Salvador Bahia Brazil Matrix
  • Sign in
  • Join Everybody Here
    Loading ...
View All Updates Mark All Read
  • Matrix Home
  • Categories are Here!
  • Showcase Music
  • Add Videos/SC
  • Add Photos
  • (Bahia)
  • Questions?
  • From Brazil with love →
  • @ Ground Zero
  • El Aleph
  • If You Can't Stand the Heat
  • Harlem to Bahia to the Planet
  • Why a "Matrix"?

From Brazil with love →

@ Ground Zero

 

Have you, dear friend, ever noticed how different places scattered across the face of the globe seem almost to exist in different universes? As if they were permeated throughout with something akin to 19th century luminiferous aether, unique, determined by that place's history? It's like a trick of the mind's light (I suppose), but standing on beach or escarpment in Salvador and looking out across the Baía de Todos os Santos to the great Recôncavo, and mindful of what happened there, one must be led to the inevitable conclusion that one is in a place unique to history, and to the present*.

 

 

"Chegou a hora dessa gente bronzeada mostrar seu valor / The time has come for these bronzed people to show their value..."Música: Assis Valente of Santo Amaro, Bahia. Vídeo: Betão Aguiar.

 

*More enslaved human beings entered the Bay of All Saints and the Recôncavo than any other final port-of-call throughout all of mankind's history.

 

These people and their descendants created some of the most uplifting music ever made, the foundation of Brazil's national art. We wanted their music to be accessible to the world (it's not even accessible here in Brazil) so we created a platform by which everybody's creativity is mutually accessible, including theirs.

 

El Aleph

 

The network was built in an obscure record shop (Kareem Abdul-Jabbar found it) in a shimmering Brazilian port city...

 

...inspired in (the kabbalah-inspired fiction of) Borges' (short story) El Aleph, that in the pillar in Cairo's Mosque of Amr, where the universe in its entirety throughout all time is perceivable as an infinite hum from deep within the stone.

 

It "works" by virtue of the "small-world" phenomenon...the same responsible for the fact that most of us 7 billion or so beings are within 6 or fewer degrees of each other.

 

It was described (to some degree) and can be accessed via this article in British journal The Guardian (which named our radio of matrixed artists as one of ten best in the world):

 

www.theguardian.com/travel/2020/apr/17/10-best-music-radio-station-around-world

 

With David Dye for U.S. National Public Radio: www.npr.org/2013/07/16/202634814/roots-of-samba-exploring-historic-pelourinho-in-salvador-brazil

 

All is more connected than we know.

 

Per the "spirit" above, our logo is a cortador de cana, a cane-cutter. It was designed by Walter Mariano, professor of design at the Federal University of Bahia to reflect the origins of the music the shop specialized in. The Brazilian "aleph" doesn't hum... it dances and sings.

 

If You Can't Stand the Heat

 

Image above is from the base of the cross in front of the church of São Francisco do Paraguaçu in the Bahian Recôncavo

 

Sprawled across broad equatorial latitudes, stoked and steamed and sensual in the widest sense of the word, limned in cadenced song, Brazil is a conundrum wrapped in a smile inside an irony...

 

This is not a European nation. It is not a North American nation. It is not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn. Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin. It was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people). Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David. Three cultures — from three continents — running for their lives, their confluence forming an unprecedented fourth. Pandeirista on the roof. Nowhere else but here.

 

Oligarchy, plutocracy, dictatorships and massive corruption — elements of these are still strongly entrenched — have defined, delineated, and limited Brazil.

 

But strictured & bound as it has been and is, Brazil has buzz...not the shallow buzz of a fashionable moment...but the deep buzz of a population which in spite of — or perhaps because of — the tough slog through life they've been allotted by humanity's dregs-in-fine-linen, have chosen not to simply pull themselves along but to lift their voices in song and their bodies in dance...to eat well and converse well and much and to wring the joy out of the day-to-day happenings and small pleasures of life which are so often set aside or ignored in the European, North American, and East Asian nations.

 

For this Brazil has a genius perhaps unparalleled in all other countries and societies, a genius which thrives alongside peeling paint and holes in the streets and roads, under bad organization by the powers-that-be, both civil and governmental, under a constant rain of societal indignities...

