, descobriveis e acessíveis. Q.E.D.

"Matrixado! Laroyê!"
✅—Membro Fundador Darius Mans
Economista, doutorado, Massachusetts Institute of Technology
✅—Luiz Inácio Lula da Silva
Presidente do Brasil


O matrix foi criado no Centro Histórico de Salvador, onde Bule Bule no clipe, entre colegas da primeira geração no matrix, canta "Chegou a hora dessa gente bronzeada mostrar seu valor..."

Música & letras (Brasil Pandeiro) por Assis Valente de Santo Amaro, Bahia. Vídeo por Betão Aguiar de Salvador.

...o empreendimento motivado na primeira instância pelo fato de que em comum com a maioria das culturas ao redor do nosso planeta, a preponderância do vasto tesouro cultural do Brasil tem sido impossível de encontrar fora de regiões circunscritas, incluindo o próprio Brasil.

Assim, algo novo sob o sol tropical: Curadoria aberta começando com músicos brasileiros recomendando outros músicos brasileiros e avançando ao redor do globo...

Onde pela matemática aparentemente mágica do fenômeno do mundo pequeno, e da mesma forma que a maioria dos seres humanos estão dentro de cerca de seis passos da maioria dos outros, todos no matrix tendem a se aproximar de todos...

Com a diferença que no matrix, estes passos estão ao longo de caminhos que podem ser percorridos. O mundo criativo se torna uma vizinhança. Quincy Jones está lá em cima e Branford Marsalis está ao virar da esquina. E o gênio distante que você nunca ouviu falar tá lá embaixo. Talvez até no Brasil.

"Obrigada por me incluir neste matrix maravilhoso!"
✅—Susan Rogers
Engenheiro de gravação pessoal para Prince: Paisley Park Estúdio de Gravação
Diretora: Laboratório de Percepção e Cognição Musical, Berklee College of Music
Autora: This Is What It Sounds Like: What the Music You Love Says About You

"Muito obrigado por isso - estou tocado!"
✅—Julian Lloyd Webber
Merecidamente o violoncelista mais lendário do Reino Unido (e fã da música brasileira)

"Estou realmente agradecido... Sohlangana ngokuzayo :)"
✅—Nduduzo Makhathini
Artista da Blue Note

"Obrigada, esta é uma ideia brilhante!!"
✅—Alicia Svigals
Fundadora do The Klezmatics

"Este é um trabalho super impressionante! Parabéns! Obrigada por me incluir :)))"
✅—Clarice Assad
Composições gravadas por Yo Yo Ma e tocadas por orquestras ao redor do mundo

"Thank you"
(Banch Abegaze, empresário)
✅—Kamasi Washington


RESPLANDECENTE BAHIA...

...é um caldeirão quente de ritmos e estilos musicais, mas um estilo particular aqui é tão essencial, tão fundamental não só para a música baiana especificamente, mas para a música brasileira em geral - ocupando um lugar aqui análogo ao do blues nos Estados Unidos - que merece ser destacado. Ela deriva (ou alguns dizem irmão para) do ritmo cabila do candomblé angola... ...e é chamada de...

Samba Chula / Samba de Roda

Mãe do Samba... filha do destino carregada para a Bahia por Bantus ensconced dentro dos porões de negreiros entrando na grande Bahia de Todos os Santos (o termo refere-se tanto a uma dança quanto ao estilo de música que evoluiu para acompanhar essa dança; a ortografia oficial da "Bahia" - no sentido de "baía" - foi desde então alterada para "Baía")... evoluiu nas plantações de cana de açúcar do Recôncavo (aquela área fértil ao redor da baía, cuja forma côncava deu origem ao nome da região) - nas proximidades de cidades como Cachoeira e Santo Amaro, Santiago do Iguape e Acupe. Este proto-samba infelizmente caiu no caminho de difíceis de encontrar e ouvir...

Há muito espetáculo na Bahia...

