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  • Adriana L. Dutra

    THE INTEGRATED GLOBAL
    CREATIVE ECONOMY

    promulgated by
    The Brazilian Ministry of Culture

    fomented by
    The Bahian Secretary of Culture

    fomented by
    The Palmares Foundation
    for the promotion of Afro-Brazilian Culture

    fomented by
    The National Foundation of Indigenous Peoples

    I CURATE

Network Node

  • Name: Adriana L. Dutra
  • City/Place: Rio de Janeiro
  • Country: Brazil

CURATION

  • from this node by: Criador acima/Creator above

Life & Work

  • Bio: Adriana L. Dutra is a documentary filmmaker from Rio de Janeiro Brazil. She is one of the founding directors of Infinnito, a film production company, and of the Brazilian Film Festival of Miami.

Media | Markets

  • ▶ Instagram: dridridutra
  • ▶ Website: http://www.inffinito.com
  • ▶ YouTube Channel: http://www.youtube.com/user/INFFINITOdotCOM

Clips (more may be added)

  • 1:01
    Promo Sons Brasilis / Samba - Canal Curta!
    By Adriana L. Dutra
    108 views
  • 1:01
    Promo Sons Brasilis / Forró - Canal Curta!
    By Adriana L. Dutra
    180 views
  • 0:46
    Promo Sons Brasilis / Frevo - Canal Curta!
    By Adriana L. Dutra
    134 views
  • 1:01
    Promo Sons Brasilis / Maracatu - Canal Curta!
    By Adriana L. Dutra
    107 views
Previous
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Adriana L. Dutra Curated

  • 1 Brazil
  • 1 Director
  • 1 Documentary Filmmaker
  • 1 Film Festival Director
  • 1 Rio de Janeiro
  • 1 Screenwriter

What's Been Happening?

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  • Adriana L. Dutra
    A video was posted re Adriana L. Dutra:
    Promo Sons Brasilis / Samba - Canal Curta!
    Série para TV Produção: Inffinito
    • April 4, 2022
  • Adriana L. Dutra
    A video was posted re Adriana L. Dutra:
    Promo Sons Brasilis / Forró - Canal Curta!
    Série para TV Produção: Inffinito
    • April 4, 2022
  • Adriana L. Dutra
    A video was posted re Adriana L. Dutra:
    Promo Sons Brasilis / Frevo - Canal Curta!
    Uma Produção: Inffinito
    • April 4, 2022
  • Adriana L. Dutra
    A video was posted re Adriana L. Dutra:
    Promo Sons Brasilis / Maracatu - Canal Curta!
    Série para TV Produçao: Inffinito
    • April 4, 2022
  • Adriana L. Dutra
    A category was added to Adriana L. Dutra:
    Brazil
    • April 4, 2022
  • Adriana L. Dutra
    A category was added to Adriana L. Dutra:
    Rio de Janeiro
    • April 4, 2022
  • Adriana L. Dutra
    A category was added to Adriana L. Dutra:
    Documentary Filmmaker
    • April 4, 2022
  • Adriana L. Dutra
    A category was added to Adriana L. Dutra:
    Director
    • April 4, 2022
  • Adriana L. Dutra
    A category was added to Adriana L. Dutra:
    Screenwriter
    • April 4, 2022
  • Adriana L. Dutra
    A category was added to Adriana L. Dutra:
    Film Festival Director
    • April 4, 2022
  • Adriana L. Dutra
    Adriana L. Dutra is matrixed!
    • April 4, 2022
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  • English (Portuguese →)
  • (← Inglês) Português

English (Portuguese →)

 

PATHWAYS
from Brazil, with love

"I am thrilled to receive your email! Thank you for including me in this wonderful matrix."
✅—Susan Rogers
Personal recording engineer: Prince, Paisley Park
Director: Music Perception & Cognition Laboratory, Berklee College of Music
Author: This Is What It Sounds Like: What the Music You Love Says About You

 

 

The Matrix was Born in Brazil, but It Embraces the Entire World

Why Brazil?

 

Brazil is not a European nation. It's not a North American nation. It's not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn.

