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  • Rotem Sivan

    VIA THE INTEGRATED GLOBAL
    CREATIVE ECONOMY

    inspired by
    THE GRAPEVINE TELEGRAPH
    of Pre-Civil War African-Americans

    promulgated by
    The Brazilian Ministry of Culture

    fomented by
    The Bahian Secretary of Culture

    fomented by
    The Palmares Foundation
    for the promotion of Afro-Brazilian Culture

    fomented by
    The National Foundation of Indigenous Peoples

    I CURATE

Network Node

  • Name: Rotem Sivan
  • City/Place: New York City
  • Country: United States
  • Hometown: Haifa, Israel

CURATION

  • from this node by: Matrix

Life & Work

  • Bio: Rotem Sivan’s guitar skills are heralded across the globe. The New York Times has praised him as “more than a very good young guitar player.” Downbeat Magazine has called him “a remarkable talent.” And universally beloved music platform, Treble FM, has described him as a “bonafide guitar god with rugged Israeli sex appeal and skills that make us swoon.”

    Rotem completed his studies in both classical composition and performance with honors in Tel Aviv and NYC. Rotem tours with his band most of the year playing in world- renowned festivals and clubs. He has performed in countries such as France, Italy, Spain, Germany, Austria, Belgium, Poland, Slovenia, Mexico, Chile, Costa Rica, Puerto Rico, Israel, UK, Canada and India among others, and has given workshops around the world in top universities and schools.

    He has performed at many clubs and festivals around the world such as Polanco Festival, Chutzpah Festival, Marseille Festival, Nice Festival, Exposure Festival, Montreux Festival, Utopia Music Festival, Bern Festival, Ottawa Festival and Sonora Jazz Festival to name a few.

    Rotem has developed a strong online presence with over 32k followers on Instagram alone. His last album, Antidote, charted on Billboard jazz at #16 and on iTunes as #1 on the jazz charts and top 100 album on all iTunes music. Upon graduation Rotem moved to NYC to pursue his passion for music. While making his first steps in the local scene he was also studying at The New School for Jazz Contemporary Music.

Contact Information

  • Management/Booking: BOOKINGS:

    All inquires including US, Europe & Asia -
    [email protected]

    Licensing - Hans Wendl
    [email protected]

Media | Markets

  • ▶ Buy My Music: (downloads/CDs/DVDs) http://myiesstore.com/rotemsivan/
  • ▶ Twitter: rotemsivan
  • ▶ Instagram: rotemsivanguitar
  • ▶ Website: http://www.rotemsivan.com
  • ▶ YouTube Channel: http://www.youtube.com/user/RotemSivanTrio
  • ▶ YouTube Music: http://music.youtube.com/channel/UCfbB6_GjcxLxnxGsUnL9ZSg
  • ▶ Spotify: http://open.spotify.com/album/4HkloTa3I1k0vEvtLR0wEh
  • ▶ Spotify 2: http://open.spotify.com/album/6aoUS972dQ04unyu5YCOX7
  • ▶ Spotify 3: http://open.spotify.com/album/7yirPo5yscyEu6l0yJMh51
  • ▶ Spotify 4: http://open.spotify.com/album/22eFyEfaWJn1ihXKfF7wxa
  • ▶ Spotify 5: http://open.spotify.com/album/2u4xcGiphTJa1hHlmndUe2

More

  • Quotes, Notes & Etc. “The gifted guitarist combines energy, ideas and undeniable chops..A remarkable talent and a welcome new voice on the scene.”
    - DownBeat

    "He lets you hear the innate sound of his instrument, using classic jazz-guitar tone with dynamics and a searching quality to his improvising.. He attains a kind of private language.. It’s the kind of thing that makes you listen harder."
    - New York Times, Ben Ratliff

    Rotem Sivan is, with no doubt, the next guitarist of our times. He is a leader and a listener.”
    - Peter Bernstein

    “I am confident in Sivan’s unique abilities to transform the jazz guitar world.”
    - Ari Hoenig

    “His style and sound bring a fresh flair and a remarkable sophistication to jazz, which transcends audiences”
    - Jazz Times Magazine

    “Israeli guitarist Rotem Sivan has been taking the NYC club scene by storm”
    - Jazz Inside Magazine

    “Not only is Rotem Sivan a master of jazz guitar, he is a true artist”
    - Just Jazz Guitar

    "Rotem Sivan has carved a place for himself in the New York jazz scene through his daring improvisation, astute band leading and technical ability but above all his lyricism and musicality.