Carnaval com seu trio elétrico - caminhões sonoros com músicos no topo - parecendo semi-reboques interestelares de volta do futuro...shows de MPB (música popular brasileira) no Teatro Castro Alves de Salvador (maior palco da América do Sul!) com total valor de produção, o público sentado (como sempre nos teatros modernos) como estátuas da Ilha de Páscoa...

...glamour, glitz, dinheiro, poder e publicitários...

E depois há de onde tudo isso veio... do outro lado da baía, uma terra de agricultores e pescadores de subsistência, muitos dos mais velhos incapazes de ler ou escrever... seus sambas precursores de tudo isso, sem os quais nenhuma das anteriores existiria, suas melodias - quando não criadas por eles mesmos - as invenções de pessoas como eles, mas agora esquecidas (pois a maioria dessas pessoas estará dentro de um par de gerações ou mais), seus ritmos um constante estado de inconstância e fluxo, tocados de uma forma diferente (a maioria) de qualquer grupo de músicos do norte do Trópico de Câncer... fazendo com que o martelo de forja do Hit Parade das últimas décadas seja quase que doloroso de ouvir depois que os ouvidos se acostumam a ritmos sempre mutáveis, tocados como a aurora boreal parece...

Portanto, há o espetáculo, e há o espetacular, e na maioria das vezes o último é encontrado longe do primeiro, entre o povo pobre das aldeias e do sertão, os humildes e os honestos, pessoas que podem dizer mais (como um velho bluesman delta tocando uma guitarra batida em um alpendre flácido) com um pandeiro (pandeiro brasileiro) e uma chula (um "folksong" gritado/cantado) do que a maioria com qualquer tecnologia e dinheiro de apoio que o dinheiro possa comprar. O coração deste assunto, está lá. Se você me perguntar de qualquer forma.

Acima, o incomparável João do Boi, chuleiro, recentemente falecido.

 

 