 

Which is all to say that if you don't know Brazil and you're expecting any semblance of order, progress and light, you will certainly find the light! And the buzz of a people who for generations have responded to privation at many different levels by somehow rising above it all.

 

"Onde tem miséria, tem música!"* - Raymundo Sodré

 

And it's not just music. And it's not just Brazil.

 

Welcome to the kitchen!

 

* "Where there is misery, there is music!" Remarked during a conversation arcing from Bahia to Haiti and Cuba to New Orleans and the south side of Chicago and Harlem to the villages of Ireland and the gypsy camps and shtetls of Eastern Europe...

 

Harlem to Bahia to the Planet



Why a "Matrix"?

 

I was explaining the ideas behind this nascent network to (João) Teoria (trumpet player above) over cervejas at Xique Xique (a bar named for a town in Bahia) in the Salvador neighborhood of Barris...

 

Like this (but in Portuguese): "It's kind of like Facebook if it didn't spy on you, but reversed... more about who you don't know than who you do know. And who doesn't know you but would be glad if they did. It's kind of like old Myspace Music but instead of having "friends" it has a list on your page of people you recommend. Not just musicians but writers, painters, filmmakers, dancers, chefs... anybody in the creative economy. It has a list of people who recommend you, or through whom you are recommended. It deals with arts which aren't recommendable by algorithm but need human intelligence behind recommendations. And the people who are recommended can recommend, creating a network of recommendations wherein by the small world phenomenon most people in the creative economy are within several steps of everybody else in the creative economy, no matter where they are in the world. Like a chessboard which could have millions of squares, but you can get from any given square to any other in no more than six steps..."

 

And João said (in Portuguese): "A matrix where you can move from one artist to another..."

 

A matrix! That was it! The ORIGINAL meaning of matrix is "source", from "mater", Latin for "mother". So the term would help congeal the concept in the minds of people the network was being introduced to, while giving us a motto: "We're a real mother for ya!" (you know, Johnny "Guitar" Watson?)

 

The original idea was that musicians would recommend musicians, the network thus formed being "small world" (commonly called "six degrees of separation"). In the real world, the number of degrees of separation in such a network can vary, but while a given network might have billions of nodes (people, for example), the average number of steps between any two nodes will usually be minuscule.

 

Thus somebody unaware of the magnificent music of Bahia, Brazil will be able to conceivably move from almost any musician in this matrix to Bahia in just a few steps...

 

By the same logic that might move one from Bahia or anywhere else to any musician anywhere.

 

And there's no reason to limit this system to musicians. To the contrary, while there are algorithms written to recommend music (which, although they are limited, can be useful), there are no algorithms capable of recommending journalism, novels & short stories, painting, dance, film, chefery...

 

...a vast chasm that this network — or as Teoria put it, "matrix" — is capable of filling.

 

  • Carl Joe Williams
    I RECOMMEND

CURATION

  • from this node by: Matrix+

This is the Universe of

  • Name: Carl Joe Williams
  • City/Place: New Orleans, Louisiana
  • Country: United States

Life & Work

  • Bio: Carl Joseph Williams was born in Uptown New Orleans (b.1970). Art was Williams’ first love. At fourteen he was accepted into The New Orleans Center for Creative Art ( NOCCA) where he received his formal training.

    Upon completing high school, Williams continued his studies at the Atlanta College of Art. In Atlanta, Williams flourished in his craft; graduating in 1994, produced solo exhibitions, participated in several group exhibitions and completed several public art projects.

    Williams’ work has been displayed in several venues throughout the United States, including Journeys, an installation at the Hartsfield-Jackson International Airport and Williams’ Sculptural Trees installation on the median of Veterans Boulevard.

    In 2013, Williams’s had a solo exhibition at the George Ohr Museum in Biloxi, Mississippi and was a recipient of the Joan Mitchell NOLA Studio Artist Residence Program. Also, Williams was selected to participate in the 2014 Crystal Bridges State of the Art Discovering exhibition.

    My work has evolved into a multiplicity of visions, directions, and intuitive gestures. The paintings, installations, and sculptures I create are a product of recalled images of cumulative life experiences. Various forms of music, as well as the rhythm of people, and places assist in the creating and molding of the character of my work.