    “Antidote” is a smartly crafted combination of all these qualities in a beautiful package. The album never gets boring as the trio keeps moving throughout a wide variety of moods and soundscapes with musicality always being the prevalent force. Rotem has been one of the guitar players to watch for sometime now. This album establishes him as a force on the scene." / Antonio Sanchez

    "Rotem Sivan is one of the most creative and adventurous guitarists on the scene today. He has a great imagination and the technical abilities to communicate what is inside that imagination. More importantly, he has the courage and confidence to follow his musical ideas and impulses through to create something that is all his own." / Peter Bernstein

    "When a statement is achieved with such precision, what's captured attains an importance that shall last. Antidote is a special recording, and it shall fulfill many guitar aficionados without question". / Pat Martino

Clips (more may be added)

  • LIVE @ Blue Note NYC
    By Rotem Sivan
    463 views
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  • Rotem Sivan
    A video was posted re Rotem Sivan:
    LIVE @ Blue Note NYC
    Please subscribe to My Channel (~!) Also - "like" my Facebook Page: - https://www.facebook.com/RotemSivanMusic/ - - Spotify: https://play.spotify.com/artist/...
    • September 3, 2019
  • Rotem Sivan
    A category was added to Rotem Sivan:
    New York City
    • September 3, 2019
  • Rotem Sivan
    A category was added to Rotem Sivan:
    Jazz
    • September 3, 2019
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    A category was added to Rotem Sivan:
    Guitar
    • September 3, 2019
  • Rotem Sivan
    Rotem Sivan is matrixed!
    • September 3, 2019
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  • English (Portuguese →)
  • (← Inglês) Português

English (Portuguese →)

 

IF YOU CAN'T STAND THE HEAT
The Matrix Mission was Born in Brazil, but It Embraces the Entire World

Brazil is not a European nation. It's not a North American nation. It's not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn.

 

Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin (Bahia's Bay of All Saints received more enslaved human beings than any other final port-of-call throughout all of human history).

 

Brazil was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people).

 

Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David.

 

Three cultures — from three continents — running for their lives, their confluence forming a scintillatingly unprecedented fourth. Pandeirista on the roof. Nowhere else but here.

 


The matrix is the ultimate evolution of a pathway which began in New York City decades ago per the "rescue" of unpaid royalties for Aretha Franklin, Barbra Streisand, Mongo Santamaria, Gilberto Gil, Astrud Gilberto, Airto Moreira, Jim Hall, Led Zeppelin, Philip Glass, Clement "Coxsone" Dodd of Kingston's Studio One (Bob Marley's producer), Funk Brother Wah Wah Watson (Melvin Ragin) and others. A long and winding road that led inexorably to the necessity of a truly open arts universe, for there is more in Heaven and Earth...

 

"I am thrilled to receive your email! Thank you for including me in this wonderful matrix."
✅—Susan Rogers
Personal recording engineer: Prince, Paisley Park
Director: Music Perception & Cognition Laboratory, Berklee College of Music
Author: This Is What It Sounds Like: What the Music You Love Says About You

 


If you're arriving from the Guardian article 10 best music radio stations around the world, →Matrix Radio is here←

The matrix was created above in Salvador's Centro Histórico (interview is with David Dye for U.S. National Public Radio), where Bule Bule around the corner in the clip below, among magisterial colleagues for whom this matrix was originally built (it's now open to all in the Global Creative Economy) sings, "Chegou a hora dessa gente bronzeada mostrar seu valor... The time has come for these bronzed people to show their worth..."