  • Gilberto Gil Salvador
  • Ben Hazleton Composer
  • Lakecia Benjamin R&B
  • Chief Xian aTunde Adjuah Mardi Gras Indian
  • Academia de Música do Sertão Brasil, Brazil
  • Dave Douglas Trumpet
  • Scotty Apex Hip-Hop
  • Rebeca Tárique Cantora-Compositora, Singer-Songwriter
  • Joel Best London
  • Corey Henry Trombone
  • Colson Whitehead Short Stories
  • Hua Hsu Vassar College Faculty
  • Ronell Johnson Funk
  • Karsh Kale कर्ष काळे Tabla
  • Samuca do Acordeon Milonga
  • Sandra de Sá Violão, Guitar
  • Carlos Malta Rio de Janeiro
  • Keb' Mo' Americana
  • Jill Scott Jazz
  • Warren Wolf Jazz
  • Léo Brasileiro Guitarra, Guitar
  • Ben Monder Jazz
  • Guiga de Ogum Bahia
  • 小野リサ Lisa Ono MPB
  • John Medeski Experimental Music
  • Gearóid Ó hAllmhuráin Uilleann Pipes
  • Weedie Braimah Hip-Hop
  • Neymar Dias Composer
  • Monk Boudreaux R&B
  • Paolo Fresu Bologna, Italy
  • Bongo Joe Records Geneva, Switzerland
  • Les Thompson Singer
  • Michael Pipoquinha Composer
  • Nubya Garcia Saxophone
  • Caridad De La Luz Puerto Rico
  • Jovino Santos Neto Flute
  • Roberto Fonseca Cuba
  • Antonio Sánchez Jazz
  • Ajurinã Zwarg Universal Music
  • James Shapiro Columbia University Faculty
  • Andy Kershaw Radio Presenter
  • Cedric Watson Cajun Music
  • Michael Olatuja Afrobeat
  • Ben Allison Radio Program Scores
  • Yelaine Rodriguez African Diaspora Culture
  • Kiya Tabassian كيا طبسيان Montreal
  • Yotam Silberstein Guitar
  • André Brock Georgia Tech Faculty
  • Dafnis Prieto Afro-Latin Music
  • Ari Hoenig Drums
  • Menelaw Sete Pintor/Painter
  • Wayne Krantz Guitar
  • Alexia Arthurs Writer
  • Will Holshouser Accordion
  • Phakama Mbonambi Publisher
  • Joel Ross Jazz
  • Olga Mieleszczuk Yiddish Folk Songs
  • Nate Smith Drums
  • Brandon J. Acker Lute
  • Marc-André Hamelin Classical Music
  • Samuca do Acordeon Bossa Nova
  • Arto Lindsay New York City
  • Paulo César Figueiredo Rio de Janeiro
  • Dezron Douglas NYU Steinhardt Faculty
  • Johnny Vidacovich Funk
  • David Sacks Washington, D.C.
  • Casa PretaHub Cachoeira Estúdio de Fotografía, Photography Studio
  • Cécile Fromont Martinique
  • Ivan Sacerdote Composer
  • Cassie Kinoshi Jazz
  • Kenny Garrett Flute
  • Maciel Salú Cavalo Marinho
  • Miles Mosley Singer
  • Zé Katimba Cavaquinho
  • Anoushka Shankar Tanpura
  • Ben Wolfe Jazz
  • Gabriel Geszti Rio de Janeiro
  • Zeca Freitas Bahia
  • Luiz Santos Rio de Janeiro
  • Nicolas Krassik MPB
  • Adriano Souza Brazil
  • Peter Slevin Journalist
  • Filhos de Nagô Brazil
  • Luciano Matos Apresentador de Rádio, Radio Presenter
  • Anne Gisleson New Orleans
  • Frank Negrão Salvador
  • Philipp Meyer Novelist
  • Matias Traut Tango
  • Robert Randolph Gospel
  • Christopher Wilkinson Guitar
  • Oteil Burbridge Southern Rock
  • Cara Stacey Composer
  • Marvin Dunn Miami, Florida
  • Abel Selaocoe Johannesburg
  • Arto Lindsay Composer
  • Will Holshouser Musette
  • Sunn m'Cheaux Visual Artist
  • Charlie Bolden Trumpet
  • Mauro Diniz Violão de Sete
  • Damion Reid Brooklyn, NY
  • 小野リサ Lisa Ono Brazil
  • James Martins Bahia
  • Armen Donelian Author
  • Carlos Malta Flute