    I see my art and music as extensions of each other. I often use music as a model by incorporating its structure, rhythms, and dynamics elements into each piece; emerging into a new realm of experience.

    Objects are also a very important part of the creation and aesthetic of my art. Found objects are a continuum of a narrative flowing through the work, becoming elements of a story intricately woven into a work of art, in order to create a new meaning and new context, in an attempt to display in the layers the images interrelationship of cosmic forces and every-day. This search for universality continues to drive and inform my work.

    Aesthetics of the work involves many complex color combinations and rhythmic patterns inspired by geometric patterns found in nature. Rhythms and harmonies converge into a symphony of colors that work together to create a powerful visual experience.

    It is my vision to create pieces that bring a since of intrigue, color and excitement while addressing the physiological and historical concerns of everyday people.

Contact Information

  • Email: [email protected]

Media | Markets

  • ▶ Instagram: carl.joe.williams
  • ▶ Website: http://www.carljoewilliams.com
  • ▶ Website 2: http://www.blightsout.org
  • ▶ YouTube Channel: http://www.youtube.com/channel/UCBfmlWYCRfxxktKzFj3agrg

Clips (more may be added)

  • 2:34
    Carl Joe Williams- Rethinking American Icons
    By Carl Joe Williams
    213 views
  • 2:04
    Studio Visit: Carl Joe Williams
    By Carl Joe Williams
    179 views
Previous
Next

YOU RECOMMEND

Imagine the world's creative economy at your fingertips. Imagine 10 doors side-by-side. Beyond each, 10 more, each opening to a "creative" somewhere around the planet. After passing through 8 such doorways you will have followed 1 pathway out of 100 million possible (2 sets of doorways yield 10 x 10 = 100 pathways). This is a simplified version of the metamathematics that makes it possible to reach everybody in the global creative economy in just a few steps It doesn't mean that everybody will be reached by everybody. It does mean that everybody can  be reached by everybody.


Appear below by recommending Carl Joe Williams:

