Riley Baugus & Universes in THE MATRIX

Riley Baugus — by the small-world principle — is within 6 degrees of most humanity. The matrix uses the principle behind this phenomenon to position the world's artists within discoverable reach of each other, and the planet.
THESE CURATED NODES are one degree forward from this Riley Baugus node. Are these Riley Baugus's curations?

CURATION STATUS

1 degree forward: by The Matrix

Who & Where

Name: Riley Baugus
City/Place: Walkertown, North Carolina
Country: United States

Current News

What's Up? “Baugus' vocals sound like they've been echoing through the Appalachian Mountains for about 150 years. Quintessential American old-time music.”
- Billboard

Life & Work

Bio: Riley Baugus is a Southern Appalachian banjo player, fiddler, guitarist, singer and banjo and dulcimer maker.

Riley Baugus represents the best of old time American banjo and song. His powerful singing voice and his expert musicianship place him squarely in the next generation of the quality American roots tradition.

Riley first came to music through his family. His father had left his roots in the mountains of North Carolina in the search for work, settling near Winston-Salem and bringing with him a love of old time music and a record collection that included, amongst others, the works of fellow North Carolinian Doc Watson, which touched the young Riley on a molecular level.

His family’s attendance at Regular Baptist church gave him early exposure to the unaccompanied singing that is a time-honored tradition for ballad singers throughout the Appalachians. Starting on the fiddle, Riley quickly moved on to the banjo, building his first instrument from scrap wood with his father.

With friend and neighbor, Kirk Sutphin, Riley began honing his musical skills. Together they visited elder traditional musicians throughout North Carolina and Virginia, learning the Round Peak style at the knee of National Heritage Award winner Tommy Jarrell and other traditional musicians of the area, including Dix Freeman, Chester McMillian and former Camp Creek Boys members Verlin Clifton and Paul Sutphin.

Over the years, whilst working as a welder and a blacksmith by day, Riley played with many old time string bands, including the Old Hollow String Band and the Red Hots. His self-produced recording, “Life Of Riley” (Yodel-Ay-Hee, 2001), showcases his masterful, elegant banjo playing and his rich, raw boned singing voice.

One fateful day, Riley got a call from longtime friend and collaborator Dirk Powell. Dirk was involved in the music direction for the Academy Award-winning film “Cold Mountain” and had convinced the producers that they needed Civil War era banjos made in the Carolina hills, specifically Riley’s handmade banjos. They also needed an authentic acapella ballad singer for the voice of Pangle, played by Ethan Suplee. Riley put the hammer down on the anvil and didn’t look back. A whirlwind Hollywood experience ensued, culminating in a place on the star-studded “Great High Mountain” tour.

From there, Riley has made his own path, building in-demand instruments and performing at festivals all over the world. He made musical contributions to the Appalshop film, "Thoughts In The Presence of Fear", and to a film by Erika Yeomans; "Grand Gorge: No God But Me". He has worked with the Lonesome Sisters as producer and performer on their recording "Going Home Shoes". Riley collaborated with Laurelyn Dossett and Preston Lane of Triad Stage on theatrical presentations featuring original and traditional southern Appalachian music.

His next recording, “Long Steel Rail” (Sugar Hill Records, 2006), produced by Tim O’Brien and Dirk Powell, appeared to critical acclaim, with Billboard Magazine heralding it as “..quintessential American old-time music. The instrumental component is impeccable, while Baugus' vocals sound like they've been echoing through the Appalachian Mountains for some 150 years”.

In 2008, a call from T-Bone Burnett put Riley back in the studio in Nashville, this time as a contributor to the Grammy award winning Album of the Year, “Raising Sand”, the multi million selling album by Alison Krauss and Robert Plant. Most recently Riley can heard on another T-Bone Burnett production, Willie Nelson's "Country Music" on the Rounder Label.

Riley has taught at camps and festivals around the world, including the Augusta Heritage Festival and Augusta Old Time Week, Mars Hill College's Blue Ridge Old Time Music Week, Midwest Banjo Camp in Lansing, MI, the Old Town School of Folk Music in Chicago, the Festival of American Fiddle Tunes in Port Townsend, WA and Sore Fingers Week in the UK.

When not teaching or building banjos, Riley can be found out on the road performing. He plays with the Dirk Powell Band, with Kirk Sutphin and also tours with The Stuart Brothers and with Tim Eriksen. He is a frequent guest of Polecat Creek and of Tim O’Brien with Dirk Powell. With Ira Bernstein, he presents the show "Appalachian Roots", a unique showcase of Appalachian music and dance.

Contact Information

Email: rileybaugusbanjos@gmail.com
Address: Riley Baugus
PO Box 459
Walkertown, NC 27051
USA

Media & Markets

▶ Instagram: rileybaugus
▶ Website: http://www.rileybaugusbanjos.com
▶ YouTube Music: http://music.youtube.com/channel/UC9_0wbWG9XXQXSr3Me2URjw
▶ Spotify: http://open.spotify.com/album/6HpTjlJd12H43TmLR1imW3
▶ Spotify 2: http://open.spotify.com/album/0gG6xjYufyWYtQJYb8zju1
▶ Spotify 3: http://open.spotify.com/album/3r4SRwAMkAfx4PlAV2YEI2

Clips (more may be added)

I Wish My Baby Was Born
By Riley Baugus

264 views

Riley Baugus

THE MATRIX WAS BUILT HERE, inspired in (the kabbalah-inspired fiction of) Borges' El Aleph, that in the pillar in Cairo's Mosque of Amr, where the universe in its entirety throughout all time is perceivable as an infinite hum from deep within the stone.

The Brazilian "aleph" doesn't hum... it sings.

w/ David Dye for U.S. National Public Radio

Given the immense untapped power of the small-world phenomenon, from Brazilians the matrix was expanded to include nodes per jazz artists, given jazz's common roots with Brazilian music (nodes based in publicly available information; some artists we informed — Bob Mintzer, Kamasi Washington, David "Fuse" Fiuczynski, Vijay Iyer, Greg Osby — and got thumbs up, others we'll get to), and moved on from there. Artists/academics are welcome to create their own nodes and curate (connect to other artist nodes, so that others may follow). BTW, our logo is a cortador de cana, cane cutter. It was designed by Walter Mariano, professor of design at the Federal University of Bahia to reflect the origins of the music the shop specializes in.

MUCH MORE on all of this in the window below (which, if you are logged in, will instead contain instructions on recommending), and in the window within that window (which includes a "radio" called by The Guardian one of "10 of the best music radio stations around the world"):