  • Brian Stoltz R&B
  • Neo Muyanga Composer
  • Hermeto Pascoal Composer
  • Martin Shore Film Director
  • Ilê Aiyê Bloco Afro
  • Eamonn Flynn Piano
  • Doug Adair Music & Cultural Education
  • Léo Rodrigues Côco
  • Kiko Horta Rio de Janeiro
  • Byron Thomas Programmer
  • John Schaefer Writer
  • Mônica Salmaso MPB
  • Yotam Silberstein New York City
  • Yunior Terry NYU Faculty
  • Chris Potter Saxophone
  • Renato Braz Brazil
  • Edu Lobo Multi-Instrumentalist
  • Demond Melancon Mardi Gras Indian
  • Gel Barbosa Luthier
  • David Virelles Piano
  • Maria de Xindó Bahia
  • Lenine Record Producer
  • Plamen Karadonev Piano
  • Oswaldinho do Acordeon Forró
  • Nabihah Iqbal Music Producer
  • Sam Eastmond Bandleader
  • Alex Conde Piano Instruction
  • Anton Fig Percussion
  • Inon Barnatan Piano
  • Chris Boardman Composer
  • Ben Wendel Brooklyn, NY
  • Hisham Mayet Record Label Owner
  • Paddy Groenland Soul
  • Alicia Keys Actor
  • Diosmar Filho Geógrafo, Geographer
  • Joshua Abrams Composer
  • Sergio Krakowski Pandeiro
  • Brandon Coleman Los Angeles
  • Emily Elbert Guitar
  • Afel Bocoum Guitar
  • Ênio Bernardes Pandeiro
  • Tony Trischka Author
  • Hercules Gomes MPB
  • Dadi Carvalho MPB
  • Caoimhín Ó Raghallaigh Fiddle
  • Adriano Giffoni MPB
  • Joachim Cooder Keyboards
  • Nora Fischer Singer
  • David Kirby Journalist
  • Estrela Brilhante do Recife Recife
  • Elizabeth LaPrelle Virginia
  • Gilberto Gil Brasil, Brazil
  • Eder Muniz Brasil, Brazil
  • BaianaSystem Reggae
  • Miguel Zenón New York City
  • Mestrinho Singer-Songwriter
  • Steve Cropper Recording Studio Owner
  • Luê Soares Belém do Pará
  • Jonny Geller CEO
  • Alexandre Leão Cantor-Compositor, Singer-Songwriter
  • Miles Mosley Composer
  • Asanda Mqiki Singer-Songwriter
  • Jaleel Shaw Manhattan School of Music Faculty
  • Bernardo Aguiar Rio de Janeiro
  • Nabihah Iqbal DJ
  • Juliana Ribeiro Musicologist
  • Dale Farmer Appalachian Music
  • Mariana Zwarg Rio de Janeiro
  • James Martin Jazz
  • H.L. Thompson Music Consultant
  • Shana Redmond Writer
  • Terence Blanchard Composer
  • Tony Austin Composer
  • Daniel Jobim Bossa Nova
  • Alex Clark Columbia Journalism School Faculty
  • Arto Tunçboyacıyan Jazz
  • Jessie Reyez Canada
  • Tommaso Zillio Metal
  • Perumal Murugan India
  • Vinson Cunningham Writer
  • Rachael Price Singer-Songwriter
  • Quincy Jones Composer
  • Ana Moura Fado
  • Tito Jackson Soul
  • Luê Soares São Paulo
  • Bill Hinchberger Brazil Expert
  • Gino Banks Drumming Instruction
  • Issac Delgado Havana
  • Daniel Jobim Brazilian Jazz
  • Sarz Afrobeat
  • BIGYUKI Keyboards
  • Oriente Lopez Flauta, Flute
  • Paquito D'Rivera Composer
  • Jon Madof Multi-Cultural
  • Jeff 'Tain' Watts Actor
  • Marcus Teixeira MPB
  • Rebeca Omordia London
  • Howard Levy Harmonica
  • Gord Sheard Accordion
  • Brian Cox Scotland
  • Barry Harris Educator
  • Teresa Cristina Rio de Janeiro
  • Lucía Fumero Barcelona
  • John Francis Flynn Tin Whistle
  • Plínio Fernandes Choro
  • Alegre Corrêa Berimbau
  • Joatan Nascimento Brazilian Jazz
  • Arismar do Espírito Santo Composer