 

Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin (Bahia's Bay of All Saints received more enslaved human beings than any other final port-of-call throughout all of human history).

 

Brazil was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people).

 

Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David.

 

Three cultures — from three continents — running for their lives, their confluence forming a scintillatingly unprecedented fourth. Pandeirista on the roof.

 

Brazil itself is a matrix. Nowhere else but here.


Music & lyrics (Brasil Pandeiro) by Assis Valente of Santo Amaro, Bahia, Brazil. Video by Betão Aguiar of Salvador.

The matrix was created in Salvador's Centro Histórico, where Bule Bule above, among magisterial colleagues for whom this matrix was originally built (it's now open to all in the Global Creative Economy) sings, "Chegou a hora dessa gente bronzeada mostrar seu valor... The time has come for these bronzed people to show their worth..."

...the endeavor motivated in the first instance by the fact that in common with most cultures around our planet, the preponderance of Brazil's vast cultural treasure has been impossible to find from outside of circumscribed regions, including Brazil itself...

Thus something new under the tropical sun: A means by which those above, those below, and EVERYBODY ELSE in the creative economy can be divulged EVERYWHERE.

For by the seemingly magical mathematics of the small world phenomenon, all in the matrix will tend to proximity to all others, in the same way that most human beings are within some six or so steps of most others.

The difference being that in the matrix, these steps are along pathways that can be travelled. The creative world becomes a neighborhood. Quincy Jones is right up the street and Branford Marsalis around the corner. And the most far-flung genius you've never heard of is just a few doors down. Maybe even in Brazil. Laroyê!

 

"Matrixado!"
✅—Founding Member Darius Mans
Economist, PhD, Massachusetts Institute of Technology
✅—Luiz Inácio Lula da Silva
President of Brazil

"Many thanks for this - I am  touched!"

✅—Julian Lloyd Webber
That most fabled cellist in the United Kingdom (and Brazilian music fan)

"I'm truly thankful... Sohlangana ngokuzayo :)"
✅—Nduduzo Makhathini
Blue Note recording artist)

"Thanks, this is a brilliant idea!!"
✅—Alicia Svigals
Founder of The Klezmatics

"This is super impressive work ! Congratulations ! Thanks for including me :)))"
✅—Clarice Assad
Compositions recorded by Yo Yo Ma and played by orchestras around the world

"Thank you"
(Banch Abegaze, manager)
✅—Kamasi Washington

 


The matrix is the ultimate evolution of a pathway which began in New York City decades ago per the "rescue" of unpaid royalties, performance & mechanicals, for artists burned by major labels: Aretha Franklin, Barbra Streisand, Mongo Santamaria, Gilberto Gil, Astrud Gilberto, Airto Moreira, Jim Hall, Led Zeppelin, Philip Glass, Clement "Coxsone" Dodd of Kingston's Studio One (Bob Marley's producer; I made a copy of his original contract with Bob to take to CBS Records to argue; Bob was 17 when he signed and his aunt co-signed)...
...Funk Brother Wah Wah Watson (Melvin Ragin) and others. A long and winding road that led inexorably to the necessity of a truly open arts universe, for there is more in Heaven and Earth...

Tap people, tap categories, tap curations... The matrix is a maze of tunnels within King Solomon's creative mines.

(← Inglês) Português

 

CAMINHOS
do Brasil, com amor

"Fico muitíssimo feliz em receber seu e-mail! Obrigada por me incluir neste matrix maravilhoso."
✅—Susan Rogers
Engenheiro de gravação pessoal para Prince: Paisley Park
Diretora: Laboratório de Percepção e Cognição Musical, Berklee College of Music
Autora: This Is What It Sounds Like: What the Music You Love Says About You

 

 

O Matrix Nasceu no Brasil, mas Abraça o Mundo Inteiro

Por que construir o matrix no Brasil?

 

O Brasil não é uma nação européia. Não é uma nação norte-americana. Não é uma nação do leste asiático. Compreende — selva e deserto e centros urbanos densos — tanto o equador quanto o Trópico de Capricórnio.

