Bio:
Peter Slevin is a Medill associate professor who spent a decade on The Washington Post’s national staff and is currently a contributing writer for The New Yorker, focusing on national politics. He teaches classes on politics and the media; the U.S. role in world affairs; and reporting strategies on current events, from the 2020 presidential campaign to the intersection of policing and race in Chicago.
Slevin’s career as a reporter has taken him around the country and the globe, where he has covered events and personalities of every description, taking particular interest in telling stories rich with the voices of the people involved. His ambitious biography of Michelle Obama was voted one of the best biographies of the year by PEN America, and was translated into Chinese, Korean and Dutch.
After starting his career at a small afternoon newspaper in Hollywood, Florida, Slevin moved to The Miami Herald, where his stint included seven years as European bureau chief, chronicling the collapse of communism in central Europe and the Soviet Union. Later, he reported from Cuba, Haiti and Mexico, then moved to Washington as chief diplomatic correspondent. He joined The Post in 1998, spending two years covering Washington, D.C., before crossing to the national staff in time for the Bush-Gore recount in Florida and the Clinton presidential pardon scandal. As a diplomatic correspondent after the 9/11 attacks, he wrote extensively about U.S. foreign policy and the Iraq war, concentrating on the Bush administration’s controversial post-war planning and the aftermath of the American-led invasion.
Slevin spent six years as The Post's Chicago bureau chief, delivering deadline work and deeply reported stories, with a special focus on politics and the home front of the Iraq and Afghan wars. He produced long-form pieces about soldiers, their preparations for war and their return home, as well as the impact of war on their families, communities and public opinion. Continuing his work at the intersection of politics, media and the public, he is frequently asked to give lectures on the role of journalism in the age of Donald Trump.
At Medill, Slevin admires creative approaches to storytelling and believes that some of the best journalism flows from research and critical thinking done before the reporter has asked the first question. Urging his students to zig when the press pack zags, he leads an undergraduate seminar titled “Politics, Media and the Republic,” as well as "Dilemmas of American Power," cross-listed with Medill and International Studies, which focuses on the U.S. role in the world, from the Vietnam War to the modern Middle East. Among his courses are graduate and undergraduate versions of “Police, Race and Community.” He has guided student reporting trips to Cuba, France and Jordan, as well as to numerous states in the Midwest.
bio from https://www.medill.northwestern.edu/directory/faculty/peter-slevin.html
Quotes, Notes & Etc.
About Peter Slevin's MICHELLE OBAMA
This is the inspiring story of a modern American icon, the first comprehensive account of the life and times of Michelle Obama.
With disciplined reporting and a storyteller’s eye for revealing detail, Peter Slevin follows Michelle to the White House from her working-class childhood on Chicago’s largely segregated South Side. He illuminates her tribulations at Princeton University and Harvard Law School during the racially charged 1980s and the dilemmas she faced in Chicago while building a high-powered career, raising a family, and helping a young community organizer named Barack Obama become president of the United States.
From the lessons she learned in Chicago to the messages she shares as one of the most recognizable women in the world, the story of this First Lady is the story of America. Michelle Obama: A Life is a fresh and compelling view of a woman of unique achievement and purpose.
Finalist for the 2015 PEN/Jacqueline Bograd Weld Award for Biography
One of Booklist’s Top Ten Biographies of 2015
“Detailed and absorbing. . . . [B]ring[s] a storied public figure to life.” —The Washington Post
“A deeply informed portrait of the first lady and her native Chicago. . . . Her larger story, told so powerfully in Slevin’s biography, suggests she will forever be a force with which to be reckoned.”
—Chicago Tribune
“A must-read. . . . An important new biography. . . . Slevin treats [the First Lady] and her accomplishments with the detail and nuance they deserve.”
—Elle Magazine
“A standout. . . . Michelle Obama’s story is an American classic. . . . Slevin combines access to her and her family and friends with a keen understanding of American politics and history.”
—USA Today
“Thoughtful. . . . Ripe with revelations about her deeply complicated relationship with her own position as an Ivy League-educated black woman. . . . Richly rendered context for Mr. Obama’s 2008 campaign, when Mrs. Obama suddenly became a litmus test.”
—The New York Times Book Review
“[A] meticulously reported, close-up look. . . . A detailed portrait of an ambitious, civic-minded woman with a track record for getting things done.”
—The Florida Times-Union
“Makes a convincing case that Mrs. Obama’s popularity today has more to do with events that took place on the south side of Chicago decades ago than with the work of an image maker in the East Wing of the White House.”