  • Chubby Carrier Louisiana
  • Moses Boyd Jazz
  • Anders Osborne Blues
  • Zisl Slepovitch Clarinet
  • Paolo Fresu Flugelhorn
  • André Becker Orquestra Sinfônica da Bahia
  • Vivien Schweitzer Music Critic
  • Plínio Fernandes Classical Guitar
  • Wilson Café Brasil, Brazil
  • Neo Muyanga Piano
  • Rodrigo Caçapa Record Producer
  • Damion Reid Jazz
  • Jean Rondeau Composer
  • Tal Wilkenfeld Bass
  • Stuart Duncan Bluegrass
  • Criolo Cantor-Compositor, Singer-Songwriter
  • Owen Williams Writer
  • Ibram X. Kendi Essayist
  • Jamberê Cerqueira Arranjador, Arranger
  • Milford Graves New York City
  • Alex Clark Director
  • Simon Singh Television Producer
  • Asma Khalid Podcaster
  • Delbert Anderson Indigenous Culture
  • Lucian Ban Composer
  • Leigh Alexander Video Game Story Designer
  • Dadá do Trombone Jazz Afro-Baiano, Afro-Bahian Jazz
  • Rayendra Sunito Jakarta
  • Otmaro Ruiz Los Angeles
  • Forrest Hylton Documentary Filmmaker
  • Glória Bomfim Candomblé
  • Celsinho Silva Brazil
  • Scotty Barnhart Author
  • Roberto Martins Irará
  • J. Cunha Bahia
  • Simon McKerrell Composer
  • Devin Naar Sephardic Studies
  • Bright Red Dog Ropeadope
  • Reuben Rogers Bass
  • Ana Tijoux Rapper
  • Cory Henry R&B
  • Scott Yanow Jazz Journalist
  • Bodek Janke Percussion
  • Samuca do Acordeon Chamamé
  • Marco Pereira Rio de Janeiro
  • Meddy Gerville Piano
  • Cyro Baptista New York City
  • Congahead Latin Jazz
  • Bill Frisell Americana
  • Don Byron Blue Note Records
  • John Medeski Piano
  • Adriano Giffoni Educador, Educator
  • Eric Coleman Cinematographer
  • Dorothy Berry Folklorist
  • Adam Cruz Composer
  • Andrés Prado Latin Jazz
  • Meklit Hadero Singer-Songwriter
  • Margareth Menezes Cantora-Compositora, Singer-Songwriter
  • José James Jazz
  • Roberto Fonseca Composer
  • Sunn m'Cheaux Singer-Songwriter
  • Bill Summers Afro-Cuban Music
  • Ariel Reich Actor
  • Luke Daniels Glasgow
  • Adrian Younge Composer
  • Alicia Hall Moran Jazz
  • Speech Rap
  • Brooklyn Rider Contemporary Classical Music
  • Jorge Washington AFROBIZ Salvador
  • Andrew Huang Guitar
  • Carla Visi Salvador
  • James Martin Saxophone
  • Fred Dantas Brazil
  • Marcus J. Moore Brooklyn, NY
  • Terri Hinte Music Writer
  • Elisa Goritzki Brazil
  • Cláudia Leitão Fortaleza
  • Giovanni Russonello Jazz
  • Cyro Baptista Percussion
  • Ronell Johnson Trombone
  • Miguel Zenón Puerto Rico
  • Karla Vasquez Food Writer
  • Sam Reider Piano
  • Anthony Hervey Trumpet
  • Bodek Janke Composer
  • Curly Strings Folk & Traditional
  • Ry Cooder Multi-Cultural
  • Arifan Junior Rio de Janeiro
  • Joe Newberry Guitar
  • Mestre Nenel AFROBIZ Salvador
  • Natalia Contesse Singer-Songwriter
  • Robert Glasper Jazz
  • Bebel Gilberto Brazil
  • A-KILL Street Artist
  • Dale Barlow New York City
  • Courtney Pine Keyboards
  • Bodek Janke Drums
  • Dorothy Berry Ethnomusicologist
  • Yamandu Costa Guitar
  • Lula Moreira Maracatu
  • Mariene de Castro Singer
  • Pedrão Abib Brasil, Brazil
  • Azi Schwartz החזן עזי שוורץ Jewish Liturgical Music
  • Saul Williams Actor
  • Marcel Camargo Guitar