  • 0 New Orleans
  • 0 Painter
  • 0 Sculptor
  • Gord Sheard Multi-Cultural
  • Issac Delgado Composer
  • Aditya Prakash Singer
  • John Morrison Hip-Hop
  • Kermit Ruffins Singer
  • Mario Caldato Jr. Record Producer
  • Zachary Richard Poet
  • Lavinia Meijer Harp
  • Jorge Alfredo Brasil, Brazil
  • Cashmere Cat Songwriter
  • Filhos de Nagô Samba de Roda
  • Brad Mehldau Film Scores
  • John Francis Flynn Singer-Songwriter
  • Pharoah Sanders Saxophone
  • Mary Stallings Jazz
  • Jon Batiste R&B
  • Christone 'Kingfish' Ingram Mississippi
  • Benjamin Grosvenor Piano
  • ANNA Techno
  • Stephanie Soileau Short Stories
  • Daniil Trifonov New York City
  • Keola Beamer Singer-Songwriter
  • Hendrik Meurkens Composer
  • Oded Lev-Ari Piano
  • Dave Eggers Painter
  • Garth Cartwright Music Promoter
  • Jaleel Shaw Saxophone
  • Amaro Freitas Maracatu
  • Jorge Washington Cultural Producer
  • Djuena Tikuna Tikuna
  • Cristiano Nogueira Travel Marketer
  • Little Dragon Synthpop
  • Yosvany Terry Saxophone
  • Fatoumata Diawara Paris
  • Luques Curtis Afro-Latin Dance Music
  • Azi Schwartz החזן עזי שוורץ New York City
  • Stacy Dillard R&B
  • J. Period Record Producer
  • Zara McFarlane Vocal Coach
  • Simon Singh Physics
  • Ed O'Brien London
  • Yazz Ahmed Trumpet
  • Peter Erskine USC Thornton School of Music Faculty
  • Béla Fleck Americana
  • Lucian Ban Jazz
  • Aindrias de Staic Cainteoir Gaeilge
  • Sam Reider Piano
  • Aruán Ortiz Cuba
  • Nelson Ayres São Paulo
  • Ron Blake Composer
  • Tommaso Zillio Author
  • Mark Stryker Arts Critic
  • Muri Assunção Latinx
  • Azi Schwartz החזן עזי שוורץ New York City
  • Dale Farmer Folk & Traditional
  • Bodek Janke Contemporary Classical Music
  • Guga Stroeter Record Producer
  • Felipe Guedes Bahia
  • David Castillo Singer
  • Vânia Oliveira Brasil, Brazil
  • Mayra Andrade Lisbon
  • Delfeayo Marsalis New Orleans
  • Moses Boyd Composer
  • Roberta Sá Brazil
  • Rodrigo Amarante Brazil
  • Patty Kiss Bahia
  • Rema Namakula Uganda
  • Jamel Brinkley Iowa Writers' Workshop Faculty
  • The Weeknd Actor
  • Rolando Herts Delta Blues
  • Gabrielzinho do Irajá Rio de Janeiro
  • Yvette Holzwarth Los Angeles
  • Dr. Lonnie Smith Hammond B-3
  • Egberto Gismonti Guitar
  • Leo Genovese Argentina
  • Alyn Shipton Jazz Historian
  • Sam Eastmond Bandleader
  • Ethan Iverson Avant-Garde Jazz
  • John Donohue Writer
  • Iroko Trio São Paulo
  • Celino dos Santos Brazil
  • Liz Dany Choreographer
  • Dee Spencer Sound Designer
  • Pat Metheny Guitar
  • Tony Allen Paris
  • Karim Ziad Paris, France
  • Jim Hoke Arranger
  • Carlos Henriquez Northwestern University Faculty
  • Alegre Corrêa Berimbau
  • Julia Alvarez Novelist
  • Larry Grenadier Basel Music Academy Faculty
  • Marvin Dunn African American History
  • Tommaso Zillio Prog Rock
  • Kevin Hays Jazz
  • Matt Parker London
  • Tatiana Eva-Marie Singer
  • Leela James Jazz
  • Jas Kayser London
  • Walter Blanding Clarinet
  • Linda Sikhakhane Johannesburg
  • Alicia Svigals Jewish Music
  • Gilmar Gomes Brazil
  • Philip Glass New York City
  • Paulão 7 Cordas Guitar
  • Tom Zé Bahia
  • Hua Hsu Vassar College Faculty
  • Maciel Salú Composer
  • Marcus Miller Jazz
  • Babau Santana Bahia
  • Duncan Chisholm Composer
  • Benny Benack III Singer-Songwriter
  • Carlinhos Brown Multi-Instrumentalist
  • Keshav Batish Percussion
  • James Martin Jazz
  • Joe Chambers Composer
  • Jack Talty Raelach Records
  • Hélio Delmiro Samba
  • Jake Webster Painter
  • Cedric Watson Singer-Songwriter
  • Nathan Amaral Salzburg
  • Ricky (Dirty Red) Gordon New Orleans
  • Zebrinha Brasil, Brazil
  • Ben Williams Composer
  • Guinha Ramires Brazil
