Anthony Hamilton via giant steps through a matrix based in the phenomenon placing most of the 7.8 billion of us within 6 or fewer degrees — steps — of each other...
- Steps from Anthony Hamilton:
I'LL TAKE YOU THERE! ▶
'mātriks / "source" / from "mater", Latin for "mother". We're real mothers for ya!
I'LL TAKE YOU THERE! ▶
- Steps forward by: The Matrix
Who I Am & Where I Live
- Name: Anthony Hamilton
- City: Los Angeles
- Country: United States
- Hometown: Charlotte, NC
My Life & Work
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Bio:
Proclaimed a “national treasure” by the Los Angeles Times, GRAMMY® Award winning singer, songwriter, producer, and actor Anthony Hamilton has achieved global sales of over 50 million albums. The North Carolina Music Hall of Fame inductee notably performed for President Barack Obama and First Lady Michelle, cementing his place in the history books as the “narrator of love.” His raw, awe-inspiring performances garnered the attention of NPR where he starred in their Noteworthy documentary series. He appeared in American Gangster and lent his voice to "Freedom" from the Academy® Award-nominated Django Unchained. Additionally, he became the "first R&B artist to sell an album at Cracker Barrel." Next up, Hamilton will unveil his ninth full-length studio album in 2019.
Before Anthony Hamilton laid down the gospel as an R&B singer, the Charlotte, North Carolina native found his calling as a member of the church choir. “It’s like that feeling you get hearing somebody else lead that made me start to really pay attention to music, not just sonically but what it did to people,” says Hamilton, who began singing at six or seven years old. An introvert raised with his brother and sister by a single mother (his father left when he was nine years old), Hamilton found comfort in a foam-covered speaker while dreaming of stardom. “I was a child who had a very wide imagination and I would become the song. I used to listen to “Ben” by Michael Jackson a lot and I would dream like one day I’m gonna become a famous singer. I said that over and over again for years and I always believed it.”
Over two decades worth of label changes later (past deals included Uptown, MCA, Atlantic Records, Soulife Records, Andre Harrell’s Harrell Entertainment and Jermaine Dupri’s So So Def Recordings), Hamilton has found his happy place on RCA Records. Following up 2011’s Grammy-nominated effort Back To Love and his 2014 Christmas offering Home For The Holidays, the R&B cantor maintains his Southern sensibility and poignant songwriting on his fifth studio effort What I’m Feelin.’ Its lead single “Amen” — a melodic love note produced by Salaam Remi and James Poyser, praises a special lady’s efforts. “’Amen’ is just celebrating the beauty that a woman makes you feel, not just physical attributes, but the fact that she works, she goes to church, prays for you, cooks, cleans, just all those things that a woman brings to the table,” Hamilton explains.
The 12-track offering is also an emotional cleanse for the musician, who announced his divorce from his wife of nearly 10 years in 2015. “Anytime you spend that much time with someone, there’s a long connection that you have and even though it seems like you’re moving on, you’re still tied to the person,” he says who dedicates the reflective track “Walk In My Shoes” to his ex-wife. “I’m tellin my wife like you gotta be me, my past and all the things that shape me, all my fears, and whatever it is I’ve been through that made me the man that I was and hindered me from being the man that I wanted to be.” On other standouts like the melodic “What I’m Feelin’,” Hamilton opens up about the struggles of letting go. “We get into these relationships and sabotage them because of a fear of creating the unknown, the beautiful, the peace and a place where you can let go,” he says. “Being able to totally let go is something I look forward to doing.”
Recording majority of the What I’m Feelin’ in Nashville, TN at the iconic Blackbird and House of Blues studios, Hamilton reunited with longtime collaborator, Mark Batson, who produced some of his biggest hits including 2003 Platinum smash, “Charlene” along with his close engineer Bruce Irvine. The celebratory set showcases life’s highs more than the lows. In addition, Hamilton recruited guitar heroes Vince Gill for the country-leaning “Never Letting Go” and Grammy Award winner Gary Clark Jr. on the worldly “Ain’t No Shame.” On the latter, Hamilton belts, “Time waits for no one/ Ain’t no shame in playing hard,” as a PSA to never settle. “There are people that never experience anything outside their front porches,” he says. “Get off the front porch, walk in the yard and I’m sure you’ll find something that’s beautiful.”