  • Ray Angry Jazz
  • Simone Sou Brazil
  • Bai Kamara Jr. Multi-Cultural
  • Marcel Camargo Arranger, Orchestrator
  • Ari Rosenschein Writer
  • Ofer Mizrahi Guitar
  • Nancy Viégas Brasil, Brazil
  • Luciana Souza Bossa Nova
  • Katuka Africanidades Loja de Arte, Art Shop
  • Jon Lindsay Singer-Songwriter
  • Romero Lubambo Samba
  • Joyce Moreno Violão, Guitar
  • Jimmy Dludlu Jazz
  • Dwandalyn Reece Ethnomusicologist
  • Milton Primo Samba
  • Guto Wirtti Brazilian Jazz
  • Chico César MPB
  • Lynne Arriale Piano
  • Nonesuch Records Broadway
  • Sandra de Sá Cantora-Compositora, Singer-Songwriter
  • Cédric Villani Mathematics
  • Tessa Hadley Non-Fiction
  • Kronos Quartet Contemporary Classical Music
  • Samuel Organ Composer
  • Sônia Guajajara Brasil, Brazil
  • Carlos Lyra Guitar
  • Luíz Paixão Composer
  • David Sacks Jazz
  • Carlos Blanco Bahia
  • Bill Callahan Singer-Songwriter
  • Mauro Refosco Percussão, Percussion
  • Jurandir Santana Guitar
  • Arto Lindsay MPB
  • Djamila Ribeiro YouTuber
  • Matthew Guerrieri Washington, D.C.
  • Leon Bridges Fort Worth, Texas
  • Berta Rojas Paraguay
  • Brett Orrison Record Label Owner
  • Shannon Ali Jazz
  • Etan Thomas Writer
  • Matthew F Fisher Collaborative Artist
  • Eddie Kadi Radio Presenter
  • Richard Galliano Musette
  • Caroline Keane Educator
  • Keyon Harrold Record Producer
  • Plínio Fernandes Brazil
  • Robertinho Silva Composer
  • Bodek Janke Tabla
  • Adam Neely YouTuber
  • Samba de Lata Brazil
  • Brandon Wilner New York City
  • Alyn Shipton Bass
  • The Weeknd Actor
  • The Brain Cloud Western Swing
  • Cinho Damatta Salvador
  • Dale Barlow Composer
  • David Sánchez Ropeadope
  • Walter Mariano Cultura Popular Baiana, Bahian Popular Culture
  • Calypso Rose Singer-Songwriter
  • Sarah Jarosz Texas
  • Sanjay K Roy India
  • Omer Avital Composer
  • Bonerama Jazz
  • Miroslav Tadić Film, Theater, Dance Scores
  • Léo Brasileiro Salvador
  • Theo Bleckmann Germany
  • Oswaldo Amorim Composer
  • Eliane Elias Brazilian Jazz
  • Lina Lapelytė Vilnius
  • Ron Mader Photographer
  • Marília Sodré Brasil, Brazil
  • Anna Webber Avant-Garde Jazz
  • Ronell Johnson Tuba
  • Raphael Saadiq Neo Soul
  • Jim Lauderdale Nashville, Tennessee
  • Tessa Hadley Bath Spa University Faculty
  • Fidelis Melo Assessor de Comunicação, Public Relations
  • Paul Mahern Audio Preservation
  • Helder Barbosa Economista, Economist
  • Edu Lobo Brasil, Brazil
  • Monarco Brazil
  • Adam O'Farrill Trumpet
  • Eli Degibri אלי דג'יברי Saxophone
  • Taylor McFerrin Record Producer
  • Gabriel Grossi Composer
  • Lucía Fumero Singer
  • Nelson Cerqueira Academia de Letras da Bahia, Bahian Academy of Letters
  • Roots Manuva Singer-Songwriter
  • Massimo Biolcati Composer
  • Mingo Araújo Percussion
  • Bob Mintzer Jazz
  • James Carter Clarinet
  • Victor Gama Multi-Cultural
  • Cory Henry Jazz
  • Maria Drell Produção Cultural, Cultural Production
  • César Camargo Mariano Composer
  • Chris Potter Jazz
  • Adriana L. Dutra Film Festival Director
  • Kirk Whalum Songwriter
  • Lazzo Matumbi Salvador
  • Christian McBride Jazz
  • Rowney Scott Bahia