 

O Brasil absorveu mais de dez vezes o número de africanos escravizados levados para os Estados Unidos da América, e é um repositório de divindades africanas (e sua música) agora em grande parte esquecido em suas terras de origem (a Baía de Todos os Santos recebeu mais seres humanos escravizados do que qualquer outro porto de escala final ao longo de toda a história humana).

 

O Brasil era um refúgio (de certa forma) para os sefarditas que fugiam de uma Inquisição que os seguia através do Atlântico (aquele símbolo não oficial da música nacional brasileira — o pandeiro — foi quase certamente trazido ao Brasil por esse povo).

 

Através das savanas ressequidas do interior do culturalmente fecundo nordeste, onde o mago Hermeto Pascoal nasceu na Lagoa da Canoa e cresceu em Olho d'Águia, uma grande parte da população aborígine do Brasil foi absorvida por uma cultura caboclo/quilombola pontuada pela Estrela de Davi.

 
Três culturas - de três continentes - correndo por suas vidas, sua confluência formando uma quarta cintilante e sem precedentes. Pandeirista no telhado.

 

Brasil é um matrix mesmo. Em nenhum outro lugar a não ser aqui.


Música & letras (Brasil Pandeiro) por Assis Valente de Santo Amaro, Bahia. Vídeo por Betão Aguiar de Salvador.

O matrix foi criado no Centro Histórico de Salvador, onde Bule Bule acima, entre colegas magisteriais para quem este matrix foi originalmente construído (está aberto agora a todos na Economia Criativa Global) canta, "Chegou a hora dessa gente bronzeada mostrar seu valor..."

...o empreendimento motivado na primeira instância pelo fato de que em comum com a maioria das culturas ao redor do nosso planeta, a preponderância do vasto tesouro cultural do Brasil tem sido impossível de encontrar fora de regiões circunscritas, incluindo o próprio Brasil.

Assim algo novo sob o sol tropical: Um meio pelo qual os acima, os abaixo e TODOS OS OUTROS na economia criativa podem ser divulgados em TODOS OS LUGARES.

Pela matemática aparentemente mágica do fenômeno do mundo pequeno, todos no matrix tenderão a se aproximar de todos, da mesma forma que a maioria dos seres humanos estão dentro de cerca de seis passos da maioria dos outros.

Com a diferença que no matrix, estes passos estão ao longo de caminhos que podem ser percorridos. O mundo criativo se torna uma vizinhança. Quincy Jones está lá em cima e Branford Marsalis está ao virar da esquina. E o gênio distante que você nunca ouviu falar tá lá embaixo. Talvez até no Brasil. Laroyê!

 

"Matrixado!"
✅—Membro Fundador Darius Mans
Economista, doutorado, Massachusetts Institute of Technology
✅—Luiz Inácio Lula da Silva
Presidente do Brasil

"Muito obrigado por isso - estou tocado!"

✅—Julian Lloyd Webber
Estamos tocados também Sr. Webber!
Merecidamente o violoncelista mais lendário do Reino Unido (e fã da música brasileira)

"Estou realmente agradecido... Sohlangana ngokuzayo :)"
✅—Nduduzo Makhathini
Artista da Blue Note)

"Obrigada, esta é uma ideia brilhante!!"
✅—Alicia Svigals
Fundadora do The Klezmatics

"Este é um trabalho super impressionante! Parabéns! Obrigada por me incluir :)))"
✅—Clarice Assad
Composições gravadas por Yo Yo Ma e tocadas por orquestras ao redor do mundo

"Thank you"
(Banch Abegaze, empresário)
✅—Kamasi Washington


O matrix é a evolução definitiva de um caminho que começou em Nova York há décadas atrás pelo "resgate" dos direitos autorais não pagos para Aretha Franklin, Barbra Streisand, Mongo Santamaria, Gilberto Gil, Astrud Gilberto, Airto Moreira, Jim Hall, Led Zeppelin, Philip Glass, Clement "Coxsone" Dodd do Studio One de Kingston (o produtor de Bob Marley; Eu fiz uma cópia de seu contrato original com Bob para levar à CBS Records para discutir; Bob tinha 17 anos quando assinou e sua tia co-assinou)...
...Funk Brother Wah Wah Watson (Melvin Ragin) e outros. Um longo e sinuoso caminho que levou inexoravelmente à necessidade de um universo de artes verdadeiramente aberto, pois há mais no Céu e na Terra...

