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  • M.O. & Worldlines In(4)
  • What's Up
  • @ Ground Zero
  • El Aleph
  • If You Can't Stand the Heat
  • From Harlem to Bahia

IMPORTANT →

M.O. & Worldlines In


Imagine the world's creative economy at your fingertips. Imagine 10 doors side-by-side. Beyond each, 10 more, each opening to a "creative" somewhere around the planet. After passing through 8 such doorways you will have followed 1 pathway out of 100 million possible (2 sets of doorways yield 10 x 10 = 100 pathways). This is a simplified version of the metamathematics that makes it possible to reach everybody in the global creative economy in just a few steps It doesn't mean that everybody will be reached by everybody. It does mean that everybody can  be reached by everybody.


Appear below by recommending Martin Hayes:

  • 2 Fiddle
  • 2 County Clare
  • 2 Irish Traditional Music
  • 2 Ireland

What's Up

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  • Martin Hayes
    Andrew Finn Magill → Violin has been recommended via Martin Hayes.
    • November 6, 2019
  • Martin Hayes
    Andrew Finn Magill → Samba has been recommended via Martin Hayes.
    • November 6, 2019
  • Martin Hayes
    Andrew Finn Magill → Jazz has been recommended via Martin Hayes.
    • November 6, 2019
  • Martin Hayes
    Andrew Finn Magill → Irish Traditional Music has been recommended via Martin Hayes.
    • November 6, 2019
  • Martin Hayes
    Andrew Finn Magill → Forró has been recommended via Martin Hayes.
    • November 6, 2019
  • Martin Hayes
    Andrew Finn Magill → Fiddle has been recommended via Martin Hayes.
    • November 6, 2019
  • Martin Hayes
    Andrew Finn Magill → Composer has been recommended via Martin Hayes.
    • November 6, 2019
  • Martin Hayes
    Andrew Finn Magill → Choro has been recommended via Martin Hayes.
    • November 6, 2019
  • Martin Hayes
    Andrew Finn Magill → Ropeadope has been recommended via Martin Hayes.
    • November 6, 2019
  • Martin Hayes
    Andrew Finn Magill → Appalachian Music has been recommended via Martin Hayes.
    • November 6, 2019
  • Martin Hayes
    A video was posted re Martin Hayes:
    NPR Music Tiny Desk Concert
    You're about to watch one of the best fiddlers on the planet and a subtle guitar master work their magic. For too many of us, Irish music is something that m...
    • June 6, 2019
  • Martin Hayes
    A category was added to Martin Hayes:
    Ireland
    • June 6, 2019
  • Martin Hayes
    A category was added to Martin Hayes:
    Irish Traditional Music
    • June 6, 2019
  • Martin Hayes
    A category was added to Martin Hayes:
    County Clare
    • June 6, 2019
  • Martin Hayes
    A category was added to Martin Hayes:
    Fiddle
    • June 6, 2019
  • Martin Hayes
    Martin Hayes is matrixed!
    • June 6, 2019
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@ Ground Zero

 

Have you, dear friend, ever noticed how different places scattered across the face of the globe seem almost to exist in different universes? As if they were permeated throughout with something akin to 19th century luminiferous aether, unique, determined by that place's history? It's like a trick of the mind's light (I suppose), but standing on beach or escarpment in Salvador and looking out across the Baía de Todos os Santos to the great Recôncavo, and mindful of what happened there, one must be led to the inevitable conclusion that one is in a place unique to history, and to the present*.

 

 

"Chegou a hora dessa gente bronzeada mostrar seu valor / The time has come for these bronzed people to show their value..."Música: Assis Valente of Santo Amaro, Bahia. Vídeo: Betão Aguiar.

 

*More enslaved human beings entered the Bay of All Saints and the Recôncavo than any other final port-of-call throughout all of mankind's history.

 

These people and their descendants created some of the most uplifting music ever made, the foundation of Brazil's national art. We wanted their music to be accessible to the world (it's not even accessible here in Brazil) so we created a platform by which everybody's creativity is mutually accessible, including theirs.

 

El Aleph

 

The network was built in an obscure record shop (Kareem Abdul-Jabbar found it) in a shimmering Brazilian port city...