  • Corey Ledet Creole Music
  • Tessa Hadley Novelist
  • Jared Sims Ropeadope
  • Tonynho dos Santos Salvador
  • Luiz Santos Latin Jazz
  • Jon Batiste Melodica
  • Jonathon Grasse Minas Gerais
  • Raynald Colom Trumpet
  • Bill Charlap New York City
  • Questlove Clive Davis Institute of Recorded Music Faculty
  • Carlos Blanco Brasil, Brazil
  • Neo Muyanga South Africa
  • Dave Douglas Festival Director
  • Samuel Organ Experimental Rock
  • Angel Deradoorian Singer-Songwriter
  • Nei Lopes Brasil, Brazil
  • Kazemde George Saxophone
  • Jorge Washington Chef
  • Rosa Cedrón Singer
  • Marcelinho Oliveira Artistic Director
  • Alexandre Vieira Baixo, Bass
  • Brazil Afro Symphonic MPB
  • Chris Acquavella Mandolin Instruction
  • Adriano Souza Bossa Nova
  • Sandra de Sá Rio de Janeiro
  • Aubrey Johnson Queens College Faculty
  • Paquito D'Rivera Classical Music
  • Shalom Adonai Chula
  • Alicia Keys R&B
  • Fred Dantas Choro
  • Luê Soares Brasil, Brazil
  • Maria Struduth Cachoeira
  • Joel Guzmán Tejano
  • Avishai Cohen אבישי כה Bass
  • Jonga Lima Bahia
  • Giorgi Mikadze გიორგი მიქაძე Microtonal
  • Rolando Herts Singer
  • Rudresh Mahanthappa Multi-Cultural
  • Joshue Ashby Violin
  • Ênio Bernardes Cantor-Compositor, Singer-Songwriter
  • Bing Futch Mountain Dulcimer
  • THE ROOM Shibuya Tokyo
  • Karim Ziad Composer
  • Eric Bogle Scotland
  • Jaques Morelenbaum MPB
  • Gail Ann Dorsey Bass
  • Arto Tunçboyacıyan Singer-Songwriter
  • Edsel Gomez Piano
  • Jorge Alfredo Roteirista, Screenwriter
  • Nilze Carvalho Samba
  • Laura Cole Canada
  • Wadada Leo Smith Composer
  • Nabil Ayers Drums
  • Amilton Godoy Classical Music
  • Karim Ziad Jazz
  • Joan Chamorro Double Bass
  • Ana Luisa Barral Brazil
  • Karsh Kale कर्ष काळे Brooklyn, NY
  • Jas Kayser Afrobeat
  • Tim Hittle Writer
  • H.L. Thompson Festival Producer
  • Welson Tremura Bossa Nova
  • Jorge Glem Mandolin
  • Paulo Aragão MPB
  • Woz Kaly Singer-Songwriter
  • Jahi Sundance DJ
  • Bobby Sanabria Drums
  • Molly Jong-Fast Editor
  • Michel Camilo Jazz
  • Rema Namakula African Music
  • Alan Brain Filmmaker
  • Paulinho do Reco Brazil
  • Anderson Lacerda MPB
  • Adonis Rose Percussion
  • Melvin Gibbs Funk, HIp-Hop, Alternative
  • Tomoko Omura Brooklyn, NY
  • Edsel Gomez Puerto Rico
  • Wolfgang Muthspiel Composer
  • Choronas São Paulo
  • Ana Luisa Barral Bahia
  • Nahre Sol Contemporary Classical Music

 'mātriks / "source" / from "mater", Latin for "mother"
A real mother for ya!

 

Copyright ©2023  -  Privacy  -  Terms of Service  -  Contact  - 

Open to members of the worldwide creative economy.

You'll use your email address to log in.

Passwords must be at least 6 characters in length.

Enter your password again for confirmation.

This will be the end of your profile link, for example:
http://www.matrixonline.net/profile/yourname

Please type the characters you see in the image. May take several tries. Sorry!!!

 

Matrix Sign In

Please enter your details below. If are a member of the global creative economy and don't have a page yet, please sign up first.

 
 
 
Forgot Password?
Share