  • Alexia Arthurs Jamaica
  • RAM Mizik Rasin
  • Emily Elbert Guitar
  • Tim Hittle Filmmaker
  • Swizz Beatz DJ
  • Alicia Keys Art Collector
  • Utar Artun Composer
  • Flying Lotus Songwriter
  • Arto Tunçboyacıyan Percussion
  • Joana Choumali Photographer
  • Brandon Wilner New York City
  • Gabriel Geszti Multi-Cultural
  • Saul Williams Rapper
  • Pururu Mão no Couro Compositor, Songwriter
  • Michael Olatuja Nigeria
  • William Parker New York City
  • Andrew Finn Magill Ropeadope
  • Quatuor Ebène Contemporary Classical Music
  • Célestin Monga Economist
  • Aubrey Johnson Queens College Faculty
  • Siobhán Peoples Irish Traditional Music
  • Ken Coleman Detroit, Michigan
  • Eric Galm Trinity College Faculty
  • Ronaldo do Bandolim Brazil
  • Rosa Passos Bossa Nova
  • Natan Drubi Violão de Sete, Seven-string Guitar
  • Karim Ziad Multi-Instrumentalist
  • Aaron Goldberg New York City
  • Sunna Gunnlaugs Jazz
  • Hisham Mayet Filmmaker
  • Jean-Paul Bourelly Record Producer
  • Shannon Sims Rio de Janeiro
  • Roberta Sá Singer
  • Quatuor Ebène France
  • Joe Newberry Old-Time Music
  • Mahsa Vahdat Iran
  • Ajurinã Zwarg Drums
  • Casey Benjamin Funk
  • Dan Trueman Electronic Music
  • Bukassa Kabengele Singer-Songwriter
  • Daniel Jobim Brazilian Jazz
  • Oded Lev-Ari New York City
  • Nduduzo Makhathini South Africa
  • Matt Ulery Contemporary Classical Music
  • Andrew Finn Magill Violin
  • Ricardo Herz Forró
  • Richard Bona Singer
  • Corey Ledet Singer-Songwriter
  • John Edward Hasse Record Producer
  • Marquis Hill African-American Music
  • Ricardo Herz Jazz
  • Nei Lopes Rio de Janeiro
  • Martin Hayes Fiddle
  • Bob Lanzetti Composer
  • Vincent Herring Manhattan School of Music Faculty
  • MARO Portugal
  • Eric Galm Samba
  • Adam Cruz Composer
  • John Archibald Pulitzer Prize
  • Theo Bleckmann New York City
  • Bertram Ethnomusicologist
  • Eric Galm Hartford, Connecticut
  • Billy O'Shea Copenhagen
  • Nelson Faria YouTuber
  • Harold López-Nussa Composer
  • Stephen Guerra Brazil
  • Roy Nathanson Arranger
  • Kiko Horta Piano
  • Alessandro Penezzi Samba
  • Mateus Asato Songwriter
  • Julien Libeer Piano
  • Timothy Duffy Photographer
  • Joey Alexander Piano
  • César Orozco Cuba
  • Orrin Evans Neo Soul, Acid Jazz
  • Ravi Coltrane Composer
  • Joachim Cooder Record Producer
  • Liz Dany Barranquilla
  • Jimmy Cliff Jamaica
  • Thiago Trad Berimbau
  • Ibrahim Maalouf Beirut, Lebanon
  • Léo Rugero Forró
  • Donald Vega Nicaragua
  • John Zorn Composer
  • Rumaan Alam Literary Critic
  • Ivan Huol Brazil
  • Magda Giannikou New York City
  • Jessie Montgomery Composer
  • Joe Newberry Guitar
  • Tim Hittle Director
  • Gavin Marwick Edinburgh
  • Cláudio Jorge Brazil
  • Cathal McNaughton Ireland
  • Priscila Castro Santarém
  • Cainã Cavalcante Brazilian Jazz
  • Kiya Tabassian كيا طبسيان Multi-Cultural
  • Perumal Murugan Writer
  • Justin Stanton Trumpet
  • Marquis Hill Composer
  • Tony Allen Nigeria
  • Elodie Bouny Classical Guitar
  • Kiko Souza Samba
  • Tyler Gordon San Jose, California
  • Airto Moreira Composer
  • David Kirby Non-Fiction
  • Carlos Blanco Compositor, Composer
  • Alfredo Del-Penho Brazil
  • Jorge Glem Cuatro
  • Geraldo Azevedo MPB
  • Gregory Porter Songwriter
  • Mike Moreno Manhattan School of Music Faculty
  • Henrique Araújo Brazil
  • Eric Alexander Saxophone
  • Dan Tyminski Mandolin
  • Milford Graves Vocals
  • Rumaan Alam Essayist
  • Hilton Schilder South Africa
  • Vincent Valdez Mexican-American Art
  • John McLaughlin Composer
  • Booker T. Jones Soul
  • Oswaldinho do Acordeon São Paulo
  • Rodrigo Caçapa Viola Brasileira
  • Moses Boyd England
  • Lionel Loueke Singer
