Martin Hayes via giant steps through a matrix based in the phenomenon placing most of the 7.8 billion of us within 6 or fewer degrees — steps — of each other...
- Steps from Martin Hayes:
I'LL TAKE YOU THERE! ▶
'mātriks / "source" / from "mater", Latin for "mother". We're real mothers for ya!
I'LL TAKE YOU THERE! ▶
- Steps forward by: The Matrix
Who I Am & Where I Live
- Name: Martin Hayes
- City: County Clare
- Country: Ireland
My Life & Work
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Bio:
I grew up in a household filled with music in a locality with a rich musical heritage. My father PJ Hayes and my uncle Paddy Canny were both highly respected fiddle players in the world of Irish music. My father also led the Tulla Ceili Band for most of his adult life. The place where I grew up had its own distinctive sound and its own take on Irish traditional music. The style was characterized on the one hand by a particular rhythmic lift and on the other hand by a highly expressive lyricism. From the very beginning I loved this music and was eager to play. I got my first fiddle when I was seven and the slow process of imitation and absorption began in our kitchen with my Father as my teacher. In the learning process the dominant message always coming to me from my father and lots of the finest musicians of county Clare was their idea that music must first express feeling. In their opinion no amount of technical prowess could compensate for an absence of soulfulness.
I wasn’t content to simply imitate and reproduce, I needed to decipher the deeper musical aspirations of the older musicians. I needed to get to the heart of this music.
I ultimately concluded that this music at its essence is a direct and simple expression of feeling. The melodies are sometimes deceptively simple but almost always beautiful and the rhythm is both understated and entrancing. There is an innate wisdom, a kind of common sense inherent in the tunes that still continues to inform my musical journey.
My mission is to express this musical essence in a manner that can be understood and felt by music lovers around the world. A fundamental driving belief for me is that the local musical vernacular can be a universal language when fully embraced. My engagement with the tradition, as I express it on stage, has become a process of distillation and translation.
Martin Hayes’ soulful interpretations of traditional Irish music are recognized the world over for their exquisite musicality and irresistible rhythm. He has toured and recorded with guitarist Dennis Cahill for over twenty years, and has collaborated with extraordinary musicians in the classical, folk and contemporary music worlds such as Bill Frisell, Ricky Skaggs, Jordi Savall, Brooklyn Rider and the Irish Chamber Orchestra, RTE Concert Orchestra as well as many of the greatest traditional Irish musicians over the past thirty years. Martin has contributed music, both original and traditional arrangements to modern dance, theatre, film and television. He has performed on stage with Sting and Paul Simon and recently recorded with Yo Yo Ma's Silk Road Project. He is the artistic director of Masters of Tradition, an annual festival in Bantry, Co. Cork and a co- curator for the Marble Sessions at the Kilkenny Arts Festival.
Martin has been recognized as Musician of the Year ( Gradam Ceol) from TG4, Irish language television, Person of the Year by the American Irish Historical Society in New York City and is recipient of the annual Spirit of Ireland award from the Irish Arts Center NY. He was the first musician to win The BBC Instrumentalist of the year and most recently the first to win the RTE folk instrumentalist of the year. Most recently he received an Honorary Doctor of Music from National University of Ireland Galway.
He founded the seminal Irish American band, The Gloaming, with whom he tours internationally and with whom he shared the prestigious Meteor Prize in 2014 for their debut album.
He and Dennis performed for President Obama and dignitaries both at the White House and the House of Representatives in March, 2011.
Martin was the recipient of six All-Ireland championships before the age of nineteen and spent his youth playing in his late father, P.Joe Hayes’ Tulla Celi Band, which has now been together for more than 70 years.
Contact Information
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Management/Booking:
Management
Michael Roe / Ken Allen
Faction Records
info@factionrecords.ie
Worldwide Live & Bookings
info@factionrecords.ie
My Media & Markets
- ▶ Buy My Music (downloads/CDs/DVDs): http://www.martinhayes.com/mh-store
- ▶ Twitter: MHayesmusic
- ▶ Instagram: martinhayes_musician
- ▶ Website: http://www.martinhayes.com
- ▶ YouTube Channel: http://www.youtube.com/channel/UCBP3g9K3J2KYkNem4Mhzh-Q
- ▶ YouTube Music: http://music.youtube.com/channel/UCXYzNSvTi3kbegKug7svDog
- ▶ Spotify: http://open.spotify.com/album/0kA4OpiO0iYJ0wH5kiejM4
- ▶ Spotify 2: http://open.spotify.com/album/3zpOzh4VaRf66sNWggmgks
- ▶ Spotify 3: http://open.spotify.com/album/608ZQ0B9bYpnfIMmgbIN7w
- ▶ Spotify 4: http://open.spotify.com/album/1GSKsqtcxCIGCkzPl69hgm
- ▶ Spotify 5: http://open.spotify.com/album/45zmNf11g8EYKMJl4FrXqe
- ▶ Patreon: http://www.patreon.com/martinhayes
More
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Quotes, Notes & Etc.
“In the decades to come, we’ll surely talk of having seen this man in the way others talk of Miles Davis or Jimi Hendrix or John Coltrane.”
— The Irish Times
The world's artistry via giant steps through a matrix based in the phenomenon placing most of the 7.8 billion of us within 6 or fewer degrees — steps — of each other ...
... a project conceived and built in the fertile, fecund and atavistic ground zero of Bahia, Brazil initially for the discoverability of this singular region's dispossessed genius.
All explained in the window immediately below. Followed — beneath this window — by scores of magnificent artists, each leading to myriads more artists/categories. Inside this window also may be found our Brazilian record store radio, named by British journal The Guardian as one of 10 of the Best Radio Stations Around the World!
IF YOU CAN'T STAND THE HEAT
Brazil is not a European nation. It's not a North American nation. It's not an East Asian nation. It straddles -- jungle and desert and dense urban centers -- both the equator and the Tropic of Capricorn. It absorbed over ten times the number of African slaves taken to the United States of America, and much of its aboriginal population was absorbed into the general population-at-large. Its people have lived under oligarchy, plutocracy, dictatorships and massive corruption, with elements of these still strongly entrenched today.
But!
Brazil has buzz...not the shallow buzz of a fashionable moment...but the deep buzz of a population which in spite of -- or perhaps because of -- the tough slog through life they've been allotted by humanity's dregs-in-fine-linen, have chosen not to simply pull themselves along but to lift their voices in song and their bodies in dance...to eat well and converse well and much and to wring the joy out of the day-to-day happenings and small pleasures of life which are so often set aside or ignored in the European, North American, and East Asian nations.
For this Brazil has a genius perhaps unparalleled in all other countries and societies, a genius which thrives alongside peeling paint and holes in the streets and roads, under bad organization by the powers-that-be, both civil and governmental, under a constant rain of societal indignities...
Which is all to say that if you don't know Brazil and you're expecting any semblance of order, progress and light, you will certainly find the light! And the buzz of a people who for generations have responded to privation at many different levels by somehow rising above it all.
Raimundo Sodré, in a conversation ranging through New Orleans and Harlem and the South Side of Chicago ... and Appalachia and Irish villages and Russian shtetls and the unofficial symbol of Brazil's Bahian-born national music (the pandeiro) almost certainly having arrived in Brazil in the hands of Sephardic Jews (including conversos) fleeing the Inquisition, once remarked: "Where there's misery, there's music!"
A pandeirista on the roof. And it's not just music. And it's not just Brazil.