Toque em pessoas, toque em categorias, toque em curadoria... O matrix é um labirinto de túneis dentro das minas criativas do Rei Salomão.

  • Alfredo Rodriguez Jazz
  • Laura Marling London
  • Stanton Moore Drums
  • Concha Buika Equatorial Guinea
  • Alex de Mora Documentary Filmmaker
  • Kamasi Washington Jazz, Funk, R&B, Soul, Hip-Hop
  • Daymé Arocena Santeria
  • Nate Chinen Radio Director
  • Donald Harrison Composer
  • Rick Beato Songwriter
  • Marco Pereira Author
  • Bill T. Jones Writer
  • André Becker Salvador
  • César Camargo Mariano Samba
  • Alisa Weilerstein Cello
  • Cyro Baptista Percussion
  • MicroTrio de Ivan Huol Bahia
  • Chris Dingman Composer
  • Ariane Astrid Atodji Filmmaker
  • Jorge Washington Brazil
  • Luizinho Assis Jazz
  • Gringo Cardia Video Director
  • Samuca do Acordeon Samba
  • Joel Guzmán Austin, Texas
  • Tom Wilcox Accountant
  • Amy K. Bormet Washington, D.C.
  • Luíz Paixão Composer
  • Fabrício Mota Historiador, Historian
  • Armen Donelian Author
  • David Mattingly Matte Painter
  • Wynton Marsalis New York City
  • J. Cunha Salvador
  • Questlove Clive Davis Institute of Recorded Music Faculty
  • Jeremy Danneman Saxophone
  • Frank London Klezmer
  • Rowney Scott Saxophone
  • Luiz Antônio Simas Samba
  • Olivia Trummer Piano
  • Omar Sosa Cuba
  • Robertinho Silva Drums
  • Alfredo Rodriguez Cuba
  • Colson Whitehead Essayist
  • Bodek Janke Germany
  • Arany Santana Candomblé
  • Michael League Brooklyn, NY
  • Iroko Trio Brazil
  • Orrin Evans Composer
  • Jeremy Danneman New York City
  • Custódio Castelo Fado
  • Alex Hargreaves Fiddle
  • Cuong Vu Jazz
  • Eric Roberson R&B
  • Ryuichi Sakamoto Multi-Cultural
  • Kevin Hays Jazz
  • Dave Douglas New York City
  • Meena Karimi Afghanistan
  • Ravi Coltrane Record Label Owner
  • Jimmy Greene Gospel
  • Peter Evans Piccolo Trumpet
  • Martin Koenig Record Producer
  • Júlio Caldas Bandolim, Mandolin
  • Robert Randolph Singer-Songwriter
  • Shamarr Allen New Orleans
  • Siba Veloso Brazil
  • Carlos Lyra Guitar
  • Nancy Viégas Indie Experimental
  • Carlos Henriquez Northwestern University Faculty
  • Pasquale Grasso Guitar Instruction, Master Classes
  • Keshav Batish Drums
  • Cashmere Cat DJ
  • Miles Mosley Composer
  • Steve Lehman Saxophone Instructor
  • Hanif Abdurraqib Essayist
  • Priscila Castro Brasil, Brazil
  • Paquito D'Rivera Classical Music
  • Marilda Santanna Faculdade da UFBA, Federal University of Bahia Faculty
  • Lauren Martin New York City
  • Léo Brasileiro Bahia
  • Jimmy Cliff Ska
  • Ashley Pezzotti New York City
  • Maciel Salú Singer
  • Helado Negro Sound Installations
  • Ivan Neville Keyboards
  • Amitava Kumar Vassar College Faculty
  • Helado Negro Latin Experimental Music
  • Mavis Staples Singer-Songwriter
  • Zachary Richard Zydeco
  • Brad Mehldau Jazz
  • Ethan Iverson Music Critic
  • Gringo Cardia Rio de Janeiro