...the endeavor motivated in the first instance by the fact that in common with most cultures around our planet, the preponderance of Brazil's vast cultural treasure has been impossible to find from outside of circumscribed regions, including Brazil itself...

Music & lyrics (Brasil Pandeiro) by Assis Valente of Santo Amaro, Bahia, Brazil. Video by Betão Aguiar of Salvador.

Thus something new under the tropical sun: A means by which those above, those below, and EVERYBODY ELSE in the creative economy can be divulged EVERYWHERE.

Quincy Jones can curate Gilberto Gil, for example. Gil can curate, writers, dancers, filmmakers, painters, record producers, set designers... He can curate Luê Soares of Belém do Pará, behind the mic above. Quincy doesn't have to know Luê exists to help make her discoverable, or anybody else ... it's in the matrix DNA.

For by the seemingly magical mathematics of the small world phenomenon, all in the matrix will tend to proximity to all others, in the same way that most human beings are within some six or so steps of most others.

The difference being that in the matrix, these steps are along pathways that can be travelled. The creative world becomes a neighborhood. Quincy Jones is right up the street and Branford Marsalis around the corner. And the most far-flung genius you've never heard of is just a few doors down. Maybe even in Brazil. Laroyê!
"Matrixado!"

✅—Founding Member Darius Mans
Economist, PhD, Massachusetts Institute of Technology
✅—Luiz Inácio Lula da Silva
President of Brazil

"Many thanks for this - I am  touched!"
✅—Julian Lloyd Webber

That most fabled cellist in the United Kingdom (and Brazilian music fan)

"I'm truly thankful... Sohlangana ngokuzayo :)"
✅—Nduduzo Makhathini
Blue Note recording artist)

"Thanks, this is a brilliant idea!!"
✅—Alicia Svigals
Founder of The Klezmatics

"This is super impressive work ! Congratulations ! Thanks for including me :)))"
✅—Clarice Assad
Compositions recorded by Yo Yo Ma and played by orchestras around the world

"Thank you"
(Banch Abegaze, manager)
✅—Kamasi Washington

Tap people, tap categories, tap curations... The matrix is a maze of tunnels within King Solomon's creative mines.

(← Inglês) Português

 

SE VOCÊ NÃO AGUENTA O CALOR
A Missão Matrix Nasceu no Brasil, mas Abraça o Mundo Inteiro

O Brasil não é uma nação européia. Não é uma nação norte-americana. Não é uma nação do leste asiático. Compreende — selva e deserto e centros urbanos densos — tanto o equador quanto o Trópico de Capricórnio.

 

O Brasil absorveu mais de dez vezes o número de africanos escravizados levados para os Estados Unidos da América, e é um repositório de divindades africanas (e sua música) agora em grande parte esquecido em suas terras de origem (a Baía de Todos os Santos recebeu mais seres humanos escravizados do que qualquer outro porto de escala final ao longo de toda a história humana).

 

O Brasil era um refúgio (de certa forma) para os sefarditas que fugiam de uma Inquisição que os seguia através do Atlântico (aquele símbolo não oficial da música nacional brasileira — o pandeiro — foi quase certamente trazido ao Brasil por esse povo).

 

Através das savanas ressequidas do interior do culturalmente fecundo nordeste, onde o mago Hermeto Pascoal nasceu na Lagoa da Canoa e cresceu em Olho d'Águia, uma grande parte da população aborígine do Brasil foi absorvida por uma cultura caboclo/quilombola pontuada pela Estrela de Davi.

 
Três culturas - de três continentes - correndo por suas vidas, sua confluência formando uma quarta cintilante e sem precedentes. Pandeirista no telhado. Em nenhum outro lugar a não ser aqui.