 

...inspired in (the kabbalah-inspired fiction of) Borges' (short story) El Aleph, that in the pillar in Cairo's Mosque of Amr, where the universe in its entirety throughout all time is perceivable as an infinite hum from deep within the stone.

 

It "works" by virtue of the "small-world" phenomenon...the same responsible for the fact that most of us 7 billion or so beings are within 6 or fewer degrees of each other.

 

It was described (to some degree) and can be accessed via this article in British journal The Guardian (which named our radio of matrixed artists as one of ten best in the world):

 

www.theguardian.com/travel/2020/apr/17/10-best-music-radio-station-around-world

 

With David Dye for U.S. National Public Radio: www.npr.org/2013/07/16/202634814/roots-of-samba-exploring-historic-pelourinho-in-salvador-brazil

 

All is more connected than we know.

 

Per the "spirit" above, our logo is a cortador de cana, a cane-cutter. It was designed by Walter Mariano, professor of design at the Federal University of Bahia to reflect the origins of the music the shop specialized in. The Brazilian "aleph" doesn't hum... it dances and sings.

 

If You Can't Stand the Heat

 

Image above is from the base of the cross in front of the church of São Francisco do Paraguaçu in the Bahian Recôncavo

 

Sprawled across broad equatorial latitudes, stoked and steamed and sensual in the widest sense of the word, limned in cadenced song, Brazil is a conundrum wrapped in a smile inside an irony...

 

It is not a European nation. It is not a North American nation. It is not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn. Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin. It was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people). Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David. Three cultures — from three continents — running for their lives, their confluence forming an unprecedented fourth. Pandeirista on the roof. Nowhere else but here.

 

Oligarchy, plutocracy, dictatorships and massive corruption — elements of these are still strongly entrenched — have defined, delineated, and limited Brazil.

 

But strictured & bound as it has been and is, Brazil has buzz...not the shallow buzz of a fashionable moment...but the deep buzz of a population which in spite of — or perhaps because of — the tough slog through life they've been allotted by humanity's dregs-in-fine-linen, have chosen not to simply pull themselves along but to lift their voices in song and their bodies in dance...to eat well and converse well and much and to wring the joy out of the day-to-day happenings and small pleasures of life which are so often set aside or ignored in the European, North American, and East Asian nations.

 

For this Brazil has a genius perhaps unparalleled in all other countries and societies, a genius which thrives alongside peeling paint and holes in the streets and roads, under bad organization by the powers-that-be, both civil and governmental, under a constant rain of societal indignities...

 

Which is all to say that if you don't know Brazil and you're expecting any semblance of order, progress and light, you will certainly find the light! And the buzz of a people who for generations have responded to privation at many different levels by somehow rising above it all.

 

"Onde tem miséria, tem música!"* - Raymundo Sodré

 

And it's not just music. And it's not just Brazil.

 

Welcome to the kitchen!

 

* "Where there is misery, there is music!" Remarked during a conversation arcing from Bahia to Haiti and Cuba to New Orleans and the south side of Chicago and Harlem to the villages of Ireland and the gypsy camps and shtetls of Eastern Europe...

 

From Harlem to Bahia



  • Martin Hayes
    I RECOMMEND

CURATION

  • from this node by: Sparrow/Pardal

This is the Universe of

  • Name: Martin Hayes
  • City/Place: County Clare
  • Country: Ireland

Life & Work

  • Bio: I grew up in a household filled with music in a locality with a rich musical heritage. My father PJ Hayes and my uncle Paddy Canny were both highly respected fiddle players in the world of Irish music. My father also led the Tulla Ceili Band for most of his adult life. The place where I grew up had its own distinctive sound and its own take on Irish traditional music. The style was characterized on the one hand by a particular rhythmic lift and on the other hand by a highly expressive lyricism. From the very beginning I loved this music and was eager to play. I got my first fiddle when I was seven and the slow process of imitation and absorption began in our kitchen with my Father as my teacher. In the learning process the dominant message always coming to me from my father and lots of the finest musicians of county Clare was their idea that music must first express feeling. In their opinion no amount of technical prowess could compensate for an absence of soulfulness.