  • Nicole Mitchell Jazz
  • Russell Malone Guitar
  • John Santos Record Label Owner
  • Nabihah Iqbal Singer-Songwriter
  • Charlie Bolden Jazz
  • Lenine Brazil
  • Lenny Kravitz Actor
  • Eddie Kadi Congo
  • Şener Özmen Poet
  • António Zambujo Portugal
  • Zebrinha Bahia
  • Brandon J. Acker Lute
  • Beth Bahia Cohen Rababa
  • Kim André Arnesen Choral Works
  • Ana Luisa Barral Choro
  • Bule Bule Samba
  • A-KILL India
  • Luques Curtis New York City
  • The Umoza Music Project Malawi
  • Maria Drell Produtora Musical, Music Producer
  • Wolfgang Muthspiel Contemporary Classical Music
  • Patricia Janečková Prague
  • Jon Batiste Multi-Instrumentalist
  • Yosvany Terry Percussion
  • Nei Lopes Samba
  • Luiz Santos New York City
  • Urânia Munzanzu Cineasta, Filmmaker
  • Tony Austin Composer
  • Shuya Okino Composer
  • Pedro Martins Jazz
  • Gord Sheard Multi-Cultural
  • Carwyn Ellis Rio de Janeiro
  • Third Coast Percussion Chicago, Illinois
  • Gary Clark Jr. Singer-Songwriter
  • Peter Dasent Film Scores
  • Archie Shepp Jazz
  • Norah Jones New York City
  • Stanton Moore Drums
  • Gustavo Di Dalva Brazil
  • Utar Artun Turkey
  • Janine Jansen Utrecht
  • Ed O'Brien Singer-Songwriter
  • Chick Corea Jazz
  • Pedro Aznar Bass
  • Khruangbin Houston, Texas
  • Alan Bishop Egypt
  • Art Rosenbaum Banjo
  • Berkun Oya Turkey
  • William Parker Jazz
  • Jovino Santos Neto Record Producer
  • Rudy Royston Composer
  • Aruán Ortiz Jazz
  • Maia Sharp Record Producer
  • Sean Jones Trumpet
  • Rogê Brazil
  • Milton Primo Chula
  • John Patrick Murphy Accordion
  • Maia Sharp Nashville, Tennessee
  • Alphonso Johnson CalArts Music Faculty
  • Mateus Alves Pernambuco
  • David Ngwerume Africa
  • Taj Mahal Folk & Traditional
  • Ibram X. Kendi Boston University Faculty
  • Andrew Dickson Radio Presenter
  • Gino Sorcinelli Journalist
  • Peter Erskine USC Thornton School of Music Faculty
  • Geraldo Azevedo Singer-Songwriter
  • Warren Wolf Vibraphone
  • Nick Douglas Journalist
  • James Martins Jornalista, Journalist
  • Giovanni Russonello Journalist
  • Maciel Salú Pernambuco
  • Shalom Adonai Bahia
  • Mick Goodrick Guitar
  • Zé Katimba Brazil
  • James Strauss Flute
  • Paulo Dáfilin Viola Caipira
  • Luciano Calazans MPB
  • Rodrigo Caçapa Guitar
  • Veronica Swift New York City
  • Ivan Neville Multi-Instrumentalist
  • Aruán Ortiz Contemporary Classical Music
  • Nelson Ayres Brazil
  • Carlos Lyra Bossa Nova
  • Jau Singer-Songwriter
  • Nancy Viégas MPB
  • Joe Newberry Singer-Songwriter
  • Delfeayo Marsalis Record Producer
  • Brian Blade Louisiana
  • John Medeski Piano
  • Henry Cole Jazz
  • Elizabeth LaPrelle Singer-Songwriter
  • Marilda Santanna Escritora, Writer
  • McIntosh County Shouters Gullah Geechee
  • Frank Olinsky Illustrator
  • Flor Jorge Los Angeles
  • Jan Ramsey Culture Journalist
  • Luis Paez-Pumar Editor
  • Henry Cole New York City
  • Matthew F Fisher Painter
  • Chris Speed Composer
  • Adenor Gondim Brazil

 'mātriks / "source" / from "mater", Latin for "mother"
We're a real mother for ya!

 

Copyright ©2022  -  Privacy  -  Terms of Service  -  Contact  - 

Open to members of the worldwide creative economy.

You'll use your email address to log in.

Passwords must be at least 6 characters in length.

Enter your password again for confirmation.

This will be the end of your profile link, for example:
http://www.matrixonline.net/profile/yourname

Please type the characters you see in the image. May take several tries. Sorry!!!

 

Matrix Sign In

Please enter your details below. If are a member of the global creative economy and don't have a page yet, please sign up first.

 
 
 
Forgot Password?
Share