—The Wall Street Journal
“Impressively reported and researched. . . . fast-paced.”
—Chicago magazine
“Richly detailed prose. . . . tons of little-known nuggets revealed in the book, offering readers a closer look at the Mrs. Obama they never knew.”
—NBC
“[An] intimate view of her life. . . . The most comprehensive portrait to date of the nation’s first African-American first lady.”
—Atlanta BlackStar
“The most ambitious and authoritative book about [First Lady Michelle Obama] yet. Richly reported, beautifully written, thoughtful in its judgments and revelatory in its details . . . a work that does justice to Michelle Obama in a fresh way.”
—John Heilemann, co-author of Game Change and Double Down
“The life of Michelle Obama is a uniquely American story, and Peter Slevin tells it beautifully in this deft, revealing work. . . . Slevin also paints a rich picture of Chicago’s South Side during the past century and the family and forces that helped shape this exceptional woman.”
—David Axelrod, former Senior Advisor to the President, director of the Institute of Politics at the University of Chicago
“Slevin is dogged in his reporting, nuanced in his storytelling and thoughtful in his analysis. He not only shows us who this historical first lady is, but how she came to be. In the process, he reveals much about our times and our culture.”
—Robin Givhan, Pulitzer Prize-winning critic for the Washington Post
“Compelling. . . . [An] exhaustive and thoughtful portrait. . . . will delight the most ardent Michelle Watchers.”
—Patrik Henry Bass, NY1
“An amazing, eye-opening biography that begins on Chicago’s South Side and ends in the White House. . . . a rich, powerful portrait at once revealing of Mrs. Obama and of ourselves as Americans.”
—Dexter Filkins, author of The Forever War
The Recôncavo is an almost invisible center-of-gravity. Circumscribing the Bay of All Saints, this region was landing for more enslaved human beings than any other such throughout all of human history. Not unrelated, it is also birthplace of some of the most physically & spiritually uplifting music ever made. —Sparrow
"Dear Sparrow: I am thrilled to receive your email! Thank you for including me in this wonderful matrix."
—Susan Rogers: Personal recording engineer for Prince, inc. "Purple Rain", "Sign o' the Times", "Around the World in a Day"... Director of the Berklee Music Perception and Cognition Laboratory
I'm Pardal here in Brazil (that's "Sparrow" in English). The deep roots of this project are in Manhattan, where Allen Klein (managed the Beatles and The Rolling Stones) called me about royalties for the estate of Sam Cooke... where Jerry Ragovoy (co-wrote Time is On My Side, sung by the Stones; Piece of My Heart, Janis Joplin of course; and Pata Pata, sung by the great Miriam Makeba) called me looking for unpaid royalties... where I did contract and licensing for Carlinhos Brown's participation on Bahia Black with Wayne Shorter and Herbie Hancock...
...where I rescued unpaid royalties for Aretha Franklin (from Atlantic Records), Barbra Streisand (from CBS Records), Led Zeppelin, Mongo Santamaria, Gilberto Gil, Astrud Gilberto, Airto Moreira, Jim Hall, Wah Wah Watson (Melvin Ragin), Ray Barretto, Philip Glass, Clement "Sir Coxsone" Dodd for his interest in Bob Marley compositions, Cat Stevens/Yusuf Islam and others...
...where I worked with Earl "Speedo" Carroll of the Cadillacs (who went from doo-wopping as a kid on Harlem streetcorners to top of the charts to working as a janitor at P.S. 87 in Manhattan without ever losing what it was that made him special in the first place), and with Jake and Zeke Carey of The Flamingos (I Only Have Eyes for You)... stuff like that.
Yeah this is Bob's first record contract, made with Clement "Sir Coxsone" Dodd of Studio One and co-signed by his aunt because he was under 21. I took it to Black Rock to argue with CBS' lawyers about the royalties they didn't want to pay. They paid.
MATRIX MUSICAL
The Matrix was built below among some of the world's most powerfully moving music, some of it made by people barely known beyond village borders. Or in the case of Sodré, his anthem A MASSA — a paean to Brazil's poor ("our pain is the pain of a timid boy, a calf stepped on...") — having blasted from every radio between the Amazon and Brazil's industrial south, before he was silenced. (that's me left, with David Dye & Kim Junod for U.S. National Public Radio) ... The Matrix started with Sodré, with João do Boi, with Roberto Mendes, with Bule Bule, with Roque Ferreira... music rooted in the sugarcane plantations of Bahia. Hence our logo (a cane cutter).