  • Bob Lanzetti Record Producer
  • Teodor Currentzis Conductor
  • Dafnis Prieto Master Classes, Clinics, Workshops
  • Keb' Mo' Blues
  • Dermot Hussey Reggae
  • Munir Hossn Bahia
  • Mark Markham New York City
  • Sammy Britt Delta State University Faculty
  • Kendrick Scott Drums
  • Nádia Taquary Bahia
  • Sérgio Pererê Brazil
  • Terry Hunter House Music
  • Gilson Peranzzetta Brazil
  • Kehinde Wiley New York City
  • Brad Ogbonna Photographer
  • Sheryl Bailey Berklee College of Music Faculty
  • Danilo Pérez Panama
  • Brian Lynch Record Label Owner
  • Nara Couto Salvador
  • Eder Muniz Grafiteiro, Graffiti Artist
  • Frank Negrão Bass
  • Nicholas Payton Multi-Instrumentalist
  • Helado Negro Avant-Pop Music
  • Bruno Monteiro Jornalista, Journalist
  • Brian Jackson Composer
  • Dorothy Berry Museum Curator
  • Billy O'Shea Ireland
  • Aurino de Jesus Brazil
  • Edmar Colón Saxophone
  • The Bayou Mosquitos Zydeco
  • Carol Soares Brazil
  • Curtis Hasselbring Brooklyn, NY
  • Shakespeare and Company Paris, France
  • Dom Flemons Banjo
  • Ivo Perelman Brooklyn, NY
  • Nelson Ayres Jazz
  • David Bragger Guitar
  • Milford Graves New York City
  • Brian Cross aka B+ Album Covers
  • Kirk Whalum R&B
  • Laércio de Freitas Actor
  • Bill Hinchberger Journalist
  • Peter Evans Avant-Garde Jazz
  • Rory Marx Anderson Videographer
  • James Brandon Lewis Jazz
  • Zeca Pagodinho Rio de Janeiro
  • Greg Kurstin Jazz
  • Matt Dievendorf Washington, D.C.
  • Kehinde Wiley Portrait Painter
  • RAM Haiti
  • John McLaughlin Guitar
  • Sabine Hossenfelder Physicist
  • Maurício Massunaga Violão de Sete
  • Carol Soares Samba
  • Julien Libeer Brussels
  • David Bragger Fiddle Instruction
  • Jaleel Shaw Jazz
  • Justin Brown Drums
  • Carlos Lyra Singer-Songwriter
  • Pedro Martins Choro
  • Miroslav Tadić Film, Theater, Dance Scores
  • Alain Mabanckou Writer
  • Joey Alexander Indonesia
  • Chris Speed Composer
  • Ben Wendel Bassoon
  • Arturo Sandoval Piano
  • Fapy Lafertin Gypsy Jazz
  • Dom Flemons Folk & Traditional
  • JD Allen Composer
  • Ben Azar Israel
  • Paulo Costa Lima Música Clássica Contemporânea, Contemporary Classical Music
  • Yoruba Andabo Rumba
  • Casa PretaHub Cachoeira Afroempreendedorismo, Afro-Entrepreneurship
  • João Luiz Jazz
  • Helado Negro Brooklyn, NY
  • Plínio Fernandes Brazil
  • Greg Spero Jazz
  • Gord Sheard Keyboards
  • Intisar Abioto Dancer
  • Joshua Abrams Guimbri
  • Sebastian Notini Bateria, Drums
  • Bill Laurance Dance Scores
  • Alexia Arthurs New York City
  • Nicholas Daniel Classical Music
  • Dave Holland Jazz
  • Joatan Nascimento Brazil
  • Seu Regi de Itapuã Salvador
  • Nelson Cerqueira Romancista, Novelist
  • Nate Smith Composer
  • Christopher Seneca New York City
  • Jeff Spitzer-Resnick Civil Rights Law
  • Seckou Keita Composer
  • Eric Alper Music Publicist
  • J. Velloso Bahia
  • Jim Lauderdale Nashville, Tennessee