 


O matrix é a evolução definitiva de um caminho que começou em Nova York há décadas atrás pelo "resgate" dos direitos autorais não pagos para Aretha Franklin, Barbra Streisand, Mongo Santamaria, Gilberto Gil, Astrud Gilberto, Airto Moreira, Jim Hall, Led Zeppelin, Philip Glass, Clement "Coxsone" Dodd do Studio One de Kingston (o produtor de Bob Marley), Funk Brother Wah Wah Watson (Melvin Ragin) e outros. Um longo e sinuoso caminho que levou inexoravelmente à necessidade de um universo de artes verdadeiramente abertom pois há mais no Céu e na Terra...

"Fico muitíssimo feliz em receber seu e-mail! Obrigada por me incluir neste matrix maravilhoso."
✅—Susan Rogers
Engenheiro de gravação pessoal para Prince: Paisley Park
Diretora: Laboratório de Percepção e Cognição Musical, Berklee College of Music
Autora: This Is What It Sounds Like: What the Music You Love Says About You

 


Se você está chegando do artigo do jornal britânico The Guardian "10 best music radio stations around the world", →a Rádio Matrix está aqui←

O matrix foi criado no Centro Histórico de Salvador (entrevista é com David Dye para a Rádio Público Nacional dos EUA), onde Bule Bule no clipe abaixo, entre colegas magisteriais para quem este matrix foi originalmente construído (está aberto agora a todos na Economia Criativa Global) canta, "Chegou a hora dessa gente bronzeada mostrar seu valor..."

...o empreendimento motivado na primeira instância pelo fato de que em comum com a maioria das culturas ao redor do nosso planeta, a preponderância do vasto tesouro cultural do Brasil tem sido impossível de encontrar fora de regiões circunscritas, incluindo o próprio Brasil.

Música & letras (Brasil Pandeiro) por Assis Valente de Santo Amaro, Bahia. Vídeo por Betão Aguiar de Salvador.

Assim algo novo sob o sol tropical: Um meio pelo qual os acima, os abaixo e TODOS OS OUTROS na economia criativa podem ser divulgados em TODOS OS LUGARES.

Quincy Jones pode indicar Gilberto Gil, por exemplo. Gil pode indicar escritores, dançarinos, cineastas, pintores, produtores de discos... Ele pode indicar Luê Soares de Belém do Pará, atrás do microfone acima. Quincy não precisa saber que Luê existe para ajudá-la a ser descoberta, ou qualquer outra pessoa ... está no DNA do matrix.

Pela matemática aparentemente mágica do fenômeno do mundo pequeno, todos no matrix tenderão a se aproximar de todos, da mesma forma que a maioria dos seres humanos estão dentro de cerca de seis passos da maioria dos outros.

Com a diferença que no matrix, estes passos estão ao longo de caminhos que podem ser percorridos. O mundo criativo se torna uma vizinhança. Quincy Jones está lá em cima e Branford Marsalis está ao virar da esquina. E o gênio distante que você nunca ouviu falar tá lá embaixo. Talvez até no Brasil. Laroyê!
"Matrixado!"

✅—Membro Fundador Darius Mans
Economista, doutorado, Massachusetts Institute of Technology
✅—Luiz Inácio Lula da Silva
Presidente do Brasil

"Muito obrigado por isso - estou tocado!"
✅—Julian Lloyd Webber
Estamos tocados também Sr. Webber!
Merecidamente o violoncelista mais lendário do Reino Unido (e fã da música brasileira)

"Estou realmente agradecido... Sohlangana ngokuzayo :)"
✅—Nduduzo Makhathini
Artista da Blue Note)

"Obrigada, esta é uma ideia brilhante!!"
✅—Alicia Svigals
Fundadora do The Klezmatics

"Este é um trabalho super impressionante! Parabéns! Obrigada por me incluir :)))"
✅—Clarice Assad
Composições gravadas por Yo Yo Ma e tocadas por orquestras ao redor do mundo

"Thank you"
(Banch Abegaze, empresário)
✅—Kamasi Washington

Toque em pessoas, toque em categorias, toque em curadoria... O matrix é um labirinto de túneis dentro das minas criativas do Rei Salomão.

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  • João Jorge Rodrigues Brasil, Brazil
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  • Adriana L. Dutra Brazil
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