Hamilton is known for flipping heartbreak into a blessing as heard on his biggest ballad “Charlene.” After a significant relationship had ended, he left his one-bedroom brownstone apartment in Harlem on 146th Street and Convent Avenue and took the train to 33rd Street to meet with producer Batson at a Manhattan recording studio. “My record deal [at the time], I was pretty much trying to get off. I remember I didn’t have a lot of money. At that time, I was heartbroken,” he reflects. “I just poured my heart out and [“Charlene”] was one of the songs that came out of it.” He notes that his soulful formula stays consistent with What I’m Feelin’, even on a personal level. “I’m fully capable of taking from a broken place and truly turning it into something amazing,” says Hamilton confidently. “I’m truly capable of loving in spite of my situation. I think I still have a fear of letting go to a degree and I think there’s preparations I need to do to get there. I’m not done yet.”
Hamilton’s decorated catalog includes his 2003 debut, Comin’ From Where I’m From (which carried the hit title track), 2005’s Ain’t Nobody Worryin’ among other efforts. He has earned several Grammy nominations, like “Po’ Folks,” the 2002 Nappy Roots collaboration that earned a nod for best rap/sung collaboration, and won his first trophy in 2009 for best traditional R&B vocal performance for his duet with Al Green on “You’ve Got The Love I Need.” He has also lent his vocals to a variety of talent including Nas, Rick Ross, Carlos Santana, Jill Scott, Tupac, and Al Green to name a few. His album What I’m Feelin’ released in 2016 received Grammy nomination for the title song.
Contact Information
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Management/Booking:
General Manager
Special Assignment Brand Management: info@specialbrand.com
My Media & Markets
- ▶ Twitter: hamiltonanthony
- ▶ Instagram: anthonyhamiltonofficial
- ▶ Website: http://anthonyhamilton.com
- ▶ YouTube Channel: http://www.youtube.com/user/anthonyhamiltonVEVO
- ▶ YouTube Music: http://music.youtube.com/channel/UCKgL_VoVRvXIKSmWc6Nfldw
- ▶ Spotify: http://open.spotify.com/album/0qN4uk3SGen6vUOjImJ6em
- ▶ Spotify 2: http://open.spotify.com/album/545a3sdz0JkH85iYFZPiR4
- ▶ Spotify 3: http://open.spotify.com/album/1xTRYZDc7AwA7alqkUSgnP
- ▶ Spotify 4: http://open.spotify.com/album/7AnGF7p32IpTeDpbkc8uKJ
- ▶ Spotify 5: http://open.spotify.com/album/5MZKupLJLcvIlCMumgwb9k
- ▶ Spotify 6: http://open.spotify.com/album/6pERm8WL6VcdNLpo07n3zA
The world's artistry via giant steps through a matrix based in the phenomenon placing most of the 7.8 billion of us within 6 or fewer degrees — steps — of each other ...
... a project conceived and built in the fertile, fecund and atavistic ground zero of Bahia, Brazil initially for the discoverability of this singular region's dispossessed genius.
All explained in the window immediately below. Followed — beneath this window — by scores of magnificent artists, each leading to myriads more artists/categories. Inside this window also may be found our Brazilian record store radio, named by British journal The Guardian as one of 10 of the Best Radio Stations Around the World!
IF YOU CAN'T STAND THE HEAT
Brazil is not a European nation. It's not a North American nation. It's not an East Asian nation. It straddles -- jungle and desert and dense urban centers -- both the equator and the Tropic of Capricorn. It absorbed over ten times the number of African slaves taken to the United States of America, and much of its aboriginal population was absorbed into the general population-at-large. Its people have lived under oligarchy, plutocracy, dictatorships and massive corruption, with elements of these still strongly entrenched today.
But!
Brazil has buzz...not the shallow buzz of a fashionable moment...but the deep buzz of a population which in spite of -- or perhaps because of -- the tough slog through life they've been allotted by humanity's dregs-in-fine-linen, have chosen not to simply pull themselves along but to lift their voices in song and their bodies in dance...to eat well and converse well and much and to wring the joy out of the day-to-day happenings and small pleasures of life which are so often set aside or ignored in the European, North American, and East Asian nations.
For this Brazil has a genius perhaps unparalleled in all other countries and societies, a genius which thrives alongside peeling paint and holes in the streets and roads, under bad organization by the powers-that-be, both civil and governmental, under a constant rain of societal indignities...
Which is all to say that if you don't know Brazil and you're expecting any semblance of order, progress and light, you will certainly find the light! And the buzz of a people who for generations have responded to privation at many different levels by somehow rising above it all.
Raimundo Sodré, in a conversation ranging through New Orleans and Harlem and the South Side of Chicago ... and Appalachia and Irish villages and Russian shtetls and the unofficial symbol of Brazil's Bahian-born national music (the pandeiro) almost certainly having arrived in Brazil in the hands of Sephardic Jews (including conversos) fleeing the Inquisition, once remarked: "Where there's misery, there's music!"
A pandeirista on the roof. And it's not just music. And it's not just Brazil.