  • Psoy Korolenko Псой Короленко Songwriter
  • Frank Beacham Writer
  • David Chesky New York City
  • Susheela Raman Singer-Songwriter
  • Corey Ledet Zydeco
  • Marcelo Caldi Choro
  • Trombone Shorty Second Line
  • Giveton Gelin Jazz
  • Serwah Attafuah NFTs
  • Vanessa Moreno Guitar
  • Jon Lindsay Theater Scores
  • Diedrich Diederichsen Music Journalist
  • Serwah Attafuah Multidisciplinary Artist
  • Michelle Burford Writer
  • Danilo Pérez Composer
  • Giovanni Russonello Music Critic
  • Mauro Senise MPB
  • Karsh Kale कर्ष काळे Multi-Instrumentalist
  • Alyn Shipton Double Bass
  • Evgeny Kissin Poet
  • Merima Ključo Klezmer
  • Martyn DJ
  • Chau do Pife Forró
  • Zeca Freitas Salvador
  • Seu Jorge Samba
  • Ballaké Sissoko Bamako
  • Mary Halvorson Composer
  • Restaurante Axego Restaurant
  • Vanessa Moreno Brazil
  • Ricardo Herz MPB
  • Oscar Peñas Barcelona
  • Cashmere Cat Record Producer
  • Ricardo Bacelar Piano
  • Brad Ogbonna Brooklyn, NY
  • Ricardo Herz Jazz
  • Saileog Ní Cheannabháin Sean-Nós Singer
  • Germán Garmendia Record Producer
  • Cleber Augusto Brazil
  • Djamila Ribeiro Escritora, Writer
  • David Chesky Composer
  • John Edward Hasse Ragtime
  • Nonesuch Records Contemporary Classical Music
  • David Simon Journalist
  • Tony Austin Jazz
  • Mauro Senise Flute
  • Cássio Nobre Viola Brasileira
  • Joe Lovano Berklee College of Music Faculty
  • Giba Conceição Percussion
  • Filhos de Nagô Brazil
  • Ben Okri Poet
  • 小野リサ Lisa Ono Japan
  • James Gavin New York City
  • Wilson Simoninha Samba
  • Jen Shyu Multi-Cultural
  • Jeff Parker Chicago, Illinois
  • Rebeca Omordia London
  • Laércio de Freitas Choro
  • Gustavo Caribé Compositor, Composer
  • Grant Rindner New York City
  • Magda Giannikou Greece
  • Mark Stryker Arts Critic
  • Cécile McLorin Salvant Classical, Baroque Voice
  • Jau Brazil
  • Gerald Cleaver Jazz
  • Howard Levy Jazz
  • Yamandu Costa Guitar
  • Scott Kettner Maracatu
  • Cacá Diegues Brasil, Brazil
  • Shuya Okino Tokyo
  • Gilmar Gomes Guitar
  • Yvette Holzwarth Contemporary Classical Music
  • Little Simz London
  • Vivien Schweitzer Photographer
  • Urânia Munzanzu Brasil, Brazil
  • Camille Thurman Saxophone
  • Keita Ogawa Pandeiro
  • Marcos Portinari Diretor Artístico, Artistic Director
  • Arifan Junior Cantor-Compositor, Singer-Songwriter
  • Rhiannon Giddens Artistic Director
  • Ahmad Sarmast Music School Director
  • César Orozco New York City
  • João Callado Rio de Janeiro
  • Karsh Kale कर्ष काळे EDM
  • Philip Ó Ceallaigh Bucharest
  • Anders Osborne Singer-Songwriter
  • Calypso Rose Calypso
  • Shannon Sims New Orleans
  • Omari Jazz Visual Artist
  • Casa da Mãe MPB
  • Johnny Lorenz Translator
  • Ronald Bruner Jr. Singer
  • Jamel Brinkley Novelist
  • Yasushi Nakamura Tokyo
  • Branford Marsalis Saxophone
  • Christopher Silver Music Curator