    I wasn’t content to simply imitate and reproduce, I needed to decipher the deeper musical aspirations of the older musicians. I needed to get to the heart of this music.

    I ultimately concluded that this music at its essence is a direct and simple expression of feeling. The melodies are sometimes deceptively simple but almost always beautiful and the rhythm is both understated and entrancing. There is an innate wisdom, a kind of common sense inherent in the tunes that still continues to inform my musical journey.

    My mission is to express this musical essence in a manner that can be understood and felt by music lovers around the world. A fundamental driving belief for me is that the local musical vernacular can be a universal language when fully embraced. My engagement with the tradition, as I express it on stage, has become a process of distillation and translation.

    Martin Hayes’ soulful interpretations of traditional Irish music are recognized the world over for their exquisite musicality and irresistible rhythm. He has toured and recorded with guitarist Dennis Cahill for over twenty years, and has collaborated with extraordinary musicians in the classical, folk and contemporary music worlds such as Bill Frisell, Ricky Skaggs, Jordi Savall, Brooklyn Rider and the Irish Chamber Orchestra, RTE Concert Orchestra as well as many of the greatest traditional Irish musicians over the past thirty years. Martin has contributed music, both original and traditional arrangements to modern dance, theatre, film and television. He has performed on stage with Sting and Paul Simon and recently recorded with Yo Yo Ma's Silk Road Project. He is the artistic director of Masters of Tradition, an annual festival in Bantry, Co. Cork and a co- curator for the Marble Sessions at the Kilkenny Arts Festival.

    Martin has been recognized as Musician of the Year ( Gradam Ceol) from TG4, Irish language television, Person of the Year by the American Irish Historical Society in New York City and is recipient of the annual Spirit of Ireland award from the Irish Arts Center NY. He was the first musician to win The BBC Instrumentalist of the year and most recently the first to win the RTE folk instrumentalist of the year. Most recently he received an Honorary Doctor of Music from National University of Ireland Galway.

    He founded the seminal Irish American band, The Gloaming, with whom he tours internationally and with whom he shared the prestigious Meteor Prize in 2014 for their debut album.

    He and Dennis performed for President Obama and dignitaries both at the White House and the House of Representatives in March, 2011.

    Martin was the recipient of six All-Ireland championships before the age of nineteen and spent his youth playing in his late father, P.Joe Hayes’ Tulla Celi Band, which has now been together for more than 70 years.

Contact Information

  • Management/Booking: Management
    Michael Roe / Ken Allen
    Faction Records
    [email protected]

    Worldwide Live & Bookings
    [email protected]

Media | Markets

  • ▶ Buy My Music: (downloads/CDs/DVDs) http://www.martinhayes.com/mh-store
  • ▶ Twitter: MHayesmusic
  • ▶ Instagram: martinhayes_musician
  • ▶ Website: http://www.martinhayes.com
  • ▶ YouTube Channel: http://www.youtube.com/channel/UCBP3g9K3J2KYkNem4Mhzh-Q
  • ▶ YouTube Music: http://music.youtube.com/channel/UCXYzNSvTi3kbegKug7svDog
  • ▶ Spotify: http://open.spotify.com/album/0kA4OpiO0iYJ0wH5kiejM4
  • ▶ Spotify 2: http://open.spotify.com/album/3zpOzh4VaRf66sNWggmgks
  • ▶ Spotify 3: http://open.spotify.com/album/608ZQ0B9bYpnfIMmgbIN7w
  • ▶ Spotify 4: http://open.spotify.com/album/1GSKsqtcxCIGCkzPl69hgm
  • ▶ Spotify 5: http://open.spotify.com/album/45zmNf11g8EYKMJl4FrXqe
  • ▶ Patreon: http://www.patreon.com/martinhayes

More

  • Quotes, Notes & Etc. “In the decades to come, we’ll surely talk of having seen this man in the way others talk of Miles Davis or Jimi Hendrix or John Coltrane.”

    — The Irish Times

Clips (more may be added)

  • NPR Music Tiny Desk Concert
    By Martin Hayes
    351 views
Previous
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