  • Khruangbin Multi-Cultural
  • Robb Royer Pop
  • Jimmy Dludlu South Africa
  • Kiko Horta Composer
  • Djuena Tikuna Amazonas
  • João Parahyba São Paulo
  • Maria Rita Bossa Nova
  • Spider Stacy Actor
  • Matthew F Fisher Collaborative Artist
  • Oriente Lopez Piano
  • Sam Reider Singer-Songwriter
  • Yayá Massemba Samba de Roda
  • Negrizu Bahia
  • David Braid Lute
  • Mark Bingham Guitar
  • Colson Whitehead Novelist
  • Tshepiso Ledwaba Clarinet
  • Varijashree Venugopal Multi-Cultural
  • Alan Bishop Record Label Owner
  • Lizz Wright Gospel
  • Charles Munka Collage
  • Ahmad Sarmast Afghan Music
  • Linda Sikhakhane Saxophone
  • Dale Farmer Screenwriter
  • Ana Luisa Barral Salvador
  • Richie Barshay Afro-Latin Percussion
  • Betão Aguiar Bass
  • Judith Hill Jazz
  • Lionel Loueke Guitar
  • Benoit Fader Keita Mënik
  • Ricky (Dirty Red) Gordon New Orleans
  • Zé Katimba Samba
  • Turtle Island Quartet Contemporary Classical Music
  • Danilo Brito Bandolim
  • Celino dos Santos Brazil
  • Mário Pam Bahia
  • Rob Garland Jazz, Funk
  • Wayne Shorter Jazz
  • Tigran Hamasyan Armenia
  • Questlove Rapper
  • Miles Mosley Singer
  • Inaicyra Falcão Brasil, Brazil
  • Patty Kiss Bahia
  • Jan Ramsey Second Line
  • Martín Sued Bandoneon
  • Gerald Clayton Blue Note Records
  • Brenda Navarrete Composer
  • Dan Nimmer Piano
  • Maria Drell Chicago, Illinois
  • Mark Lettieri Composer
  • Hopkinson Smith Basel
  • Thomas Àdes London
  • Susan Rogers Writer
  • Mark Turner Jazz
  • Yunior Terry Violin
  • PATRICKTOR4 Produtor Musical, Music Producer
  • Carl Allen Drums
  • Jelly Green Painter
  • Andrés Beeuwsaert Multi-Cultural
  • Eric Alexander Composer
  • Hilton Schilder Composer
  • Daniel Jobim Brazilian Jazz
  • Daniel Bennett Composer
  • Júlio Caldas Guitarra Baiana
  • Greg Ruby Gypsy Jazz
  • Eduardo Kobra Muralista, Muralist
  • Nailor Proveta Clarinete, Clarinet
  • Estrela Brilhante do Recife Pernambuco
  • Ken Avis World Jazz
  • Jan Ramsey Zydeco
  • Ricky (Dirty Red) Gordon Percussion
  • Stormzy Singer-Songwriter
  • Jon Cowherd Record Producer
  • Zeca Baleiro Música Infantil, Music for Children
  • Chris McQueen App Developer
  • Marcus J. Moore Writer
  • Ana Tijoux Hip-Hop
  • James Sullivan Writer
  • Carlos Paiva Especialista em Políticas Públicas e Gestão Governamental, Specialist in Public Policy and Government Management
  • Mika Mutti Record Producer
  • Tero Saarinen Finland
  • Ajurinã Zwarg Rio de Janeiro
  • Trombone Shorty Trombone
  • Toumani Diabaté Multi-Cultural
  • Airto Moreira Compositor, Composer
  • Soweto Kinch Radio Presenter
  • John Boutté R&B
  • Ben Okri London
  • Aubrey Johnson Jazz
  • Lívia Mattos Salvador
  • Rosa Cedrón Galego Folk Music
  • André Vasconcellos Produtor Musical, Music Producer
  • Jon Cowherd Jazz
  • Bruno Monteiro Gestor Público, Public Servant
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